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Course Outline and Syllabus the Fab Four and the Stones: How America Surrendered to the Advance Guard of the British Invasion
Course Outline and Syllabus The Fab Four and the Stones: How America surrendered to the advance guard of the British Invasion. This six-week course takes a closer look at the music that inspired these bands, their roots-based influences, and their output of inspired work that was created in the 1960’s. Topics include: The early days, 1960-62: London, Liverpool and Hamburg: Importing rhythm and blues and rockabilly from the States…real rock and roll bands—what a concept! Watch out, world! The heady days of 1963: Don’t look now, but these guys just might be more than great cover bands…and they are becoming very popular…Beatlemania takes off. We can write songs; 1964: the rock and roll band as a creative force. John and Paul, their yin and yang-like personal and musical differences fueling their creative tension, discover that two heads are better than one. The Stones, meanwhile, keep cranking out covers, and plot their conquest of America, one riff at a time. The middle periods, 1965-66: For the boys from Liverpool, waves of brilliant albums that will last forever—every cut a memorable, sing-along winner. While for the Londoners, an artistic breakthrough with their first all--original record. Mick and Keith’s tempestuous relationship pushes away band founder Brian Jones; the Stones are established as a force in the music world. Prisoners of their own success, 1967-68: How their popularity drove them to great heights—and lowered them to awful depths. It’s a long way from three chords and a cloud of dust. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
“World Hunger Day Is a Hard Day” 1 John 3:16-18
“World Hunger Day is a Hard Day” 1 John 3:16-18 Brett Younger Senior Minister October 11, 2020 World Hunger Day We know love by this, that Christ laid down his life for us—and we ought to lay down our lives for one another. How does God’s love abide in anyone who has the world’s goods and sees a brother or sister in need and yet refuses to help? Little children, let us love, not in word or speech, but in truth and action. Ivan has a great voice, and I like trying to remember my high school espanol. Erica knows how to lead a prayer. Julia’s children’s sermon would make anyone of any age want to share. We have read ten passages of scripture, which is a lot, though there are, by one count, 3,000 verses on hunger in the Bible. I still wish it was not World Hunger Day. Some of you do, too. World Hunger Day is hard. We would rather not think about hungry children. When the images of starving preschoolers appear on the screen we watch only long enough to avoid seeming heartless. World Hunger Day costs money. Our finances are confusing right now. Some of us have spouses who want to give more than we want to give. World Hunger Day does not make the church popular. People have been giving to a variety of causes. We worry about criticism that the church is always asking for money. Feeding hungry children does not increase church attendance. World Hunger Day does not make the preacher popular. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
Foreign Rights C a Talogue 2020
FOREIGN RIGHTS CATALOGUE 2020 • Iconic portraits and contact sheets from Goldfinger, Diamonds are Forever, Live and Let Die, Golden Eye and the 1967 Bond spoof, Casino Royale • Contributions from actors including George Lazenby and Jane Seymour • Includes a foreword by Robert Wade and Neal Purvis, screenwriters for the latest Bond film, No Time to Die Bond Photographed by Terry O’Neill The Definitive Collection James Clarke Terry O’Neill was given his first chance to photograph Sean Connery as James Bond in the filmGoldfinger . From that moment, O’Neill’s association with Bond was made: an enduring legacy that has carried through to the era of Daniel Craig. It was O’Neill who captured gritty and roguish pictures of Connery on set, and it was O’Neill who framed the super-suave Roger Moore in Live and Let Die. His images of Honor Blackman as Pussy Galore are also important, celebrating the vital role of women in the James Bond world. But it is Terry O’Neill’s casual, on-set photographs of a mischievous Connery walking around the casinos of Las Vegas or Roger Moore dancing on a bed with co-star Madeline Smith that show the other side of the world’s most recognisable spy. Terry O’Neill opens his archive to give readers - and viewers - the chance to enter the dazzling world of James Bond. Lavish colour and black and white images are complemented by insights from O’Neill, alongside a series of original essays on the world of James Bond by BAFTA-longlisted film writer, James Clarke; and newly-conducted interviews with a number of actors featured in O’Neill’s photographs. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Yesterday (Beatles Song)
Yesterday (Beatles song) "Yesterday" is a song by English rock band the Bea- whether they had ever heard it before. Eventually it be- tles written by Paul McCartney (credited to Lennon– came like handing something in to the police. I thought McCartney) first released on the album Help! in the if no one claimed it after a few weeks then I could have United Kingdom in August 1965. it.”[5] “Yesterday”, with the B-side "Act Naturally", was re- Upon being convinced that he had not robbed anyone leased as a single in the United States in September 1965. of their melody, McCartney began writing lyrics to suit While it topped the American chart in October the song it. As Lennon and McCartney were known to do at the also hit the British top 10 in a cover version by Matt time, a substitute working lyric, titled “Scrambled Eggs” Monro. The song also appeared on the UK EP “Yester- (the working opening verse was “Scrambled eggs/Oh my day” in March 1966 and the Beatles’ US album Yesterday baby how I love your legs/Not as much as I love scram- and Today released in June 1966. bled eggs”), was used for the song until something more McCartney’s vocal and acoustic guitar, together with a suitable was written. In his biography, Paul McCartney: string quartet, essentially made for the first solo perfor- Many Years from Now, McCartney recalled: “So first of mance of the band. It remains popular today with more all I checked this melody out, and people said to me, 'No, than 2,200 cover versions[2] and is one of the most cov- it’s lovely, and I'm sure it’s all yours.' It took me a little ered songs in the history of recorded music.[note 1] “Yes- while to allow myself to claim it, but then like a prospec- terday” was voted the best song of the 20th century in a tor I finally staked my claim; stuck a little sign on it and said, 'Okay, it’s mine!' It had no words. -
Fab Four Center for Performing Arts
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Governors State University Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 1-26-2008 Fab Four Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "Fab Four" (2008). Center for Performing Arts Memorabilia. Book 228. http://opus.govst.edu/cpa_memorabilia/228 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. COMING SOON TO FOR JWORMINO MS Governors State University fOR PERfORMING MS Governors State University presents **H An EveningWith Colin Mochrie & Brad Saturday, February 2,2008 Don H miss our SEASON FINALE AN EVENING WITH January 26, 2008 JERRY This performance is sponsored by STILLER Saturday, LlNCOLNMALL May 17, 2008 The Centerfor Performing Arts' 2007-2008 Season is sponsored Illinois in part by a generous grant from Council Contact The Center (708) 235"2222 The IllinoisArts Council, Box Office Today! www.centertickets.net an agency ofthe state ofIllinois. l!(W! h /U&\^#- ftejZrS GAVIN LESCIE as George Harrison has out 4 gipdfly'playejMnthJmms atthe age of16, but after an injury that left him hospitaljzedrhe- decided tc^ak^up-g^itaj^avirrtiadThe honor of ith Paul McCartney during Irthday tribute in2002. -
The Fab Four – the Ultimate Beatles Tribute to Perform at Pikes Peak Center on April 10, 2020
EMPORIUM PRESENTS // MEDIA RELEASE FOR IMMEDIATE RELEASE The Fab Four – The Ultimate Beatles Tribute to Perform at Pikes Peak Center on April 10, 2020 COLORADO SPRINGS (September 3, 2019) -– The Fab Four – The Ultimate Beatles Tribute is coming to Pikes Peak Center for the Performing Arts on Friday, April 10, 2020. This show is for all ages and begins at 7:30 p.m. with doors opening at 6:30 p.m. Tickets range in price from $30 to $50, plus applicable fees, and will go on sale at 10 a.m. on Friday, September 6. Please note that all price levels will increase by $5 on the day of the show. Tickets can be purchased at the Pikes Peak Center and The Broadmoor World Arena box offices or online at PikesPeakCenter.com, BroadmoorWorldArena.com and AXS.com. The Emmy Award Winning Fab Four is elevated far above every other Beatles Tribute due to their precise attention to detail. With uncanny, note-for-note live renditions of Beatles' classics such as "Can't Buy Me Love," "Yesterday," "A Day In The Life," "Twist And Shout," "Here Comes The Sun," and "Hey Jude", the Fab Four will make you think you are watching the real thing. If you want to experience the best Beatles tribute ever, don’t miss The Fab Four - The Ultimate Tribute. The incredible stage performances include three costume changes representing every era of the Beatles ever-changing career. This loving tribute to the Beatles has amazed audiences in countries around the world, including Japan, Australia, France, Hong Kong, The United Kingdom, Germany, Mexico and Brazil. -
MUSIC LIST Email: Info@Partytimetow Nsville.Com.Au
Party Time Page: 1 of 73 Issue: 1 Date: Dec 2019 JUKEBOX Phone: 07 4728 5500 COMPLETE MUSIC LIST Email: info@partytimetow nsville.com.au 1 THING by Amerie {Karaoke} 100 PERCENT PURE LOVE by Crystal Waters 1000 STARS by Natalie Bassingthwaighte {Karaoke} 11 MINUTES by Yungblud - Halsey 1979 by Good Charlotte {Karaoke} 1999 by Prince {Karaoke} 19TH NERVIOUS BREAKDOWN by The Rolling Stones 2 4 6 8 MOTORWAY by The Tom Robinson Band 2 TIMES by Ann Lee 20 GOOD REASONS by Thirsty Merc {Karaoke} 21 - GUNS by Greenday {Karaoke} 21 QUESTIONS by 50 Cent 22 by Lilly Allen {Karaoke} 24K MAGIC by Bruno Mars 3 by Britney Spears {Karaoke} 3 WORDS by Cheryl Cole {Karaoke} 3AM by Matchbox 20 {Karaoke} 4 EVER by The Veronicas {Karaoke} 4 IN THE MORNING by Gwen Stefani {Karaoke} 4 MINUTES by Madonna And Justin 40 MILES OF ROAD by Duane Eddy 409 by The Beach Boys 48 CRASH by Suzi Quatro 5 6 7 8 by Steps {Karaoke} 500 MILES by The Proclaimers {Karaoke} 60 MILES AN HOURS by New Order 65 ROSES by Wolverines 7 DAYS by Craig David {Karaoke} 7 MINUTES by Dean Lewis {Karaoke} 7 RINGS by Ariana Grande {Karaoke} 7 THINGS by Miley Cyrus {Karaoke} 7 YEARS by Lukas Graham {Karaoke} 8 MILE by Eminem 867-5309 JENNY by Tommy Tutone {Karaoke} 99 LUFTBALLOONS by Nena 9PM ( TILL I COME ) by A T B A B C by Jackson 5 A B C BOOGIE by Bill Haley And The Comets A BEAT FOR YOU by Pseudo Echo A BETTER WOMAN by Beccy Cole A BIG HUNK O'LOVE by Elvis A BUSHMAN CAN'T SURVIVE by Tania Kernaghan A DAY IN THE LIFE by The Beatles A FOOL SUCH AS I by Elvis A GOOD MAN by Emerson Drive A HANDFUL -
Grant Breathes Life Into PB/Clairemont Transit Stationby DAVE SCHWAB
ANCIENT ART FORM ALIVE IN PACIFIC BEACH Your Clairemont/Bay-Ho Specialist BODY ART THAT SPEAKS VOLUMES Ronan Harvey, owner of the King’s Head Tattoo on Garnet Avenue, is a prac- titioner of the ancient art Contact your Neighborhood agent for buying or selling form of tattooing dating Vicki Dutch-Jones SFR (619) 723-7010 back to at least 6000 [email protected] www.VickiDutchJones.com CABRE # 01384539 B.C. in South America. Page 3 SAN DIEGO COMMUNITY NEWSPAPER GROUP THURSDAY, JUNE 12, 2014 BEACHANDBAYPRESS.COM Grant breathes life into PB/Clairemont transit station By DAVE SCHWAB The city has received a $787,000 state grant to begin devel- oping a specific-plan area (SPA) for the region surrounding the proposed Balboa Avenue Transit Station that would slice through Pacific Beach and Clairemont. The grant for the new station, which would be located just east of Interstate 5 and south of Balboa Avenue, seeks to increase bicycle, pedestrian and transit access to the station. Residents of Pacific Beach and Clairemont are being engaged to produce the plan and an implementation program that would address transportation demand, economic market anal- ysis, urban design concepts and multimodal improvement pro- jects. The grant award was hailed by Pacific Beach Planning Group chair Brian Curry as a major step forward for local planning. “This transportation-oriented district (TOD) is a critical piece SeaWorld launches latest installment of our long-term sustainable design plan for Pacific Beach,” said Curry. “The combination of this $787,000 grant and the city’s contribution totals around $900,000 for this planning pro- of popular ‘Summer Nights’ celebration cess.” School is nearly out and San Diegans are gearing up for Guests can purchase a SeaWorld one-year member- the 2014 installment of “Summer Nights at SeaWorld.” ship, which allows repeat admission for an entire year, Guests can enjoy all their favorite park attractions by plus free parking and discounts on food and merchandise. -
BEATLES Blossom Music Center 1145 West Steels Corners Road Cuyahoga Falls, Ohio 44223 Sunday, August 8, 2021, at 7 P.M
Blossom Festival Week Six The Cleveland Orchestra CLASSICAL MYSTERY TOUR: CONCERT PRESENTATION A TRIBUTE TO THE BEATLES Blossom Music Center 1145 West Steels Corners Road Cuyahoga Falls, Ohio 44223 Sunday, August 8, 2021, at 7 p.m. THE CLEVELAND ORCHESTRA with Classical Mystery Tour Jim Owen, rhythm guitar, piano, vocals Tony Kishman, bass guitar, piano, vocals Tom Teeley, lead guitar, vocals Chris Camilleri, drums, vocals conducted by Martin Herman PART ONE Let It Be (instrumental opening) Songs including “Eleanor Rigby,” “Yesterday,” “Penny Lane,” and “With a Little Help from My Friends” There will be one 20-minute intermission. PART TWO Songs including “Yellow Submarine,” “Dear Prudence,” “Lady Madonna,” and “The Long and Winding Road” This PDF is a print version of our digital online Stageview program book, available at this link: stageview.co/tco ____________________________ 2021 Blossom Music Festival Presenting Sponsor: The J.M. Smucker Company This evening’s concert is sponsored by The Goodyear Tire & Rubber Company. Classical Mystery Tour’s appearance with The Cleveland Orchestra is made possible by a gift to the Orchestra’s Guest Artist Fund from The Hershey Foundation. Copyright © The Cleveland Orchestra and Musical Arts Association. All rights reserved. 1 Week Six: 2021 Blosom Music Festival — August 8: Tribute to The Beatles CONCERT OVERVIEW A H A L F C E N T U R Y after they disbanded, it is still diffi cult to fully recognize how much of a force The Beatles were in shaping — and being shaped by — the 1960s and our sense of the modern world. Not just changing music, but in trans- forming the idea and ideals of popular entertainment popular entertainment.