DOCSLIB.ORG

Joseph Marcell

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Joseph Marcell JOSEPH MARCELL Theatre: Lady Windemere's Fan Lord Lorton Kathy Burke The Vaudeville Theatre Babette's Feast Dean / Loewenheilm Bill Buckhurst The Print Room Trouble In Mind Sheldon Forrester Laurence Boswell Bath Theatre Royal The Inn at Lydda Caspar Andy Jordan Shakespeare’s Globe The Tempest Gonzalo Dominic Dromgoole Shakespeare’s Globe Cymbeline Cymbeline Sam Yates Shakespeare’s Globe Omeros Narrator Bill Buckhurst Shakespeare’s Globe King John Cardinal Pandulph James Dacre Shakespeare's Globe King Lear Lear Bill Buckhurst Shakespeare's Globe Gaslight The Detective Ed Dick Salisbury Playhouse Much Ado About Nothing Leonarto Jeremy Herrin Shakespeare’s Globe Radio Golf Elder Joseph Barlow Paulette Randall The Tricycle Let There Be Love Alfred Kwame Kwei-amah The Tricycle Gem Of The Ocean Solly Paulette Randall The Tricycle / Arena, Washington King Hedley 2 Elmore Paulette Randall The Tricycle Breakfast With Mugabe Mugabe Paul Robinson Theatre Royal Bath Coriolanus Cominius Dominic Dromgoole The Globe Under The Black Flag Sultan / Calico Jack Roxanna Silbert The Globe Walk Hard Charlie / Mr Berry Nick Kent The Tricycle Hamlet Claudius John Adams Haymarket, Basingstoke Richard III Part II Chrysostom John Adams Paines Plough Crates On Barrels Crates Ray Jewers R S C Measure For Measure Angeloe Patrick Stewart Acter U S A Tour Henry V I Part I I I Duke of Gloucester Tina Parker Shakespeare & Co, U S A Romeo And Juliet Capulet Dennis Krausnic Shakespeare & Co, U S A The Knack Tolen Ed Thomasin Sheffield The Man Orison Ed Thomasin Sheffield Mephistophiles Dr Faustus Ed Thomasin Sheffield One Fine Day Mr Mzoga John Burgess Riverside Studios A Dying Business Mr James Michael Joyce Riverside Studios Motor Car Motor Car John Adams Paines Plough / National Theatre Anchorman Plug John Dove Royal Court / Coventry Macbeth Banquo / Siward Nancy Meckler Leicester Our Friends From the North Joseph/ Duffy/ Williams Ohn Caird R S C The Brothers Menechmi The Maid Clem Maccallin R S C Little Malcolm Wick Terry Oliver R S C Coriolanus Volsc Trevor Nunn R S C Anthony And Cleopatra Eros Trevor Nunn R S C Sherlock Holmes Lightfoot Mactague Frank Dunlop R S C / Broadway Two Gentlemen Of Verona Speed John Barton R S C The Great White Hope Tick Nicholas Kent R S C Livingstone and sechele Sechele Peter Lichtenfels Lyric, Hammersmith Split Second Parker Hugh Woolridge Lyric, Hammersmith Othello Othello Michael Boyd Lyric, Hammersmith Master Harold and The Boys Willy Athol Fugard National Theatre Black Star Ira Aldridge John Adams Octagon Bolton Joseph Marcell 1 Markham Froggatt & Irwin Limited Registered Office: Bank Gallery, High Street, Kenilworth, Warwickshire, CV8 1LY Registered in England No. 7268133 VAT Registration No. 993 055 789 Members of the PMA Julius Caesar Brutus John Dexter Leicester / Tour Creon Creon John Dexter Leicester / Tour Twelfth Night Sir Toby Belch Pip Broughton Birmingham Rep Peer Gynt Peer Gynt Conall Morrison & Trevor Nunn National Death Of A Salesman Willy Loman Kully Tahiarai Leicester King Hedley Play Elmore Paulette Randall Birmingham Rep / The Tricycle Winters Tale Camillo Tina Parker Shakespeare & Co, U S A A Midsummer Nights Dream Puck Ron Daniels R S C Joe Turner's Come And Gone Bynum Claude Purdy The Tricycle Television: Battledream Chronicles Zeus Thunderking Alain Bidard Pagod Films Wrapped Up In Christmas Jim Nash Peter Sullivan Hybrid Death In Paradise Alexander Jackson Richard Signy B B C Frost Joshua Ray Paul Harrison I T V Holby City Professor Webster Chris Richards B B C Rough Crossings David George Steve Condie B B C Eastenders Aubrey Various B B C Jericho Clive Marlowe Nick Fenton Granada The Professionals I V Nero William Brayne Mark I Prods Crown Court Defending Counsel Mary Mcmurray Granada Juliet Bravo Bold Andrew Morgan B B C Fancy Wanders Alastair Tom Kinnimont L W T Empire Road Walter Alex Marshall B B C Anthony And Cleopatra Eros Trevor Nunn B B C Rumpole & The Golden Thread Freddy Ruingo Donald Mcwhinnie Thames First Sight: Some Day Man Mik John Bruce T S W The Return Of Shelley Palmer Anthony Parker Thames Dr Who John Andrew Morgan B B C The Bill: Pressure Wilmot Barry Davis Thames Outpost Doc Holmes Tommy Lee Wallace H T V Desmonds Matthew Nic Phillips C4 Boon I V Charlie Fowkes Christopher Baker Central Die Kinder Joe Rob Walker B B C The Fresh Prince Of Bel Air Geoffrey Various N B C T V Runaway Bay Samuels Laurence Moody Lifetime Eastenders Adrian Bell Paul Unwin B B C Brothers And Sisters Elder Gittens Charlie Hanson Hanson T V Mclibel Robert Beavers James Cellan Jones Channel 4 The Bill Vernon Paul Murton Thames Brothers And Sisters I I Pastor Gittens Charlie Hanson Hanson T V Film: The Thin Man The Old Man Dominic Dromgoole Open Palm The Boy Who Harnessed Chief Wimbe Chiwetel Ejiofor BBC Films The Wind Hero C. L. R James Frances - Anne Solomon Banyan Prods Return To Zero Dr Harrington Sean Hanish Cannonball Prods Fedz Fast Eddie Q Deadmeat Prods Cry Freedom Moses Richard Attenborough Marble Arch Prods That Samba Thing Nelson Teddy Hayes S K D Theatrical Prods Playing Away Robbo Horace Ove Insight Prods Sioux City Dr. Darryl Reichert Lou Diamond Phillips Cabin Fever Joseph Marcell 2 Markham Froggatt & Irwin Limited Registered Office: Bank Gallery, High Street, Kenilworth, Warwickshire, CV8 1LY Registered in England No. 7268133 VAT Registration No. 993 055 789 Members of the PMA.
Load more

Recommended publications
  • Love's Labour's Lost
    CAL PERFORMANCES PRESENTS CAST Wednesday, November 4, 2009, 8pm Love’s Labour’s Lost Thursday, November 5, 2009, 7pm Friday, November 6, 2009, 8pm Saturday, November 7, 2009, 2pm & 8pm Sunday, November 8, 2009, 3pm Zellerbach Hall Shakespeare’s Globe in Love’s Labour’s Lost John Haynes CAST by William Shakespeare Ferdinand, King of Navarre Philip Cumbus Berowne Trystan Gravelle Artistic Director for Shakespeare‘s Globe Dominic Dromgoole Longaville William Mannering Dumaine Jack Farthing Director Set and Costume Designer Composer The Princess of France Michelle Terry Dominic Dromgoole Jonathan Fensom Claire van Kampen Rosaline Thomasin Rand Choreographer Fight Director Lighting Designer Maria Jade Anouka Siân Williams Renny Krupinski Paul Russell Katherine Siân Robins-Grace Text Work Movement Work Voice Work Boyet, a French lord in attendance on the Princess Tom Stuart Giles Block Glynn MacDonald Jan Haydn Rowles Don Adriano de Armado, a braggart from Spain Paul Ready Moth, his page Seroca Davis Holofernes, a schoolmaster Christopher Godwin Globe Production Manager U.S. Production Manager Paul Russell Bartolo Cannizzaro Sir Nathaniel, a curate Patrick Godfrey Dull, a constable Andrew Vincent U.S. Press Relations General Management Richard Komberg and Associates Paul Rambacher, PMR Productions Costard, a rustic Fergal McElherron Jaquenetta, a dairy maid Rhiannon Oliver Executive Producer, North America Executive Producer for Shakespeare’s Globe Eleanor Oldham and John Luckacovic, Conrad Lynch Other parts Members of the Company 2Luck Concepts Musical Director, recorder, shawms, dulcian, ocarina, hurdy-gurdy Nicholas Perry There will be one 20-minute intermission. Recorders, sackbut, shawms, tenor Claire McIntyre Viol, percussion David Hatcher Cal Performances’ 2009–2010 season is sponsored by Wells Fargo.
    [Show full text]
  • Playing Shakespeare with Deutsche Bank Production of Twelfth Night
    2016 shakespeare’s globe Annual review contents Welcome 5 Theatre: The Globe 8 Theatre: The Sam Wanamaker Playhouse 14 Celebrating Shakespeare’s 400th Anniversary 20 Globe Education – Inspiring Young People 30 Globe Education – Learning for All 33 Exhibition & Tour 36 Catering, Retail and Hospitality 37 Widening Engagement 38 How We Made It & How We Spent It 41 Looking Forward 42 Last Words 45 Thank You! – Our Stewards 47 Thank You! – Our Supporters 48 Who’s Who 50 The Playing Shakespeare with Deutsche Bank production of Twelfth Night. Photo: Cesare de Giglio The Little Matchgirl and Other Happier Tales. Photo: Steve Tanner WELCOME 2016 – a momentous year – in which the world celebrated the richness of Shakespeare’s legacy 400 years after his death. Shakespeare’s Globe is proud to have played a part in those celebrations in 197 countries and led the festivities in London, where Shakespeare wrote and worked. Our Globe to Globe Hamlet tour travelled 193,000 miles before coming home for a final emotional performance in the Globe to mark the end, not just of this phenomenal worldwide journey, but the artistic handover from Dominic Dromgoole to Emma Rice. A memorable season of late Shakespeare plays in the Sam Wanamaker Playhouse and two outstanding Globe transfers in the West End ran concurrently with the last leg of the Globe to Globe Hamlet tour. On Shakespeare’s birthday, 23 April, we welcomed President Obama to the Globe. Actors performed scenes from the late plays running in the Sam Wanamaker Playhouse at Southwark Cathedral, a service which was the only major civic event to mark the anniversary in London and was attended by our Patron, HRH the Duke of Edinburgh.
    [Show full text]
  • June 2016 President: Vice President: Simon Russell Beale CBE Nickolas Grace
    No. 495 - June 2016 President: Vice President: Simon Russell Beale CBE Nickolas Grace Nothing like a Dame (make that two!) The VW’s Shakespeare party this year marked Shakespeare’s 452nd birthday as well as the 400th anniversary of his death. The party was a great success and while London, Stratford and many major cultural institutions went, in my view, a bit over-bard (sorry!), the VW’s party was graced by the presence of two Dames - Joan Plowright and Eileen Atkins, two star Shakespeare performers very much associated with the Old Vic. The party was held in the Old Vic rehearsal room where so many greats – from Ninette de Valois to Laurence Olivier – would have rehearsed. Our wonderful Vice-President, Nickolas Grace, introduced our star guests by talking about their associations with the Old Vic; he pointed out that we had two of the best St Joans ever in the room where they would have rehearsed: Eileen Atkins played St Joan for the Prospect Company at the Old Vic in 1977-8; Joan Plowright played the role for the National Theatre at the Old Vic in 1963. Nickolas also read out a letter from Ronald Pickup who had been invited to the party but was away in France. Ronald Pickup said that he often thought about how lucky he was to have six years at the National Theatre, then at Old Vic, at the beginning of his career (1966-72) and it had a huge impact on him. Dame Joan Plowright Dame Joan Plowright then regaled us with some of her memories of the Old Vic, starting with the story of how when she joined the Old Vic school in 1949 part of her ‘training’ was moving chairs in and out of the very room we were in.
    [Show full text]
  • Coriolanus, the Globe, London
    CAHIERS ÉLISABÉTHAINS 70 AUTUMN 2006 Coriolanus, The Globe, London. Jonathan Cake (Coriolanus), Mo Sesay (Aufidius). Photograph courtesy of John Tramper. Titus Andronicus, The Globe, London. Photograph courtesy of John Tramper. 46 PLAY REVIEWS UK Spring/Summer Season 2006 Please note that reviews of RSC and guest company productions for the 2006-2007 Complete Works Festival at Stratford-upon-Avon will be published in a special issue (see p. 88 for details and subscription) Coriolanus, directed by Dominic Dromgoole, The Foakes recently lamented, the reconstructed Globe Globe, London, 10 May 2006, first gallery, stage cen- “is not the kind of experimental theatre some of us tre. hoped for [and yet it continues to establish] for thou- sands of visitors a fixed idea of an Elizabethan stage ppointed in March 2006 as the Artistic Director that may well be erroneous in many respects”.1 Aof the Globe, Dominic Dromgoole (formerly Dromgoole’s Coriolanus typified exactly the pa- of Oxford Stage Company) directed Coriolanus as ralysis of a theatre hamstrung by the need to look his inaugural production in a season labelled with Jacobean even while attempting to make connections Globish modishness, “The Edges of Rome”. Why between a Roman world and the twenty-first centu- Dromgoole has decided to continue Mark Rylance’s ry. Iconic of this uncomfortable compromise were the idea of a themed season is anyone’s guess — though costumes (designed by Mike Britton): Elizabethan the RSC has also been culpable in its stagings of his- doublets (with ruffs) and hose over which was tories (2000), tragedies (2004) and comedies (2005), draped a Caesarean swag.
    [Show full text]
  • Educational Afterworlds in Neoliberal Britain
    Educational Afterworlds in Neoliberal Britain: Class, Politics and Sexuality A thesis submitted to The University of Manchester for the degree of PhD in English in the Faculty of Humanities. 2010 Paul Goddard Department of English and American Studies Contents ABSTRACT ...................................................................................................................................................... 4 DECLARATION ............................................................................................................................................ 5 COPYRIGHT STATEMENT..................................................................................................................... 6 ACKNOWLEDGEMENTS......................................................................................................................... 7 INTRODUCTION ....................................................................................................................................... 8 The Educational Afterworld........................................................................................................................10 Culture, Anarchy and the Educating State...............................................................................................15 Mass Civilisation, Minority Culture and the English School ..............................................................21 Literacy, Working-Class Culture and the Education Welfare State ..................................................27 Edyoucashun, Edyoucashun,
    [Show full text]
  • Romeo & Juliet
    Romeo & Juliet by William Shakespeare The title page of Romeo & Juliet from the First Folio of Shakespeare’s plays, published in 1623. Handsome bound facsimiles of Romeo & Juliet , published in the Globe Folios series in association with the British Library, are available from the shop, price £9.99. Each volume includes an introduction by the foremost First Folio scholar, Anthony James West. Sources, early Performance and Publication Shakespeare’s principal sources for Romeo & Romeo & Juliet was almost certainly first Juliet were a long narrative poem called The performed by Shakespeare’s company, the Tragicall Historye of Romeus and Juliet by Arthur Chamberlain’s Men, in or around 1596 – a Brooke, first published in 1562 and, to a lesser ‘lyrical’ period of Shakespeare’s writing career degree, the prose romance Rhomeo and Julietta which also includes A Midsummer Night’s Dream, by William Painter. Both sources were based Richard II and many of the Sonnets . No records on a French version of the Italian story Giulietta exist to tell us where it was first seen, but it e Romeo first published in about 1530. Such is likely to have been either the Theatre or the The Curtain Theatre, Shoreditch (to the right), where Italian ‘novelles’ were popular reading in Curtain playhouse in Shoreditch. It has been Romeo & Juliet was probably first performed in or around Shakespeare’s time and Painter’s collection, suggested that Richard Burbage, the company’s 1596. A detail from Abram Booth’s ‘View of London from The Palace of Pleasure , was singled out by the leading man, took the role of Romeo (he would the North’.
    [Show full text]
  • Patrick Brennan
    Eamonn Bedford Agency 1st Floor - 28 Mortimer Street London W1W 7RD EBA t +44(0) 20 7734 9632 e [email protected] represented by Eamonn Bedford www.eamonnbedford.agency Patrick Brennan HEIGHT: 5’9” (175cm) HAIR: Light/Mid Brown EYES: Blue TITLE (Role) DIRECTOR PRODUCTION COMPANY TELEVISION Doctors (Neil Farnham) Ed Dick BBC Carnival Row (Captain) Thor Freudenthal Amazon Absentia (William Meade) Oded Ruskin Sony Shakespeare and Hathaway (Doug) Ian Barber BBC Call the Midwife (Mr Greenwood) James Larkin Neal Street Productions Doctors (Ed Jamieson) Tracey Larcombe BBC Holby City (Roger Davis) Nigel Douglas BBC Freddie Mercury Docu Drama (Jim Beach) ITV Downton Abbey Series 6 (Mr Dawes) Phillip John/David Evans/ Carnival Films/ITV Michael Engler Doctors (David Chapel) Rob Rohrer BBC Gangsta Granny (Beefeater) Matt Lipsey BBC The White Queen (Sir John of Reigate) Colin Teague Company Pictures/Czar TV Doctors (Bill Dobson) Paul Gibson BBC Father Brown (Mr Dawson / Quip) Ian Barber BBC Holby City (Philip Sheldon) Dermot Boyd BBC The Crimson Petal and the White Marc Munden BBC (Amateur Photographer) Henry IV Parts 1 & 2 (Lord Chief Justice/Blunt) Dominic Dromgoole Globe on Screen Holby City (Arthur Nichols) Paul Gibson BBC Caerdydd (Inspector Barry Welsh) Lee Haven/Ed Thomas Fiction Factory/S4C NHS (Nye Bevan) Ian Macmillan Blast Films Coronation Street (Mr Bryan) Tony Prescott Granada Eastenders (Will Passmore) Steve Finn BBC Mutiny on the Bounty (Captain Bligh) Isabel Tang Zig Zag Productions The Bill (Dr Michael Weaver) David Jackson
    [Show full text]
  • Bloomsbury Digital Resources 2020
    loomsbury Digital Resources provides creative online learning Benvironments that support scholarly research and inspire students throughout the world. We seek to engage our users with academically rigorous, editorially crafted content that encourages people to think and explore. We believe in working in partnership with librarians, researchers, and instructors to offer flexible solutions and unparalleled customer support, and we strive to create a culture of excellence and entrepreneurial thinking that is solutions-focused and rewards innovation. Table of Contents Humanities and Social Sciences 2 Bloomsbury Collections 3 Bloomsbury Food Library 4 Bloomsbury Cultural History 5 Bloomsbury Medieval Studies 6 Bloomsbury Encyclopedia of Philosophers 7–8 Theology & Religion Online Visual Arts and Design 9 Bloomsbury Design Library 10 Bloomsbury Architecture Library Bloomsbury Fashion Central 11 Berg Fashion Library 12 Bloomsbury Fashion Business Cases 13 Fashion Photography Archive 14 Bloomsbury Fashion Video Archive 15 Fairchild Books Library 16 FS 17 Bloomsbury Applied Visual Arts 18 Bloomsbury Education and Childhood Studies Film, Music, and Performing Arts 19–24 Drama Online 25 Bloomsbury Popular Music 26 Screen Studies History, Reference, and Distribution Partners 27 Churchill Archive 28 Arcadian Library Online 29–30 Bloomsbury Professional Arbitration and UK Tax Law 31 manchesterhive 32 Rowman & Littlefield 33 Human Kinetics Library 34 Whitaker’s Almanack 35 Features and Benefits 36–37 Bloomsbury Digital Resources Sales Rep Info www.bloomsburydigitalresources.com 1 Available Title by Title “ ...librarians who know their community will be able to add valuable editions to their eBook collection using this resource.” —Library Journal loomsbury Collections offers excellence and originality in Bscholarship in the arts, humanities, and social sciences.
    [Show full text]
  • Press Release
    PRESS RELEASE 19 SEPTEMBER Shakespeare’s Globe is delighted to announce casting for the Winter Season 2018, its plans for a year-long cycle of history plays from February 2019, and Globe Associates, to include Sean Holmes, who is to become Associate Artistic Director. Michelle Terry, Artistic Director, said: “As the UK approaches its exit of the EU, our theatre will present a cycle of history plays, providing a unique opportunity to rediscover how Shakespeare perceived ‘this blessed plot, this earth, this realm, this England’. Richard II in this year’s Winter Season begins a year-long exploration of what our sceptered isle looks like now, presenting a journey through history via Henry IV, Henry V, Henry VI, and Richard III. I am so proud to announce my core team of Associate Artists who will help guide and deliver on the season, as well as support the development and continuing exploration of The Globe Ensemble. The Ensemble allows us to truly explore the DNA of Shakespeare’s plays, all of which were written bespoke for a company of players and made for the architecture of our unique play houses. Most of the artists have worked with us in some capacity this season and I am so excited to welcome Sean Holmes to the Globe family. Sean’s unprecedented experience on Secret Theatre will provide invaluable insight into a process and a practice that is so important to me and to the work that we are experimenting with at Shakespeare’s Globe.” Sean Holmes said: “Michelle’s vision for the Globe is exciting, inclusive and bold - focused on the centrality of ensemble and the honest and open relationship between actors and audience that it engenders.
    [Show full text]
  • Annual Review 2015
    2015 shakespeare’s globe Annual review 1 contents Our Vision 4 Welcome 5 Theatre: The Globe 6 Theatre: The Sam Wanamaker Playhouse 13 Beyond the Globe 18 Dominic Dromgoole 24 Emma Rice 27 Globe Education 28 Exhibition & Tour 35 Supporting Ourselves 35 Widening Engagement 37 How we made it and how we spent it 39 Looking Forward 40 Our Supporters 45 Who’s Who 48 2 3 WELCOME 2015 was a record-breaking year, a year of firsts and lasts for Shakespeare’s Globe. During the period of this Review, our international presence was a physical reality in almost half of the world’s countries with our two-year Globe to Globe Hamlet world tour, an unprecedented theatrical journey that received the 2015 International Award from The Stage as well as UNESCO endorsement. Hamlet will visit the world’s remaining countries and return home to Bankside in April 2016. Digitally, our Globe Player, also a theatre first, is taking our work and over 60 films direct to a wide variety of audiences, many aged under 35, in 180 countries. And a significant last – after ten vibrantly creative and pioneering years we saw the final season in the Globe Theatre of our Artistic Director, Dominic Dromgoole. His last production is The Tempest, in the Sam Wanamaker Playhouse in April 2016. Dominic’s 2015 Globe season included our first main performance of King John which marked another first; every play in the Shakespeare canon has now been produced by Shakespeare’s Globe. Our new works continue to be much in demand. The world premiere in the Playhouse of Farinelli and the Our Vision King, written by Claire van Kampen, the Globe’s Associate for Early Modern Theatre Music, with Mark Rylance, the Globe’s first Artistic Director, playing the King, transferred to a sell-out run in the West End, where it garnered six Olivier Award nominations.
    [Show full text]
  • 37 Plays 37 Films 37 Screens
    the complete walk 37 PLAYS 37 FILMS 37 SCREENS A celebratory journey through Shakespeare’s plays along the South Bank and Bankside Credits and Synopses shakespearesglobe.com/400 #TheCompleteWalk 1 contents 1 THE TWO GENTLEMEN OF VERONA 3 20 HENRY V 12 2 HENRY VI, PART 3 3 21 AS YOU LIKE IT 13 3 THE TAMING OF THE SHREW 4 22 JULIUS CAESAR 13 4 HENRY VI, PART 4 23 OTHELLO 14 5 TITUS ANDRONICUS 5 24 MEASURE FOR MEASURE 14 6 HENRY VI, PART 2 5 25 TWELFTH NIGHT 15 7 ROMEO & JULIET 6 26 TROILUS AND CRESSIDA 15 8 RICHARD III 6 27 ALL’S WELL THAT ENDS WELL 16 9 LOVE’S LABOUR’S LOST 7 28 TIMON OF ATHENS 16 10 KING JOHN 7 29 ANTONY AND CLEOPATRA 17 11 THE COMEDY OF ERRORS 8 30 KING LEAR 17 12 RICHARD II 8 31 MACBETH 18 13 A MIDSUMMER NIGHT’S DREAM 9 32 CORIOLANUS 18 14 THE MERCHANT OF VENICE 9 33 HENRY VIII 19 15 HENRY IV, PART 1 10 34 PERICLES 19 16 MUCH ADO ABOUT NOTHING 10 35 CYMBELINE 20 17 HENRY IV, PART 2 11 36 THE WINTER’S TALE 20 18 THE MERRY WIVES OF WINDSOR 11 37 THE TEMPEST 21 19 HAMLET 12 2 THE TWO GENTLEMEN HENRY VI, PART 3 OF VERONA Filmed at Towton Battlefield, England Filmed at Scaligero Di Torri Del Benaco, St Thomas’ Hospital Garden Verona, Italy St Thomas’ Hospital Garden CREDITS Father DAVID BURKE CREDITS Son TOM BURKE Julia TAMARA LAWRANCE Henry VI ALEX WALDMANN Lucetta MEERA SYAL Director NICK BAGNALL Director of Photography ALISTAIR LITTLE Director CHRISTOPHER HAYDON Sound Recordist WILL DAVIES Director of Photography IONA FIROUZABADI Sound Recordist JUAN MONTOTO UGARTE ON-STAGE PRODUCTION (GLOBE TO GLOBE FESTIVAL) ON-STAGE PRODUCTION Performed in Macedonian by the National Theatre (GLOBE ON SCREEN) of Bitola, Macedonia A Midsummer Night’s Dream Twelfth Night Director JOHN BLONDELL As You Like It Othello SYNOPSIS Romeo and Juliet As the War of the Roses rages, Richard, Duke of Measure for Measure York, promises King Henry to end his rebellion if his All’s Well That Ends Well sons are named heirs to the throne.
    [Show full text]
  • Articole 2.2020
    Analele Universit ății „Ovidius” Constan ța. Seria Filologie Vol. XXXI, 2/2020 LAUGHTER AND TRAGEDY: ROMEO AND JULIET DIRECTED BY DOMINIC DROMGOOLE AT SHAKESPEARE’S GLOBE (2009) Lavinia RUSU MIRCEA Ovidius University of Constan ţa Abstract: This essay discusses moments of laughter as recorded in the 2009 production of Romeo and Juliet , directed by Dominic Dromgoole at Shakespeare’s Globe. The space of the production is essential because the Shakespeare’s Globe Theatre replicates exactly the conditions of performance in Shakespeare’s time. However, twenty-first-century audiences react differently to the language and actors’ jokes. Even if this is one of Shakespeare’s deepest tragedies, a story of “star-crossed” lovers famous throughout the globe, the expectations of laughter are high, in both text and performance. Shakespeare’s text reveals moments of humour and bawdy repartee, while this particular production makes the most of these moments through acting, the music played, as well as dance. Moreover, the expectations of the young audiences attending this production at Shakespeare’s Globe in 2009 (as seen in the live recording of the production, published on the site of Shakespeare’s Globe Online) are quite high. Therefore, young people attend the production with the preconception that they are going to see one of the most famous love stories, and their spirits are high and prepared for laughter even before the play begins. I argue that the audience’s expectations have changed throughout the centuries of performing Romeo and Juliet . Twenty-first-century audiences attend a well-known Shakespearean tragedy with the mental set of attending the production of a comedy, so they react to the moments of laughter in the play readily.
    [Show full text]