Skullcandy, Inc. 2011 Annual Report

Total Page:16

File Type:pdf, Size:1020Kb

Skullcandy, Inc. 2011 Annual Report Skullcandy, Inc. 2011 Annual Report To our Stockholders: Fiscal 2011 was an exciting year for Skullcandy, as we demonstrated the strength of the Skullcandy brand and the power of our multi-channel and international business model. In our first year as a public company, we had the best financial performance in our history with strong net sales growth and earnings per share growth. During the year, we made key acquisitions and investments in product development, international expansion, interactive media and point of sale merchandising to support our continued long-term growth. I am very pleased with our 2011 results and excited about the momentum of our business heading into 2012. For the full year 2011, net sales increased 44.8% to $232.5 million from $160.6 million in 2010. Units sold and average sales price both increased double digits in 2011 over 2010. Gross profit dollars increased to $115.5 million from $85.5 million in the prior year period and our 2011 GAAP net income was $18.6 million, or $0.79 per diluted share based on diluted weighted average common shares outstanding of 23.6 million, compared to a net loss of $9.7 million or a loss of $0.69 per share based on diluted weighted average common shares outstanding of 14.0 million in 2010. Adjusted net income for 2011 was $23.5 million or $1.00 per diluted share, compared to $18.4 million or $0.95 per diluted share in 2010. As we move into 2012, we believe that our commitment to continue to redefine world-class audio performance and style, and our strong brand authenticity, uniquely positions us in the growing audio accessories market and gives us significant growth opportunities in light of the continued growth of mobile and portable media devices. In order to best position our company and help drive growth we remain focused on the following key strategic areas: Penetrating the domestic retail channel. Mobile accessories are becoming more brand driven and consumers are spending more on audio accessories. In 2011, our domestic sales increased 34.0%, as a result of increased shelf space with existing customers, faster sell-through and higher average selling prices. During 2011, we introduced several new and exciting products, including our FIX ear-bud, which was recognized as the accessory product of the year at the 9th annual SIMA Image Awards, and the $300 Mix Master headphones, which were designed in collaboration with Mix Master Mike of Beastie Boys. Other notable product launches in 2011 included our Uprock headphones and updated models of Titan and Chops. In April of 2012, we began the launch of a refreshed packaging concept for the Skullcandy brand. This new look will be used to introduce several new and redesigned products in 2012 which will feature leading-edge design and our distinctive Supreme Sound audio profile. Accelerating our international business. International sales increased 54.2% and accounted for 20.6% of total net sales in 2011. At the end of 2011, we sold our products in more than 70 countries through 26 independent distributors. In August 2011, we completed the purchase of all outstanding stock of Kungsbacka 57 AB, a subsidiary of 57 North AB. Kungsbacka 57 AB previously held an exclusive distribution agreement for Skullcandy products in Europe through November of 2013. Through this acquisition, we will be able to directly distribute our products throughout Europe. We subsequently opened a direct office in Switzerland and hired a number of key positions, including a Director of Operations and Finance, a Director of Consumer Electronic Sales, a Director of Specialty Sales, and a Director of Marketing. For 2012, our international strategy remains to drive demand creation through a combination of in-store merchandising, product segmentation, product education, and grassroots marketing, and we continue to evaluate other international opportunities to set up a direct distribution model. Growing our premium product offering. We launched two premium headphone styles since 2010. The first was our flagship Aviator headphones by RocNation, with a retail price of $150. The second product was our Mix Master headphone, with a retail price of $300. Our premium product offerings extend our target market, allow consumers to trade up to higher priced products and provide a halo-effect over the brand. In our product development pipeline, we have a number of premium headphone models that will be released in 2012. Increasing our online business. In 2011, online sales increased 163.2% from the addition of the Astro Gaming business, growth in web traffic and an increase in our conversion rate. Our consumers are heavy users of the internet and they come to our website to interact with the brand and the lifestyle behind Skullcandy. We are investing in people and technology to drive traffic to our websites and enrich the customer interaction experience. In addition to our US websites, we have launched select international websites with localized content and e-commerce functionality. Expanding our complementary product categories. We are always looking for ways to expand our product offering. In April 2011, we acquired the leading premium brand in gaming headphones, Astro Gaming. The acquisition gave us a credible gaming platform that we can leverage to broaden our product offering and open new distribution. During 2012, we plan to introduce a redesigned line of premium gaming headphones under the Astro Gaming brand and a new line of intermediate priced gaming headphones under the Skullcandy brand. Other complementary product categories that we are focused on include protective cases for mobile devices, speaker docks, and apparel accessories. We are very excited about the evolution of our products and brand going into 2012. We continue to evolve the Skullcandy brand around world-class audio performance and style . Our new headphone models will feature refined styling and our new proprietary sound profile dubbed Supreme Sound. In early 2012, we unveiled the brand’s updated product collection, packaging, and positioning at nine tradeshows around the world and the response has been extremely positive. More than ever before, Skullcandy is uniquely positioned in the market as a true performance lifestyle audio brand. In closing, I want to thank all of our employees in the Skullcandy family for their continued passion and dedication to the business. It really is our great people and the culture we have built that has made this company truly unique and driven us to where we are today. We remain energized and focused on having another great year at Skullcandy. Best of all, we are just getting started. Sincerely, Jeremy Andrus President & Chief Executive Officer UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) È ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2011 or ‘ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission file number 001-35240 SKULLCANDY, INC. (Exact name of registrant as specified in its charter) Delaware 56-2362196 (State or Other Jurisdiction of (I.R.S. Employer Incorporation or Organization) Identification Number) 1441 West Ute Boulevard, Suite 250 Park City, Utah 84098 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (435) 940-1545 Securities registered pursuant to Section 12(b) of the Act: Title of Class Name of Exchange on which registered Common Stock, $0.0001 par value per share The NASDAQ Global Market Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ‘ No È Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes ‘ No È Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes È No ‘ Indicate by check mark whether the registrant has submitted electronically and posted on its corporate website, if any, every Interactive Data File required to be submitted and posted pursuant to Rule 405 of Regulations S-T (§ 232.405 of this chapter) during the preceding 12 months (or for such shorter period that the registrant was required to submit and post such files). Yes È No ‘ Indicate by check mark if disclosure of delinquent filers pursuant to Item 405 of Regulation S-K (§ 229.405 of this chapter) is not contained herein, and will not be contained, to the best of registrant’s knowledge, in definitive proxy or information statements incorporated by reference in Part III of this Form 10-K or any amendment to this Form 10-K. ‘ Indicate by check mark whether the registrant is a large accelerated filer, an accelerated filer, a non-accelerated filer, or a smaller reporting company. See the definitions of “large accelerated filer,” “accelerated filer,” and “smaller reporting company” in Rule 12b-2 of the Exchange Act. Large accelerated filer ‘ Accelerated filer ‘ Non-accelerated filer È (Do not check if a smaller reporting company) Smaller reporting company ‘ Indicate by check mark whether the registrant is a shell company (as defined in Rule 12b-2 of the Act). Yes ‘ No È As of June 30, 2011, the last business day of the registrant’s most recently completed second quarter, there was no established public market for the registrant’s common stock.
Recommended publications
  • The Right to Do It for the 'Gram
    September 16, 2020 FEATURE The Right to Do It for the ’Gram Ramela Ohanian Share this: ©2020. Published in Landslide, Vol. 13, No. 1, September/October 2020, by the American Bar Association. Reproduced with permission. All rights reserved. This information or any portion thereof may not be copied or disseminated in any form or by any means or stored in an electronic database or retrieval system without the express written consent of the American Bar Association or the copyright holder. Celebrities are different from us in many ways, but there is one thing that celebrities and the rest of us undoubtedly have in common: social media. On social media, not even celebrities are protected from lawsuits. There have been several cases in recent years where celebrities have been sued for posting a photo of themselves on their social media pages. While it may be the celebrity’s face and body in the picture, most of the time the photo is owned by the paparazzi who took the picture (or the paparazzi’s employer). And when the celebrity posts the photo, well, that just gives the photographer an extra way to make some money. This article reviews the right of publicity, its crossover with copyright law, and the implications of using photos—even if you are the main subject—on social media. Most of the time, we hear about celebrities suing others over the use of their pictures, such as when a celebrity’s picture is used in an advertising campaign without the celebrity’s permission. Here, we will be talking about situations where the celebrity is the one getting sued.
    [Show full text]
  • The Shovel Ready Issue
    THE SHOVEL READY ISSUE SNOW JOB Is Anyone Hiring Our College Grads? WHAT LIES BENEATH A Brief History of NJ Politics THE BIG DIG From Garden to Table in Union EARTHLY DELIGHTS Holiday Gifts with an Edge THE EDGE INTERVIEW: Rapper-Actor-Entrepreneur 50 CENT 2 he a l t hy The Shovel Ready Issue PUBLISHERS DOUG HARRIS, GRANT KNAGGS VICE PRESIDENT BUSINESS DEVELOPMENT JEFFREY SHANES EDITORIAL MANAGING EDITOR MARK STEWART EDITORS CHRISTINE GIBBS, DOUG HARRIS, KATHRYN C. SALAMONE EDITOR AT LARGE TRACEY SMITH FOOD EDITOR MIKE COHEN STYLE EDITOR DAN BRICKLEY FASHION EDITOR VICTORIA MCDOUGAL ASSIGNMENTS EDITOR ZACK BURGESS BUSINESS EDITOR MIKE KENNEDY EDITORIAL ASSISTANT JACK SZARABAJKA ART DESIGN DIRECTOR JAMA BOWMAN PHOTOGRAPHY FASHION/BEAUTY DIRECTOR NADINE RAPHAEL SALES TEAM 908-994-5138 ROB RUBILLA, JEFFREY SHANES WEB DEVELOPMENT & DESIGN KURT P. WAGNER, A3GFX.COM TRINITAS REGIONAL MEDICAL CENTER CHAIRMAN VICTOR M. RICHEL PRESIDENT & CEO GARY S. HORAN, FACHE LETTERS TO THE EDITOR EDGE c/o Trinitas Regional Medical Center Public Relations Department 225 Williamson Street | Elizabeth, New Jersey 07202 VISIT US ON THE WEB www.edgemagonline.com This is Volume 4, Issue 5. This material is designed for information purposes only. None of the information provided in Healthy Edge constitutes, directly or indirectly, the practice of medicine, the dispensing of medical services, a professional diagnosis or a treatment plan. The information in Healthy Edge should not be considered complete nor should it be relied on to suggest a course of treatment for a particular individual. You should not rely on infor- mation provided in Healthy Edge as a substitute for personal medical attention, diagnosis or hands-on treatment.
    [Show full text]
  • Rundisney Health & Fitness Expo
    SAVE THE DATE CALIFORNIA Star Wars™ Half Marathon Weekend January 14-17, 2016 Tinker Bell Half Marathon Weekend presented by PANDORA Jewelry May 5-8, 2016 Disneyland® Half Marathon Weekend presented by Cigna September 1-4, 2016 Avengers Super Heroes Half Marathon Weekend November 10-13, 2016 FLORIDA Walt Disney World ® Marathon Weekend presented by Cigna January 6-10, 2016 Disney Princess Half Marathon Weekend presented by Children’s Miracle Network Hospitals February 18-21, 2016 Star Wars™ Half Marathon - The Dark Side April 14-17, 2016 Disney Wine & Dine Half Marathon Weekend November 4-5, 2016 PARIS Disneyland® Paris Half Marathon Weekend September 23-25, 2016 .com © Disney All information subject to change. All races subject © & TM Lucasfilm Ltd. to age eligibility requirements and capacity limits. © 2015 MARVEL TABLE OF CONTENTS AVENGERS SUPER HEROES HALF MARATHON WEEKEND Welcome to the Disneyland® Resort......................................................2 Welcome to Anaheim..........................................................................3 Meet Our Race Director.......................................................................4 Weekend Itinerary...............................................................................5 Park Hours……..................................................................................5 Event Transportation...........................................................................6 Driving Directions...............................................................................8 Road
    [Show full text]
  • 50 Cent Music, This Is Especially True
    INTERVIEW 29 EDGE ate is a cruel mistress, especially in the entertainment industry. Reaching the top, inte rview F even for a moment, is a longshot at best. Staying on top is a near impossibility. In the world of rap 50 Cent music, this is especially true. Which is what makes Curtis Jackson, better known as 50 Cent , someone worth talking to. He has used his top-selling albums as a springboard to do well in a number of other businesses—consumer electronics, energy drinks, boxing promotion and movie-making, to name four—and more importantly, to do a lot of good . EDGE’s Tetiana Anderson connected with 50 Cent at a technology trade show in Berlin, where he was promoting SMS Audio’s newest headphones. In a wide-ranging Q&A, she discovered a three-dimensional thinker with the drive and vision to redefine what a celebrity can (and should) be. EDGE: Why is diversifying into multiple forms of entertainment so important for you? 50 CENT: The artist community can create a negative energy for you. My first record, Get Rich or Die Tryin’ was the largest debuting hip-hop album. I . o i d went on to sell 13 million records. u A S Later in my career, people compared M S f o me to that first impression I made, y s e t and you don’t get a second chance r u o c at a first impression. In order to allow s o t o me to explore my passion for music, h p l l I moved away from it, gave myself A VISIT US ON THE WEB www.edgemagonline.com 30 INTERVIEW .
    [Show full text]
  • Download on Smart Tvs Are of Course, Me- Built-In Gyroscope, Allowing You to Con- Focal Point of Their Media Consumption
    THE SOUND OF A NEW ERA. Discover the new burning hot ELEMENT EMBER Discover yours. productnews For daily news visit www.canadahifi.com Dolby Atmos Promises to Revolutionize the Cinema Entertainment Experience Dolby Atmos is a new audio platform that promises to deliver a more natural and realistic sound- eld in the cinema, and transport movie goers into the story with a lifelike, sensory experience. Dolby Atmos introduces a hybrid approach to mixing and directs sound as dy- namic “objects” that envelop the listener, in combina- tion with channels for playback. The new audio format enables adaptive rendering to ensure that the playback experience is as close as possible to the creator’s origi- nal vision in any given environment, regardless of the speci c speaker con guration in the playback environment. Dolby Atmos is an end-to-end solution that takes into account the entire content pipeline and brings together mixers, studios, and distributors to create dramatic improvements in the audio experience. At launch time, numerous movie theatres in North America, Europe, China, and Japan were out tted with Dolby Atmos. These included one Canadian location – the SilverCity-Yonge Eglington Cinemas (Cineplex) in Toronto, ON. The rst movie to be demonstrated with Dolby Atmos is Disney Pixar’s Brave. Dolby Atmos will be installed in more movie theatres in 2013. www.dolby.com Sony and Panasonic Team Up to Develop Next Generation OLED TVs Sony and Panasonic recently agreed to join forces on the development of next-generation OLED (organic light-emitting diode) panels and modules for TVs and large-sized displays, to compete with the OLED TVs coming out later this year from Samsung and LG.
    [Show full text]
  • Western Celebrities, Human Rights and Protest in Africa’
    Draft: not to be circulated without author’s permission ‘Rescuing African Bodies: Western Celebrities, Human Rights and Protest in Africa’ P. O. Daley School of Geography and the Environment, University of Oxford Paper to be presented at workshop on ‘Post‐post independence? African political thought, contemporary process and the international’, School of Politics and International Relations, Queen Mary, University of London 19‐20 July 2012. Abstract This paper addresses the role of western celebrities as key referents in the debate on human rights in Africa and what this means for how protest and popular uprisings are understood and represented in the global north. Drawing from examples of recent celebrity advocacy in the West, the paper argues that celebrities, as part of new neo‐liberal networks of governance, represent progressive change as arising from further western intervention and ethical consumerism. I argue that celebrity protest, based on neo‐liberal subjectivity, consumerism and privatized concerns, serves to undermine distance emancipatory politics by de‐contextualizing the causes and by representing non‐consumerist and radical political agenda as flawed. Such a view can contribute to the de‐legitimization of local and popular anti‐capitalist and anti‐dictatorship movements for global activism, African agency and progressive social movements. The paper concludes by assessing the implications for building international solidarity in the 21st century. I conclude that, despite attempts to render African voices silent through the use of the social media, Africans are articulating their views on the world stage, but progressive forces in the West need to seek out ways of giving prominence to such voices.
    [Show full text]
  • ADDING MULTIMEDIA Intel and SMS Audio to Supercharge Fitness Wearables
    August 14, 2014 ADDING MULTIMEDIA Intel and SMS Audio to Supercharge Fitness Wearables Biometric Headphones Will Optimize Workouts for Ultra-marathoners, Aspirational Exercisers and Everyone in Between NEW YORK--(BUSINESS WIRE)-- SMS Audio LLC (www.SMSAudio.com), a premier audio headphone and accessories brand from Curtis “50 Cent” Jackson, together with Intel Corporation announced a collaboration to develop the first heart-pounding personal audio system converging lifestyle and technology innovation for an exceptional fitness experience. The SMS Audio BioSport In-Ear Headphones powered by Intel will bring smart exercise capabilities to athletes of all levels later this year. With today’s announcement, Intel and SMS Audio are merging lifestyle requirements with technology innovation to enhance the fitness experience. The SMS Audio BioSport In-Ear Headphones powered by Intel will extend the recently launched SMS Audio Sport Collection and harness advanced technology features to deliver high-quality audio while gathering actionable data on fitness progress. A global audio headphone and accessories brand, SMS Audio is SMS Audio BioSport In-Ear Headphones powered by Intel - Blue (Photo: dedicated to Business Wire) improving the way people around the world experience music by combining technology, function and style to bring a high-quality sound, comfort and fashion to every product. Intel and SMS Audio have partnered to fuse fitness with technology by combining the latest in fitness-monitoring biometric technology with high-quality audio and
    [Show full text]
  • LEONE FILM GROUP E RAI CINEMA Presentano
    LEONE FILM GROUP E RAI CINEMA Presentano Un film di Antoine Fuqua Con Jake Gyllenhaal Forest Whitaker Rachel McAdams Un'esclusiva per l'Italia Leone Film Group in collaborazione con Rai Cinema Distribuzione: Uscita: 2 settembre 2015 Durata: 124 minuti Ufficio stampa film 01 Distribution – Comunicazione Ornato Comunicazione P.za Adriana, 12 – 00193 Roma Via Flaminia, 954 – 00191 Roma Tel. 06/684701 Fax 06/6872141 Tel. 06/3341017 Fax: 33213374 Annalisa Paolicchi: [email protected] [email protected] Rebecca Roviglioni: [email protected] www.ornatocomunicazione.it Cristiana Trotta: [email protected] MATERIALI STAMPA SONO DISPONIBILI SUL SITO: www.01distribution.it Media partner: Rai Cinema Channel (www.raicinemachannel.it) CREDITI NON CONTRATTUALI CAST TECNICO REGIA Antoine Fuqua SCENEGGIATURA Kurt Sutter FOTOGRAFIA Mauro Fiore, ASC MONTAGGIO John Refoua, A.C.E. COSTUMI David Robinson MUSICHE James Horner SUPERVISORE ALLE MUSICHE John Houlihan CASTING Mary Vernieu, C.S.A. Lindsay Graham, C.S.A. PRODUTTORI Todd Black, PGA Jason Blumenthal, PGA Steve Tisch Peter Riche, PGA Alan Riche, PGA Jerry Ye Antoine Fuqua, PGA PRODUTTORI ESECUTIVI Paul Rosenberg Stuart Parr David Schiff Bob Weinstein Harvey Weinstein Gillian Zhao Cary Cheng Jonathan Garrison Kurt Sutter David Bloomfield Davide Ranes Dylan Sellers Ezra Swerdlow COPRODUTTORE Kat Samick 2 CAST ARTISTICO JAKE GYLLENHAAL Billy Hope FOREST WHITAKER Tick Willis NAOMIE HARRIS Angela Rivera CURTIS “50 CENT” JACKSON Jordan Mains OONA LAURENCE Leila Hope RACHEL MCADAMS Maureen Hope SKYLAN BROOKS Hoppy BEAU KNAPP Jon Jon VICTOR ORTIZ Ramone RITA ORA Maria Escobar MIGUEL GOMEZ Miguel “Magic” Escobar 3 SINOSSI Il film racconta l’avvincente storia di Billy “The Great” Hope (interpretato dal candidato all’Academy Award® Jake Gyllenhaal), campione mondiale in carica dei pesi massimi leggeri.
    [Show full text]
  • AA-Postscript.Qxp:Layout 1
    LIFESTYLE37 MONDAY, FEBRUARY 24, 2014 Music & Movies All bets off as crowded Oscars race enters home straight he race for Oscars glory is entering its final week in Hollywood and Tsuspense is building, as one of the most crowded fields in decades battles for Academy Awards gold. Three films- historical drama “12 Years a Slave,” space thriller “Gravity” and crime caper “American Hustle”-are all frontrunners for the coveted best picture prize to be handed out on March 2. In the acting categories, Cate Blanchett leads the pack for her turn in Woody Allen’s “Blue Jasmine” while Matthew McConaughey is widely tipped for his portrayal of homophobic AIDS activist Ron Woodroof in “Dallas Buyers Club.” For supporting cast, Jared Leto’s role as Woodroof’s unlikely transsexual busi- ness partner has put him ahead of the field, while Lupita Nyong’o could take home a statuette for her big-screen debut in “12 Years a Slave.” But all bets File photo shows Oscar host Ellen DeGeneres opens the 79th Academy File photo shows from left, Bono, Larry Mullen, Jr, The Edge and Adam Clayton, of are off for the big prize of the night, the Awards telecast, in Los Angeles. —AP the Irish band U2, winners of the award for best original song for “Ordinary Love” winner of which will be announced at from the film “Mandela: Long Walk to Freedom,” arrive at The Weinstein Company’s the end of the 86th Academy Awards Golden Globes after party at the Beverly Hilton Hotel in Beverly Hills, Calif. —AP ceremony hosted by US talk show host Ellen DeGeneres.
    [Show full text]
  • The Hustlenomics Way Presents the 50 Cent Economy
    THE HUSTLENOMICS WAY PRESENTS THE 50 CENT ECONOMY AVAILABLE ON AMAZON https://www.amazon.com/dp/B084F6KGGM CULTURE DICTATES COMMERCE OVER $ 5 BILLION IN VALUE IN TV AND FILM • 50 Cent appears as an actor in several movies that combine to generate over $500 million dollars at the box office. • As a TV producer 50 Cent created several shows most notable is Power for the Starz network. The Starz network will be sold to Lionsgate for $4.4 billion with a bid of $5 billion submitted by parent company of power co-producer CBS Television, CBS. • Lionsgate will decline the offer with a $5.5 billion dollar response. • Power is the most watched show in the history of the Starz network. ABOUT $ 4 BILLION IN VALUE IN FOOTWEAR • 50 Cent will partner with Reebok on a five-year deal in 2003. • He will sell over four million pairs of shoes. • 50 claimed compensation of over $80 million dollars. • Reebok will be sold to Adidas for 3.8 billion and 2005. • G-Unit shoes were a huge source of revenue for Reebok at the time. OVER $4 BILLION IN BEVERAGE INDUSTRY • 50 Cent had several deals and products he sold in the beverage industry. • Most notable of his products was his enhanced water venture, Vitamin Water. • Energy Brands produced Vitamin Water will be sold to Coca-Cola in 2007 for $4.1 billion. • 50 Cent was an equity holding endorser of the brand who boosted awareness through several channels. FEEDING MILLIONS USING ENERGY SHOTS • 50 Cent will create SK Energy shots with famed social entrepreneur Chris Clarke of Pure Growth Partners.
    [Show full text]
  • Intel 2015 Annual Report
    2015 ANNUaL REPOrT (This page intentionally left blank) Letter From Your CEO Intel is evolving from a PC company to one that powers the infrastructure for an increasingly smart and connected world. While 2015 started with challenges in PC market demand as well as macroeconomic and currency conditions, we finished the year strong. Our financials demonstrate a strategy that’s working and provide a solid foundation for growth. Intel reported full-year revenue of $55.4 billion, which was nearly flat versus 2014. Record revenue in the data center, Internet of Things, and memory businesses mostly offset the decline in PC demand. These businesses made up 40% of our revenue and delivered $2.2 billion in profitable revenue growth. This was the first year that these growth areas made up the majority of our operating profit. We also sharpened the focus of our Intel Security Group and exceeded our previously stated goal of improving mobile profitability by $800 million. Intel’s business model is evolving While the client computing business will continue to be a valuable source of cash flow and intellectual property (IP), our business model is evolving. The data center and Internet of Things businesses are the primary growth engines for Intel, and memory and field-programmable gate arrays (FPGAs) can accelerate these opportunities—forming and fueling a virtuous cycle of growth. The ability to integrate and reuse IP across a broad portfolio of products also differentiates our strategy and allows us to evolve in new ways. We reuse IP from our client computing business, for example. We also plan to reuse the IP we gained with our acquisition of Altera to deliver a new class of integrated microprocessor and FPGA products for our data center and Internet of Things customers.
    [Show full text]
  • Builds... INT. GHOST's PENTHOUSE
    POWER BLACK. FORCEFUL HIP-HOP MUSIC BEGINS (”NY”), builds... INT. GHOST’S PENTHOUSE - CLOSET IN CLOSE ANGLES AND CUTS, a well-built black MAN gets dressed. We are behind him and don’t see his face-- just the perfect line of his fresh fade as he puts on A CUSTOM SHIRT. A CLOSE ANGLE on his monogrammed CUFF begins a SERIES OF FLASHES as he adorns himself with status symbols we recognize: the knot of a ZEGNA TIE-- A flash of his PATEK PHILLIPE WATCH-- A BRUNO MAGLI SHOE. As the music builds we SMASH TO: INT. CITY STREET - NIGHT A midnight-blue MAYBACH 57S pulls up to the curb. LOW ANGLE on the pavement, as we see the Christian Louboutin-clad heels of a WOMAN walk toward the back door. The door is opened by an unseen chauffeur. She gets in and our Bruno Magli MAN gets in after her. As the car door closes we MATCH CUT TO: EXT. TRUTH NIGHTCLUB - NIGHT The Maybach door opens, the Bruno Magli shoe hits the pavement, and the camera pans up to FIND JAMES “GHOST” ST. PATRICK, our hero-- as handsome and debonair as a black James Bond. He surveys the crowd waiting outside a mobbed Manhattan club. Ghost turns and offers his hand to his woman-- and we see his platinum-and-diamond wedding ring as he helps her out of the car. This is his wife, TASHA, the perfect sum of street + money-- think Mary J. Blige, but so fine it hurts. As she gets out of the car, she pauses, straightening her Cavalli dress.
    [Show full text]