Hans Christian Andersen
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The Ugly Duckling YOU Have an Important Part to Play
The Ugly Duckling STUDY GUIDE THE UGLY DUCKLING BASED ON THE S T O R Y B Y Fairy tales... HANS CHRISTIAN ANDERSEN are types of folk tales. They BY RICHARD GIERSCH usually begin with “Once upon a time...” and end with “...happily ever after.” Also, fairy tales usually have events happening in threes, and involve magic. THE UGLY DUCKLING is a musical written by Richard Giersch, based on the story by Hans Christian Andersen. This program is presented in support of the Folk tales... teaching of the Virginia English Standards of Learning. are short, with a simple plot. They Activities provided support curriculum k-5. have characters representing a characteristic like good or bad and feature events that are AT THE LIBRARY: repeated, especially in threes. Hans Christian Andersen (1805- They are based in fantasy. 1875) was a Danish author best known for writing over 150 children’s stories. Check out the following fairy tales, also by Hans Christian Andersen: The Emperor’s New Clothes Thumbelina The Princess and the Pea YOU Have an Important Part to Play The Steadfast Tin Soldier How to Play Your Part The Fir Tree The Little Mermaid A play is different than television or a movie. The actors are right in front of The Nightingale you and can see your reactions, feel your attention, and hear your laughter Little Match Girl and applause. Watch and listen carefully to understand the story. The story is told by actors and comes to life through your imagination. Page 2 VIRGINIA REPERTORY THEATRE Songs from The Ugly Duckling Plays that include songs are called musicals. -
Elizabeth Bowen, Shaking the Cracked Kaleidoscope.Pdf
Research Space Conference paper Elizabeth Bowen: Shaking the cracked kaleidoscope. Futurism and collage in Elizabeth Bowen's To the North Hirst, D. DIANA HIRST SHAKING THE CRACKED KALIEDOSCOPE: FUTURISM AND COLLAGE IN ELIZABETH BOWEN’S TO THE NORTH Paper given at ‘Elizabeth Bowen : A Re-Evaluation’, University of Bedfordshire, 6 May 2017 In a conversation between Elizabeth Bowen and Jocelyn Brooke, recorded for the BBC in1950, Brooke describes reservations he has about her recently published novel The Heat of the Day, and how he feels that it doesn’t really hang together.1 Bowen explains what she had been attempting: I wanted to show people in extremity, working on one another’s characters and fates all the more violently because they worked by chance. I wanted the convulsive shaking of a kaleidoscope, a kaleidoscope also in which the inside reflector was cracked.2 In this paper I will argue that Bowen is attempting something similar nearly twenty years earlier in her fourth novel To the North.3 In their conversation, Brooke and Bowen also discuss how important the quality of light is in both their work, and how Bowen had originally wanted to be a painter. Several critics, as well as Brooke, identify a visual quality in her writing, and Bowen herself affirms this several occasions. Thus I will also argue that it is possible to identify some techniques of the visual artist in her work in this 1932 novel. Building up to the Second World War, the thirties was a decade of unease, and unease pervades the novel. Perhaps unsurprisingly therefore, the visual art genres or movements that are most relevant to To the North are those that are fragmented: Cubism, particularly Futurism, and their opposite: making something from fragments (collage, a jigsaw puzzle or a mosaic). -
Sights of Scandinavia
PREMIUM 11D8N SIGHTS OF SCANDINAVIA TOUR CODE: ENSCSS (Validity: 1 Apr to 31 Oct 2018) Set off on an epic journey to the Nordic countries where you will see the capitals of Denmark, Sweden and Norway. Witness some of the most jaw-dropping sceneries and marvel at nature’s most extraordinary wonders. 123RF/IAKOV KALININ 123RF/IAKOV GEIRANGERFJORD, NORWAY PHOTO: PHOTO: 28 Northern Europe | EU Holidays Flight path HIGHLIGHTS Traverse by coach Traverse by cruise NORWAY SWEDEN Featured destinations BERGEN KARLSTAD Overnight stays 1 2 3 Sweden • Fish Market • Old Stonebridge Norway • Bryggen • Karlstad • Fløibanen Funicular Domkyrkan Railway Cathedral Geiranger Finland FLÅM STOCKHOLM • Nærøyfjord cruise • City Hall (entrance Skei 1 Oppland (UNESCO World included) 1 Heritage Site) • Cathedral Voss Lillehammer GEIRANGER • Royal Palace 1 Hardengerfjord • Geirangerfjord • Old Town Bergen 1 cruise (UNESCO Oslo Karlstad 2 Stockholm World Heritage DENMARK Orebro Site) COPENHAGEN • Eagle Road • Tivoli Gardens • Seven Sisters • City Hall Square 1 Skagen Waterfall • Hans Christian • Trollstigen Platform Andersen Statue • Christiansborg NORWAY FJORDS Arhus • Geirangerfjord Palace 1 • Hardangerfjord • The Little Mermaid Denmark Copenhagen • Nærøyfjord sculpture LILLEHAMMER • Gefion Fountain • Ski Jumping Arena • Carlsberg OSLO ARHUS DAY1 to Skagen, the northernmost point in • Vigeland Sculpture • Den Gamle By HOME → COPENHAGEN Denmark and the spot where the Baltic Sea Park • Skagen Meals on Board meets the North Sea. Board an overnight • Oslofjord Assemble at the airport and depart for cruise that will take you to Bergen, a • City Hall Copenhagen, Denmark’s capital, that city on Norway’s southwestern coast. • Royal Palace sits on the coastal islands of Zealand and It’s surrounded by mountains and fjords, Amager. -
Building Community by Producing Honk! Jr., a Musical Based on the Glu Y Duckling Heidi Louise Jensen
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Theses Student Research 5-1-2013 Two hundred year old lesson in bullying: building community by producing Honk! Jr., a musical based on The glU y Duckling Heidi Louise Jensen Follow this and additional works at: http://digscholarship.unco.edu/theses Recommended Citation Jensen, Heidi Louise, "Two hundred year old lesson in bullying: building community by producing Honk! Jr., a musical based on The Ugly Duckling" (2013). Theses. Paper 38. This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Theses by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2013 HEIDI LOUISE JENSEN ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School A TWO HUNDRED YEAR OLD LESSON IN BULLYING: BUILDING COMMUNITY BY PRODUCING HONK! JR., A MUSICAL BASED ON “THE UGLY DUCKLING” A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts Heidi Louise Jensen College of Performing and Visual Arts School of Theatre Arts and Dance Theatre Education May 2013 This Thesis by: Heidi Louise Jensen Entitled: A Two Hundred Year Old Lesson in Bullying: Building Community by Producing HONK! Jr., A Musical Based on “The Ugly Duckling”. has been approved as meeting the requirement for the Degree of Master of Arts in College of Performing and Visual Arts in School of Theatre and Dance, Program of Theatre Educator Intensive Accepted by the Thesis Committee _______________________________________________________ Gillian McNally, Associate Professor, M.F.A., Chair, Advisor _______________________________________________________ Mary J. -
The Annotations for the Ugly Duckling Fairy Tale Are Below. Sources Have
The annotations for the Ugly Duckling fairy tale are below. Sources have been cited in parenthetical references, but I have not linked them directly to their full citations which appear on the Ugly Duckling Bibliography page. I have provided links back to the Annotated Ugly Duckling to facilitate referencing between the notes and the tale. Special thanks to Christine Ethier, an adjunct teacher of English writing at both Community College of Philadelphia and Camden County College, for providing the annotations to this tale. Ethier's annotations are designated by CE. Heidi Anne Heiner provided additional annotations designated with HAH. 1. The Ugly Duckling: Considered the most autobiographical of all his tales, Andersen first published "The Ugly Duckling" in 1844 when he was 39 years old. He admitted on many occasions that the tale mirrored his own life. The tale appeared in Nye Eventyr (New Fairy Tales). The collection was critically well-received. HAH The Franks write: It is not only among his most famous stories — the title itself has become part of several languages — but the one that readers correctly identify most closely with its author. Andersen spent his summers with aristocratic friends, going from one castle to the next; in the summer of 1842, at Gisselfeldt Castle, south of Copenhagen, he had been in a bad mood because a new play had done poorly. But he went for a walk, a diary entry notes, and “got the idea for a story about a duck. Improved my mood.” In late July — he was now a guest at the castle of Bregentved — he says, “Began the young swan yesterday” — a hint that the idea had not quite worked itself out (156). -
The Little Mermaid Icon and Disneyfication
The Little Mermaid Icon and Disneyfication Finn Hauberg Mortensen University of Copenhagen s AN ICON IN MASS cui.TURE, thc Little Meniiaid has become the official image of Denmark in general., and of its capital, At Copenhagen, in particular. Its icoiiicity is intimately tied to two sources: Edvard Eriksen's famous bronze statue erected on the Copen- hagen waterfront in 191? and Hans Christian Andersen's fairytale from i8í7. The complexity of Andersen's fairytale, however, which lends the symbolic value to Eriksen's statue, has been largely ignored because the statue has taken on a lite of its own. Historically, it belongs to the final phase of Danish classical sculpture., but it has also become the raw material of modernistic artistic expressions. In fact over the last fort^' years, the statue has moved toward two distinct representations: the completed statue by Eriksen viewed and re\ered by die millions of tourists who visit and photograph it and the ongoing fragmented and unfinished work, which has derived from the destruction of the former. This latter ''work of art" in turn points to the modernit)' of which it and Denmark has become part. The fragmentation started in içfti, when the statue had its hair painted red and was dressed up in a bra and panties. Two years later she was painted red again. In 1964, these prankish attacks were followed by an act of willful artistic vandalism when an unknown assailant sawed the head off the body. Later, Jörgen Nash, a situationist visual artist and author, claimed responsibility for removing the head and for making a deliberate assault on die Danish national symbol. -
From Thumbelina to Winnie-The-Pooh: Pictures, Words, and Sounds in Translation Riitta Oittinen
Document generated on 09/30/2021 9:25 a.m. Meta Journal des traducteurs Translators' Journal From Thumbelina to Winnie-the-Pooh: Pictures, Words, and Sounds in Translation Riitta Oittinen Le verbal, le visuel, le traducteur Article abstract The Verbal, the Visual, the Translator The starting point of my article is that even though words are translators’ tools, Volume 53, Number 1, mars 2008 the texts they translate often include images, sounds, and movement, too. In other words, translators need media literacy. In the following, I discuss URI: https://id.erudit.org/iderudit/017975ar translating picturebooks and films, using different retellings of Disney and DOI: https://doi.org/10.7202/017975ar Andersen as examples. In addition, I ponder on issues such as text and situation as well as the interaction of the verbal, visual and aural information in the context of translation. See table of contents Publisher(s) Les Presses de l'Université de Montréal ISSN 0026-0452 (print) 1492-1421 (digital) Explore this journal Cite this article Oittinen, R. (2008). From Thumbelina to Winnie-the-Pooh: Pictures, Words, and Sounds in Translation. Meta, 53(1), 76–89. https://doi.org/10.7202/017975ar Tous droits réservés © Les Presses de l’Université de Montréal, 2008 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. -
Copenhagen's Famous Mermaid: Den Lille Havfrue, the Little Mermaid
Copenhagen’s Famous Mermaid: Den lille havfrue, The Little Mermaid The Little Mermaid was made famous by a fairy tale written by Hans Christian Andersen, Denmark’s famous author. It was a tale about a young mermaid who was willing to give up her life in the ocean and her life as a mermaid to gain a human soul. “The tale was actually made to scare children into good behavior.” ‐ quietlunch.com ‐ hca.gilead.org Copenhagen’s famous statue is that of the Little Mermaid, however there are rumors that the original is not what is displayed by the City of Copenhagen. Why you ask. Well, the original was sculpted by Edvard Erkisen who was commissioned to do the statue in 1909. It was unveiled on August 23, 1913, a gift from the Danish brewer Carl Jacobsen from Carlsberg Brewery. Four years later the 385‐pound bronze statue was presented to the City of Copenhagen and placed in the harbor area. Since her appearance, she has been vandalized and scandalized. It is believed that the original is with the Eriksen family. Vandalism has included decapitation three times, an arm being attacked with a hacksaw, someone even used an explosive to blow her off her pedestal and throwing paint on her five times. The scandal came from none other than Facebook who banned her from its online publication due to nudity guidelines. ‐ bbc.com ‐VisitDenmark The mermaid’s history was also plagued with problems from the beginning. According to VisitDenmark, “The Little Mermaid was meant to be modelled after contemporary ballerina Ellen Price, but as she refused to model nude, the Mermaid was in fact modelled after Edvard Eriksen’s wife, Eline.” “The statue was sculpted as a twin‐tailed mermaid, although the H.C. -
Hans Christian Andersen's
HANS CHRISTIAN ANDERSEN’S ROMANTIC IMAGINATION: Exploring eighteenth and nineteenth century romantic conceptualisations of the imagination in selected fairy tales by Hans Christian Andersen. ANNETTE GREYVENSTEYN submitted in accordance with the requirements for the degree of MASTER OF ARTS in the subject English Studies at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: Dr Eileen Donaldson July 2018 Abstract There are certain influences from the eighteenth and nineteenth century English and German romantic Zeitgeist that can be discerned in Hans Christian Andersen’s fairy tales. The role of the imagination stands out as a particularly dominant notion of the romantic period as opposed to the emphasis on reason during the Enlightenment. It is this romantic influence that Andersen’s tales especially exemplify. For him the imagination is transcendent – one can overcome the mystery and hardship of an earthly existence by recasting situations imaginatively and one can even be elevated to a higher, spiritual realm by its power. The transcendent power of the imagination is best understood by viewing it through the lens of negative capability, a concept put forward by romantic poet, John Keats. The concept implies an “imaginative openness” to what is, which allows one to tolerate life’s uncertainties and the inexplicable suffering that forms part of one’s earthly existence by using the imagination to open up new potential within trying circumstances. In selected fairy tales, Andersen’s child protagonists transcend their circumstances by the power of their imagination. In other tales, nature is instrumental in this imaginative transcendence. The natural world conveys spiritual truths and has a moralising influence on the characters, bringing them closer to the Ultimate Creator. -
CHOPIN and JENNY LIND
Icons of Europe Extract of paper shared with the Fryderyk Chopin Institute and Edinburgh University CHOPIN and JENNY LIND NEW RESEARCH by Cecilia and Jens Jorgensen Brussels, 7 February 2005 Icons of Europe TABLE OF CONTENTS 1. INTRODUCTION 2 2. INFORMATION ON PEOPLE 4 2.1 Claudius Harris 4 2.2 Nassau W. Senior 5 2.3 Harriet Grote 6 2.4 Queen Victoria 7 2.5 Judge Munthe 9 2.6 Jane Stirling 10 2.7 Jenny Lind 15 2.8 Fryderyk Chopin 19 3. THE COVER-UP 26 3.1 Jenny Lind’s memoir 26 3.2 Account of Jenny Lind 27 3.3 Marriage allegation 27 3.4 Friends and family 27 4. CONCLUSIONS 28 ATTACHMENTS A Sources of information B Consultations in Edinburgh and Warsaw C Annexes C1 – C24 with evidence D Jenny Lind’s tour schedule 1848-1849 _______________________________________ Icons of Europe asbl 32 Rue Haute, B-1380 Lasne, Belgium Tel. +32 2 633 3840 [email protected] http://www.iconsofeurope.com The images of this draft are provided by sources listed in Attachments A and C. Further details will be specified in the final version of the research paper. All rights reserved. Copyright © 2003 Icons of Europe, B-1000 Brussels, Belgium. Filed with the United States Copyright Office of the Library of Congress, Washington, D.C. 1 Icons of Europe 1. INTRODUCTION This paper recapitulates all the research findings developed in 2003-2004 on the final year of Fryderyk Chopin’s life and his relationship with Jenny Lind in 1848-1849. Comments are invited by scholars in preparation for its intended publication as a sequel to the biography, CHOPIN and The Swedish Nightingale (Icons of Europe, Brussels, August 2003). -
Digital Novel
DIGITAL NOVEL ©2019 IF/CH CONTENTS Story 1 03 Story 4 25 Story 2 11 Story 5 32 Story 3 17 Story 6 39 *This short novel contains spoilers. We recommend reading the digital novel after clearing the game. 1 ©2019 IF/CH 2 Story 1 Long ago, several leagues below the surface of the sea, there existed a mighty kingdom of mermaids that stood upon the ocean floor. Among its many inhabitants were the six princesses, all of whom were daughters to the ruler of the kingdom, the King of the Mermaids. When each princess turned fifteen, she was granted permission to depart from the kingdom and visit the world of Man. Most of the princesses enjoyed regaling the youngest sister with whimsical tales of the land above the water, fueling her anticipation for the day she could see that magical world for herself. One day, however, one of the older sisters took the young princess aside to warn her. “Little Mermaid, you must listen to me. The human soul, although sacred enough to be claimed by the gods on the day they cross over to the other side, resides within a fragile, human body. We are not like them. Our bodies return to the ocean as seafoam in the end, but the body of a mermaid can outlive a human’s and live to see three hundred years pass before our time comes.” The elder mermaid tried her best to discourage her sister from leaving her home, but it was of no use. The young princess was fiercely determined to visit the world of Man. -
Hans Christian ANDERSEN (April 2, 1805 – August 4,1875) ANDERSEN
HANS CHRISTIAN Hans Christian ANDERSEN (April 2, 1805 – August 4,1875) ANDERSEN FAIRY TALE | WRITING CONTEST Hans Christian Anderson was a Danish author and poet, most famous 2022 RULES and DEADLINES for his fairy tales. Among his best-known stories are “The Snow Queen,” “The Little Mermaid,” “Thumbelina,” “The Little Match Girl,” “The Ugly HANS CHRISTIAN ANDERSEN DEADLINE Entries are due Friday, January 21, 2022 Duckling,” and “The Red Shoes.” During Andersen’s lifetime he was WRITING CONTEST Postmark will confirm sending date. Sponsored by Sestri Levante, Italy and the respected by royalty and acclaimed for having brought joy to children City of Santa Cruz Sister Cities Committee across Europe. His fairy tales have been translated into over 150 languages and continue to be published in millions of copies all over the world inspiring many other works. Andersen was also a poet, and his verse has been set to music by such 2022 REGLAS y FECHAS LÍMITES composers as Grieg, Nielsen and Schumann. Among musical adaptations CONCURSO DE ESCRITURA FECHA LÍMITE are Prokofiev’s song The Ugly Duckling, Mary Rodgers’ musical Once El último día para enviar los escritos es el Upon a Mattress (based on “The Princess and the Pea”), and Disney’s HANS CHRISTIAN ANDERSEN viernes,21 de enero, 2022. Si se envía por Aupiciado por Sestri Levante, Italiay correo, el sello postal va a confirmar la fecha animated feature The Little Mermaid. Ciudad de Santa Cruz el Comité de Ciudades Hermanas de envío. TRIVIA His birthday, 2 April, is celebrated as International Children’s Book Day. A Shanghai theme park based on his fairy tales opened at the end of 2006.