DOCSLIB.ORG

Voyage and Migration in New Art from Central and Eastern Europe

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Voyage and Migration in New Art from Central and Eastern Europe 25.08.2017— 28.01.2018 Rändurid Reisimine ja migratsioon Kesk- ja Ida-Euroopa uues kunstis The Travellers Voyage and Migration in New Art from Central and Eastern Europe Näitus Kumu kunstimuuseumis Exhibition at the Kumu Art Museum Kunstnikud/Artists: Adéla Babanová, Daniel Baker, Olga Chernysheva, Wojciech Gilewicz, Rändurid. C.T. Jasper & Joanna Malinowska, Flo Kasearu, Karel Koplimets, Irina Korina, Taus Makhacheva, Porter McCray, Alban Muja, Ilona Németh & Jonathan Ravasz, Reisimine ja migratsioon Kesk- ja Roman Ondák, Tímea Anita Oravecz, Adrian Paci, Vesna Pavlovic´, Dushko Petrovich, Ida-Euroopa uues kunstis Janek Simon, Radek Szlaga & Honza Zamojski, Maja Vukoje, Sislej Xhafa Kollektsioonid: Zache˛ta – Rahvuslik Kunstigalerii, Varssavi; Ameerika Kunsti Muuseum, Edward W. Said, väljapaistev palestiina kirjandusteadlane ja postkoloniaalse Berliin; Kaasaegse Kunsti Muuseum, Antwerpen; PRAGOPROJEKT a.s.; Irina ja Ma-ris teooria autor, kirjutas oma essees „Mõtisklusi pagulusest”, et enamik inimesi V tolsi kogu, Riia; Pomeranzi kunstikogu, Viin; Vladimir Ovcharenko kogu; kaufmann on teadlik vaid ühest kultuurist ja ühest taustast ning neile on tuttav vaid repetto, Milano / New York; gb agency, Pariis; LETO Gallery, Varssavi; Raster Gallery, üks kodu. Pagulane on aga teadlik vähemalt kahest ning see „vaatenurkade Varssavi; Galleria Continua, San Gimignano / Peking / Les Moulins / Havanna; paljusus toob kaasa teadlikkuse samaaegselt eksisteerivatest dimensioonidest. kunstnikud [ ... ] Säärases tajumises peitub harukordne nauding [ ... ], mis vähendab üldle- vinud hukkamõistu ja suurendab väärtustavat poolehoidu”.1 Sellesse kategoo- Collections: Zache˛ta—National Gallery of Art, Warsaw; Museum of American Art, riasse kuulub ilmselgelt ka Said ise kui New Yorgis elav Palestiina pagulane, Berlin; Museum Van Hedendaagse Kunst, Antwerp; PRAGOPROJEKT a.s.; Collection kes enda sõnul tunneb end kõige õnnelikumana lennukis. Ta kasutab sõna of Irina and Ma-ris V tols, Riga; Pomeranz Collection, Vienna; Collection of Vladimir „pagulased” mitte ainult põgenike, vaid ka kodumaalt vabatahtlikult lahkunute Ovcharenko; kaufmann repetto, Milan / New York; gb agency, Paris; LETO Gallery, ja võõrsil elavate väljarändajate kohta. Paljusid „Rändurite” näitusel osalevaid Warsaw; Raster Gallery, Warsaw; Galleria Continua, San Gimignano / Beijing / kunstnikke on õnnistatud vaatenurkade paljususega. Nad kasutavad seda oma Les Moulins / Havana and the artists töödes, jutustades nii enda kui ka teiste inimeste reisi- ja rändekogemustest. Näitus vaatleb rändamist piirkonnas, kus reisimisvabadus oli veel hilja- Näituse kuraator / Exhibition curator: Magdalena Moskalewicz aegu luksus, mis oli kättesaadav vaid vähestele. Aastatel 1989/1991 toimunud Koordinaator / Coordinator: Triin Tulgiste revolutsioon ning sellele järgnenud piiride avanemise ja üleilmastumise prot- Kujundaja / Designer: Tõnu Narro sess võimaldasid endise idabloki riikide kodanikel vabalt ringi liikuda nende Graafiline disain / Graphic design: Stuudio Stuudio jaoks enneolematus ulatuses. Selle piirkonna uue, postsotsialistliku identiteedi kujunemisel oli rahvusvahelisel kultuurivahetusel pea sama määrav roll kui Näitus on valminud koostöös: Zache˛ta – Rahvuslik Kunstigalerii, Varssavi uuel poliitilisel ja majanduslikul korral. The exhibition was created in collaboration with Zache˛ta—National Gallery of Art, Warsaw Kaks aastakümmet järjest viisid kapitalism ja globaliseerumine meid järjest kiiremini ja kindlamalt üha kaugemale, kuni me harjusime mõtlema liikumisest ainult ühes võimalikus suunas − edasi! Aina suurenev liikuvus muutus meie põhiseisundiks, nii nagu pealesunnitud liikumatus oli olnud määratlev tegur idaeurooplaste eelmiste põlvkondade jaoks. Praegu me Toetajad / With the support of: mõistame, kuivõrd pöördeline − ja kui erakordne – oli see ajahetk kaasaegse Euroopa ajaloos. Euroopa reaktsioon väljast tulevatele põgenikele näitab, et meie osalemine globaalses kultuurivahetuses oli ja on peamiselt ühesuuna- line − me ei taha kuigi meelsasti jagada neid privileege, mis said meile osaks pärast Berliini müüri langemist ja liitumist Euroopa Liiduga. Me suhtume Täname / We thank: Tšehhi Vabariigi Suursaatkond Tallinnas / Embassy of the Czech entusiastlikult välismaale minekusse, kuid oleme hoopis vähem vaimustatud Republic in Tallinn (Riin Kobin, Toomas Tutt); Viimsi Vabatahtlik Merepäästeühing / välismaalaste vastuvõtmisest. Viimsi Volunteer Marine Safety Unit 1 Edward W. Said, Reflection on Exile. – Reflections on Exile and Other Essays. Cambridge, Väljaandja Eesti Kunstimuuseum – Kumu kunstimuuseum 2017 MA: Harvard University Press, 2002, lk 186. Published by the Art Museum of Estonia – Kumu Art Museum 2017 3 Vaadates reisimis- ja rändekogemuste kajastamist Kesk- ja Ida-Euroopa The Travellers: kunstis, heidab „Rändajad” valgust selle piirkonna kaasaegse postsovetliku identiteedi olemusele. Näitusel esitatud tööde autorid on kõik pärit endisest Voyage and Migration in New Art idablokist ja Jugoslaaviast, paljud neist on esimese või teise põlvkonna pagu- from Central and Eastern Europe lased. Nende jagatud lood räägivad puhkusereisidest, rännakutest kaugetele maadele ja migratsioonist, aga ka külma sõja aegset Euroopat lõhestanud suletud piiridest ja kapitalismist tingitud järjest kiirenevatest arengutest Edward W. Said, the eminent Palestinian literary scholar and author of 21. sajandil. post-colonial theory, wrote in his essay “Reflections on Exile” that most peo- Kakskümmend neli kaasaegset kunstnikku viieteistkümnest eri riigist näi- ple are aware of only one culture, one setting; they know the familiarity of tavad, kuidas inimesed, kaubad ja ideed liiguvad Euroopa kesk- ja idaosa ning only one home. An exile, on the other hand, is aware of at least two, and “this muu maailma vahel. Nad jutustavad meile külma sõja aegsetest turistidest, plurality of vision gives rise to an awareness of simultaneous dimensions (....)” kes unistasid eksootilistest reisidest ajal, mil reisimisvabadus võrdus poliiti- “There is a unique pleasure in this sort of apprehension (…) that diminish[es] lise vabadusega. Ränduritest, kes kaugetel rännakutel avastasid mahajäetud orthodox judgement and elevate[s] appreciative sympathy.”1 This category paikade unustatud ajalugu. Ajaloolistest ja kaasaegsetest pagulastest, kelle would obviously include Said himself, a Palestinian immigrant living in New identiteet on välja kujunenud keelte ja kultuuride omavahelises kokkupuutes. York City, who, as he once confessed, was happiest when aboard an aero- Nad meenutavad kokkupuuteid teiste kultuuridega, kaasa arvatud seda, kui plane. He used the term “exiles” not just for refugees, but also for voluntary keeruline on teistsuguses kultuuriruumis esitleda oma identiteeti. Nad kirjel- expatriates and émigrés living outside their countries of birth. Many of the davad ka ränduritega reisil kaasas olnud esemeid. Pilte, mis meenutasid rän- artists featured in the exhibition The Travellers have similarly been gifted dajale kodu või millest sai teiste jaoks teadmiste allikas muu maailma kohta. with a plurality of vision. They use it in their works, narrating the experience Esemeid, millest kaugetel maadel said oma kultuuri saadikud. Kunstiteoseid, of voyage and migration, both their own and other people’s. mis oma sünnipaigast eemal ringeldes panid aluse kaanonitele. Kunstnikud The exhibition looks at travel in a region where freedom to travel käsitlevad erinevaid transpordivahendeid − laevu, ronge ja busse −, nagu ka was, until recently, a luxury available only to the very few. The revolution viisasid ja lube, mis võimaldasid või piirasid inimeste vaba liikumist. Reisimise of 1989/1991 and the subsequent opening to the world and globalisation kui rikastava kogemuse kõrval puudutavad nad ka neid pingeid, mis para- processes allowed citizens of the former Eastern bloc personal mobility on tamatult tekivad rännukogemuse poeetilisuse ja rännaku tinginud poliitilise an unprecedented scale. The region’s new, post-socialist identity was dictated olukorra vahel. Olles ise reisijad ja rändajad, jagavad nad eri keelte ja kultuuri- by participation in international exchanges as much as by the new political kontekstide vahel liikudes saadud kogemusi. Saidi kirjeldatud „vaatenurkade and economic order. paljusust” on eriti teravalt vaja praegusel natsionalismi tõusu ja rändevastaste For two successive decades, capitalism and globalisation carried us far- meeleolude ajastul Euroopas. ther, faster and surer, until we got used to thinking in terms of progress with Enamik meist on tuttav ühe kodu ja ühe kultuuriga. Ränduri eelis on only one direction: forward! Accelerated mobility became the ultimate con- vaatenurkade paljusus. Näituse keerukas mitmetahuline perspektiiv aitab dition, just as forced immobility had been a defining factor for the previous meil tunnistada ning omaks võtta teisi paiku ja rahvaid, aga ka näha ennast generations of Eastern Europeans. Today, we see how that moment was as väljastpoolt tulijana. pivotal for modern European history as it was exceptional. Europe’s response to foreign refugees shows that our participation in the global exchange was, and is, predominantly one-way. We do not willingly share the privileges that Magdalena Moskalewicz we gained after the fall of the Berlin Wall and as a consequence of our EU accession. We are enthusiastic about going abroad, but far less so about welcoming foreigners. 1 Edward W. Said, “Reflection on Exile,” in Reflections on Exile and Other Essays (Cambridge, MA: Harvard
Load more

Recommended publications
  • PHASE III Call for Applications 2016 Anibar
    An EU funded project managed by the European Union Office in Kosovo Implemented by CULTURE FOR ALL – PHASE III Call for applications 2016 In December 2015, the “Culture for all – phase III” project launched a Call for applications 2016 in order to support the existing and/or new cultural projects/ events under Lot 1 and inter-ethnic cultural projects/ activities and/or cultural activities which promote the visibility, inclusiveness, respect and rights of vulnerable groups under Lot 2. The call was addressed to non-profit-making public or private bodies legally constituted in Kosovo, NGOs, associations or other cultural operators or civil society organisations, or informal groups or individual artists/creative practitioners who are based in Kosovo and covered theater and performing arts, audio-visual arts, cinema, publishing and book sector, architecture, and urban interventions, music, visual arts, handicrafts, fashion, design, interdisciplinary actions and cultural theory and criticism. 113 actors submitted their applications. After the assessment exercise carried out by the “Culture for all – phase III” project team and one independent expert and, in agreement with the European Union Office in Kosovo, a list of 21 projects selected under Lot 1 and 5 project selected under Lot 2 was established. Summaries of the selected projects are listed below. PROJECTS SELECTED UNDER LOT 1 ► Anibar Title: “ANIBAR International Animation Festival - 7th Edition” Project description: The 7th edition of the ANIBAR animation festival was organised from 14 to 20 August 2016, in Peja. The festival aimed to further promote youth involvement in the animation, especially at the local level. In the context of the festival, the following activities were carried out: animation film showings; workshops, presentations, meetings with filmmakers and masterclasses; Junior Oscar Competition; and ANIBAR concerts.
    [Show full text]
  • KFOS LOCAL and INTERNATIONAL VOLUME II.Pdf
    EDITED BY IOANNIS ARMAKOLAS AGON DEMJAHA LOCAL AND AROLDA ELBASANI STEPHANIE SCHWANDNER- SIEVERS INTERNATIONAL DETERMINANTS OF KOSOVO’S STATEHOOD VOLUME II LOCAL AND INTERNATIONAL DETERMINANTS OF KOSOVO’S STATEHOOD —VOLUME II EDITED BY: IOANNIS ARMAKOLAS AGON DEMJAHA AROLDA ELBASANI STEPHANIE SCHWANDNER-SIEVERS Copyright ©2021 Kosovo Foundation for Open Society. All rights reserved. PUBLISHER: Kosovo Foundation for Open Society Imzot Nikë Prelaj, Vila 13, 10000, Prishtina, Kosovo. Issued in print and electronic formats. “Local and International Determinants of Kosovo’s Statehood: Volume II” EDITORS: Ioannis Armakolas Agon Demjaha Arolda Elbasani Stephanie Schwandner-Sievers PROGRAM COORDINATOR: Lura Limani Designed by Envinion, printed by Envinion, on recycled paper in Prishtina, Kosovo. ISBN 978-9951-503-06-8 CONTENTS ABOUT THE EDITORS 7 ACKNOWLEDGEMENTS 12 INTRODUCTION 13 CULTURE, HERITAGE AND REPRESENTATIONS 31 — Luke Bacigalupo Kosovo and Serbia’s National Museums: A New Approach to History? 33 — Donjetë Murati and Stephanie Schwandner- Sievers An Exercise in Legitimacy: Kosovo’s Participation at 1 the Venice Biennale 71 — Juan Manuel Montoro Imaginaries and Media Consumptions of Otherness in Kosovo: Memories of the Spanish Civil War, Latin American Telenovelas and Spanish Football 109 — Julianne Funk Lived Religious Perspectives from Kosovo’s Orthodox Monasteries: A Needs Approach for Inclusive Dialogue 145 LOCAL INTERPRETATIONS OF INTERNATIONAL RULES 183 — Meris Musanovic The Specialist Chambers in Kosovo: A Hybrid Court between
    [Show full text]
  • Library U Našem Fontu
    HESTIA Library LATIN AMERICA Art, city ant the public sphere in Chile, Ignacio Symulewicz R., Ediciones/Met- ales Pesados, Santiago de Chile, 2013 Cartografías líquidas, Museo de Arte Carillo, Mexico City, 2017 El cubo de Rubik, arte mexicano en los años 90, Daniel Montero, La Colección Académica, Mexico City, 2013 Frames and Documents: Conceptualist Practices (selections from the Ella Fonta- nals - Cisneros Collection), CIFO, Miami, 2011. Géométries Sud, du Mexique à la Terre de Feu, Fondation Cartier pour l'art contemporain, Paris, 2018 How do we want to be governed? (Figure and Ground), edited by Roger M. Buergel, Ruth Noack, Miami Art Central, Miami, 2004 No-History’s Library (Biblioteca de la No-Historia), Jarpa Voluspa, Santiago de Chile, 2010 Márgenes e Instituciones: Arte en Chile desde 1973, Nelly Richard, Ediciones/ Metales Pesados, Santiago de Chile, 2014 Memoria y Amnesia-Sobre la Historia Reciente del arte en Chile 1976-2006., Luz Maria Williamson, Polígrafa, Santiago de Chile, 2017 Radical Women: Latin American Art 1960-1985, Cecilia Fajardo-Hill and Andrea Giunta, Hammer Museum, Del Monico Books / Prestel, New York & London, 2017 ——————————————————————————————————————————— FRANCE Bourse revelations emerige 2017: En forme de vertiges, Paris, 2017 (exhibition catalogue) Bourse revelations emerige 2018: Outside our, Paris, 2018 (exhibition cata- logue) Collection Laurent Dumas, Communic'Art, Paris, 2018 Re/productions, Cyril Zarcone, Galerie Eric Mouchet, Paris, 2017 Cookbook : L'art et le processus culinaire, Nicolas Bourriaud,
    [Show full text]
  • Prishtina Insight
    Opinion: Who Wants War in Macedonia? March 30 - April 12, 2012 Issue No. 85 www.prishtinainsight.com Price € 1 Kosovo Mayor’s COMMENT Serbia’s Childish Funders Demand Game of Tit-for-Tat Their Payback A number of disappoint- ed businessmen in Prizren are urging the > page 3 mayor, Ramadan Muja, NEWS to keep his promise and EU Launches award them tenders worth millions of euros Kosovo Feasibility as compensation for Study their part in funding > page 4 his 2009 electoral NEWS campaign. Serbia and Kosovo See Page 5 Lead Asylum Seekers League Kosovo Signs Second US > page 6 FEATURE Knives and Needles Lobbyist for $50,000-a-Month Mark Bektashi Hashim Thaci’s government has signed up its second Washington-based lobbyist in less than a year at a cost of 50,000 Holy Day dollars a month. By Lawrence Marzouk and with Members of Congress and Last year, Kosovo’s government opportunities for Kosovo, as well Petrit Collaku their staff, Executive branch offi- discretely engaged the lobbying as gathering funds from foreign cials, members of the press, and services of another of aid programs”. he contract between Podesta nongovernmental organizations”. Washington’s top firms for $50,000 Although the deal with the com- Group and Kosovo’s Ministry > page 12-13 Podesta is only the latest US lob- a month, after being forced to can- pany was apparently signed on Tof Economic Development, worth 50,000 dollars, a month was bying firm employed on Kosovo- cel an identical agreement with the August 31, it has never been INSIDE PRISHTINA signed at the beginning of March.
    [Show full text]
  • From No-Government to E-Government 193
    From No-governmenttoE-government From No-government to E-government Investigating technology enabled state-building in post-conflict situations Bernard Nikaj Bernard Nikaj 193 UNU-MERIT UNU-MERIT MGSoG Nikaj-Bernard-cover-3-blue.pub zondag 29 oktober 2017 16:49 pagina 1 From No-government to E-government Investigating technology enabled state-building in post- conflict situations © 2017 Bernard Nikaj ISBN 978 90 8666 430 6 Cover illustration: Brotherhood by Alban Muja. Publisher: Boekenplan, Maastricht www.boekenplan.nl All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form, or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission in writing, from the author. From No-government to E-government Investigating technology enabled state-building in post- conflict situations DISSERTATION To obtain the degree of Doctor at the Maastricht University on the authority of the Rector Magnificus, Prof. Dr. Rianne Letchert in accordance with the decision of the Board of Deans, to be defended in public on 24th day of November 2017, at 13:30 hours by Bernard Nikaj Supervisor(s): Prof. Dr. Friso Den Hertog Prof. Dr. Antonio Cordella (LSE) Assessment Committee: Prof. Dr. Harro Van Lente (Chair) Dr. Elsa Estevez, Universidad National del Sur, Argentina Prof. Dr. ir. Marijn Janssen, Delft University of Technology Dr. Mindel van de Laar The research leading to this thesis has been partially funded by the Netherlands Fellowship Programme (NFP). Acknowledgements Over the years, it took me to complete this PhD, I have understood that while it is considered an individual piece of research, it cannot be done without the support and contribution of a whole lot of people.
    [Show full text]
  • NSK State Art: New York the Impossible Return Feb 9–Mar 25, 2017
    NSK State Art: New York The Impossible Return Feb 9–Mar 25, 2017 Marina Abramović / Ulay Yael Bartana Danica Dakić Pablo Helguera Ištvan Išt Huzjan Alban Muja Mladen Stilinović Nebojša Šerić-Shoba NSK State Art: New York The James Gallery The Impossible Return The Graduate Center, CUNY 365 Fifth Avenue at 35th Street centerforthehumanities.org/james-gallery Hours: Tue–Thu, 12–7pm Fri–Sat, 12–6pm Feb 9–Mar 25, 2017 Exhibitions & Programs 2 NSK State Art: New York Now is the time for radical friendship the next level, was the formation of NSK State in Time in 1992, which also responded Crisis tests institutions and mechanisms that to the political shifts and radical changes in have the potential to combat disaster, and it Yugoslavia and Eastern Europe after the fall also sparks intense personal and social of the Berlin Wall in 1989. The decision to exchange. Even though rhetoric based on create a state with no specific place being anger, fear, and hatred can mobilize, the fully disclosed was one of the main “agendas” volume can also be turned up on disruptions of the NSK movement: to move beyond the of the syntax and grammar of the reigning issues and scope of borders and the “nation- discourse, thus turning this language against al.” Soon after, the NSK State in Time started itself. Such an action of Deleuzian minor to open embassies and consulates to issue language is the territory of the institution of passports in a number of countries and offer the State in Time. One of the State’s citizens rights of participation.
    [Show full text]
  • Mise En Page 1
    SEXTANT ET PLUS, associée à IKSV et CULTURESFRANCE, présente EMPLOI SAISONNIER "Emploi saisonnier" est un projet proposé par Celenk Bafra et Véronique Collard Bovy, basé sur un en - semble de recherches et d’échanges initié en 2008 dans les villes d’Istanbul, Izmir, Antakya, Diyarbakir, Paris et Marseille. Le point de départ était de rendre compte de manière précise des questions urbaines, sociales et culturelles des villes du pourtour Méditerranéen, et plus particulièrement de Turquie. Ces recherches se sont concentrées sur les différentes problématiques socio-culturelles de ces cités et sur les modalités de production collectives comme autant de solutions pour les artistes d’exister ensemble en inventant des systèmes d’échanges et de solidarité. De ces recherches découle l’élaboration de trois propositions artistiques, trois expositions présentées à la Friche Belle de Mai, à Marseille. Il était crucial, concernant le programme de résidence, d’y intégrer des artistes de Turquie familliers avec la dimension collective, le vivre et travailler ensemble. Venus d’Izmir, une des grandes villes de Turquie et un des plus important port de la côte asiatique, quatre artistes, par ailleurs figures emblématiques d’une des plus importantes initiatives d’artistes contemporains à Izmir, nommée K2, ont mené leurs résidences à Marseille. Bien que leurs propositions artistiques se soient formalisées de manière individuelle, une approche commune et une filiation spirituelle existe par ce passé partagé. Le processus de leur résidence jusqu'à la production de leur travaux, traitant des questions du quotidien et des modes de vie, a contribué au contenu de l'exposition "Arrangements" au même titre que les oeuvres des autres artistes invités qui, par leurs positions et leurs approches des questions du quotidien, viennent la nourrir et l'enrichir.
    [Show full text]
  • Victims Symptom (Ptsd and Culture)
    ANA PERAICA VICTIMS SYMPTOM (PTSD AND CULTURE) A SERIES OF READERS PUBLISHED BY THE INSTITUTE OF NETWORK CULTURES ISSUE NO.: 3 ANA PERAICA VICTIMS SYMPTOM (PTSD AND CULTURE) Theory on Demand #3 Victims Symptom PTSD and Culture Editor: Ana Peraica Copy editing: Vicky Anning and Michael Dieter Texts: Sezgin Boynik, Adila Laidi Hanieh, Geert Lovink, Ana Peraica, Stevan Vukovicć Interviews by: Ana Peraica (with Enrique Arroyo, Noam Chomsky, Agricola da Cologne, Anur Hadziomerspahic, Joseph de Lappe) and Marko Stamenkovic (with Peter Fuchs, Jonas Staal, Carlos Motta, Neery Melkonian and Tomas Tomlinas) Artists’ statements: Mauricio Arango, Alejandro Duque, Andreja Kuluncic, Marko Peljhan and Martha Rosler Glossary: Tihana Jendricko and Tina Peraica Comissioned by: Lab for Culture, Amsterdam, 2008 Design: Katja van Stiphout DTP: Margreet Riphagen Printer: ‘Print on Demand’ Publisher: Institute of Network Cultures, Amsterdam 2009 ISBN: 978-90-78146-11-7 Contact Institute of Network Cultures phone: +3120 5951863 fax: +3120 5951840 email: [email protected] web: http://www.networkcultures.org This publication is available through various print on demand services. For more information, and a freely downloadable pdf: http://networkcultures.org/theoryondemand. This publication is licensed under the Creative Commons Attribution Noncommercial No Derivative Works 3.0 Netherlands License. No article in this book may be reproduced in any form by any electronic or mechanical means without permission in writing from the author. VICTIMS’ SYMPTOM 3 CONTENTS The Exploitation of Death Ana Peraica 6 PART 1 - VICTIMS’ SYMPTOM 1. Day After Day 15 Mauricio Arango 2. Victims’ Symptom: Post –Traumatic Stress Disorder (PTSD) and Culture 16 Ana Peraica 3.
    [Show full text]
  • SIA Gallery - Independent Project/Gallery Space Initiated by Nada Prlja and Daniel Serafimovski in Skopje, Macedonia About Sia Gallery
    SIA GALLERY - INDEPENDENT PROJECT/GALLERY SPACE INITIATED BY NADA PRLJA AND DANIEL SERAFIMOVSKI IN SKOPJE, MACEDONIA ABOUT SIA GALLERY Serious Interests Agency (SIA) is an independent project space, based in Skopje, Macedonia. SIA promotes socially engaged creative and theoretical practices. SIA supports artistic, curatorial and theoretical/research activities, including urban and architecture related research. SIA is interested in work that investigates, observes, analyzes and constructively and creatively responds to our local context. SIA engages with a wide range of media: public exhibitions, online exhibitions, residencies, presentations & open discussions, as well as publications. Initiators and directors of SIA are Nada Prlja (artist) and Daniel Serafimovski (architect). Serious Interests Agency’s goal is to promote creative and theoretical practices that are socially engaging and transformative. SIA supports artistic, curatorial and theo- retical/research activities, including urban and architecture related research in a wide range of media, through public exhibitions, online exhibitions, residencies, presenta- tions & open discussions, as well as publications. Conceptually, SIA aims to engage with our own respective local contexts, if not directly intervening with the status quo. As an initiative, we are mainly interested in observations, research, analysis and a constructive and creative response to our local context(s). As a gallery and art space, SIA is situated in Skopje, in the country of Macedonia. Our context is: Skopje, as a city that has undergone several dramatic changes in both the distant and more recent past; Macedonia, as a country / a region that acts as the backbone for the development of critical/creative analysis of specific cultural and socio-political circumstances.
    [Show full text]
  • For Immediate Release & Listing
    FOR IMMEDIATE RELEASE & LISTING Exhibition: NORMALITIES EXHIBITION DATES: JAN 20 – APR 12, 2016 OPENING EVENTS: JAN 19, 6 – 7 PM | panel discussion JAN 19, 7 – 9 PM | opening reception with a live performance by Ana Prvački JAN 20, 7:30 PM | Viennese Tschuschenkapelle in concert: Balkan Blues Goes West Austrian Cultural Forum New York 11 East 52nd Street, New York www.acfny.org/normalities [Image credit: Alban Muja My Name Their City (Saranda), 2012] ARTISTS ON VIEW: CÄCILIA BROWN, NEMANJA CVIJANOVIĆ, DUŠICA DRAŽIĆ, FLAKA HALITI, IBRO HASANOVIĆ, JELENA JUREŠA, JAKOB LENA KNEBL, IRENA LAGATOR PEJOVIĆ, ARMANDO LULAJ, ALBAN MUJA, DAMIR OČKO, ANA PRVAČKI, MARUŠA SAGADIN, SAŠO STANOJKOVIЌ, KERSTIN VON GABAIN Curated by MARKO LULIĆ and CHRISTINE MOSER New York, December 2015 – The Austrian Cultural Forum New York is pleased to present Normalities, a show starring artists from the Western Balkan region (Albania, Bosnia and Herzegovina, Kosovo, Macedonia, Montenegro, and Serbia), Croatia, as well as from Austria and the United States. Artists include Flaka Haliti, Armando Lulaj, Damir Očko, and Irena Lagator Pejović, whose works were featured at the 55th and 56th Venice Biennials in 2013 and 2015, respectively. For philosopher Slavoj Žižek the very name “Balkans” is almost synonymous with “otherness” and deliberately used to distinguish oneself from one’s very neighbor. In the past century, the region was a laboratory of extraordinary political circumstances, and still is by all means a place in constant transition. In recent times, Southeastern Europe has gone through a massive transformation in an economical as well as political sense. Migration has made Vienna the fastest growing European capital, the city with the third-largest Serbian population, and home to many emerging artists.
    [Show full text]
  • Newsletter Spring 2009 Numbernumber 3 6 Spring 2012
    ART HISTORY PROGRAM Newsletter Spring 2009 NumberNumber 3 6 Spring 2012 DIRECTOR’S STATEMENT CONTENTS but we have time to work on it. Art History’s biggest achievement in Ming Dynasty originalist and art The search for a museum director Features 2-5 2011-12 is the recruitment of UC theorist Dong Qichang. is in progress. Dean Owens report- Davis’s first American Council of ed that a 2016 opening date is en- Learned Societies New Faculty Fel- The endowment gift from Alan tirely realistic. Many of our gradu- low. Seth Adam Hindin will become Templeton ’82 sponsored a highly ate and undergraduate students are Faculty News 6-9 Visiting Assistant Professor of Art successful symposium in the fall interested in museum careers. As a History (see p. 7 for his biography). (see p. 2). It supported research laboratory for art history study, the This fall quarter he’ll teach a seminar, travel for two of this year’s M.A. Shrem Museum will transform what “The Medieval and Early Modern graduates, Sheena Campbell and the campus can offer them. Undergraduate News 10 City, 300 -1600,” and an upper divi- Kamal Zargar, and on top of that sion course on Gothic art and archi- paid the registration fees for nearly Four undergraduate majors, Megan tecture. Next winter, he will teach all the graduate students to attend Friel, Elizabeth Mathews, Mariana the Medieval to Renaissance art the College Art Association annual Moscoso, and Brittany Royer, com- Graduate News 11-14 survey. Our Art History faculty, grad meeting in Los Angeles. The Tem- pleted senior honors theses.
    [Show full text]
  • Prishtina Insight Has Learnt
    Opinion: Kosovo’s Successful Use of Violence September 2 - 15, 2011 Issue No. 70 www.prishtinainsight.com Price € 1 NEWS Missing EULEX and Kosovo Kosovo Police Close to Lobbyist “Violent Clash” under > page 2 Arrest in FEATURE Sacked Kosovo Eritrea Gallery Chief Kosovo’s flying Blames Politics independence lobbyist, James Berisha, is being held in prison in Eritrea, it emerged on Thursday afternoon, two weeks after he was reported missing. See Page 4 > page 12 - 13 Limaj Faces Grilling as INSIDE PRISHTINA Prishtina’s History Retraced Through Roads Get Tested ‘Lost’ Photos Former minister Fatmir Limaj is shortly to be interviewed by EULEX prosecutors for the first time in 15 months - while > page 18 his roads face a test of their own, Prishtina Insight has learnt. FEATURE Limaj issued these tenders The news comes as it emerged government - since EULEX police By Artan Mustafa based on a combination of the low- that EULEX prosecutors will inter- raided his home and office. Time Is Running est price and the best technical view Limaj on 20 September. Following the raids, Johannes he EU rule-of-law mission in offer. But questions are being EULEX spokesman Kai Mueller- van Vreeswijk, former chief pros- Out for Macedonia’s Kosovo, EULEX, is to asked about how the technical Berner told Prishtina Insight that ecutor of EULEX, said the mis- Temploy an international offers were graded. Limaj, 40, has been summoned to sion had uncovered evidence that Big Cat expert in road quality as part of a In a number of cases highlight- appear before a EULEX Prosecutor could result in Limaj and Nexhat probe into corruption at the ed by a Prishtina Insight investi- at the Special Prosecution of the Krasniqi, head of the procure- > page 15 Ministry of Transport.
    [Show full text]