Jill Roe (1940–2017)
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Biographies and Autobiographies of Historians, Edited by Doug Munro and John G
11 Country and Kin Calling? Keith Hancock, the National Dictionary Collaboration, and the Promotion of Life Writing in Australia1 Melanie Nolan Australian historians and ego-histoire In his international comparison of history, historians and autobiography in 2005, Jeremy D. Popkin concluded that Australian historians were early to, and enthusiastic about, the ego-histoire movement or the ‘setting down [of] one’s own story’. Australians anticipated Pierre Nora’s collection of essays, Essais d’ego-histoire, which was published in 1987.2 They had already founded ‘a series of autobiographical lectures in 1984’, which resulted in a number of publications, and Australian historians’ memoirs thereafter appeared at a rate of more than one a year.3 When he considered Australian 1 I thank Ann Curthoys and the editors for their comments on an earlier draft. 2 Pierre Nora ed., Essais d’ego-histoire (Paris: Gallimard, 1987), 7. 3 Jeremy D. Popkin, History, Historians, & Autobiography (Chicago/London: University of Chicago Press, 2005), 74. In ‘Ego-histoire Down Under: Australian Historian-Autobiographers’, Australian Historical Studies, 38:129 (2007), 110, doi.org/10.1080/10314610708601234, Popkin dates the Australian memoir bulge from 1982 when collective projects including ‘a volume of professional women’s narratives, The Half-Open Door, which appeared in 1982, and the four volumes of essays starting with the Victorian History Institute’s 1984 forum in which R.M. Crawford, Manning Clark and Geoffrey Blainey participated’. Patricia Grimshaw and Lynne -
Women's Liberation 1
Welcome to the electronic edition of Dangerous Ideas: Women’s Liberation — Women’s Studies — Around the World. The book opens with the bookmark panel and you will see the contents page. Click on this anytime to return to the contents. You can also add your own bookmarks. Each chapter heading in the contents table is clickable and will take you direct to the chapter. Return using the contents link in the bookmarks. The whole document is fully searchable. Enjoy. Susan Magarey Susan Magarey has degrees from the University of Adelaide and the Australian National University. At ANU she was Lecturer-in- charge of the Women's Studies Program 1978-1983. At Adelaide University, where she is now Professor Emerita, she founded the Research Centre for Women's Studies 1983-2000 and the journal, Australian Feminist Studies 1985- . In 2006, she was made a member of the Order of Australia for her work in establishing Women's Studies as a field of intellectual endeavour. Susan Magarey, 2013 Photograph courtesy of Susan Magarey Other books by this author: Unbridling the tongues of women: a biography of Catherine Helen Spence, 1985, revised 2010 Roma the First: A Biography of Dame Roma Mitchell, 2007, revised imprint 2009, with Kerrie Round Looking Back: looking forward. A century of the Queen Adelaide Club 1909-2009, 2009 Passions of the first wave feminists, 2001 Contents Acknowledgements vii Preface ix Part I — Women's Liberation 1 1 The sexual revolution as big flop: Women's Liberation Lesson One 15 2 Sisterhood and Women's Liberation in Australia 25 -
The ADB's Story Oral History Interviews
The ADB ’s Story Edited by Melanie Nolan and Christine Fernon The ADB ’s Story Edited by Melanie Nolan and Christine Fernon Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Title: The ADB’s story / edited by Melanie Nolan and Christine Fernon. ISBN: 9781925021196 (paperback) 9781925021202 (ebook) Subjects: Australian dictionary of biography--History. Encyclopedias and dictionaries--Australia--History. Biography--Dictionaries--History. Australia--Biography--History and criticism. Other Authors/Contributors: Nolan, Melanie, editor. Fernon, Christine, editor. Dewey Number: 920.094 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover illustration: Keith Hancock planting an English oak tree on the southern lawn of University House in 1984 to celebrate the house’s thirtieth anniversary. The ‘Hancock oak’, grown from an acorn he brought from Cambridge, commemorates the association between The Australian National University and Cambridge, England. The ADB was another of Hancock’s ‘oaks’. ANUA225-511 The ANU Lives Series in Biography is an initiative of the National Centre for Biography in the History Program in the Research School of Social Sciences at The Australian National University. The National Centre was established in 2008 to extend the work of the Australian Dictionary of Biography and to serve as a focus for the study of life writing in Australia, supporting innovative research and writing to the highest standards in the field, nationally and internationally. -
INTRODUCTION - Sowing the Seeds
Cultivating the Arts Page 1 INTRODUCTION - Sowing the Seeds The singer, Dorothy Helmrich, was born in 1889 and grew up on Sydney's lower North Shore. One of six children of John Hellmrich1, an architect in the Lands Department, and Esther Isobel, she shared with her family an interest in music. Even so, the young Dorothy displayed a particular interest and was spellbound on attending her first musical at the age of eight. Initially, she did not entertain hopes for a professional career, but did play a few minor roles in Mosman Musical Society performances. After a few successful performances Helmrich tentatively approached the society's lead singer, William Beattie, concerning formal singing lessons. She subsequently undertook training first with Beattie and later under Madame Antonia Dolores. Not long afterwards, an acquaintance arranged for her introduction to Mrs Gordon Veshey, who frequently hosted musical entertainments known as musicales. Veshey subsequently invited Helmrich to sing as guest artist at one such event. The singer received one guinea as payment. Other engagements soon followed, culminating in an invitation to sing at Government House. Fortunately for Helmrich, Lady Alice Cooper happened to attend the concert while on a brief visit to her homeland from England. Lady Cooper, wife of Sir William Cooper, first speaker of the Legislative Assembly of New South Wales before their move to London, herself played the piano with skill." Impressed by Helmrich's performance Lady Cooper decided that the young singer should go to England and receive professional training. She provided for Helmrich's preliminary training at the newly established New South Wales Conservatorium of Music, her fares to Dorothy later changed the spelling of her name to Helmrich. -
Adelaide: a Literary City
Welcome to the electronic edition of Adelaide: a literary city. The book opens with the bookmark panel and you will see the contents page. Click on this anytime to return to the contents. You can also add your own bookmarks. Each chapter heading in the contents table is clickable and will take you direct to the chapter. Return using the contents link in the bookmarks. The whole document is fully searchable. Enjoy. Adelaide: a literary city This book is available as a free fully-searchable PDF from www.adelaide.edu.au/press Adelaide: a literary city edited by Philip Butterss Discipline of English and Creative Writing School of Humanities The University of Adelaide Published in Adelaide by University of Adelaide Press The University of Adelaide Level 1, 254 North Terrace South Australia 5005 [email protected] www.adelaide.edu.au/press The University of Adelaide Press publishes externally refereed scholarly books by staff of the University of Adelaide. It aims to maximise access to the University’s best research by publishing works through the internet as free downloads and for sale as high quality printed volumes. © 2013 The Authors This work, with the exception of the poem, New York Nowhere: Meditations and Celebrations, Neurology Ward, The New York Hospital by Geoffrey Dutton, is licenced under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) License. To view a copy of this licence, visit http://creativecommons.org/licenses/by- nc-nd/4.0 or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA.