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Making Time in Music an International Conference 12–14 September 2016 Faculty of Music, University of Oxford

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Making Time in Music an International Conference 12–14 September 2016 Faculty of Music, University of Oxford Making Time in Music An international conference 12–14 September 2016 Faculty of Music, University of Oxford Draft schedule Monday 12 September Parallel sessions: A sessions will take place in the Denis Arnold Hall; B sessions will take place in Lecture Room A. Plenary sessions will take place in the Denis Arnold Hall. The poster session will take place in the JCR and the Committee Room. Tea and coffee breaks and lunches will be provided in the JCR and the Committee Room (included in registration fee). The conference dinner will take place on Monday 12 September at Pembroke College (pre- booking is required). 09:00 Registration (a welcome desk will be open in the Faculty reception area from 09:00) 11:00 Welcome 11:30– Session A1 Session B1 13:00 Interpersonal I Philosophy I Multimodal communication of time in Music as time, music as timeless ensemble performance Kristina Knowles (Northwestern Renee Timmers (University of Sheffield) University) Studying musicians’ gaze behaviour in the Politicking musical time light of synchronisation issues in ensemble Chris Stover (The New School) playing Sarah Vandemoortele, Stijn De Beugher, Geert Brône, Kurt Feyaerts, Toon Goedemé, Thomas De Baets, and Stijn Vervliet (LUCA School of Arts and KU Leuven) Coordination in vocal ensembles Distracted timekeeping Ryan Kirkbride (University of Leeds) Anthony Gritten (Royal Academy of Music) 13:00 Lunch 1 14:00– Session A2 Session B2 15:30 Psychology I MetreRhythmTempo I Timescales and temporal ranges: an enactive Tempo, drive and identity in Cape Breton and dynamic approach to temporality in traditional fiddle music musicking David Kirkland Garner Juan Loaiza (Queen’s University Belfast) (University of South Carolina) Ensemble performance from a systems- ‘Just in Time’: Herbert von Karajan as an theoretical perspective: opportunities and interpreter of Mozart’s Requiem challenges Karina Zybina Marc Duby (University of South Africa) (University Mozarteum, Salzburg) Rhythm in music: a comparative perspective Room for interpretation: musical tempo in John C. Bispham variable acoustics (University of Cambridge) Sverker Jullander, Petter Sundkvist, Jan Berg, Helge Kjekshus, Karin Nelson (Luleå University of Technology and Norwegian Academy of Music) 15:30 Coffee/tea 16:00 Invited paper: Vijay Iyer (Jazz pianist/composer and Harvard University) 17:00 Short break 17:15– Session A3 Session B3 18:45 MetreRhythmTempo II Temporality and History I Timing and emotional transformation in Arab Temporal multiplicities: the impact of music as manifested in a Sufi ritual dhikr, and early cinematic technologies on musical the fasil, a secular musical suite temporality, 1913 Paris Guilnard Moufarrej Ellen Davies (United States Naval Academy) (University of Oxford) Metric displacement and group interaction in A Bergsonian unfolding of time: the paired “Evidence” by the Thelonious Monk Quartet love duets in Puccini’s La Fanciulla Del Ryan Bruce (University of Guelph) West Kae Fujisawa (The Graduate Center, City University of New York) Cultural and individual particularity on the Brahms’s German Requiem and the politics canvas of the metrical hierarchy of time John Paul Ito (Carnegie Mellon University) Francis Maes (University of Ghent) 19:30 Conference dinner, Pembroke College 2 Tuesday 13 September 09:30– Session A4 Session B4 11:00 Interpersonal II Temporality and History II Consort music performance and Spectra of Marx: the temporality of synchronization revolution in the music of Gérard Grisey Alon Schab (University of Haifa) Naomi Woo (University of Cambridge) Musical connectivity and micro-timing in sitar Musical time in a fast world: New York, and tabla performance 1983 Alec Cooper Samuel Wilson (Guildhall School of Music (University of Edinburgh) and Drama / London Contemporary Dance School) The devil is in the detail – rich Stretching time: ‘As Slow As Possible’ representations of a partner’s contribution Diane Luchese (Towson University) facilitate temporal coordination in joint music performances Thomas Wolf, Natalie Sebanz, and Günther Knoblich (Central European University) 11:00 Coffee/tea 11:30– Session A5 Session B5 13:00 MetreRhythmTempo III Psychology II Northern additivities? Questions of The effect of backbeat on metrical conceptualization and typologization of hierarchy and tempo perception in rock structures of performed musical time and music tonality – exemplified by data-oriented Bryn Hughes research of North Scandinavian and West (University of Lethbridge) Siberian indigenous musical traditions Jarkko Niemi (University of Tampere) and Marko Jouste (University of Oulu) ‘For signs and for seasons and for days and Towards a cognitively-based quantification years': hierarchies of musical and textual of metrical dissonance rhythm in Steve Reich’s Tehillim Mark Gotham (University of Cambridge) Martha Sullivan (Rutgers University) The ideality of time in music How can a performer shape experience of Roger Redgate (Goldsmith’s College, time for an audience? University of London) Michelle Phillips (University of Cambridge/ Royal Northern College of Music) 13:00 Lunch 3 14:00– Poster Session 15:00 Dancing to the beat of another: an exploration of empathy and entrainment on the social dance floor Joshua Bamford (University of Jyväskylä) Reiteration, retelling and reinterpreting: aspects of temporality in the Cantigas de Santa María Henry T Drummond (University of Oxford) Timekeeping or time feeling? Olivier Fluchaire (Manhattanville College) Microtiming and anisochronous meters in Afro-Brazilian music: didactic issues induced by an alternate way to “think” time in music Gérald Guillot (Lausanne-CH / Paris-Sorbonne University / PESMD Bx Aquitaine) A phenomenological approach to the social aspects of trancing in shaping Korean shamanic ritual music in time Jin Hyun Kim (Humboldt-Universität zu Berlin) and Mikyung Lee (Chonnam University/Korea) What are the politics of musical time? Micah Anne Neale (Royal Holloway, University of London) The culture of Japanese time in the music of Toshi Ichiyanagi Yoojin Oh (College of Staten Island/City University of New York) Marking time: tempo, rhythm, power and pleasure in Ulster Loyalist marching bands Gordon Ramsey (Queen’s University Belfast) The past, present, and future in performance: the theory of real-time temporal navigation in the musical process László Stachó (Liszt Academy of Music) Perception and memory of time intervals in rhythmic sequences Sundeep Teki (University of Oxford) Breathing in music Finn Upham (New York University) 15:00 Coffee/tea 4 15:30– Session A6 Session B6 17:00 Psychology III Temporality and History III Rhythm as gestalt Maelzel’s metronomic progeny Timo Fischinger (Max Planck Institute for Alexander Bonus (Bard College) Empirical Aesthetics) Inertia and gesture in embodiments of time 10, 11, 12 and 13½ bar blues: reflections Randall Harlow (University of Iowa) on African-American country blues recordings (1925-38) Andrew Bowsher (University of Oxford) Understanding the musical instant The everyday politics of musical time in the Rolf Inge Godøy (University of Oslo) ballet world Jonathan Still (Institute of Education) From Free time 17:00 21:00 Social evening and low-key jam session, Spin Jazz Club (open to all) 5 Wednesday 14 September 09:30– Session A7 Session B7 11:00 Sociality Technology It don’t mean a thing: the rhythm section and Temporal impacts of music streaming considerations of ‘hot’ and ‘cool’ in the music technology on the listening experience of Lennie Tristano Geoff Luck (University of Jyväskylä) Marian Jago (University of Leeds) Matters of taste and time in Anatolian Greek On the grid: a socio-technical perspective music on the digital quantization of musical time Panayotis League (Harvard University) Landon Morrison (McGill University) Listening to North Indian classical music and Metonymic groove: the breakbeat as time the distribution of affect over time capsule Chloë Alaghband-Zadeh (University of Rowan Oliver (University of Hull) Cambridge) 11:00 Coffee/tea 11:30– Session A8 Session B8 13:00 Philosophy II Interpersonal III To be in time: repetition, temporality, and the Palaran: flexibility, coordination, and musical work control of timing in a Javanese, multi- Nathan Mercieca (Royal Holloway, University player accompaniment genre of London) Jonathan Roberts (Universities of Oxford and Cardiff) Layers of musical time in progressive rock Synchrony, sociality, and collective songs performance from the lab to the field: some Nick Braae (University of Waikato) evidence from the Sultanate of Oman Bradford J. Garvey (City University of New York) The perception of metre: Hasty's theory of The art of conversation: timing and gesture projection meets Husserl's structure of time in ensemble performance consciousness Satinder Gill and Sheila Guymer (University Philip Boast (University of Nottingham) of Cambridge) 13:00 Lunch 14:00– Invited paper: Georgina Born (University of Oxford) 15:30 Conference summary led by Mark Doffman (University of Oxford) 15:30 Coffee/tea END OF CONFERENCE 6 .
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