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Figure 21-30 FILIPPO BRUNELLLESCHI, Cutaway View of the Dome of Florence Cathedral, Florence, Italy, 1420-1436 ( After Piero Sanpaolesi)

Figure 21-30 FILIPPO BRUNELLLESCHI, Cutaway View of the Dome of Florence Cathedral, Florence, Italy, 1420-1436 ( After Piero Sanpaolesi)

Architecture of Brunelleschi and Alberti

Development of Linear Figure 21-30 FILIPPO BRUNELLLESCHI, cutaway view of the of , Florence, , 1420-1436 ( after Piero Sanpaolesi).

2 Brunelleschi, Foundling Hospital, Florence Figure 21-31 , interior of Santo Spirito (looking northeast), Florence, Italy, designed 1434–4 1436; begun ca. 1436. Figure 21-32 FILIPPO BRUNELLESCHI, early plan (left) and plan as constructed (right) of Santo Spirito, Florence, Italy, designed 1434–1436; begun 1446. 5 FILIPPO BRUNELLESCHI, exterior of Santo Spirito, Florence, Italy, designed 1434–1436; begun ca. 1436. Figure 21-33 FILIPPO BRUNELLESCHI, facade of the , Santa Croce, Florence, Italy, begun ca. 1440.

7 Figure 21-34 FILIPPO BRUNELLESCHI, plan of the , Santa Croce, Florence, Italy designed ca. 1423, begun 1442. 8 Figure 21-35 FILIPPO BRUNELLESCHI, interior of the Pazzi Chapel (looking northeast), Santa Croce, Florence, Italy, designed ca.1423, begun 1442, with glazed terracotta roundels by . 9 Figure 21-36 DI BARTOLOMMEO, facade of the Palazzo Medici- Riccardi, Florence, Italy, begun 1445.

10 Figure 21-37 MICHELOZZO DI BARTOLOMMEO, interior court of the Palazzo Medici-Riccardi, Florence, Italy, begun 1445. 11 Figure 21-38 BERNARDO ROSSELLINO, Palazzo Rucellai, Florence, Italy, ca. 1452–1470.

12 Figure 21-39 LEON BATTISTA ALBERTI, west facade of , Florence, Italy, ca. 1456–1470. 13 Figure 21-44 LEON BATTISTA ALBERTI, west facade of Sant’Andrea, Mantua, Italy, designed 1470, begun 1472.

14 Figure 21-45 LEON BATTISTA ALBERTI, plan of Sant’Andrea, Mantua, Italy, designed 1470, begun 1472. 15 Figure 21-46 LEON BATTISTA ALBERTI, interior of Sant’Andrea (looking northeast), Mantua, Italy, designed 1470, begun 1472.

Where have we seen this coffered barrel before?

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Perspective in Painting and Relief Figure 21-40 PERUGINO, Christ Delivering the Keys of the Kingdom to Saint Peter, , Vatican, , Italy, 1481– 1483. , 11’ 5 1/2” x 18’ 8 1/2”.

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Figure 21-26 , Battle of San Romano, ca. 1455 (?). Tempera on wood, approx. 6’ x 10’ 5”. , .

21 Figure 21-17 GENTILE DA FABRIANO, Adoration of the Magi, altarpiece from Strozzi Chapel, Santa Trinità, Florence, Italy, 1423. Tempera on wood, approx. 9’ 11” x 9’ 3”. Galleria degli , Florence. 22 Carlo Crivelli’s, with Saint Emidius Figure 21-24 , Birth of the Virgin, Cappella Maggiore, Santa Maria Novella, Florence, Italy, 1485–1490. Fresco, 24’4” x14’9”.

24 Ghiberti, Solomon and Sheba, , Florence Figure 21-21 , Annunciation, San Marco, Florence, Italy, ca. 1438–1447. Fresco, 7’ 1” x 10’ 6”. 26 Figure 21-23 FRA FILIPPO LIPPI, Madonna and Child with Angels, ca. 1455. Tempera on wood, 2’ 11 1/2”. x 2’ 1”. Galleria degli Uffizi, Florence.

27 Figure 21-22 , , the refectory, convent of Sant’Apollonia, Florence, Italy, 1447. Fresco, 15’ 5” x 32’.

28 Figure 21-42 , Enthroned Madonna and Saints Adored by Federico da Montefeltro (Brera Altarpiece), ca. 1472–1474. Oil on wood, 8’ 2” x 5’ 7”. , . 29 Figure 21-43 PIERO DELLA FRANCESCA, Flagellation of Christ, ca. 1455-1465. Oil and tempera on wood, 1’ 11 1/8” X 2’ 8 ¼”. Galleria Nazionale delle , Urbino. 30 Figure 21-41 , Damned Cast into Hell, San Brizio Chapel, , Orvieto, Italy, 1499– 31 1504. Fresco, 23’ wide. Mantegna in Mantua Figure 21-47 ANDREA MANTEGNA, interior of the Camera Picta (Painted Chamber), Palazzo Ducale, Mantua, Italy, 1465–1474. Fresco. 33 Figure 21-48 ANDREA MANTEGNA, Camera Picta (Painted Chamber), Palazzo Ducale, Mantua, Italy, 1465–1474. Fresco, 8’ 9” in diameter. 35

MANTEGNA: GRISAILLE Self Portrait:

Mantegna Figure 21-49 ANDREA MANTEGNA, Foreshortened Christ, ca. 1500. Tempera on canvas, 2’ 2 3/4” x 2’ 7 7/8”. Pinacoteca di Brera, Milan. 43