British Political Pseudonyms
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Lithuanian Jews and the Holocaust
Ezra’s Archives | 77 Strategies of Survival: Lithuanian Jews and the Holocaust Taly Matiteyahu On the eve of World War II, Lithuanian Jewry numbered approximately 220,000. In June 1941, the war between Germany and the Soviet Union began. Within days, Germany had occupied the entirety of Lithuania. By the end of 1941, only about 43,500 Lithuanian Jews (19.7 percent of the prewar population) remained alive, the majority of whom were kept in four ghettos (Vilnius, Kaunas, Siauliai, Svencionys). Of these 43,500 Jews, approximately 13,000 survived the war. Ultimately, it is estimated that 94 percent of Lithuanian Jewry died during the Holocaust, a percentage higher than in any other occupied Eastern European country.1 Stories of Lithuanian towns and the manner in which Lithuanian Jews responded to the genocide have been overlooked as the perpetrator- focused version of history examines only the consequences of the Holocaust. Through a study utilizing both historical analysis and testimonial information, I seek to reconstruct the histories of Lithuanian Jewish communities of smaller towns to further understand the survival strategies of their inhabitants. I examined a variety of sources, ranging from scholarly studies to government-issued pamphlets, written testimonies and video testimonials. My project centers on a collection of 1 Population estimates for Lithuanian Jews range from 200,000 to 250,000, percentages of those killed during Nazi occupation range from 90 percent to 95 percent, and approximations of the number of survivors range from 8,000 to 20,000. Here I use estimates provided by Dov Levin, a prominent international scholar of Eastern European Jewish history, in the Introduction to Preserving Our Litvak Heritage: A History of 31 Jewish Communities in Lithuania. -
The Membership of the Independent Labour Party, 1904–10
DEI AN HOP KIN THE MEMBERSHIP OF THE INDEPENDENT LABOUR PARTY, 1904-10: A SPATIAL AND OCCUPATIONAL ANALYSIS E. P. Thompson expressed succinctly the prevailing orthodoxy about the origins of the Independent Labour Party when he wrote, in his homage to Tom Maguire, that "the ILP grew from bottom up".1 From what little evidence has been available, it has been argued that the ILP was essentially a provincial party, which was created from the fusion of local political groups concentrated mainly on an axis lying across the North of England. An early report from the General Secretary of the party described Lancashire and Yorkshire as the strongholds of the movement, and subsequent historical accounts have supported this view.2 The evidence falls into three categories. In the first place labour historians have often relied on the sparse and often imperfect memoirs of early labour and socialist leaders. While the central figures of the movement have been reticent in their memoirs, very little literature of any kind has emerged from among the ordinary members of the party, and as a result this has often been a poor source. The official papers of the ILP have been generally more satisfactory. The in- evitable gaps in the annual reports of the party can be filled to some extent from party newspapers, both local and national. There is a formality, nevertheless, about official transactions which reduces their value. Minute books reveal little about the members. Finally, it is possible to cull some information from a miscellany of other sources; newspapers, electoral statistics, parliamentary debates and reports, and sometimes the memoirs of individuals whose connection 1 "Homage to Tom Maguire", in: Essays in Labour History, ed. -
The Communist Party of Great Britain Since 1920 Also by David Renton
The Communist Party of Great Britain since 1920 Also by David Renton RED SHIRTS AND BLACK: Fascism and Anti-Fascism in Oxford in the ‘Thirties FASCISM: Theory and Practice FASCISM, ANTI-FASCISM AND BRITAIN IN THE 1940s THE TWENTIETH CENTURY: A Century of Wars and Revolutions? (with Keith Flett) SOCIALISM IN LIVERPOOL: Episodes in a History of Working-Class Struggle THIS ROUGH GAME: Fascism and Anti-Fascism in European History MARX ON GLOBALISATION CLASSICAL MARXISM: Socialist Theory and the Second International The Communist Party of Great Britain since 1920 James Eaden and David Renton © James Eaden and David Renton 2002 Softcover reprint of the hardcover 1st edition 2002 978-0-333-94968-9 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2002 by PALGRAVE Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N. Y. 10010 Companies and representatives throughout the world PALGRAVE is the new global academic imprint of St. -
The Attlee Governments
Vic07 10/15/03 2:11 PM Page 159 Chapter 7 The Attlee governments The election of a majority Labour government in 1945 generated great excitement on the left. Hugh Dalton described how ‘That first sensa- tion, tingling and triumphant, was of a new society to be built. There was exhilaration among us, joy and hope, determination and confi- dence. We felt exalted, dedication, walking on air, walking with destiny.’1 Dalton followed this by aiding Herbert Morrison in an attempt to replace Attlee as leader of the PLP.2 This was foiled by the bulky protection of Bevin, outraged at their plotting and disloyalty. Bevin apparently hated Morrison, and thought of him as ‘a scheming little bastard’.3 Certainly he thought Morrison’s conduct in the past had been ‘devious and unreliable’.4 It was to be particularly irksome for Bevin that it was Morrison who eventually replaced him as Foreign Secretary in 1951. The Attlee government not only generated great excitement on the left at the time, but since has also attracted more attention from academics than any other period of Labour history. Foreign policy is a case in point. The foreign policy of the Attlee government is attractive to study because it spans so many politically and historically significant issues. To start with, this period was unique in that it was the first time that there was a majority Labour government in British political history, with a clear mandate and programme of reform. Whereas the two minority Labour governments of the inter-war period had had to rely on support from the Liberals to pass legislation, this time Labour had power as well as office. -
NABMSA Reviews a Publication of the North American British Music Studies Association
NABMSA Reviews A Publication of the North American British Music Studies Association Vol. 5, No. 2 (Fall 2018) Ryan Ross, Editor In this issue: Ita Beausang and Séamas de Barra, Ina Boyle (1889–1967): A Composer’s Life • Michael Allis, ed., Granville Bantock’s Letters to William Wallace and Ernest Newman, 1893–1921: ‘Our New Dawn of Modern Music’ • Stephen Connock, Toward the Rising Sun: Ralph Vaughan Williams Remembered • James Cook, Alexander Kolassa, and Adam Whittaker, eds., Recomposing the Past: Representations of Early Music on Stage and Screen • Martin V. Clarke, British Methodist Hymnody: Theology, Heritage, and Experience • David Charlton, ed., The Music of Simon Holt • Sam Kinchin-Smith, Benjamin Britten and Montagu Slater’s “Peter Grimes” • Luca Lévi Sala and Rohan Stewart-MacDonald, eds., Muzio Clementi and British Musical Culture • Christopher Redwood, William Hurlstone: Croydon’s Forgotten Genius Ita Beausang and Séamas de Barra. Ina Boyle (1889-1967): A Composer’s Life. Cork, Ireland: Cork University Press, 2018. 192 pp. ISBN 9781782052647 (hardback). Ina Boyle inhabits a unique space in twentieth-century music in Ireland as the first resident Irishwoman to write a symphony. If her name conjures any recollection at all to scholars of British music, it is most likely in connection to Vaughan Williams, whom she studied with privately, or in relation to some of her friends and close acquaintances such as Elizabeth Maconchy, Grace Williams, and Anne Macnaghten. While the appearance of a biography may seem somewhat surprising at first glance, for those more aware of the growing interest in Boyle’s music in recent years, it was only a matter of time for her life and music to receive a more detailed and thorough examination. -
Britten Connections a Guide for Performers and Programmers
Britten Connections A guide for performers and programmers by Paul Kildea Britten –Pears Foundation Telephone 01728 451 700 The Red House, Golf Lane, [email protected] Aldeburgh, Suffolk, IP15 5PZ www.brittenpears.org Britten Connections A guide for performers and programmers by Paul Kildea Contents The twentieth century’s Programming tips for 03 consummate musician 07 13 selected Britten works Britten connected 20 26 Timeline CD sampler tracks The Britten-Pears Foundation is grateful to Orchestra, Naxos, Nimbus Records, NMC the following for permission to use the Recordings, Onyx Classics. EMI recordings recordings featured on the CD sampler: BBC, are licensed courtesy of EMI Classics, Decca Classics, EMI Classics, Hyperion Records, www.emiclassics.com For full track details, 28 Lammas Records, London Philharmonic and all label websites, see pages 26-27. Index of featured works Front cover : Britten in 1938. Photo: Howard Coster © National Portrait Gallery, London. Above: Britten in his composition studio at The Red House, c1958. Photo: Kurt Hutton . 29 Further information Opposite left : Conducting a rehearsal, early 1950s. Opposite right : Demonstrating how to make 'slung mugs' sound like raindrops for Noye's Fludde , 1958. Photo: Kurt Hutton. Britten Connections A guide for performers and programmers 03 The twentieth century's consummate musician In his tweed jackets and woollen ties, and When asked as a boy what he planned to be He had, of course, a great guide and mentor. with his plummy accent, country houses and when he grew up, Britten confidently The English composer Frank Bridge began royal connections, Benjamin Britten looked replied: ‘A composer.’ ‘But what else ?’ was the teaching composition to the teenage Britten every inch the English gentleman. -
Report of the Conference on Labour
REPORT OF THE second Jlnnual Conference OF THE LABOUR REPRESENTATION Co:tHITTEE HELD L TH'.E CENTRAL HALL CORPORATION STREET. BIRMINGHAM. On Thursday, February 20th, 1902, ~ o The Labour Representation Committee, 3, LI TCOL 'S I N FIELDS, LONDON, w.c. AC D J. RAMSAY MACDONALD, Secretary. 49 OFFICERS AND MEMBERS OF THE LABOUR REPRESENTATION COMMITTEE, ELECTED 21ST FEBRUARY, 1902. Trade Unions, Chairman: R. BELL, M.P. Amalgamated Railway Servants. Vice-Chairman: J. HODGE Steelsmelters. Treasurer: F. ROGERS Vellum Binders. W. B. CHEESMAN, Fawcett Association I ALLE GEE, Textile Worker PETE CURRAN, Gasworkers J. SEXTON, Dock Labourers C. FREAK, Boot & Shoe Operatives I A. WILKIE, Shipwrights Trades Councils. WM. PICKLES - - Huddersfield Trades Council. Independent Labour Party J. KEIR HARDIE, M.P. I COUNCILLOR JAMES PARKER. Fabian Society. EDWARD R. PEASE: SECRETARY: J. RAMSAY MACDONALD, L.C.C., 3, LINCOLN'S INN FIELDS, LONDON, w.c 50 NAMES AND ADDRESSES OF DELEGATES ATTENDING THE CONFERENCE, TRADE UNIONS. SOCIETY. DELEGATE . Blastfurnacemen, National Federation ... P. Walls, Moss Bay, Workington. Bookbinders' ,,net Machine Rulers' Consolidatecl. Mat, hew Ri<liey, 5, Mulberry Street, Hulme, Man- U nion. chest er. James Kelly, 59, Grosvenor Street, C-on-:vf., Man chester. Baot and Shoe Operatives, National Union of ... C. Freak, 31, Al,ney Street, Leicester. Councillor J. F. Richards, 181, Belgrave Gate, Leicester W. B. Hornidge, r 2, Paton Street, Leicester. Brassworkers, National Amalgamated .. T- Ramsden, 70, Lionel S1reet, Birmingh:im. W. J. Davis, 70, Lionel Street, Birmingham. Brushmakers, Amalg!:l.mated Society of ... G. Freeman, 43, Wright Street, mall Heath, Birmingham. Builders' Labourers Union, United F. -
That to See How Britten Handles the Dramatic and Musical Materials In
BOOKS 131 that to see how Britten handles the dramatic and musical materials in the op- era is "to discover anew how from private pain the great artist can fashion some- thing that transcends his own individual experience and touches all humanity." Given the audience to which it is directed, the book succeeds superbly. Much of it is challenging and stimulating intellectually, while avoiding exces- sive weightiness, and at the same time, it is entertaining in the very best sense of the word. Its format being what it is, there are inevitable duplications of information, and I personally found the Garbutt and Garvie articles less com- pelling than the remainder of the book. The last two articles of Brett's, excel- lent as they are, also tend to be a little discursive, but these are minor reserva- tions. For anyone who cares for this masterwork of twentieth-century opera, Downloaded from https://academic.oup.com/oq/article/4/3/131/1587210 by guest on 01 October 2021 or for Britten and his music, this book is obligatory reading. Carlisle Floyd Peter Grimes/Gloriana Benjamin Britten English National Opera/Royal Opera Guide 24 Nicholas John, series editor London: John Calder; New York: Riverrun Press, 1983 128 pages, $5.95 (paper) The English National Opera/Royal Opera Guides, small paperbacks with siz- able contents, are among the best introductions available to the thirty-plus operas published in the series so far. Each guide includes some essays by ac- knowledged authorities on various aspects of its subject, followed by a table of major musical themes, a complete libretto (original language plus transla- tion), a brief bibliography, and a discography. -
Durham E-Theses
Durham E-Theses English Folk under the Red Flag: The Impact of Alan Bush's `Workers' Music' on 20th Century Britain's Left-Wing Music Scene ROBINSON, ALICE,MERIEL How to cite: ROBINSON, ALICE,MERIEL (2021) English Folk under the Red Flag: The Impact of Alan Bush's `Workers' Music' on 20th Century Britain's Left-Wing Music Scene , Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/13924/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 English Folk under the Red Flag: The Impact of Alan Bush’s ‘Workers’ Music’ on 20 th Century Britain’s Left-Wing Music Scene Alice Robinson Abstract Workers’ music: songs to fight injustice, inequality and establish the rights of the working classes. This was a new, radical genre of music which communist composer, Alan Bush, envisioned in 1930s Britain. -
Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan) -
COFAC Today Spring 2017
Spring 2017 COFAC TODAY COLLEGE OF FINE ARTS AND COMMUNICATION HEAVY METAL ARTISTS Sculpture competition gives students an opportunity for a permanent installation. COFAC TODAY COLLEGE OF FINE ARTS AND COMMUNICATION DEAN, COLLEGE OF DEAR FRIENDS, FAMILIES, AND COLLEAGUES, FINE ARTS & COMMUNICATION Susan Picinich The close of an academic year brings with it a sense of pride and anticipation. The College of Fine Arts and Communication bustles with excitement as students finish final projects, presentations, exhibitions, EDITOR Sedonia Martin concerts, recitals and performances. Sr. Communications Manager In this issue of COFAC Today we look at the advancing professional career of dance alum Will B. Bell University Marketing and Communications ’11 who is making his way in the world of dance including playing “Duane” in the live broadcast of ASSOCIATE EDITOR Hairspray Live, NBC television’s extravaganza. Marissa Berk-Smith Communications and Outreach Coordinator The Asian Arts & Culture Center (AA&CC) presented Karaoke: Asia’s Global Sensation, an exhibition College of Fine Arts and Communication that explored the world-wide phenomenon of karaoke. Conceived by AA&CC director Joanna Pecore, WRITER students, faculty and staff had the opportunity to belt out a song in the AA&CC gallery while learning Wanda Haskel the history of karaoke. University Marketing and Communications DESIGNER Music major Noah Pierre ’19 and Melanie Brown ’17 share a jazz bond. Both have been playing music Rick Pallansch since childhood and chose TU’s Department of Music Jazz Studies program. Citing outstanding faculty University Marketing and Communications and musical instruction, these students are honing their passion of making music and sharing it with PHOTOGRAPHY the world. -
Amalgamated Union of Foundry Workers
ID Heading Subject Organisation Person Industry Country Date Location 74 JIM GARDNER (null) AMALGAMATED UNION OF FOUNDRY WORKERS JIM GARDNER (null) (null) 1954-1955 1/074 303 TRADE UNIONS TRADE UNIONS TRADES UNION CONGRESS (null) (null) (null) 1958-1959 5/303 360 ASSOCIATION OF SUPERVISORY STAFFS EXECUTIVES AND TECHNICIANS NON MANUAL WORKERS ASSOCIATION OF SUPERVISORY STAFFS EXECUTIVES AND TECHNICIANS (null) (null) (null) 1942-1966 7/360 361 ASSOCIATION OF SUPERVISORY STAFFS EXECUTIVES AND TECHNICIANS NOW ASSOCIATIONON MANUAL WORKERS ASSOCIATION OF SUPERVISORY STAFFS EXECUTIVES AND TECHNICIANS N(null) (null) (null) 1967 TO 7/361 362 ASSOCIATION OF SUPERVISORY STAFFS EXECUTIVES AND TECHNICIANS CONFERENCES NONON MANUAL WORKERS ASSOCIATION OF SUPERVISORY STAFFS EXECUTIVES AND TECHNICIANS N(null) (null) (null) 1955-1966 7/362 363 ASSOCIATION OF TEACHERS IN TECHNICAL INSTITUTIONS APPRENTICES ASSOCIATION OF TEACHERS IN TECHNICAL INSTITUTIONS (null) EDUCATION (null) 1964 7/363 364 BRITISH ACTORS EQUITY ASSOCIATION (null) BRITISH ACTORS EQUITY ASSOCIATION (null) ENTERTAINMENT (null) 1929-1935 7/364 365 BRITISH ACTORS EQUITY ASSOCIATION (null) BRITISH ACTORS EQUITY ASSOCIATION (null) ENTERTAINMENT (null) 1935-1962 7/365 366 BRITISH ACTORS EQUITY ASSOCIATION (null) BRITISH ACTORS EQUITY ASSOCIATION (null) ENTERTAINMENT (null) 1963-1970 7/366 367 BRITISH AIR LINE PILOTS ASSOCIATION (null) BRITISH AIR LINE PILOTS ASSOCIATION (null) TRANSPORT CIVIL AVIATION (null) 1969-1970 7/367 368 CHEMICAL WORKERS UNION CONFERENCES INCOMES POLICY RADIATION HAZARD