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Léto Hudbě (Ne)Přeje Vydává: Společnost Hudební Rozhledy, Člen AHUV, Za finanční Podpory MK ČR, Nadace ČHF, Nadace B
HUDEBNÍ ROZHLEDY ÚVODNÍK 8/2004 Měsíčník pro hudební kulturu Léto hudbě (ne)přeje Vydává: Společnost Hudební rozhledy, člen AHUV, za finanční podpory MK ČR, Nadace ČHF, Nadace B. Martinů, Nadace Leoše Janáčka, Nadace OSA ážení a milí čtenáři, Ale jak už bylo řečeno, najdou se výjimky. Umím si jen v novinářském žargonu se letní měsíce už po dlou- stěží představit, jak se asi cítili diváci na premiéře opery buf- Šéfredaktorka: Hana Jarolímková hou dobu označují poměrně výstižným termínem fy Giovanniho Battisty Pergolesiho Služka paní, jež se pod- Tajemnice redakce: Marcela Šlechtová V Redakční rada: Jiří Hlaváč, Lubomír „okurková sezona“. Není mi sice zcela jasné proč zrovna le některých informačních zdrojů odehrála 28. srpna 1733 Brabec, Ivan Štraus, Stanislav Tesař okurková, když by to stejně tak dobře mohla být sezona v rozpálené jihoitalské metropoli Neapoli. Dámy v těžkých Externí spolupráce: Jitka Slavíková malinová či jahodová a znělo by to rozhodně poetičtěji, ale brokátových róbách a pánové v upnutých fracích si asi tehdy Výtvarné řešení: Jiří Filip budiž. Chce se tím naznačit, že se toho v politice, ve společ- vytrpěli své, a to přesto, že jistě došlo i na naprosto nezbyt- nosti či kultuře příliš neděje, a tak mnohem důležitější je né vějíře, které v našich podmínkách plnily funkci většinou Adresa redakce: Radlická 99, 150 00 Praha 5 sklizeň okurek. V okurkové sezoně se však dozvídáme jiné, spíše jen „dekorativní“. tel. (šéfredaktor): 251 554 088 nikoliv podstatné, ale mnohdy určitě „zajímavější“ zprávy. To premiéra Wagnerova proslulého Lohengrina, jež by- tel. (redakce): 251 550 208, Někdy mi to poněkud připomene Jaroslava Haška, který la provedena ve stejný den jen s tím rozdílem, že to bylo 251 552 425 si coby redaktor časopisu Svět zvířat (1911), když už ne- o 117 let později v německém Výmaru, měla asi pro diváky tel. -
January 2006 " ...'
Official Publication of the American Guild of Musical Artists A Branch of the Associated Actors and Artistes of America • Affiliated with the AFL-CIO January 2006 " ...'.. :.-'... , 120 Volume 60, Number 1 EXECUTIVE DIRECTOR'S REPORT By ALAN S. GORDON IN TlIS A Tragedy In Several Acts More than a year after the dancers of The Washington Ballet (TWB) voted to be Iss UE represented by AGMA, they are still without a contract and have been locked out until at least April by a management that told them "We'd rather close down than have an President's Message 2 AGMA contract" Board of Governors Locked in a pitched battle with the Ballet's rabidly anti-union Board of Directors. but Terms Expiring 4 with the complete support of all organized labor in the Washington, D.C. area and Vacancy Seat Table 5 overwhelming encouragement from the local press and public, as well as from Allocation Table 6 dancers around the world, the DC Ballet dancers remain unified in their determination to secure a contract that protects them, their jobs, their safety, their health and their Board of Governors Petition 8 careers. Area News Northwest 9 Southern California 9 Washington/Baltimore 10 San Francisco 11 From New Orleans to Los Angeles 12 Tales from The Nutcracker 14 A Leap Forward for Professional Dancers 15 Metropolitan Opera Bake Sale 16 Left to right, kneeling: Kara Cooper, Laura Urgelles, Elizabeth Gaither; first row: Deborah Allton (AGMA Eastern Counsel), Zachary Hackstock, Sona Kharatian, Jonathan Jordan, Eleni Kallas (Mid-Atlantic Area Contact List 17 -
OPERA / MUSICALS/ CONCERT WORKS Complete Performances, *Scenes, ** Role Study
Melissa Wolfmann Soprano * E-mail: [email protected] * Web: www.melissawolfmann.com OPERA / MUSICALS/ CONCERT WORKS Complete Performances, *Scenes, ** Role Study COMPOSER ROLE OPERA/WORK COMPANY (Conductor) BIZ ET Frasquita CARMEN Fresno Grand Opera (Daniel Lipton) / 2003 Tulare County Symphony (David André) / 2001 Micaëla California Opera (David André) / 2001 BOCK Hodel FIDDLER ON THE ROOF Tulare Encore Theatre (Susan Burley) / 1997 Shandel Utah Fest ival Opera (Karen Keltner) / 2003 CERNY Soprano soloist MISSA BREVIS Fresno Philharmonic (Lukas Cerny) / 2003 HANDEL Soprano Soloist MESSIAH (Highlights) Tulare County Symphony (David André) / 2003 Soprano Soloist Townsend Opera (Buck Townsend) / 2004 LEHÁR Sylviane MERRY WIDOW Fresno Grand Opera (Jerome Shannon) / February 24 & 26, 2006 MOZART Fiordiligi** COSI FAN TUTTE College Community Concert Series (Matt Horton) / 2003 Donna Anna* DON GIOVANNI College Community Concert Series (Matt Horton) / 2001 Donna Elvira** College Community Concert Series (Matt Horton) / 2003 Zerlina Opera Festival di Roma (Fritz Maraffi) / 1994 Barbarina LE NOZZE DI FIGARO Fresno Grand Opera (Garold Whisler) / 2004 Countess** College Community Concert Seri es (Matt Horton) / 2003 Pacific Repertory Opera (scenes in concert)/2007 Soprano Soloist REQUIEM Fresno Philharmonic (Theodore Kuchar) / 2003 Soprano Soloist SOLEMN VESPERS (highlights) Central California Children’s Choir & Czech Embassy (Lukas Cerny) / 2003 NICOLAI Meg Page MERRY WIVES CSU Northridge (David Scott) / 1993 PUCCINI Mimi*** LA BOHEME -
Central Opera Service Bulletin Volume 27, Number 4
CENTRAL OPERA SERVICE BULLETIN VOLUME 27, NUMBER 4 CONTENTS NEK OPERAS AND PREMIERES 1 NEWS FROM OPERA COMPANIES 18 GOVERNMENT ft NATIONAL ORGANIZATIONS 28 CONFERENCES 30 TAX FACTS 31 NEtf AND RENOVATED THEATERS 32 FORECAST 33 ARCHIVES AND COLLECTIONS 38 ATTENTION COMPOSERS AND LIBRETTISTS 40 MUSIC PUBLISHERS 42 ATTENTION CONDUCTORS 43 EDITIONS AND ADAPTATIONS 44 EOUCATION 45 APPOINTMENTS AND RESIGNATIONS 48 COS INSIDE INFORMATION 53 COS NATIONAL CONFERENCE PROGRAM 54 COS SALUTES... 56 WINNERS 58 CAREER GUIDE SUPPLEMENT 60 BOOKS AND PERIODICALS 68 OPERA HAS LOST... 76 PERFORMANCE LISTING, 1986-87 SEASON CONT. 84 FIRST PERFORMANCE LISTING. 1987-88 SEASON 110 COS NATIONAL CONFERENCE REGISTRATION FORM 125 Sponsored by the Metropolitan Opera National Council !>i>'i'h I it •'••'i1'. • I [! I • ' !lIN., i j f r f, I ;H ,',iK',"! " ', :\\i 1 ." Mi!', ! . ''Iii " ii1 ]• il. ;, [. i .1; inil ' ii\ 1 {''i i I fj i i i11 ,• ; ' ; i ii •> i i«i ;i •: III ,''. •,•!*.', V " ,>{',. ,'| ',|i,\l , I i : I! if-11., I ! '.i ' t*M hlfi •'ir, S'1 , M"-'1'1" ' (.'M " ''! Wl • ' ;,, t Mr '«• I i !> ,n 'I',''!1*! ,1 : I •i . H)-i -Jin ' vt - j'i Hi I !<! :il --iiiAi hi CENTRAL OPERA SERVICE BULLETIN Volume 27, Number 4 Spring/Summer 1987 CONTENTS New Operas and Premieres 1 News from Opera Companies 18 Government & National Organizations 28 Conferences 30 Tax Facts 31 New and Renovated Theaters 32 Forecast 33 Archives and Collections 38 Attention Composers and Librettists 40 Music Publishers 42 Attention Conductors 43 Editions and Adaptations 44 Education 45 Appointments and Resignations 48 COS Inside Information 53 COS National Conference Program 54 COS Salutes.. -
Discovideografia 2009-2011 Discovideografia 2009-2011 145
144 DISCOVIDEOGRAFIA 2009-2011 DISCOVIDEOGRAFIA 2009-2011 145 DISCOVIDEOGRAFIA VERDIANA Aggiornamenti 2009-2011 Alessandro Turba Proprio a partire dagli anni a cui si riferiscono i presenti Aggiorna- menti le case discografiche stanno alacremente rimpolpando i propri cata- loghi di ‘provviste’, onde necessariamente far fronte a una domanda che, come è ovvio aspettarsi, troverà il suo culmine nell’anno del festeggiamen- to del bicentenario verdiano, ormai alle porte. Tale, esponenziale crescita del gettito di titoli verdiani è, però, logicamente dovuta anche all’offerta di nuovi supporti tecnologici che, a distanza di più di dieci anni dalle passate celebrazioni, si è di molto diversificata (vedi il Super Audio CD e, nell’ambito dell’audiovisivo, il Blu-ray Disc). Ma non è tutto oro quel- lo che luccica. Lo sforzo delle case discografiche, le ‘minorities’ come le ‘majors’, non è che il disperato tentativo di tenere testa a una crisi del mer- cato discografico dovuta alla libera circolazione e condivisione di mate- riali audiovisivi resa possibile da Internet; crisi da loro cercata di arginare smerciando le registrazioni dei propri cataloghi proprio attraverso questo canale, rendendole disponibili agli internauti melomani con un click. Al momento, l’irreversibilità di questa ‘crisi’ si palesa nella radicalizzazione di quanto già constatato negli anni scorsi dai precedenti titolari di questa rubrica: «l’estinzione della registrazione in studio»1. La tendenza da parte 1 CARLO MARINELLI - ANNA GRAZIA PETACCIA, Discografia verdiana, Aggiornamenti 146 DISCOVIDEOGRAFIA 2009-2011 delle case discografiche è quella, infatti, di catturare tramite videoriprese – oggi perlopiù in High Definition, grazie anche ai mezzi e alla sinergia con grandi enti televisivi – un particolare evento teatrale ‘dal vivo’, tutt’al più operando un montaggio tra le performances più riuscite, nel mentre in cui il titolo staziona nel cartellone della stagione operistica di un dato Ente Lirico. -
Authorization to Copy
AUTHORIZATION TO COPY I authorize Kenneth S. Schmidt to scan the book I coauthored entitled, TULSA OPERA CHRONICLES, for the purpose of making a digital copy for use on the internet in the interest of preserving the history of the Tulsa Opera. Further copies may be made from this digital copy provided they are for educational, historical, personal enjoyment, or the promotion of fine art, and for non-profit use. For any other intentions, the copyright statement below applies. Laven Sowell Jack Williams June 15, 2007 Copyright © 1992 by Jack A. Williams and Laven Sowell All rights reserved under International Copyright Law. Contents May not be reproduced in whole or in part in any form without The express written consent of the authors. Library of Congress Catalog Number 92-96949 1 2 Website produced in appreciation of Mr. Laven Sowell by Ken Schmidt, student of Mr. Sowell since September 1964, Edison Jr. High School Boys Glee Club, Edison High School Mixed Chorus, and proud alumnus of the Edison High School Concert Chorus during the 1969 / 1970 school year in Tulsa, Oklahoma. Thank you for teaching me about great music. 3 To compensate for the page numbering difference between the original book and this PDF file, please add 10 to the page number when referencing the Table of Contents and the Index, and then search or scroll in your PDF viewer. 4 5 This book is dedicated to the loyal and talented chorus members, who have for many years given unselfishly of their time and talent to help make opera possible in the city of Tulsa. -
CATALOGUE @ 01.09.2018 Verdi: Ernani (Abridged
1 CRQ EDITIONS – CATALOGUE @ 01.09.2018 Verdi: Ernani (abridged) Iva Pacetti / Antonio Melandri / Gino Vanelli / Corrado Zambelli / Ida Mannarini / Aristide Baracchi / Giuseppe NessiChorus and Orchestra of La Scala, Milan / Lorenzo Molajoli Recorded in Milan in 1930 by the Columbia Graphophone Company. A superb example of operatic performance in Milan during the inter-war years - never before released on CD. Classic Record Quarterly Editions CRQ CD001 (1 CD) Tchaikovsky: Symphony No. 6 in B minor, ‘Pathétique’, Op. 74 London Philharmonic Orchestra / Sir Adrian Boult The 1959 Miller International recording, with correct stereo channels applied. Boult in masterly form in repertoire not recorded by him elsewhere. Classic Record Quarterly Editions CRQ CD002 (1 CD) Homage to Mogens Wöldike Danish State Radio Chamber Orchestra / Mogens Wöldike J. C. Bach: Sinfonia in B flat major Op. 18 No. 2; F. J. Haydn: Divertimento in G major; F. J. Haydn: Six German Dances; W. A. Mozart: Symphony No. 14 in A major, K. 114; K. D. von Dittersdorf: Symphony in C major Originally recorded by Decca and HMV. A representative programme demonstrating the genius of one of the early pioneers of period performance practice. Classic Record Quarterly Editions CRQ CD003 (1 CD) Verdi: Macbeth Margherita Grandi, Walter Midgley, Francesco Valentino, Italo Tajo Glyndebourne Festival Chorus, Scottish Orchestra / Berthold Goldschmidt, conductor Recording of the performance of 27th August 1947 given by Glyndebourne Festival Opera at the first Edinburgh Festival, First issued on ‘The Golden Age of Opera’ LPs by Ed Smith The ethos of the Weimar Republic’s Verdi revival, Glyndebourne’s exacting musical standards, and the occasion of the first Edinburgh Festival combine to create a memorable evening. -
Riccardo Zandonai Rappresentazioni Ed Esecuzioni in Forma Di Concerto Di Sue Opere in Italia E Nel Mondo Negli Anni 1994/2000 (*)
BRUNO CAGNOLI RICCARDO ZANDONAI RAPPRESENTAZIONI ED ESECUZIONI IN FORMA DI CONCERTO DI SUE OPERE IN ITALIA E NEL MONDO NEGLI ANNI 1994/2000 (*) ABSTRACT - This work is dedicated to the performances and to the operas in con- cert of zandonaian operas in Italy and in the world in the years 1994/2000, and to the extraordinary success, in their vast number majority, of public and criticism. KEY WORDS - Riccardo Zandonai’s operas, Italian, European and of the two Americas theatres, Criticism’s opinions. RIASSUNTO - Questo lavoro è dedicato alle rappresentazioni ed alle esecuzioni in forma di concerto di opere zandonaiane in Italia e nel mondo negli anni 1994/2000, ed allo straordinario successo di pubblico e di critica, nella stragrande maggioranza dei casi, da esse riportato. PAROLE CHIAVE - Opere di Riccardo Zandonai, Teatri italiani europei e delle due Americhe, Giudizi della critica. Il mio più vivo ringraziamento, per il contributo di collaborazione nella realizzazione di questo lavoro, alla sig.ra Valeria Pedemonte, Mi- lano, ed ai sig.ri Edoardo Fuenbuena Loscertales, Saragozza (Spagna), Hette Jean Hettema, Heiloo (Olanda), Tom Kaufman, Baltimora (USA), Carlo Marinelli Roscioni, Roma, Moisés Miguel, San Paolo (Brasile), Alfredo Russo, Buenos Aires (Argentina). Si possono considerare gli uomini sotto vari aspetti, mai dimenti- cando che poeti, scrittori, artisti, sono uomini, appartengono all’umani- tà. E che l’opera d’arte include i drammi del momento, ma li trascende. Memoria e tradizione si trasformano nell’agire presente, sono all’origi- ne di ogni innovazione. (*) Le critiche della stampa sono riportate nella lingua originale per lasciare alle stesse la loro precisa incidenza espressiva. -
Catalogue @ 01.12.2018
1 CRQ EDITIONS – CATALOGUE @ 01.12.2018 Verdi: Ernani (abridged) Iva Pacetti / Antonio Melandri / Gino Vanelli / Corrado Zambelli / Ida Mannarini / Aristide Baracchi / Giuseppe NessiChorus and Orchestra of La Scala, Milan / Lorenzo Molajoli Recorded in Milan in 1930 by the Columbia Graphophone Company. A superb example of operatic performance in Milan during the inter-war years - never before released on CD. Classic Record Quarterly Editions CRQ CD001 (1 CD) Tchaikovsky: Symphony No. 6 in B minor, ‘Pathétique’, Op. 74 London Philharmonic Orchestra / Sir Adrian Boult The 1959 Miller International recording, with correct stereo channels applied. Boult in masterly form in repertoire not recorded by him elsewhere. Classic Record Quarterly Editions CRQ CD002 (1 CD) Homage to Mogens Wöldike Danish State Radio Chamber Orchestra / Mogens Wöldike J. C. Bach: Sinfonia in B flat major Op. 18 No. 2; F. J. Haydn: Divertimento in G major; F. J. Haydn: Six German Dances; W. A. Mozart: Symphony No. 14 in A major, K. 114; K. D. von Dittersdorf: Symphony in C major Originally recorded by Decca and HMV. A representative programme demonstrating the genius of one of the early pioneers of period performance practice. Classic Record Quarterly Editions CRQ CD003 (1 CD) Verdi: Macbeth Margherita Grandi, Walter Midgley, Francesco Valentino, Italo Tajo Glyndebourne Festival Chorus, Scottish Orchestra / Berthold Goldschmidt, conductor Recording of the performance of 27th August 1947 given by Glyndebourne Festival Opera at the first Edinburgh Festival, First issued on ‘The Golden Age of Opera’ LPs by Ed Smith The ethos of the Weimar Republic’s Verdi revival, Glyndebourne’s exacting musical standards, and the occasion of the first Edinburgh Festival combine to create a memorable evening.