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Hell's Cartographers : Some Personal Histories of Science Fiction Writers
Some Personal Histor , of Science Fiction Writers Robert Silverberg/Alfred Bester Harry Harrison/Damon Knight Frederick Pohl/Brian Aldiss BOSTON PUBLIC LIBRARY Digitized by the Internet Archive in 2015 https://archive.org/details/hellscartographeOObest hell’s cartographers hell’s cartographers Some Personal Histories of Science Fiction Writers with contributions by Alfred Bester Damon Knight Frederik Pohl Robert Silverberg Harry Harrison Brian W. Aldiss Edited by Brian W. Aldiss Harry Harrison HARPER & ROW, PUBLISHERS New York, Hagerstown, San Francisco, London Note: The editors wish to state that the individual contributors to this volume are responsible only for their own opinions and statements. hell’s cartographers. Copyright ©1975 by SF Horizons Ltd. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information address Harper & Row, Publishers, Inc., 10 East 53rd Street, New York, N.Y. 10022. FIRST U.S. EDITION Library of Congress Cataloging in Publication Data Main entry under title: Hell’s cartographers. Bibliography: p. 1. Authors, American — Biography. 2. Aldiss, Brian Wilson, 1925- — Biography. 3. Science fiction, American — History and criticism — Addresses, essays, lectures. 4. Science fiction— Authorship. I. Aldiss, Brian Wilson, 1925- II. Harrison, Harry. PS129.H4 1975 813 / .0876 [B] 75-25074 ISBN 0-06-010052-4 76 77 78 79 10 9 8 7 6 5 4 3 2 1 Contents Introduction 1 Robert Silverberg: Sounding Brass, Tinkling Cymbal 7 Alfred Bester: My Affair With Science Fiction 46 Harry Harrison: The Beginning of the Affair 76 Damon Knight: Knight Piece 96 Frederik Pohl: Ragged Claws 144 Brian Aldiss: Magic and Bare Boards 173 Appendices: How We Work 211 Selected Bibliographies 239 A section of illustrations follows page 122 Introduction A few years ago, there was a man living down in Galveston or one of those ports on the Gulf of Mexico who helped make history. -
RSD19 Releases PRINTABLE 27.02.19
#RSD19 Twitter: @RSDUK / Instagram: @recordstoreday / Facebook: @RSDayUK Artist Title Label Format Want 13th Floor Elevators Psychedelic Sounds Of International Artists LP Picture Disc 808 State Four States of 808 ZTT 4x12" box set A Man Called Adam Farmarama Other Records Ltd. 12" A.R. Kane New Clear Child Hidden Art Recordings Single vinyl LP Ace Frehley Spaceman (Picture Disc) Eone Entertainment 12PD Ace of Base The Sign K7 7' PICTURE DISC Acid Mothers Temple Does The Cosmic Shepherd Space Age Recordings Double LP Dream Of Electric Tapirs? Adam French The Back Foot And Rapture Virgin EMI 7" A-HA Hunting High And Low / The Rhino 1LP, Black Vinyl Early Alternate Mixes Aidan Moffat and RM What The Night Bestows US Rock Action Records LP Hubbert Air Surfing On A Rocket Warner Music France 12" Picture Disc Airto Natural Feelings Real Gone Music 12" LP Al Green The Hi Records Singles Box Fat Possum Records 7" Box Set Set Alarm, The Live '85 Twenty First Century 2LP Recording Company Albert Washington Sad And Lonely Tidal Waves Music LP Alice Clark s/t Wewantsounds Deluxe Gatefold LP ALPHA & OMEGA DUBPLATE SELECTION VOL 1 MANIA DUB LP ALPHA & OMEGA DUBPLATE SELECTION VOL 2 MANIA DUB LP Anderson .Paak Bubblin' Aftermath/12 Tone 7" Music, LLC Andrea True More, More, More Buddah Records 12" Connection Angel Pavement Socialising With Angel Morgan Blue Town LP & 7" Pavement Antoine Dobson ft Bed Intruder & Various Enjoy The Ride 7" Gregory Bros Other YouTube Hits 1 #RSD19 Twitter: @RSDUK / Instagram: @recordstoreday / Facebook: @RSDayUK Apartments, -
OBAMATHON Barack Raises Bucks on Hill’S ‘Turf’ by Dana Rubinstein About Kennedy,” Said Alexander
OUR FIVE GUYS GO TO FIVE GUYS! P.8 Brooklyn’s Real Newspaper BrooklynPaper.com • (718) 834–9350 • Brooklyn, NY • ©2007 BROOKLYN HEIGHTS–DOWNTOWN EDITION AWP/16, 18 pages • Vol. 30, No. 33 • Saturday, Aug. 25, 2007 • FREE INCLUDING DUMBO OBAMATHON Barack raises bucks on Hill’s ‘turf’ By Dana Rubinstein about Kennedy,” said Alexander. “I The Brooklyn Paper DECISION ’08 think he will bring change to the world.” Barack Obama was John F. Gillian Charles, a Prospect Heights Kennedy, Malcolm X and Martin crowd in a call-and-response chant, resident, chose different historical Luther King Jr. all rolled into one for “Are you fired up?” he yelled. predecessors: Martin Luther King Jr. an overflow crowd of supporters at “Fired up!” yelled back the support- and Malcolm X. the junior senator from Illinois’ first ers, each of whom paid $25 to get in. “He has charisma, he’s engaging,” official campaign stop in Brooklyn “Are you ready to go?” he yelled. said Charles. “He has a voice, it’s on Wednesday night. “Ready to go!” screamed the compelling, and people listen.” Standing before the emotional and crowd. Other supporters pointed to Oba- heterogeneous crowd at the Brooklyn Many in the audience were down- ma’s background as one of the primary Marriott in Downtown, Obama gave a right starry-eyed, fanning themselves reasons for their support of him over charismatic stump speech, pacing the with folded paper and rushing the other Democratic contenders. Callan / Tom stage and throwing red meat lines to a stage to get his autograph. Frank Alert, a black resident of hungry audience while touching on Elvia Alexander, of East Flatbush, Bedford-Stuyvesant, said, “Obama is the issues of the day: education (he compared Obama’s charisma to that of someone who looks like me, who is supports it), health care (he wants to John F. -
Notes from the Underground: a Cultural, Political, and Aesthetic Mapping of Underground Music
Notes From The Underground: A Cultural, Political, and Aesthetic Mapping of Underground Music. Stephen Graham Goldsmiths College, University of London PhD 1 I declare that the work presented in this thesis is my own. Signed: …………………………………………………. Date:…………………………………………………….. 2 Abstract The term ‗underground music‘, in my account, connects various forms of music-making that exist largely outside ‗mainstream‘ cultural discourse, such as Drone Metal, Free Improvisation, Power Electronics, and DIY Noise, amongst others. Its connotations of concealment and obscurity indicate what I argue to be the music‘s central tenets of cultural reclusion, political independence, and aesthetic experiment. In response to a lack of scholarly discussion of this music, my thesis provides a cultural, political, and aesthetic mapping of the underground, whose existence as a coherent entity is being both argued for and ‗mapped‘ here. Outlining the historical context, but focusing on the underground in the digital age, I use a wide range of interdisciplinary research methodologies , including primary interviews, musical analysis, and a critical engagement with various pertinent theoretical sources. In my account, the underground emerges as a marginal, ‗antermediated‘ cultural ‗scene‘ based both on the web and in large urban centres, the latter of whose concentration of resources facilitates the growth of various localised underground scenes. I explore the radical anti-capitalist politics of many underground figures, whilst also examining their financial ties to big business and the state(s). This contradiction is critically explored, with three conclusions being drawn. First, the underground is shown in Part II to be so marginal as to escape, in effect, post- Fordist capitalist subsumption. -
FESTEN Record Store 78 Boulevard Diderot, 75012 Paris Metro Reuilly Diderot Ouvert Du Lundi Au Samedi De 11H À 19H30
FESTEN Record Store 78 boulevard Diderot, 75012 Paris Metro Reuilly Diderot Ouvert du Lundi au samedi de 11H à 19H30 A Acetate zero ‘softcore paradise’ cd (drumkid) Acetate zero ‘The sad beautiful quintessence’ 7’’ (Orgasm) Ltd to 300 Aerial M ‘Postglobal music’ cd (Domino) Aisler set ‘The last match’ lp (555) Alc Levora ‘First step’ cdr (Arbouse) Alex Gwinnet ‘Here & there’ cd (hinah) Alma fury ‘Passage way’ cd Amalgamated sons of rest ‘s/t’ cd (galaxia) American analog set ‘Promise of love’ cd (Tigerstyle) Ampbuzz ‘This is my’ cd (Strange attractors audiohouse) Ampop ‘made for market’ 7’’ (static caravan) Anamude ‘Remember that sweater’ cd (hinah) Anomoanon ‘Envoi villon’ lp (Galaxia) Anomoanon ‘Asleep many years in the wood’ cd / lp (Temporary residence) Anomoanon ‘Portrait of John Entwistle’ 10’’ (Western vinyl) Angels of light ‘Everything is good here…’ cd (Young god) Aphex Twin ‘Classics’ cd (R&S records) Apples in stereo ‘Sound effects 92-00’ cd (cooking vinyl) Arab strap ‘the red thread’ cd (chemikal underground) Arab strap ‘Monday at the hug & pint’ cd (chemikal underground) Arab Strap ‘The shy retirer’ 12’’ (Chemikal underground) Arca ‘Angles’ cd (DSA) Arco ‘transparency’ cd (Pehr) Arco5 ‘Dynamostar’ cd (Arbouse) Arco flute foundation ‘Everything after the bomb is sci-fi’ cd Ashtabula ‘Possible smokestacks’ cd (Siltbreeze) Aspects of physics ‘Systems of social recalibration’ lp (rocket racer) At the close of every day ‘Zalig zijn…’ cd (Norman) At the drive in ‘Relationship of command’ cd (Grand royal) Aurélie ‘Desde que naci’ -
The Snow Miser Song 6Ix Toys - Tomorrow's Children (Feat
(Sandy) Alex G - Brite Boy 1910 Fruitgum Company - Indian Giver 2 Live Jews - Shake Your Tuchas 45 Grave - The Snow Miser Song 6ix Toys - Tomorrow's Children (feat. MC Kwasi) 99 Posse;Alborosie;Mama Marjas - Curre curre guagliò still running A Brief View of the Hudson - Wisconsin Window Smasher A Certain Ratio - Lucinda A Place To Bury Strangers - Straight A Tribe Called Quest - After Hours Édith Piaf - Paris Ab-Soul;Danny Brown;Jhene Aiko - Terrorist Threats (feat. Danny Brown & Jhene Aiko) Abbey Lincoln - Lonely House - Remastered Abbey Lincoln - Mr. Tambourine Man Abner Jay - Woke Up This Morning ACID MOTHERS TEMPLE - Are We Experimental? Adolescents - Democracy Adrian Sherwood - No Dog Jazz Afro Latin Vintage Orchestra - Ayodegi Afrob;Telly Tellz;Asmarina Abraha - 808 Walza Afroman - I Wish You Would Roll A New Blunt Afternoons in Stereo - Kalakuta Republik Afu-Ra - Whirlwind Thru Cities Against Me! - Transgender Dysphoria Blues Aim;Qnc - The Force Al Jarreau - Boogie Down Alabama Shakes - Joe - Live From Austin City Limits Albert King - Laundromat Blues Alberta Cross - Old Man Chicago Alex Chilton - Boplexity Alex Chilton;Ben Vaughn;Alan Vega - Fat City Alexia;Aquilani A. - Uh La La La AlgoRythmik - Everybody Gets Funky Alice Russell - Humankind All Good Funk Alliance - In the Rain Allen Toussaint - Yes We Can Can Alvin Cash;The Registers - Doin' the Ali Shuffle Amadou & Mariam - Mon amour, ma chérie Ananda Shankar - Jumpin' Jack Flash Andrew Gold - Thank You For Being A Friend Andrew McMahon in the Wilderness - Brooklyn, You're -
Terraforming
TERRAFORMING Liverpool Science Fiction Texts and Studies, 55 Liverpool Science Fiction Texts and Studies Editor David Seed, University of Liverpool Editorial Board Mark Bould, University of the West of England Veronica Hollinger, Trent University Rob Latham, University of California Roger Luckhurst, Birkbeck College, University of London Patrick Parrinder, University of Reading Andy Sawyer, University of Liverpool Recent titles in the series 30. Mike Ashley Transformations: The Story of the Science-Fiction Magazine from 1950–1970 31. Joanna Russ The Country You Have Never Seen: Essays and Reviews 32. Robert Philmus Visions and Revisions: (Re)constructing Science Fiction 33. Gene Wolfe (edited and introduced by Peter Wright) Shadows of the New Sun: Wolfe on Writing/Writers on Wolfe 34. Mike Ashley Gateways to Forever: The Story of the Science-Fiction Magazine from 1970–1980 35. Patricia Kerslake Science Fiction and Empire 36. Keith Williams H. G. Wells, Modernity and the Movies 37. Wendy Gay Pearson, Veronica Hollinger and Joan Gordon (eds.) Queer Universes: Sexualities and Science Fiction 38. John Wyndham (eds. David Ketterer and Andy Sawyer) Plan for Chaos 39. Sherryl Vint Animal Alterity: Science Fiction and the Question of the Animal 40. Paul Williams Race, Ethnicity and Nuclear War: Representations of Nuclear Weapons and Post-Apocalyptic Worlds 41. Sara Wasson and Emily Alder, Gothic Science Fiction 1980–2010 42. David Seed (ed.), Future Wars: The Anticipations and the Fears 43. Andrew M. Butler, Solar Flares: Science Fiction in the 1970s 44. Andrew Milner, Locating Science Fiction 45. Joshua Raulerson, Singularities 46. Stanislaw Lem: Selected Letters to Michael Kandel (edited, translated and with an introduction by Peter Swirski) 47. -
Scientifiction 37
Scientifiction New Series #37 Scientifiction A publication of FIRST FANDOM, the Dinosaurs of Science Fiction New Series #37 , 3rd quarter 2013 PRESIDENT’S MESSAGE Greetings, everyone! First Fandom website. The new look From the reports I received on the will feature photographs, articles, Worldcon, everyone seemed to have interviews and a history of our a great weekend, spending time with awards. Please send your ideas and friends, enjoying programming and any contributions directly to me. hearing the announcement of First Change of Address for the Cokers Fandom’s Awards. David A. Kyle My wife Linda and I are nearly spent a lot of time greeting fans at finished moving into our new home! the First Fandom exhibit table. Please reach us 4813 Lighthouse Next year, the Worldcon will be held Road, Orlando, FL 32808. Our new in London. They will be celebrating telephone number is (407) 532-7555. three quarters of a century since the New Contact Information first Worldcon was held in 1939. Mike Glyer Remembering 1507-1/2 South Sixth Avenue During the past several months, Arcadia, CA 91006 Richard Matheson and Frederik Pohl Tel: (626) 305-1004 both passed away. These dear men [email protected] were giants in our field, and they will We Need Your E-Mail Address be missed. Please see their obituary notices on pages 8-10 in this issue. We are asking all members who are still receiving paper copies of the FAPA newsletter to please provide me with I prepared a long contribution for the an e-mail address, so that they can latest mailing of the Fantasy enjoy the expanded, full-color Amateur Press Association. -
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isS?v^-l^*; d WmL*uQ [ 1 _Bfvkv H^___L 1 W^ thnt xtar hi chin' manaiini?^ ____ \ \ i__ter^*fPl j 1 n \ ILiV^w&^H •______Br^—^___________i 1 *«**mr%. |H ^H ^ uppuarinn an thix pLatnut _• The latest sound earning from > / •liiiisnjHi PVH FIITjjTj iMIII 4 / f comes tnonner The Volcano' L • '_iEV|[f¥¥S _ \ 1j998 vancniiver InternaUnnal itf 1 Jazz Festival memoirs ^ 1 [Ins many inter-planetary 1 li .** "25 ^ •.-.•. (j/ ^^^^^^^^H _H"^___i ___!!^l NO LIMIT RECORDS WORLD'S #1 RAP LABEL 'rt NO LIMIT RECORDS - WE CAN'T BE STOPPED HM!XSB^;«.«MJ:.ldM SATURDAY MSCUSJ^JTT^^ I 87 • AUGUST I 998 THAT MAGAZINE FEATURES . STARFISH ROOM BLACK ANGER 9 BANGS 10 FIREWATER 11 JAZZ FEST IN REVIEW 12 COLUMNS Looking Back __ INTERVIEW HELL 5 PRINTED MATTERS 5 BASSLINES 6 GRUMPY OLD DOG (NEW!) 6 SEVEN INCH 7 bauhaus resurrection DEMO DERBY 7 REAL LIVE ACTION 13 UNDER REVIEW 14 ON THE DIAL 16 CHARTS 18 Rheostatics WITH SPECIAL GLKESTS AUGUST DATEBOOK 19 LOCAL RABBITS August, 1-98T COMICS r ^ SaraH\jfcLacnfan BOTCHED AMPALLANG 15 c SJin editrix: miko hoffman GOOD TASTY COMIC 18 Pau fa Cofe art director: ken paul ad rep: kevin pendergraft * ^Ce'Sljed' Kdegeoceffo production manager: tristan winch COVER L/* Diana (Kra/I graphic design/layout: kenny, erin hodge, randal A BIT OF LEGGY, '50S-INSPIRED SCI-FI BY * Lisa Loef ®*r rtfi*™. M>, mindell LOCAL BRAD SHAW, ENTITLED "SINDY WITH production: barbara AN S." RECENTLY SHOWN AT THE andersen, ann goncalves, erin h,richard folgar, a] gray, MOONBASE GALLERY. -
Landing Interview for Ptolemaic Terrascope
Landing Landing are an aptly named band. Leaving aside for a moment the nevertheless apt if all the more obvious space- rock connotations, the current line-up find themselves grounded from the four point of the American compass: Guitarist Aaron Snow comes from Connecticut in the East, his wife, Adrienne (keyboards) hails from California and together they met bassist/drummer Daron Gardner and guitarist Dick Baldwin (who'd spent some time down South in Florida) at several of the couple's live gigs in the Northern climes of Provo, Utah - Gardner's childhood home. Jeff Penczak caught up with them in Middletown, Connecticut, home of the band since December, 1999. PT: Aaron, your first release, the ‘Centrefuge’ EP was recorded at home in Utah. Is that where you and Adrienne first met, got married and formed the band? Aaron- Actually, ‘Centrefuge’ was recorded in Connecticut and Utah. Adrienne and I did meet in Utah though, in the summer of ‘94. We got married in April of 1996 and started playing music live around the fall of ‘97. It was at those shows where we met Dick and Daron. Back then (when we played as a two piece) we went through a bunch of band names such as The Non and Graphic Radio before we settled on the name May Landing. Adrienne and I moved back to CT. the following summer, and that’s when we bought a Moog (Realistic MG-1 made for Radio Shack), changed the name to Landing, and started working on the EP. Was it originally just the duo or did you have the rhythm section right from the beginning? Aaron- At the beginning of Landing it was pretty much just me and Adrienne and my high school buddy David Lifrieri who helped out by playing drums and bass on one song and guitar on another. -
Learning from Science Fiction
HARD READING Liverpool Science Fiction Texts and Studies, 53 Liverpool Science Fiction Texts and Studies Editor David Seed, University of Liverpool Editorial Board Mark Bould, University of the West of England Veronica Hollinger, Trent University Rob Latham, University of California Roger Luckhurst, Birkbeck College, University of London Patrick Parrinder, University of Reading Andy Sawyer, University of Liverpool Recent titles in the series 30. Mike Ashley Transformations: The Story of the Science-Fiction Magazine from 1950–1970 31. Joanna Russ The Country You Have Never Seen: Essays and Reviews 32. Robert Philmus Visions and Revisions: (Re)constructing Science Fiction 33. Gene Wolfe (edited and introduced by Peter Wright) Shadows of the New Sun: Wolfe on Writing/Writers on Wolfe 34. Mike Ashley Gateways to Forever: The Story of the Science-Fiction Magazine from 1970–1980 35. Patricia Kerslake Science Fiction and Empire 36. Keith Williams H. G. Wells, Modernity and the Movies 37. Wendy Gay Pearson, Veronica Hollinger and Joan Gordon (eds.) Queer Universes: Sexualities and Science Fiction 38. John Wyndham (eds. David Ketterer and Andy Sawyer) Plan for Chaos 39. Sherryl Vint Animal Alterity: Science Fiction and the Question of the Animal 40. Paul Williams Race, Ethnicity and Nuclear War: Representations of Nuclear Weapons and Post-Apocalyptic Worlds 41. Sara Wasson and Emily Alder, Gothic Science Fiction 1980–2010 42. David Seed (ed.), Future Wars: The Anticipations and the Fears 43. Andrew M. Butler, Solar Flares: Science Fiction in the 1970s 44. Andrew Milner, Locating Science Fiction 45. Joshua Raulerson, Singularities 46. Stanislaw Lem: Selected Letters to Michael Kandel (edited, translated and with an introduction by Peter Swirski) 47. -
The History of Rock Music: the 2000S
The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Trippers (These are excerpts from my book "A History of Rock and Dance Music") Droning psychedelia TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Rock music owed a lot to psychedelia. The search for a psychedelic sound had been the first and foremost motivation to cultivate progressive structures and creative arrangements. Without that motivation, rock music might have been stuck in Chuck Berry's riffs forever. Psychedelia was in a sense the "big bang" of rock music, from which the expansion began. However, after four decades it was difficult to see what that original impulse still had to offer that had not been heard already a thousand times. The sound of droning guitars was not particularly exciting anymore, shoegazing ecstasy was becoming the equivalent of the new-age music of the 1980s, and psychedelic folksingers were beginning to sound senile. Boston's Paradise Camp 23, the brainchild of multi-instrumentalist Erik Amlee, indulged in the 47-minute shapeless space-noise jam that takes up most of Bar-BQ Dungeon (2001) and then unleashed the 46-minute drone-based jam of Solitaire (2002), bathed in cosmic electronic noise. Seattle's duo Growing turned psychedelic trance into an austere and pure science with its subliminal ambient dronescapes for guitars and electronics: Epochal Reminiscence, off The Soul Of The Rainbow And The Harmony Of Light (2004), that diluted a folkish melody into a cycle of ear-piercing tones; the pulsating galactic tsunami Wide Open, off His Return (2005); the dense hyper-dilated slowly-shifting Blue Angels, off Color Wheel (2006).