Jon Fauer, ASC IBC Wrap-Up Online Edition • October 2009 Issue 28 Contents the Journal of Art, Technique and Special IBC Report
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Jon Fauer, ASC IBC Wrap-Up Online Edition • October 2009 Issue 28 Contents The Journal of Art, Technique and Special IBC Report Technology for Film, Video and Our Special Online IBC Report begins with a lament on the sorry Digital Production state of lighting paintings in many museums and galleries. The art- ist surely worked long and hard to express a mood or convey emo- Film and Digital Times is the journal and guide to technique and technology, tions with a careful representation of lighting, by lighting with the tools and how-tos for Cinematographers, Photographers, Directors, Produc- paints and brushes available. Several centuries later, the painting ers, Studio Chieftains, Camera Assistants, Camera Operators, Grips, Gaffers, is hanging in a museum, lit with glaring lights. It’s similar to the Crews, Rental Houses, and Manufacturers. frustration a cinematographer feels when seeing ones work on an It’s published, written and edited Jon Fauer, ASC, an award-winning Cinema- airplane where every overhead monitor is a different color. tographer, Director, and author of 14 bestselling books (over 120,000 in print—famous for their user-friendly way of explaining things as if you were We come full circle in our Lighting Paintings story at the end of right there on location with him). With inside-the-industry “secrets-of the-pros” this issue. Read about the new dedolights specifically designed for information from professionals who shoot, direct, light, design, and edit, Film museums and galleries. and Digital Times is delivered to you by subscription or invitation, online or on The rest of this issue takes you to Amsterdam and IBC, the huge paper. We don’t take ads and are supported by readers and sponsors. Foreign correspondents: Oli Laperal, Jr., Roman Hoffmann trade show for film, television, broadcast and imaging. I hope it’s Contributing photographers: Dorian Weber almost as good as being there, without the jet lag. Marketing Guru: John Johnston. © 2009 Film and Digital Times, Inc. CStyle Volume 2 Available October 12 .......................................................... 3 Lighting with Paint ...................................................................................... 4 subscribe now Lighting Paintings ....................................................................................... 5 Glaring at Paint ........................................................................................... 7 www.fdtimes.com Rembrandt House Museum ......................................................................... 8 IBC 2009.................................................................................................. 14 Subscribe online at www.fdtimes.com IBC 2009 Impressions ............................................................................... 16 or fill out form below and mail or fax to: P+S Technik D16 ..................................................................................... 18 P+S Technik 16Digital SR Mag .................................................................. 19 Film & Digital Times, Inc. 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Airmail 6 issues $69.95 London /i .................................................................................................. 34 1 Year Online Digital (paperless) 6 issues $29.95 London /i Test .......................................................................................... 35 Match Mover, Match Mover Make me a Match ........................................... 36 Payment Method (please check one): Transvideo and /i data ............................................................................... 38 VISA Mastercard American Express CineMonitorHD/i ....................................................................................... 39 Check Enclosed (payable to Film and Digital Times) Aaton ....................................................................................................... 44 Cartoni and Mo-Sys Turn Heads at IBC ....................................................... 46 Credit Card # ________________________________________ Abel Cine Tech ......................................................................................... 47 3 or 4 digit security code_________________________________ ZEISS ....................................................................................................... 48 How to Use the ARRI ZEISS Master Macro 100 ........................................... 49 Expiration Date________________________________________ Hawk Anamorphics ................................................................................... 50 Signature ___________________________________________ Fujinon ..................................................................................................... 51 Name ______________________________________________ Angénieux ................................................................................................ 52 Company ____________________________________________ cmotion cvolution ...................................................................................... 53 Title________________________________________________ Steadicam Merlin ...................................................................................... 54 Address ___________________________________________ Kinomatik for Canon HDSLR ...................................................................... 55 City ________________________________________________ Kino Flo .................................................................................................... 56 State or Province ______________________________________ Schneider Optics ....................................................................................... 57 Country ____________________________________________ Litepanels ................................................................................................. 58 RED Epic .................................................................................................. 60 Zip or Postal Code______________________________________ dedolight .................................................................................................. 61 Phone ______________________________________________ Dedotec ................................................................................................... 62 Fax________________________________________________ dedolight DLAD ......................................................................................... 63 Email_______________________________________________ DLAD Lighting Paintings ............................................................................ 64 2 Oct 2009 CStyle Volume 2 Available October 12 Peter Anderson, ASC Bill Bennett, ASC Gabriel Beristain, ASC Larry Bridges Jonathan Brown, ASC Stephen Burum, ASC Bill Butler, ASC Bobby Byrne, ASC Russell Carpenter, ASC Peter Collister, ASC Ericson Core Dean Cundey, ASC Caleb Deschanel, ASC Ron Dexter, ASC Ernest Dickerson, ASC Richard Edlund, ASC Don Fauntleroy, ASC Steve Fierberg, ASC Michael Goi, ASC Stephen Goldblatt, ASC, BSC Robbie Greenberg, ASC Ernie Holzman, ASC Judy Irola, ASC Mark Irwin, ASC, CSC Johnny Jensen, ASC Francis Kenny, ASC Richard Kline, ASC Fred Koenekamp, ASC Matthew Leonetti, ASC Matthew Libatique, ASC Stephen Lighthill, ASC Bruce Logan, ASC Isidore Mankofsky, ASC Clark Mathis, ASC Rob McLachlan, ASC Chuck Minsky, ASC Kramer Morgenthau, ASC Hiro Narita, ASC Michael Negrin, ASC Sol Negrin, ASC Cinematographer Style, The Complete Interviews (Volume Two) Woody Omens, ASC Daniel Pearl, ASC Here is the long-awaited completion of the Cinematographer Style trilogy: Film, Volume Wally Pfister, ASC Bob Primes, ASC One and now Volume Two. With 55 remaining full transcripts of the interviews conducted Tony Richmond, ASC, BSC from 2003 and 2005 for the feature-length documentary . As with Cinematographer Style Pete Romano, ASC Volume One, the pages are packed with advice, anecdotes, lessons and history from some Paul Ryan, ASC of the world’s top cinematographers. It’s a dialogue on the art and craft of filmmaking, in John Schwartzman, ASC which the authors of the images discuss their backgrounds, dreams, struggles and style. Dante Spinotti, ASC The lesson from these interviews is that cinematography is an art, like paint- Uli Steiger, ASC ing, writing or composing, and no two artists express themselves