TAG 2013 Abstracts
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Contents & Introduction
e Archaeology of Sound, Acoustics and Music: Studies in Honour of Cajsa S. Lund Gjermund Kolltveit and Riitta Rainio, eds. Publications of the ICTM Study Group on Music Archaeology, Vol. 3 Series Editor: Arnd Adje Both Berlin: Ekho Verlag, 2020 368 pages with 86 gures and 6 tables ISSN 2198-039X ISBN 978-3-944415-10-9 (Series) ISBN 978-3-944415-39-0 (Vol. 3) ISBN 978-3-944415-40-6 (PDF) Layout and Typography: Claudia Zeissig · Kunst & Gestaltung | www.claudiazeissig.ch Printed in Poland Ekho Verlag Dr. Arnd Adje Both, Berlin [email protected] | www.ekho-verlag.com All rights are reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission of Ekho Verlag. © 2020 Ekho Verlag 5 Contents Prefaces and Introduction 11 The Sounds of Former Silence Cornelius Holtorf 13 Pioneering Archaeological Approaches to Music Iain Morley 15 My Tribute to Cajsa, or My Encounter with the Swedish Fairy Godmother of the New Music Archaeology Catherine Homo-Lechner 19 Ears wide open: Listening to the 4D Soundscapes of Cajsa S. Lund Emiliano Li Castro 21 Introduction to the Volume The Archaeology of Sound, Acoustics and Music: Studies in Honour of Cajsa S. Lund Gjermund Kolltveit and Riitta Rainio 6 Contents Chapters 31 Sound Archaeology and the Soundscape Rupert Till 55 Ears to the Ground: On Cajsa Lund’s Legacy and Moving Movements Frances Gill 97 The Rommelpot of the Netherlands as a Case Study in Cajsa -
Reviews Skeleton: Some Thoughts on the Relocation of Cultural Heritage Disputes” (Gerstenblith)
159 Reviews Skeleton: Some Thoughts on the Relocation of Cultural Heritage Disputes” (Gerstenblith). Douglas Owsley and Richard Jantz interpret the Kennewick case as “a clash Edited by Charles R. Ewen between two systems of conceptualizing and tracing human history” (p. 141), although they assert that the origin of the lawsuit lies more with a lack of compliance with existing laws than with the ideological battle. In their chapter they Claiming the Stones/Naming the Bones: describe in great detail the myriad of research questions that Cultural Property and the Negotiation of the Kennewick skeleton raises and could potentially answer National and Ethnic Identity with further scientifi c study. ELAZAR BARKAN AND RONALD BUSH Patty Gerstenblith’s article, on the other hand, frames (EDITORS) the Kennewick case (and NAGPRA as a whole) in terms of social justice—returning to marginalized groups some Getty Research Institute, Los Angeles, control over their own pasts (and thus their cultural identi- CA, 2003. 384 pp., 33 illus., index. $50.00 ties). She argues from a particularistic stance, outlining the paper. long history that has served to disconnect Native American groups from their cultural patrimony through a privileging Claiming the Stones/Naming the Bones is a timely volume of scientifi c evidence while simultaneously, through displace- that attempts to crosscut multiple disciplines (including ment and policies of cultural eradication, making it diffi cult archaeology, physical anthropology, literature, cultural stud- obtain such evidence. ies, ethnomusicology, and museum studies) and offer per- Neither Owsley and Jantz nor Gerstenblith overtly draw spectives regarding disputes over the defi nition and owner- attention to global vs. -
The Janus-Faced Dilemma of Rock Art Heritage
The Janus-faced dilemma of rock art heritage management in Europe: a double dialectic process between conservation and public outreach, transmission and exclusion Mélanie Duval, Christophe Gauchon To cite this version: Mélanie Duval, Christophe Gauchon. The Janus-faced dilemma of rock art heritage management in Europe: a double dialectic process between conservation and public outreach, transmission and exclusion. Conservation and Management of Archaeological Sites, Taylor & Francis, In press, 10.1080/13505033.2020.1860329. hal-03078965 HAL Id: hal-03078965 https://hal.archives-ouvertes.fr/hal-03078965 Submitted on 21 Feb 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Duval Mélanie, Gauchon Christophe, 2021. The Janus-faced dilemma of rock art heritage management in Europe: a double dialectic process between conservation and public outreach, transmission and exclusion, Conservation and Management of Archaeological Sites, doi.org/10.1080/13505033.2020.1860329 Authors: Mélanie Duval and Christophe Gauchon Mélanie Duval: *Université Grenoble Alpes (UGA), Université Savoie Mont Blanc (USMB), CNRS, Environnements, Dynamics and Territories of Mountains (EDYTEM), Chambéry, France; * Rock Art Research Institute GAES, University of Witwatersrand, Johannesburg, South Africa. Christophe Gauchon: *Université Grenoble Alpes (UGA), Université Savoie Mont Blanc (USMB), CNRS, Environnements, Dynamics and Territories of Mountains (EDYTEM), Chambéry, France. -
Program of the 76Th Annual Meeting
PROGRAM OF THE 76 TH ANNUAL MEETING March 30−April 3, 2011 Sacramento, California THE ANNUAL MEETING of the Society for American Archaeology provides a forum for the dissemination of knowledge and discussion. The views expressed at the sessions are solely those of the speakers and the Society does not endorse, approve, or censor them. Descriptions of events and titles are those of the organizers, not the Society. Program of the 76th Annual Meeting Published by the Society for American Archaeology 900 Second Street NE, Suite 12 Washington DC 20002-3560 USA Tel: +1 202/789-8200 Fax: +1 202/789-0284 Email: [email protected] WWW: http://www.saa.org Copyright © 2011 Society for American Archaeology. All rights reserved. No part of this publication may be reprinted in any form or by any means without prior permission from the publisher. Program of the 76th Annual Meeting 3 Contents 4................ Awards Presentation & Annual Business Meeting Agenda 5………..….2011 Award Recipients 11.................Maps of the Hyatt Regency Sacramento, Sheraton Grand Sacramento, and the Sacramento Convention Center 17 ................Meeting Organizers, SAA Board of Directors, & SAA Staff 18 ............... General Information . 20. .............. Featured Sessions 22 ............... Summary Schedule 26 ............... A Word about the Sessions 28…………. Student Events 29………..…Sessions At A Glance (NEW!) 37................ Program 169................SAA Awards, Scholarships, & Fellowships 176................ Presidents of SAA . 176................ Annual Meeting Sites 178................ Exhibit Map 179................Exhibitor Directory 190................SAA Committees and Task Forces 194…….…….Index of Participants 4 Program of the 76th Annual Meeting Awards Presentation & Annual Business Meeting APRIL 1, 2011 5 PM Call to Order Call for Approval of Minutes of the 2010 Annual Business Meeting Remarks President Margaret W. -
Pleistocene Palaeoart of Africa
Arts 2013, 2, 6-34; doi:10.3390/arts2010006 OPEN ACCESS arts ISSN 2076-0752 www.mdpi.com/journal/arts Review Pleistocene Palaeoart of Africa Robert G. Bednarik International Federation of Rock Art Organizations (IFRAO), P.O. Box 216, Caulfield South, VIC 3162, Australia; E-Mail: [email protected]; Tel.: +61-3-95230549; Fax: +61-3-95230549 Received: 22 December 2012; in revised form: 22 January 2013 / Accepted: 23 January 2013 / Published: 8 February 2013 Abstract: This comprehensive review of all currently known Pleistocene rock art of Africa shows that the majority of sites are located in the continent’s south, but that the petroglyphs at some of them are of exceptionally great antiquity. Much the same applies to portable palaeoart of Africa. The current record is clearly one of paucity of evidence, in contrast to some other continents. Nevertheless, an initial synthesis is attempted, and some preliminary comparisons with the other continents are attempted. Certain parallels with the existing record of southern Asia are defined. Keywords: rock art; portable palaeoart; Pleistocene; figurine; bead; engraving; Africa 1. Introduction Although palaeoart of the Pleistocene occurs in at least five continents (Bednarik 1992a, 2003a) [38,49], most people tend to think of Europe first when the topic is mentioned. This is rather odd, considering that this form of evidence is significantly more common elsewhere, and very probably even older there. For instance there are far less than 10,000 motifs in the much-studied corpus of European rock art of the Ice Age, which are outnumbered by the number of publications about them. -
Anthropology (AN) 1
Anthropology (AN) 1 AN-262 Primate Behavior, Evolution and Ecology Credits: 3 ANTHROPOLOGY (AN) Term Offered: Spring Term Course Type(s): None AN-103 Cultural Anthropology Credits: 3 The study of primatology, which examines the lifeways, biology, and Term Offered: All Terms behavior of our closest living relatives. Various topics will be explored Course Type(s): SS.SV including taxonomy and classification, diet, behavior, grouping patterns, Introduction to comparative study of human beliefs and behavior. locomotion, and land usage patterns of monkeys, apes and prosimians. Emphasis on the concepts used in studying human culture; analysis These topics will be explored within the frameworks of natural selection, of non-Western societies with respect to ecology, economy, social and sexual selection, and evolution. Also listed as BY-262. political organization, religion, and art; implications for American society. AN-263 Peoples and Cultures of South America Credits: 3 AN-104 Introduction to Biological Anthropology Credits: 3 Prerequisite(s): AN-103 or AN-113 Term Offered: All Terms Course Type(s): RE Course Type(s): HE.EL, HEPE, SS.SV A social and cultural survey of representative peoples in South America Introduction to physical anthropology; racial variation and the and the Caribbean, emphasizing the comparative study of economic, evolutionary origins of the human species; concepts and principles used political, social, and religious organization. in the study of living and fossil evidence for human evolution and genetic AN-264 North American Indians Credits: 3 diversity; unique influence of culture on human biology; human evolution Term Offered: All Terms in the present and future. Course Type(s): GU, RE AN-107 Introduction to Archaeology Credits: 3 A survey of the cultural, social and linguistic diversity of Pre-Columbian Term Offered: All Terms North American societies; problems of contemporary Indian groups. -
Contents & Introduction
Bridging Material & Living Cultures Music& Raquel Jiménez, Rupert Till and Mark Howell, eds. Ritual Music & Ritual: Bridging Material & Living Cultures Jiménez Pasalodos, Raquel / Till, Rupert / Howell, Mark (eds.) Publications of the ICTM Study Group on Music Archaeology, Vol. 1 Series Editor: Arnd Adje Both Berlin: Ekho Verlag, 2013 394 pages with 78 gures, 4 tables and 2 charts ISSN 2198-039X ISBN 978-3-944415-10-9 (Series) ISBN 978-3-944415-11-6 (Vol. 1) ISBN 978-3-944415-13-0 (PDF) Layout and Typography: Claudia Zeißig · Büro für Kommunikation & Design Printed: DDZ Berlin Ekho Verlag Dr. Arnd Adje Both, Berlin [email protected] | www.ekho-verlag.com All rights are reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission of Ekho Verlag. © 2013 Ekho Verlag UVA Coordinator: Juan P. Arregui Funding Entity: Ministerio de Economía y Competitividad Secretaría de Estado de Investigación, Desarrollo e Innovación Ref: HAR2011-15090-E 5 Contents 9 Introduction to the Series Arnd Adje Both 15 Preface and Acknowledgments Maria Antonia Virgily Blanquet / Juan Peruarena Arregui / Raquel Jiménez Pasalodos 17 Introduction to the Volume Ritual Music and Archaeology: Problems and Perspectives Raquel Jiménez Pasalodos / Rupert Till / Mark Howell 25 The Round-Bodied Lute (Ruan) and the Ideal of the ‘Cultivated Gentleman’ in Fourth- to Eighth-Century Chinese Funerary Arts: A Preliminary Study Ingrid Furniss 43 Divinized Instruments and Divine Communication in Mesopotamia John C. Franklin 63 Sounds for Gods, Sounds for Humans: Triton Shell Horns in Phoenician and Punic Contexts from the Western Mediterranean Antonio M. -
A Call to Action: the Past and Future of Historical Archaeology
A Call to Action: The Past and Future of Historical Archaeology FINAL PROGRAM 49th Annual Conference on Historical and Underwater Archaeology January 6-9, 2016 • Washington, D.C. OMNI SHOREHAM HOTEL FLOOR PLAN LOWER LEVEL 2 B Terrace Health Veranda Empire Club To Room Parkview Rooms Robert’s ADA Elevator Private Blue Room Blue Robert’s Restaurant Dining Palladian Diplomat to Blue Room Prefunction Room Room Room Room & Parkview Building Empire Foyer Sales Conference Room Parking Lot Rest Bird Cage Walk Rooms Women’s Lounge ADA Lift to (Lower Level) Ambassador and Little Something Men’s Clothing Executive Regency Ball Rooms Capitol East Registration Gormet ADA Elevator Store Room Telephones ATM to Roberts Restaurant Committee Level 1B Room Director’s Room East and Palladian Room WEST LOBBY West Room Elevators EAST LOBBY Elevators Coat Check Stairs Embassy Room AMBASSADOR Telephones Women’s News Stand Men’s Business West BALLROOM Gift Shop MAIN LOBBY Jewelry Restroom Center Registration Lounge Store Men’s Women’s Men’s Lounge Concerge Telephones Restroom Restroom President’s Desk (Lower Level) Hampton Room Board Room Front Desk Council Regency Gallery Room Senate Room Chairman’s & Reception Board Room Room Forum Room East Congressional West Conference Calvert Conference Governors Marquee Lounge Center Room Cabinet Center Board Room Room REGENCY BALLROOM EAST LOBBY MAIN ENTRANCE Calvert Room For Access to Diplomat ballrooms Capitol Room BALLROOMS (East Lobby) ADA Ramp Chairman’s Boardroom To Lobby Please use elevators on the West Side Embassy Room Blue Room and go to level 1B. Governor’s Boardroom Blue Pre-Function Hampton Room Hampton For Access to the Empire Ballroom President’s Boardroom and Health Club/Outdoor Pool East Registration Please use elevators on the West Side BALLROOMS (West Lobby) of the Hotel and go to level 2B. -
SIG08 Davidson
CLOTTES J. (dir.) 2012. — L’art pléistocène dans le monde / Pleistocene art of the world / Arte pleistoceno en el mundo Actes du Congrès IFRAO, Tarascon-sur-Ariège, septembre 2010 – Symposium « Signes, symboles, mythes et idéologie… » Symbolism and becoming a hunter-gatherer Iain DAVIDSON* I dedicate this paper to the memory of Andrée Rosenfeld. From the time when, as an undergraduate, I read her book with Peter Ucko (Ucko & Rosenfeld 1967) that corrected the excesses of the structuralist approach to French cave “art” to the occasion of a visit to her home only months before she passed away, I found Andrée a model of good sense about all matters to do with all forms of rock “art”. She gave me and many others nothing but sound advice and managed to navigate between theory and data with more clear sight of her destination than most others. And she was, simply, one of the nicest people who ever became an archaeologist. She will be sorely missed. Pleistocene paintings and engravings are not art From time to time, we all worry about the use of the word “art” in connection with what we study (see review in Bradley 2009, Ch. 1). The images on rock and other surfaces that concern us here have some visual similarity with some of what is called art in other contexts, particularly when they are of great beauty (e.g. Chauvet et al. 1995; Clottes 2001). Yet the associations of art –paintings, sculptures and other works– over the last six hundred years (see e.g. Gombrich 1995) (or perhaps only three hundred according to Shiner 2001), mean that it is highly unlikely that any paintings or engraved images on rocks or in caves relate to social, economic, and cultural circumstances similar in any way to those of art in the twenty-first century. -
Archaeology and Development / Peter G. Gould
Theme01: Archaeology and Development / Peter G. Gould Poster T01-91P / Mohammed El Khalili / Managing Change in an ever-Changing Archeological Landscape: Safeguard the Natural and Cultural Landscape of Jarash T01-92P / Wai Man Raymond Lee / Archaeology and Development: a Case Study under the Context of Hong Kong T01A / RY103 / SS5,SS6 T01A01 / Emmanuel Ndiema / Engaging Communities in Cultural Heritage Conservation: Perspectives from Kakapel, Western Kenya T01A02 / Paul Edward Montgomery / Branding Barbarians: The Development of Renewable Archaeotourism Destinations to Re-Present Marginalized Cultures of the Past T01A03 / Selvakumar Veerasamy / Historical Sites and Monuments and Community Development: Practical Issues and ground realities T01A04 / Yoshitaka SASAKI / Sustainable Utilization Approach to Cultural Heritage and the Benefits for Tourists and Local Communities: The Case of Akita Fortification, Akita prefecture, Japan. T01A05 / Angela Kabiru / Sustainable Development and Tourism: Issues and Challenges in Lamu old Town T01A06 / Chulani Rambukwella / ENDANGERED ARCHAEOLOGICAL LANDSCAPE OF THE WORLD HERITAGE CITY OF KANDY AND ITS SUBURBS IN SRI LANKA T01A07 / chandima bogahawatta / Sigiriya: World’s Oldest Living Heritage and Multi Tourist Attraction T01A08 / Shahnaj Husne Jahan Leena / Sustainable Development through Archaeological Heritage Management and Eco-Tourism at Bhitargarh in Bangladesh T01A09 / OLALEKAN AKINADE / IGBO UKWU ARCHAEOLOGICAL HERITAGE AS A BOOST TO NIGERIAN CULTURAL HERITAGE OLALEKAN AJAO AKINADE, [email protected] -
Inclusion, Collaboration & Engagement
American Anthropological Association 107th Annual Meeting November 19–23, 2008 San Francisco, California Inclusion, Collaboration & Engagement Preliminary Program 2008 PRELIMINARY PROGRAM COUNTDOWN TO SAN FRAN C IS C O 107th AAA Annual Meeting | November 19–23, 2008 | San Francisco Hilton and Towers Inclusion, Collaboration & Engagement “Graduate Student Collaborations and tional labor politics and help us delineate an ethnol- Engagements in Environmental Change ogy of labor struggles. Research,” will stress how graduate students can The newly formed Society for Anthropological NOEL J CHRISMAN collaborate on integrative research programs Sciences will sponsor its first AAA sessions, AAA EXECUTIVE PROGRAM CHAIR focused on the human dimensions of environ- which will highlight various formal methods of mental change. collecting, analyzing and visualizing data from It is time to make your final plans for the annu- The Society for the Anthropology of the field, in particular methods of cognitive al meeting, November 19-23 in San Francisco, Consciousness and the Society for Latin anthropology and social network analysis. a beautiful city with much to offer. The Annual American and Caribbean Anthropology will The Society of Lesbian and Gay Meeting Program cosponsor the invited session “Black Atlantic Anthropologists will co-sponsor, with the Committee accepted and Caribbean Religions: Transnational Flows Executive Program Committee, a session titled more than 500 sessions and Local Histories.” This session will bring “Anthropology and Transgender: Rethinking this year. As always, the together researchers documenting the histories Inclusion, Collaboration and Engagement.” annual meeting promises of specific religious communities throughout Trans and non-trans anthropologists, historians, to be a great opportunity the region. -
Sound from the Past the Interpretation of Musical Artifacts in an Archaeological Context
Sound from the Past The Interpretation of Musical Artifacts in an Archaeological Context 7th Symposium of the International Study Group on Music Archaeology Monday 20th – Saturday 25th September 2010 Tianjin Conservatory of Music, Tianjin, China — PROGRAM — Monday, September 20, 2010 Check in and Inscription:Radisson Plaza Hotel Tianjin 18: 30-21:30 Reception: Buffet dinner at the Radisson Plaza Hotel Tianjin Tuesday, September 21, 2010 8:30-9:30 Opening Ceremony (Concert Hall) 9:30-10:00 Have a Group Photo and Coffee Break(Coffee Break Area) I Methodology (Conference Room III) 10:00-12:00 Chair: Arnd Adje Both Culture within Cultures? Considering Mesopotamien Multiculturalism in Music Dahlia Shehata Sound-producing Instruments, Pre-instruments and Instruments in the Study of Music Archaeology Fang Jianjun - 1 - Ancient Aerophones of Coastal Oaxaca, Mexico: The Archaeological and Social Context of Music Sarah B. Barber / Guy David Hepp Story of the Double-pipe in Asia Minor: Past and Present Zeynep Helvaci 12:00-14:00 Lunch Break (Shenjiang Holiday Restaurant) 14:00-16:00 Chair: Li Mei Possible Percussion Instruments in Scandinavia’s Prehistory: Questions and Problems, Theory and Data Cajsa S. Lund Music Assimilation of the Postclassic K‘iche’ Maya: Warrior Dance into the Colonial Era Baile de los Morosy Cristianos Mark Howell A Probe to the Tone Measurement Technology in Ancient China: On a Basic Concept of Music Archaeological History of China Guo Shuqun / Kong Weifeng String Instruments as Status Symbol and Research Object: The Case