The Chronicle 78Th Year, No
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Charley Rosen, a Cerebral Coach with an Iconoclastic Approach
Feb. 24, 1989--- ROCKFORD, Ill.--- What a long, strange trip it has been. The coaching history of the Rockford Lightning franchise in the Continental Basketball Association is a spirited bolt from Stormin' Norman to Gentle Zen. When fiery former Chicago Bull Norm Van Lier was vaporized after 12 games as Lightning head coach in December of 1986, their inaugural season was completed with CBA veteran Mauro Panaggio. The Lightning started the 1987-88 campaign behind Charley Rosen, a cerebral coach with an iconoclastic approach. "Basketball is a very spiritual game," Rosen explained in a recent conversation after the CBA All-Star game here. "It's a chance for a group of people to transcend themselves - transcend their own egos and even sometimes transcend the competition. Sometimes you play a game and you don't know who's winning or who's losing. It's like a fulfillment. Everybody knows their role and everybody sublimates their ego to everybody else." If this guy sounds a little more well-rounded than your typical basketball coach, you're right. Rosen, 48, has been a hard core fan of the Grateful Dead since 1973, he owns a monster collection of Dead concert cassettes and once wrote an article about bootleg Dead tapes for Rolling Stone magazine. He also has a Master's degree in Medieval Studies from Hofstra University, where his thesis was "Allegory in the Canon's Yeoman's Prologue and Tale." And that's not some medieval Darryl Dawkins dunk. Rosen is also a successful author. His 1975 book, Have Jump Shot Will Travel, was nominated for a National Book Award, and he has profiled Billy Cunningham, Elvin Hayes and Ralph Sampson for Sport magazine. -
BHLHS Gazette March and April 2014
THE GAZETTE APRIL 2014 CHRIS SUTTON: St. Paul’s Trust, Hertford St, Balsall Heath, B12 8NJ. Tel: 0121 464 1890 Email: [email protected] Web: balsallheathhistory.co.uk & www.digitalbalsallheath.org.uk Facebook: Balsall Heath Local History Society The Balsall Heath Local History Society was founded in 1979 with the aim of promoting interest in our local history. We feel pride in our area and value its strengths – past and present. To meet our aims we work with local schools and community groups organising exhibitions and events. We have also produced several publications. We are a registered charity and rely on grants and donations to achieve our aims. For more information on our work, or to volunteer and help please contact us. MEMORY LANE WAS A RIOT! BEWARE THE IDES OF “A wonderfully MARCH entertaining and enjoyable There was no issue of this newsletter in March due to production” my unexpectedly booking into Solihull and Heartlands hospitals! Thanks to all who sent their best wishes. WEEKEND WARRIORS: Chris,Derek and Raj go on the warpath The Birmingham History Theatre company production “Memory Lane” delighted audiences over three performances in March at St Paul’s Trust. It was inspired by Thankfully normal service is the successful Ladypool Road trail which we put on last year. This was a walking now resumed! The picture is trail along the road stopping for historic interludes showcasing the rich heritage of me as the Inspector of the road through hundreds of years. Val Hart worked on an adaption of that trail Nuisances from the Balsall for the stage with the central framework being herself as a speaker giving a talk on Heath Board of Health, Ladypool Road. -
English Beat: in Concert at the Royal Festival Hall DVD Reviewed on Audiovideorevolution.Com
English Beat: In Concert at the Royal Festival Hall DVD Reviewed on AudioVideoRevolution.com title: English Beat: In Concert at the Royal Festival Hall studio: Secret Films MPAA rating: Not Rated starring: English Beat DVD release 2005 year: film rating: Three Stars sound/picture: Three Stars reviewed by: Dan MacIntosh When you break it right down, there’s nothing particularly English about The English Beat. You may recall how the group was once lumped in with the whole ska movement back in the ‘80s, mainly because it was on the 2 Tone Records label, along with The Specials and The Selector. But if you listen closely, you hear very little actual ska (which is not exactly a British export in the first place) in the group’s songs. For instance, the only horn player in this outfit is the ancient Saxa, who would much rather play mellow jazz than skanking beats anyhow. Furthermore, the group’s repertoire contains a bounteous supply of reggae – both fast and slow – as well as other dance grooves. But no matter the style, all of these elements support this act’s punkish political attitude, which is possibly its lone true English attribute. This show, which was filmed at The Royal Festival Hall in London, England, features quite a few of the band’s original members. These players include the two front people, Ranking Roger and Dave Wakeling, as well as Saxa and drummer Everett Morton. And except for Saxa, of course, all of these musicians still look incredibly young. Better yet, they also sound great. -
Current, February 24, 1983 University of Missouri-St
University of Missouri, St. Louis IRL @ UMSL Current (1980s) Student Newspapers 2-24-1983 Current, February 24, 1983 University of Missouri-St. Louis Follow this and additional works at: http://irl.umsl.edu/current1980s Recommended Citation University of Missouri-St. Louis, "Current, February 24, 1983" (1983). Current (1980s). 87. http://irl.umsl.edu/current1980s/87 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1980s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. Feb. 24 , 1983 UNIVERSITY OF MISSOURI-SAINT LOUIS Issue 445 Minorities assessed cent. The 'faculty representation Kevin A. Curtin bers and we are in a very com CO'news editor is substantially below that. petitive world as far as attracting " If the students believe that we black faculty members to our The. conditions of black stu ought to have black faculty com campus," VanderWaerdt said. dents on the UMSL campus and mensurate with representation She added that between 1979 an endorsement of state House of black students," she said, " I and 1982, UMSL had 3,686 ap Bill 834 highlighted the monthly think that is unrealistic. I don't plicants for faculty positions - University Senate meeting held think that I'll see it in my 184 of these were black. During Feti. 22 in Room 126 of the J.C. lifetime." those three years 160 faculty Penney Building. VanderWaerdt also said that members were hired,and eight The Senate heard several the availability of black faculty offers were made to blacks. -
Mmxdmkv Hrralh
M — MANCHESTER HERALD; Tuegdav. Jan. 14. 1986 SPORTS FOCUS U.S./WORLD O Philip Motrti Inc. I9h6 Hoffman thrust Oatmeal cookies California tops into Adams race are tasty reward In housing costs ghts25s ... page 9 ... page 13 ... page 19 NewP M m xdm kv ) Manchester — A City of Village Charm Hrralh Wednesday, Jan. 15,1986 25 Cents Second Rising deficit carrier triggers cuts on alert WASHINGTON (AP) - A se across board cond American aircraft carrier was moving into the Mediterra nean Sea today, two days after Libyan jets intercepted a Navy By Tom Raum were struggling to determine surveillance piane in international The Associated Press exactly how the cuts could be airspace and briefly shadowed it. carried out. Although the Libyan Fighters — WASHINGTON - Congres Hiring freezes were expected to two Soviet-made MiG-25s — made sional and administration budget be instituted throughout the go 4 vernment, with layoffs likely at a 5 no threatening moves toward the officials said today the federal Navy plane, two U.S. F-A-18 jet deficit for fiscal 1986 will exceed a number of agencies, according to fighters were scrambled from the staggering 3220 billion and trigger several government officials who carrier Coral Sea to intercede if the first round of government-wide spoke only on the condition of necessary. spending cuts under the new anonymity. Monday’s incident, disclosed by Gramm-Rudman budget Labor Department spokesman ■ 5 T 1 N G ^ administration sources Tuesday, balancing law. David Demerest said, “ We don’t In separate projections required was described as the first direct have a lot of flexibility from one under the new law, the White contact between U.S. -
THE REVIEW: the Beat Were Formed in Birmingham in 1978. Soon After, They Had to Change Their Name to the ENGLISH Beat to Avoid Confusion with Another Band
THE REVIEW: The Beat were formed in Birmingham in 1978. Soon after, they had to change their name to The ENGLISH Beat to avoid confusion with another band. They are known as one of the leaders of the Ska revivalist movement along with fellow Brits The Specials, Madness, The Selecter and The Body Snatchers. The British ska groups were of course multiracial and were formed by kids who lived in the same areas. Much like the poor kids of Jamaica, they didnt have much money so they formed bands to perform when they couldnt get into clubs.The English Beat was co-lead by Guitar/Vocalist Dave Wakeling a punk rock toaster, along with Ranking Roger another brilliant reggae/ska toaster. The other members were made up of Andy Cox (Guitar), Dave Steel (Bass), Everett Morton (Drums) and the one and only Saxa (Saxophone). Saxa was originally in a well known band called Prince Buster and Desmond Dekker, and this helped bring The Beat even more attention at the time. Saxa was also much older than the other chaps (around 50 years old at the time), but he contributed an extra special soulful touch that made the band sound even better than before. The Beat went on to open for The Selecter and they then were signed to the 2 Tone label (specialists in ska) and they followed this with the release of their first single "Tears of A Clown", a skanked up version of the Motown Smokey Robinson classic hit. In 1980, The Beat decided to start their own indie label and they called it Go-Feet (an Arista sub-label). -
History All-Time Coaching Records All-Time Coaching Records
HISTORY ALL-TIME COACHING RECORDS ALL-TIME COACHING RECORDS REGULAR SEASON PLAYOFFS REGULAR SEASON PLAYOFFS CHARLES ECKMAN HERB BROWN SEASON W-L PCT W-L PCT SEASON W-L PCT W-L PCT LEADERSHIP 1957-58 9-16 .360 1975-76 19-21 .475 4-5 .444 TOTALS 9-16 .360 1976-77 44-38 .537 1-2 .333 1977-78 9-15 .375 RED ROCHA TOTALS 72-74 .493 5-7 .417 SEASON W-L PCT W-L PCT 1957-58 24-23 .511 3-4 .429 BOB KAUFFMAN 1958-59 28-44 .389 1-2 .333 SEASON W-L PCT W-L PCT 1959-60 13-21 .382 1977-78 29-29 .500 TOTALS 65-88 .425 4-6 .400 TOTALS 29-29 .500 DICK MCGUIRE DICK VITALE SEASON W-L PCT W-L PCT SEASON W-L PCT W-L PCT PLAYERS 1959-60 17-24 .414 0-2 .000 1978-79 30-52 .366 1960-61 34-45 .430 2-3 .400 1979-80 4-8 .333 1961-62 37-43 .463 5-5 .500 TOTALS 34-60 .362 1962-63 34-46 .425 1-3 .250 RICHIE ADUBATO TOTALS 122-158 .436 8-13 .381 SEASON W-L PCT W-L PCT CHARLES WOLF 1979-80 12-58 .171 SEASON W-L PCT W-L PCT TOTALS 12-58 .171 1963-64 23-57 .288 1964-65 2-9 .182 SCOTTY ROBERTSON REVIEW 18-19 TOTALS 25-66 .274 SEASON W-L PCT W-L PCT 1980-81 21-61 .256 DAVE DEBUSSCHERE 1981-82 39-43 .476 SEASON W-L PCT W-L PCT 1982-83 37-45 .451 1964-65 29-40 .420 TOTALS 97-149 .394 1965-66 22-58 .275 1966-67 28-45 .384 CHUCK DALY TOTALS 79-143 .356 SEASON W-L PCT W-L PCT 1983-84 49-33 .598 2-3 .400 DONNIE BUTCHER 1984-85 46-36 .561 5-4 .556 SEASON W-L PCT W-L PCT 1985-86 46-36 .561 1-3 .250 RE 1966-67 2-6 .250 1986-87 52-30 .634 10-5 .667 1967-68 40-42 .488 2-4 .333 1987-88 54-28 .659 14-9 .609 CORDS 1968-69 10-12 .455 1988-89 63-19 .768 15-2 .882 TOTALS 52-60 .464 2-4 .333 -
Music 10378 Songs, 32.6 Days, 109.89 GB
Page 1 of 297 Music 10378 songs, 32.6 days, 109.89 GB Name Time Album Artist 1 Ma voie lactée 3:12 À ta merci Fishbach 2 Y crois-tu 3:59 À ta merci Fishbach 3 Éternité 3:01 À ta merci Fishbach 4 Un beau langage 3:45 À ta merci Fishbach 5 Un autre que moi 3:04 À ta merci Fishbach 6 Feu 3:36 À ta merci Fishbach 7 On me dit tu 3:40 À ta merci Fishbach 8 Invisible désintégration de l'univers 3:50 À ta merci Fishbach 9 Le château 3:48 À ta merci Fishbach 10 Mortel 3:57 À ta merci Fishbach 11 Le meilleur de la fête 3:33 À ta merci Fishbach 12 À ta merci 2:48 À ta merci Fishbach 13 ’¡¡ÒàËÇèÒ 3:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 14 ’¡¢ÁÔé’ 2:29 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 15 ’¡à¢Ò 1:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 16 ¢’ÁàªÕ§ÁÒ 1:36 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 17 à¨éÒ’¡¢Ø’·Í§ 2:07 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 18 ’¡àÍÕé§ 2:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 19 ’¡¡ÒàËÇèÒ 4:00 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 20 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:49 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 21 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 22 ¡ÅèÍÁÅÙ¡â€ÃÒª 1:58 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 23 ¡ÅèÍÁÅÙ¡ÅéÒ’’Ò 2:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 24 Ë’èÍäÁé 3:21 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 25 ÅÙ¡’éÍÂã’ÍÙè 3:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 26 ’¡¡ÒàËÇèÒ 2:10 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 27 ÃÒËÙ≤˨ђ·Ãì 5:24 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… -
The Friday Morning Mjanferback Album Report
0e KAL RUDMAN PUBLISHER BILL HARD EDITOR October 19, 1984 At THE FRIDAY MORNING MJANFERBACK ALBUM REPORT TM A PROGRAMMING GUIDE EXECUTIVE MEWS • 1930 EAST MARLTON PIKE, F36 • CHERRY HILL, NEW JERSEY 08003 • (609) 424-9114 Hard Choices DYPer'evs'-aqiiefiaAîLaWreYïn'ainfiVe' ... While we re on trie subject o? tound 'ng tathers, styles and artists that first made the format g-eat, rain a little more purple on the people. The and this wonderfully panoramic love song certainly voice, the guitar, and the organ come flying out makes Henley the Eagles heir apparent. You'll play of the time machine in a fashion that would make it again and again. Rip Van Winkle proud. Hey, you loved them as a child, you'll trust them as an adult. Go for J,GULS BAND , "CONCEALED WEADONS, "Back Door" and "Perfect Strangers". Getting used to Seth Justman on ead throat is made much easier by the song's semi-novelty approach. JULIAN LENNQN. "YALOTT£". ATLANTIC... The title Maxanne made the "Coasters of '84" analogy and ../e track racked up 25 play increases this week, soaring buy that. Slightly risque subject, no risk song. 34-13, and 41 reports already show 4-5 emphasis. Do ya work with boobs alot? Also note that 14-5 jump on the Most Requested. All that tells you to go deep, young man. Raves on The DURAN DURAN. "DIE WILD BOYS", CAPITOL .. "Too Late For Goodbyes" makes that equally important. only studio cut trom the soon-to-be-released live Yo, Julian, thanks valotte. Lp "Arena" has the band at their angular best. -
The Golden Triangle 0
TheUCS n Diego / Volume 48, Number 4 / Thursday, January 13, 1983 The ~I fi" It :::> i " c Golden ~ 1\ ;z g; fi D : 0 Il Triangle II 11 II 11 ~ II \1 ~ il 11 Ie 11 U P il 1\ ~, ~ H" il ~ ~ ]1 ii ]l' \\ h 11 Ii 11 b 11 il 11 "\\ ~ U 11 if 11 ~~ P 11 Ii 11 11 II n "~ J/ it 1\ \\ Local developers send a message to UCSD By EILEEN MO RRIS and STEVE STOY ANOW Staff Writers "There's nothing on a UCSD. are not in the best and High way 52 on the south. - Lake at La Jolla Village. question the traffic \'olume railroad track here," Jim Hare interest of the university. He Developers have" named the 120 acres of residential units intenSl\-e de\"elopment would told six new members of the stresses that the realiza tion of area "the Golden Triangle," surrounding a 9 acre lake at bring (for example, La Jolla U n ivers it y Communit y these developments w ill because of its money-making Nobel and TO\\ ne Center Village Dr. currentl} handles Planning Group Tuesday constitute a betrayal by the potential, a potential. they Drive around 32,000 cars per day night. Hare, a community city of San Diego of an claim, that commercial and - Plaza at La Jolla Village. a With dewlopmem. the \"Illume planner for the city of an agreement entered into with industrial development would commercial residential pro would Increase to around Diego , was referring to the the university in 1959, to the serve better than exclusivelv ject at the northeast corner of 65.000 per day). -
Smart Nation Act PDF for Web.Pdf
Robert Steele deserves our admiration and our focused attention for bringing the idea of open source information to the fore. His passion to serve the nation by developing this new approach to better understanding the conditions and circumstances we are faced with daily - is exemplary. Steele's advocacy and efforts have led the way toward an enlightened and informed public. We all owe him a debt of gratitude for the sacrifices he has made to drag us - kicking and screaming - into the modern information age. Patrick Hughes, LTGEN, USA (Ret) THE SMART NATION ACT: Public Intelligence in the Public Interest Foreword by Congressman Rob Simmons (R-CT-02) Sponsor, The Smart Nation Act Robert David Steele (Vivas) MA, MPA, NWC, USMC, CIA, OSS OSS International Press Oakton, Virginia Copyleft © by OSS.Net, Inc. All revenue rights reserved. May be translated and shared without asking permission. One copy of each translation should be provided in electronic form to address below. This permission extends to the previous books also. This book and others in the series are available at quantity discounts for group or class distribution. Books come 20 to the box. Please communicate with the publisher. OSS International Press is the book-publishing arm of OSS.Net, Inc., publisher of Proceedings of the Global Information Forum (annual), OSS Notices (occasional series), and the ten-book series ON INTELLIGENCE. Visit www.oss.net. Published by OSS International Press (OSS) September 2006 Post Office Box 369 Oakton, Virginia 22124 USA (703) 242-1700 Facsimile (703) 242-1711 Email [email protected], Web: www.oss.net Cover graphic: The view of Africa, Antarctica, the Indian and Atlantic Oceana from 23,000 miles out in space as the last Apollo flight coasted to the moon, December 1972. -
Vanguard Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1953 to 1982, a Phono-Log from 1963, and Various Other Sources
Discography Of The Vanguard Label Vanguard Records was established in New York City in 1947. It was owned by Maynard and Seymour Solomon. The label released classical, folk, international, jazz, pop, spoken word, rhythm and blues and blues. Vanguard had a subsidiary called Bach Guild that released classical music. The Solomon brothers started the company with a loan of $10,000 from their family and rented a small office on 80 East 11th Street. The label was started just as the 33 1/3 RPM LP was just gaining popularity and Vanguard concentrated on LP’s. Vanguard commissioned recordings of five Bach Cantatas and those were the first releases on the label. As the long play market expanded Vanguard moved into other fields of music besides classical. The famed producer John Hammond (Discoverer of Robert Johnson, Bruce Springsteen Billie Holiday, Bob Dylan and Aretha Franklin) came in to supervise a jazz series called Jazz Showcase. The Solomon brothers’ politics was left leaning and many of the artists on Vanguard were black-listed by the House Un-American Activities Committive. Vanguard ignored the black-list of performers and had success with Cisco Houston, Paul Robeson and the Weavers. The Weavers were so successful that Vanguard moved more and more into the popular field. Folk music became the main focus of the label and the home of Joan Baez, Ian and Sylvia, Rooftop Singers, Ramblin’ Jack Elliott, Doc Watson, Country Joe and the Fish and many others. During the 1950’s and early 1960’s, a folk festival was held each year in Newport Rhode Island and Vanguard recorded and issued albums from the those events.