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Lucille Ball | Van Der Valk | Marilyn | Van Den Hout | IM
Lucille Ball | Van der Valk | Marilyn | van den Hout | IM #47 Film FunVIERDE JAARGANG Lucille Ball Van der Valk Van den Hout ‘Marilyn’ IM Lucille Ball | Van der Valk | Marilyn | van den Hout | IM Afgelopen zomer werd bekend dat een Tekst en foto’s: Thys Ockersen/Still-photo biofilm zal worden gemaakt over Gastredacteuren: de vrouw die dertien Emmy- Film Fun Peter Cuijpers, Ruud den Drijver, nominaties kreeg en er vier Michael Helmerhorst, Wim Jansen, Thomas Leeflang, Hans van Pelt, won, die als eerste vrouw Film Fun is een tijdschrift van Bram Reijnhoudt. Thys Ockersen Vormgeving: Hille Tymstra een eigen studo runde en de dat maandelijksverschijnt wereld aan ‘t lachen maakte: en geleverd wordt aan een Thys Ockersen Films select gezelschap Wilhelminaweg 54 geïnteresseerden. 2042NR ZANDVOORT ßthysockersenfilms.com Dit is nummer 47 [email protected] 4e jaargang - november 2017 De Film Fun-uitgaven kunnen ©2016: Thys Ockersen Films/Film Fun LUCILLE hier worden gedownload. INHOUD Lucille Ball | Van der Valk | Marilyn | van den Hout | IM BALL DE NEDERLANDSE TELEVISIE is vorig jaar zonder veel rumoer de 65 jaar gepasseerd. In 2011, toen de zestig werd bereikt, was dat wel anders. In kranten verschenen do-you-remember-achtige verhalen, ver- lucht met foto’s van een jonge Mies Bouwman, een vrolijke Swiebertje en een goedmoedige Pater Leo- pold Verhagen. Via legio herdenkingsprogramma’s kon gekeken worden naar een rondspringende Wil- lem Ruis, een parmantige Jos Brink die de koningin waarachtig een wangkus durfde te geven en een quasi serieuze Fred Oster bij een hamsterdoolhof. Maar Lucille Ball, om wie in die zes decennia met tus- senpozen het meest is gelachen voor de buis, schit- terde door afwezigheid. -
OPUNTIA 339 Temperatures Were Setting Records
THE BLUE CANADIAN ROCKIES photos by Dale Speirs While eastern Canada was blasted by yet another polar vortex, Calgary OPUNTIA 339 temperatures were setting records. On April 2, the forecast was for 23oC, which Late April 2016 is shirt-sleeve weather. I made my first trip out to the mountains, the earliest I have ever done in a hiking season. (I don’t hike in winter; too dangerous.) The view below is from the Canmore Nordic Centre, looking southeast at Mount Opuntia is published by Dale Speirs, Calgary, Alberta. It is posted on www.efanzines.com and Ehagay Nakoda. The peak at right is Ha Ling Peak, named after the Chinese www.fanac.org. My e-mail address is: [email protected] When sending me an emailed letter of railway worker who first climbed it in the 1880s. comment, please include your name and town in the message. The Nordic Centre was built for the 1988 Calgary Winter Olympics and is now Not very exciting, so I took a few photos and left. Canada’s national training facility for cross-country skiing. They were having some sort of all-ages provincial-level race. 2 3 4 The flags are those of all nations who competed in the 1988 Winter Olympics. This is not the race course but just a casual skiway. 5 Heading back to Calgary, I stopped off at a couple of lakes along the way. Gap Lake, looking east, with Canmore a few kilometres behind the camera. Still a bit of ice but rapidly melting. 6 Middle Lake, in Bow Valley Provincial Park, looking west. -
Explore Our Virtual Program
20|21 MICHAEL WEBER JEANNIE LUKOW Artistic Director Executive Director presents Featuring ANTHONY COURSER, PAM CHERMANSKY, CROSBY SANDOVAL, JAY TORRENCE, LEAH URZENDOWSKI & RYAN WALTERS Written by JAY TORRENCE Direction by HALENA KAYS This production was filmed during Porchlight Music Theatre’s premiere with The Ruffians at the Ruth Page Center for the Arts, December 13 - 27, 2019. Understudies for 2019 Production Nellie Reed: KAITLYN ANDREWS Henry Gilfoil/Eddie Foy: DAVE HONIGMAN Fancy Clown: JAY TORRENCE Faerie Queen/Robert Murray: RAWSON VINT Choreography by LEAH URZENDOWSKI Additional 2019 Choreography by ARIEL ETANA TRIUNFO Lighting Design MAGGIE FULLILOVE-NUGENT Original Scenic & Costume Design LIZZIE BRACKEN Scenic Design JEFF KMIEC Costume Design BILL MOREY Sound Design MIKE TUTAJ Associate Sound Design ROBERT HORNBOSTEL Original Properties Design MAGGIE FULLILOVE-NUGENT & LIZZIE BRACKEN Properties Master CAITLIN McCARTHY Original Associate Properties Design ARCHER CURRY Technical Direction BEK LAMBRECHT Production Stage Management JUSTINE B. PALMISANO Production Management SAM MORYOUSSEF & ALEX RHYAN Video Production MARTY HIGGENBOTHAM/THE STAGE CHANNEL The following artists significantly contributed to this performance and the play’s creation: Lizzie Bracken (set design, costume design, prop design), Dan Broberg (set design), Maggie Fullilove-Nugent (lighting design), Leah Urzendowski (choreography) & Mike Tutaj (sound design). The original 2011 cast included Anthony Courser, Dean Evans, Molly Plunk, Jay Torrence, Leah Urzendowski & Ryan Walters This performance runs 100 minutes without intermission. Please be aware this play contains flashing lights and some moments that may trigger an adverse reaction with sudden loud noises and sounds of violence. Porchlight Music Theatre acknowledges the generosity of Allstate, the Bayless Family Foundation, DCASE Chicago, the Gaylord and Dorothy Donnelley Foundation, James P. -
OUR MISS BROOKS B: Elephant Mascot - 11/13/1949 CD 7 Connie Vs
our_miss_brooks.qxd:8 Page Booklet 6/24/10 9:39 PM Page 1 CD 6 A: Halloween Party - 10/30/1949 OUR MISS BROOKS B: Elephant Mascot - 11/13/1949 CD 7 Connie vs. Conklin A: Thanksgiving Mix Up - 11/27/1949 B: Walter’s Wonderful Radio - 2/12/1950 Program Guide by Jim Cox CD 8 A: The Burglar - 3/11/1950 She was the teacher you always wanted. And you may have felt indisputably slighted if B: Conklin’s TV Set - 4/2/1950 she taught somebody else. Constance (Connie) Brooks, the most notable schoolmarm on the air waves during the CD 9 golden epoch of broadcasting, didn’t set American public schools back on their heels by a century. A: Rumors - 9/10/1950 Indeed, quite the opposite occurred. She elevated education to a plateau never before realized from B: Conklin’s Tuba / Contest - 12/3/1950 a transmitter, figuratively bringing it light years ahead of its ethereal portrayals in the Dark Ages. And right along with that accomplishment, actress Eve Arden—who embodied the CD 10 captivating English teacher of mythical Madison High—offered incredible impetus to women A: The Kiss (Sneaky Peekers) - 8/14/1955 Eve and the apple. everywhere. By raising awareness of their real-life performances, produced mostly in obscurity, she B: Couch Potato - 8/28/1955 initiated a public appreciation of the fact that they contributed a whole lot that was worthwhile to the fabric of society. This transpired as Miss Brooks’ zany escapades took hilarious turns, winding Jim Cox writes prolifically, with an extensive number of broadcasting volumes to his credit, toward predictable outcomes that nevertheless while contributing liberally to vintage radio media. -
America Radio Archive Broadcasting Books
ARA Broadcasting Books EXHIBIT A-1 COLLECTION LISTING CALL # AUTHOR TITLE Description Local Note MBookT TYPELocation Second copy location 001.901 K91b [Broadcasting Collection] Krauss, Lawrence Beyond Star Trek : physics from alien xii, 190 p.; 22 cm. Book Reading Room Maxwell. invasions to the end of time / Lawrence M. Krauss. 011.502 M976c [Broadcasting Collection] Murgio, Matthew P. Communications graphics Matthew P. 240 p. : ill. (part Book Reading Room Murgio. col.) ; 29 cm. 016.38454 P976g [Broadcasting Collection] Public Archives of Guide to CBC sources at the Public viii, 125, 141, viii p. Book Reading Room Canada. Archives / Ernest J. Dick. ; 28 cm. 016.7817296073 S628b [Broadcasting Skowronski, JoAnn. Black music in America : a ix, 723 p. ; 23 cm. Book Reading Room Collection] bibliography / by JoAnn Skowronski. 016.791 M498m [Broadcasting Collection] Mehr, Linda Harris. Motion pictures, television and radio : a xxvii, 201 p. ; 25 Book Reading Room union catalogue of manuscript and cm. special collections in the Western United States / compiled and edited by Linda Harris Mehr ; sponsored by the Film and Television Study Center, inc. 016.7914 R797r [Broadcasting Collection] Rose, Oscar. Radio broadcasting and television, an 120 p. 24 cm. Book Reading Room annotated bibliography / edited by Oscar Rose ... 016.79145 J17t [Broadcasting Collection] Television research : a directory of vi, 138 p. ; 23 cm. Book Reading Room conceptual categories, topic suggestions, and selected sources / compiled by Ronald L. Jacobson. 051 [Broadcasting Collection] TV guide index. 3 copies Book Archive Bldg 070.1 B583n [Broadcasting Collection] Bickel, Karl A. (Karl New empires : the newspaper and the 112 p. -
The Thesis Committee for Steven Vern Reddicliffe
The Thesis committee for Steven Vern Reddicliffe Certifies that this is the approved version of the following thesis Voices of Comedy: Conversations With Writers of Television’s Most Enduring Shows APPROVED BY SUPERVISING COMMITTEE: Supervisor: ________________________________________ Janet Staiger __________________________________________ Michael Kackman Voices of Comedy: Conversations With Writers of Television’s Most Enduring Shows by Steven Vern Reddicliffe, B.S.J. Thesis Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin August 2010 Voices of Comedy: Conversations With Writers of Television’s Most Enduring Shows by Steven Vern Reddicliffe, MA The University of Texas at Austin, 2010 SUPERVISOR: Janet Staiger An oral history of television comedy from the early 1950s through the mid 1970s as told by the writers Sydney Zelinka, Larry Rhine, Milt Josefsberg, and the team of Seaman Jacobs and Fred S. Fox. The shows they wrote for included “The Honeymooners,” ‘The Phil Silvers Show,” “The Red Skelton Hour,” Bob Hope specials, “Here’s Lucy,” “All in the Family,” and “Maude.” These five writers were working in the earliest days of the medium and spent years writing for the personalities—from performers to producers—who pioneered and defined it. Most of them also wrote scripts during one of broadcast television’s greatest periods of transformation, when comedy took a decidedly topical turn that continued to have a significant impact on television comedy in the decades that followed. iii Table of Contents Introduction ……………………………..….……………….……..……1 Chapter One: Sydney Zelinka ……………………………....…..….…..15 Chapter Two: Larry Rhine ……………………………………......……32 Chapter Three: Milt Josefsberg ……………………...…….…...…....…58 Chapter Four: Seaman Jacobs and Fred S. -
Mary Jane Croft Muncie, Delaware County February 15, 1916 – August 24, 1999
Mary Jane Croft Muncie, Delaware County February 15, 1916 – August 24, 1999 Mary Jane Croft was an American actress best known for her roles as Betty Ramsey on I Love Lucy, Ms. Daisy Enright on the radio and television versions of Our Miss Brooks, Mary Jane Lewis on The Lucy Show and Here’s Lucy, and Clara Randolph on The Adventures of Ozzie and Harriet. Mary Jane started her show business career on the stage with the civic theatre in her hometown of Muncie, Indiana. After briefly acting with the Guild Theatre in Cincinnati, Ohio, she joined the local radio station WLW and embarked on a career as a radio actress. She moved to Los Angeles in 1939 after her marriage to fellow actor, Jack Zoller. During the 1940’s and 1950’s, Mary Jane became one of a company of in- demand voice actresses. Her best-known pre-Lucille role was as Daisy Enright, the nemesis of Our Miss Brooks, which starred Eve Arden and Gale Gordon (both on radio and then on TV). After the death of her first husband, she got married for the second time in 1960, she began using her newly married name for her character on The Lucy Show (1962), which was produced by new husband, Elliott Lewis. By 1965, Mary Jane had replaced Vivian Vance, who retired from the show, as Lucy's neighbor. For most TV audiences, Mary Jane Photo Courtesy: IMDB (the Internet Movie Database) will be fondly remembered as Lucy’s cheerful ally and confidante in their various joint endeavors. -
{DOWNLOAD} Sitcom: a History in 24 Episodes from I Love Lucy to Community Kindle
SITCOM: A HISTORY IN 24 EPISODES FROM I LOVE LUCY TO COMMUNITY PDF, EPUB, EBOOK Saul Austerlitz | 406 pages | 01 Mar 2014 | Chicago Review Press | 9781613743843 | English | United States I Love Lucy (TV Series –) - IMDb Episodes Seasons. Won 4 Primetime Emmys. Edit Cast Complete series cast summary: Lucille Ball Lucy Ricardo episodes, Desi Arnaz Ricky Ricardo episodes, Vivian Vance Ethel Mertz episodes, William Frawley Edit Did You Know? Trivia William Frawley , aka "Fred Mertz", had a well known and longtime issue with alcoholism. He was advised in the beginning of the series to stay sober, or be terminated. So, if you look closely, a majority of his scenes display his character having his hands deep in his pockets. This would therefore not show his hands trembling, due to his alcoholic withdrawals. Goofs The Ricardos are said to live in an apartment at East 68th Street, which in real life would be located in the East River. This is not actually a 'goof' because it was done deliberately to avoid legal issues with an actual address. Quotes Lucy Ricardo : How much do you want to bet? Fred Mertz : Ten dollars. Ethel Mertz : Well what's the matter with twenty dollars? Ricky Ricardo : What's the matter with thirty dollars? Lucy Ricardo : What's the matter with fifty dollars? Fred Mertz : What was the matter with ten dollars? Crazy Credits In some of the episodes, the guest-star's name s are voiced over, by conductor, Wilbur Hatch , in the Opening Credits or Closing Credits. Alternate Versions The famous opening credit sequence, where the names appear over a heart, was not a part of the original series run. -
Flash Gordon - Wikipedia Page 1 of 19
Flash Gordon - Wikipedia Page 1 of 19 Flash Gordon Flash Gordon is the hero of a space opera adventure comic strip Flash Gordon created by and originally drawn by Alex Raymond.[1] First published January 7, 1934, the strip was inspired by and created to compete with the already established Buck Rogers adventure strip. [2][3][4] The Flash Gordon comic strip has been translated into a wide variety of media, including motion pictures, television and animated series'. The latest version, a Flash Gordon television series, appeared on the Syfy channel in the United States in 2007 1/11/2018 –2008. on The first Flash Gordon comic strip Publication information Contents Publisher King Features Syndicate Creation Library First January 7, 1934 Comic strip characters and story appearance (comic strip) International versions of the comic strip Created by Alex Raymond Strip bibliography In-story information Critical reception and influence Circuit Films Team Dale Arden (love Film serials affiliations interest), Flash Gordon 1980 film First Dr. Hans Zarkov Unofficial films (scientist) Possible future films by Defenders of the Television Earth Flash Gordon (1954–55 live-action) Flash Gordon animated (1979–80) Flash Gordon: The Greatest Adventure of All (1982) Defenders of the Earth (1986) Flash GordonViewed (1996) Flash Gordon (2007–08 live-action) Radio serials StageLast Comic books Flash Gordon Strange Adventure Magazine Novels 1939 World's Fair Reprints https://en.wikipedia.org/wiki/Flash_Gordon 1/3/2018 Flash Gordon - Wikipedia Page 2 of 19 Games DVD -
Warehouse Clearance
THE ON AIR 8 * . , THE EVENING STAR. Washington, D. C. ** THIRSDAT. OCTOBER 4. lO.Vt C-9 Two New Comedy t Shows Too Many By BERME HARRISON iff It will take more than one viewing. I suppose, to determine F 106 South Woync St. the effectiveness of the new CBS-TV Tuesday night programming, which presents four consecutive half-hour comedy programs. Between the established quiz shows at 7:30 and 10, WTOP—- DO-IT-YOURSELF CENTER -9 now offers: MANTLE'S LIFE 8:00 to 8:30. Phil Silvers 8:30 to A VIDEO HIT 9:00. The Brothers. w • Mickey /> ¦ CONTINUING OUR 9:00 to 9:30. Herb Shriner. Mantle was in- volved in a winning to Red effort 9:30 10:00 Skelton. yesterday—but not at Eb- HP M After sticking with it for one e; bets Field. The Story” “Life Tg a ft '<X night, though this viewer’s re- -of the 24-year-old miner's 1. M action may be summed up thus- son was dramatized simply, ly: honestly WAREHOUSE and appealingly CLEARANCE on Uncle! Kraft Theater (WRC—4). Silvers offered a typical andi Nicholas Baehr w:rote the amusing Bilko episode; Skelton a script, which was personally at BOTH STORES opened strongly with Rocky Mar- approved by Mantle, who §§¦ & jsaigmf j j ciano as guest. But the two new v was interviewed before and %¦. ft- offerings in the 8:30 to 9:300 after the show by Red Bar- TONIGHT and Continuing Thru FRIDAY, SATURDAY and SUNDAY. HOURS: Tonight segment were prodigious bores, ber. -
Physical Qualities
RADIO DRAMA: A “VISUAL SOUND” ANALYSIS OF JOHN, GEORGE AND DREW BABY by PASCHA WEAVER B.S. Florida Agricultural And Mechanical University, 1997 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2012 ©2012 Pascha L. Weaver ii ABSTRACT Radio Plays are a form of classic American Theatre that relies on dialogue, music and sound effects to audibly enhance a story with no visual component. While these types of plays are no longer at the forefront of modern day theatrical experience, I believe these popular plays of the mid-20th century are derivative of an oral storytelling tradition and significant to American entertainment culture. This thesis will discuss the aspects of radio plays that viscerally captured audiences. While this concept can be applied to many popular America radio shows of the time, this thesis will focus on one form ; the black radio play or black situation comedy series. I will deconstruct different genres of radio shows and identify the elements of sound effect, imagery and patterns in speech. This thesis will apply these elements to programs about white family life, (Fibber McGee and The Lone Ranger ) as well as family comedies about black cultural life, (Amos n' Andy, The Martin Lone and Beulah Show and Aunt Jemima). In addition, it will also reveal the business of employing white male actors to voice the parts of black characters and the physical mechanics used to create a “black sound”. -
Fibber Mcgee and Molly 589
fibber mcgee and molly 589 Fibber McGee and Molly Radio Comedy Series For three decades, the consummate comedians Jim Jordan name, Fibber replied, “Herman Gibbletripe—and this is my (1896–1988) and his wife Marian Driscoll (1898–1961) imi- wife Clara”). Mayor LaTrivia (Gale Gordon), outside the tated and mocked the habits of middle-class American home- McGees’ home an effective orator, dissolved into babble at the owners. They began as musicians and vaudevillians. These McGees’. He boasted that the City Council had opposed him, theatrical experiences, plus several radio series, prepared them but he had “stuck to [his] guns.” Both Fibber and Molly con- for the initial broadcast of Fibber McGee and Molly on Tues- founded him by asking why an elected official needed weap- day, 16 April 1935. (The show lasted in various forms until ons, suggesting that he might have been more successful if he 1959.) The Jordans and their writers, mainly Don Quinn and had not threatened them, and finally warning him that guns later Phil Leslie, wisely preserved what worked. During the should not be tolerated. 1940s, fans always voted it one of their favorite programs. Fibber reacted to aristocrats with a peculiar mixture of Expressions like “Fibber McGee’s closet” percolated into pop- envy—which prompted get-rich projects to find a substitute for ular speech. So did tag lines like Molly’s (Marian) “T’aint sugar or turn paper back into cloth—and disdain. Despite all funny, McGee,” Throckmorton P. Gildersleeve’s (Hal Peary) the wealth of grand dames like Abigail