Your Guide to November's Hottest Releases
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Postfeminism and Urban Space Oddities in Broad City." Space Oddities: Difference and Identity in the American City
Lahm, Sarah. "'Yas Queen': Postfeminism and Urban Space Oddities in Broad City." Space Oddities: Difference and Identity in the American City. Ed. Stefan L. Brandt and Michael Fuchs. Vienna: LIT Verlag, 2018. 161-177. ISBN 978-3-643-50797-6 (pb). "VAS QUEEN": POSTFEMINISM AND URBAN SPACE ODDITIES IN BROAD CITY SARAH LAHM Broad City's (Comedy Central, since 2014) season one episode "Working Girls" opens with one of the show's most iconic scenes: In the show's typical fashion, the main characters' daily routines are displayed in a split screen, as the scene underline the differ ences between the characters of Abbi and Ilana and the differ ent ways in which they interact with their urban environment. Abbi first bonds with an older man on the subway because they are reading the same book. However, when he tries to make ad vances, she rejects them and gets flipped off. In clear contrast to Abbi's experience during her commute to work, Ilana intrudes on someone else's personal space, as she has fallen asleep on the subway and is leaning (and drooling) on a woman sitting next to her (who does not seem to care). Later in the day, Abbi ends up giving her lunch to a homeless person who sits down next to her on a park bench, thus fitting into her role as the less assertive, more passive of the two main characters. Meanwhile, Ilana does not have lunch at all, but chooses to continue sleeping in the of ficebathroom, in which she smoked a joint earlier in the day. -
Visionsplendidfilmfest.Com
Australia’s only outback film festival visionsplendidfilmfest.comFor more information visit visionsplendidfilmfest.com Vision Splendid Outback Film Festival 2017 WELCOME TO OUTBACK HOLLYWOOD Welcome to Winton’s fourth annual Vision Splendid Outback Film Festival. This year we honour and celebrate Women in Film. The program includes the latest in Australian contemporary, award winning, classic and cult films inspired by the Australian outback. I invite you to join me at this very special Australian Film Festival as we experience films under the stars each evening in the Royal Open Air Theatre and by day at the Winton Shire Hall. Festival Patron, Actor, Mr Roy Billing OAM MESSAGE FROM THE MINISTER FOR TOURISM AND MAJOR EVENTS THE HON KATE JONES MP It is my great pleasure to welcome you to Winton’s Vision Splendid Outback Film Festival, one of Queensland’s many great event experiences here in outback Queensland. Events like the Vision Splendid Outback Film Festival are vital to Queensland’s tourism prosperity, engaging visitors with the locals and the community, and creating memorable experiences. The Palaszczuk Government is proud to support this event through Tourism and Events Queensland’s Destination Events Program, which helps drive visitors to the destination, increase expenditure, support jobs and foster community pride. There is a story to tell in every Queensland event and I hope these stories help inspire you to experience more of what this great State has to offer. Congratulations to the event organisers and all those involved in delivering the outback film festival and I encourage you to take some time to explore the diverse visitor experiences in Outback Queensland. -
12Th & Delaware
12th & Delaware DIRECTORS: Rachel Grady, Heidi Ewing U.S.A., 2009, 90 min., color On an unassuming corner in Fort Pierce, Florida, it’s easy to miss the insidious war that’s raging. But on each side of 12th and Delaware, soldiers stand locked in a passionate battle. On one side of the street sits an abortion clinic. On the other, a pro-life outfit often mistaken for the clinic it seeks to shut down. Using skillful cinema-vérité observation that allows us to draw our own conclusions, Rachel Grady and Heidi Ewing, the directors of Jesus Camp, expose the molten core of America’s most intractable conflict. As the pro-life volunteers paint a terrifying portrait of abortion to their clients, across the street, the staff members at the clinic fear for their doctors’ lives and fiercely protect the right of their clients to choose. Shot in the year when abortion provider Dr. George Tiller was murdered in his church, the film makes these FromFrom human rights to popular fears palpable. Meanwhile, women in need cuculture,lt these 16 films become pawns in a vicious ideological war coconfrontnf the subjects that with no end in sight.—CAROLINE LIBRESCO fi dedefine our time. Stylistic ExP: Sheila Nevins AsP: Christina Gonzalez, didiversityv and rigorous Craig Atkinson Ci: Katherine Patterson fifilmmakingl distinguish these Ed: Enat Sidi Mu: David Darling SuP: Sara Bernstein newnew American documentaries. Sunday, January 24, noon - 12DEL24TD Temple Theatre, Park City Wednesday, January 27, noon - 12DEL27YD Yarrow Hotel Theatre, Park City Wednesday, January 27, 9:00 p.m. - 12DEL27BN Broadway Centre Cinemas VI, SLC Thursday, January 28, 9:00 p.m. -
WT Credit List 2017 10.10
WALTER THOMSON Still Photographer IATSE Local 600 Credit List: Motion Picture/TV SESAME STREET “GET THE WAND” SPECIAL ▪︎ THE HIDDEN FORTRESS Director: Benjamin Lehmann □ Executive Producer: Jason Diamond Producer: Scott Gracheff HOMELAND ▪︎ SHOWTIME (Art Department Stills) Executive Producers: Lesli Linka Glatter, Patrick Harbinson Cast: Rupert Friend, Elizabeth Marvel THE BLACKLIST ▪︎ NBC (Art Department Stills) Executive Producers: Jon Bokenkamp, John Eisendrath Director: Andrew McCarthy HOT AIR ▪︎ CABAZON DINOSAUR Director: Frank Coraci □ Producer: Aimee Keen Cast: Steve Coogan, Neve Campbell, Taylor Russell THE KINDERGARTEN TEACHER ▪︎ TKT PRODUCTIONS Director: Sara Colangelo □ Producers: Celine Rattray, Talia Kleinhendler, Osnat Keren, Ged Dickersin Cast: Maggie Gyllenhaal, Parker Sevak ASHER ▪︎ ASHER PRODUCTIONS Director: Michael Caton-Jones □ Producers: Adam Folk, David Gedron, Ali Jazayeri Cast: Ron Perlman, Famke Janssen ALEX STRANGELOVE ▪︎ DRAMA PARTY INC. Director: Craig Johnson □ Producers: Jared Goldman, Ben Stiller, Nicky Weinstock Cast: Daniel Doheny, Madeline Weinstein, Daniel Zolghadn, Fred Hechinger DEPARTURES Director: Peter Hutchings □ Producers: Derrick Tseng, Alissa Philips, Claude Dal Farra Cast: Maisie Williams, David Koechner, Asa Butterfield MONSTER ▪︎ HARMON MONSTER FILMS Director: Anthony Mandler □ Producers: Nicki Silver, Mike Jackson, Tonya Lewis Lee Cast: A$ap Rocky, Kelvin Harrison Jr., John David Washington ONE LAST THING ▪︎ BEECH HILL FILMS Director: Tim Rouhana □ Producers: Brendan Mason, Alexa Fogel -
Festival Des Antipodes Saint-Tropez
Dossier de presse au 19 septembre 2020 Festival des Antipodes Saint-Tropez Du 09 au 11 octobre 2020 www.festivaldesantipodes.com Contact presse : Anne Pourbaix Tel : 06 11 29 59 26 - Email : [email protected] SOMMAIRE Le mot du président Bernard Bories Le jury Film d’ouverture Film de clôture Les courts métrages en compétition Les longs métrages hors compétition Documentaires Grille de programmation Nos partenaires Infos pratiques Ils sont venus au festival Précédents Palmarès Le mot du président Bernard Bories Soyons fidèle jusqu’au bout à l’art, à la culture, au cinéma et tout simplement à la vie ! Ne laissons pas un simple virus nous imposer son rythme, nous effrayer, nous statufier et même si cette 22ème édition du Festival des Antipodes à Saint-Tropez sera plus courte avec moins de films et d’invités, restrictions budgétaires & partenaires en difficulté obligent, elle n’en sera pas moins une ode au cinéma et à sa richesse d’émotions, de rire et de larmes, d’émerveillement et de découvertes, d’excitation et d’épanouissement, enfin de tout ce qui fait le cinéma et en particulier celui, si riche, varié et passionnant qui nous vient d’Australie et de Nouvelle-Zélande. Au programme de cette édition 2020, une séance de courts-métrages australiens en partenariat avec l’Australian Short Film Today avec un Prix du Public et le traditionnel Prix Nicolas Baudin, deux documentaires passionnants, Love Opera plongée au cœur d’une école pour chanteurs d’opéra alors qu’ils préparent une représentation de Carmen et 2040 qui aborde de manière ludique, souriante et optimiste le changement climatique et notre relation à l’environnement. -
Fall Course Listing Here
FALL QUARTER 2021 COURSE OFFERINGS September 20–December 12 1 Visit the UCLA Extension’s UCLA Extension Course Delivery Website Options For additional course and certificate information, visit m Online uclaextension.edu. Course content is delivered through an online learning platform where you can engage with your instructor and classmates. There are no C Search required live meetings, but assignments are due regularly. Use the entire course number, title, Reg#, or keyword from the course listing to search for individual courses. Refer to the next column for g Hybrid Course a sample course number (A) and Reg# (D). Certificates and Courses are taught online and feature a blend of regularly scheduled Specializations can also be searched by title or keyword. class meetings held in real-time via Zoom and additional course con- tent that can be accessed any time through an online learning C Browse platform. Choose “Courses” from the main menu to browse all offerings. A Remote Instruction C View Schedule & Location Courses are taught online in real-time with regularly scheduled class From your selected course page, click “View Course Options” to see meetings held via Zoom. Course materials can be accessed any time offered sections and date, time, and location information. Click “See through an online learning platform. Details” for additional information about the course offering. Note: For additional information visit When Online, Remote Instruction, and/or Hybrid sections are available, uclaextension.edu/student-resources. click the individual tabs for the schedule and instructor information. v Classroom C Enroll Online Courses are taught in-person with regularly scheduled class meetings. -
A STUDY GUIDE by Marguerite O'hara
A STUDY GUIDE by MArguerite o’hArA http://www.metromagazine.com.au http://www.theeducationshop.com.au Animal Kingdom is an Australian drama about crime, but, unlike many dramatisations of crime seen on our screens, this film looks at the internal dynamics of one family – the Codys – and at the devastating consequences of their lifestyle and behaviours. Why study Animal Kingdom? his guide provides a framework for discussing and writing about Tthe ways in which this film is quite unlike many of the popular, recently screened television dramas about criminals, the police and the law. These are likely to have been watched by many students. Many popular crime dramas, such Curriculum links as the Underbelly series, have been Animal Kingdom is suitable for based on the Melbourne underworld’s senior and tertiary students studying activities in the 1990s and beyond. sad study of a family’s disintegration. Literature, Film as Text, Cinema Above all, it rings true. Studies, Screenwriting, Criminology The lives and deaths of many of these and Sociology. criminals have been represented in the All the elements of this film need to be Teachers of students under fifteen media and on film in a style that tends looked at carefully to understand why should be aware that the film is rated to glamorise them. They are presented Animal Kingdom stands out from the MA 15+ for its depiction of drug use, as celebrities whose activities are pack. violence and use of strong language. as colourful and exciting as they are The film runs for 112 minutes. violent and destructive. -
Leading Female Characters: Breaking Gender Roles Through Broad City and Veep Abstract I. Introduction
82 — Elon Journal of Undergraduate Research in Communications, Vol. 11, No. 1 • Spring 2020 Leading Female Characters: Breaking Gender Roles Through Broad City and Veep Christina Mastrocola Cinema and Television Arts Elon University Submitted in partial fulfillment of the requirements in an undergraduate senior capstone course in communications Abstract Historically, television has been dominated by male leads, but feminism and the challenges faced by working women are becoming more prominent in recent programming.This study analyzed two comedy television shows with female lead characters, Broad City and Veep, to examine if their main characters break traditional gender roles. In addition, this research studied if Broad City portrayed more feminist values than Veep, using feminist theory, which examines obvious and subtle gender inequalities. Three episodes from each show were chosen, selected by a ranking website. The coder analyzed three subcategories: behavior, interpersonal relationships, and occupation. This study concluded that both Broad City and Veep depicted strong female lead characters who broke gender roles continuously through their behavior, relationships, and occupation. Broad City depicted more feminist values through their main characters’ friendship, empowerment of female sexuality, as well as their beliefs against traditional gender roles. This conclusion sheds light on the fact that women in television, especially female lead characters, do not have to be portrayed in a traditionally feminine way. I. Introduction Society has placed gender roles upon men and women, expecting everyone to conform. These roles derive from “traditional societal roles and power inequalities between men and women” (Prentice & Carranza, 2002, p.1). These stereotypes are often learned through observation, including portrayals in television, film, and other forms of media. -
Vegas PBS Source | April 2021
APRIL 2021 SOURCE A plan for the future is a gift to your family and loved ones. • Elder Law • Wills & Trusts • Estate & Incapacity Planning • Long Term Care & Medicaid Planning • Trust Administration Patrick J. Clifford • VA “Aid & Attendance” Benefits Attorney at Law • Special Needs Planning Licensed in Nevada and California • Guardianship • Probate CliffordSeniorLaw.com In-home and remote appointments available [email protected] | (702) 966-8330 1489 West Warm Springs Road, Suite #110, Henderson, NV 89014 MESSAGE FROM OUR PRESIDENT & GENERAL MANAGER Celebrate Earth Month with Vegas PBS I might be new to Nevada, but Vegas PBS is not new to astronaut, explorer and author, Dr. me. This station has a national reputation for outstanding Kathryn D. Sullivan, was this year’s achievements and for punching above its weight class. And as I winner and will be featured on Sea, begin to settle in as a new Southern Nevadan and get to know Earth & Sky: Celebrating the Spirit of this region, I see that Vegas PBS’ reputation reflects the greater Scientific Exploration, Discovery & community we serve. From meeting Vegas PBS members to Innovation airing Sunday, April 25 at exploring this state through our local productions like Outdoor 4:30 p.m. You can find the full lineup Nevada and Nevada Week, I am grateful to call this my new of Earth Month programs on page 7. home. This station reflects this area and the greater global community through the programs we air, and this month is no different. Earth Month also marks the return of Vegas PBS’ locally produced series that celebrates all things Nevada. -
Identity, Performance, and Persona in Women╎s Comedy
Sarah Lawrence College DigitalCommons@SarahLawrence Women's History Theses Women’s History Graduate Program 5-2015 Coming to the Stage: Identity, Performance, and Persona in Women’s Comedy Cynia Barnwell Sarah Lawrence College Follow this and additional works at: https://digitalcommons.slc.edu/womenshistory_etd Part of the Women's Studies Commons Recommended Citation Barnwell, Cynia, "Coming to the Stage: Identity, Performance, and Persona in Women’s Comedy" (2015). Women's History Theses. 9. https://digitalcommons.slc.edu/womenshistory_etd/9 This Thesis - Open Access is brought to you for free and open access by the Women’s History Graduate Program at DigitalCommons@SarahLawrence. It has been accepted for inclusion in Women's History Theses by an authorized administrator of DigitalCommons@SarahLawrence. For more information, please contact [email protected]. Coming to the Stage: Identity, Performance, and Persona in Women’s Comedy Cynia Barnwell Submitted in partial completion of the Master of Arts Degree at Sarah Lawrence College May 2015 Acknowledgments I would like to thank God, my grandmother, mother, father, brother, aunts, uncles, nieces, and nephews for their love and everlasting support. I would also like to thank my professors at Sarah Lawrence and the Sarah Lawrence community at large. Abstract What if the real you is just a performance? What if the way you laugh, dance, or even speak is a learned behavior? That is, “what if” is a reality. Gender is performative, but can a gendered performance be layered onto an onstage one? This thesis considers how comediennes of today like Wanda Sykes and Tina Fey navigate gendered performances (and well as other social constructions like race, and class) while creating an onstage persona. -
JESSICA BRUNETTO EDITOR (917) 399-7766 [email protected]
JESSICA BRUNETTO EDITOR www.jessicabrunetto.com (917) 399-7766 [email protected] TELEVISION AWKWAFINA IS NORA FROM QUEENS (pilot) Lucia Aniello Comedy Central Executive Producers: Awkwafina, Karey Dornetto, Teresa Hsiao HALF EMPTY (pilot) Augustine Frizzell Annapurna Pictures / Amazon Executive Producer: Cazzie David BROAD CITY Various JAX Media / Comedy Central Executive Producer: Amy Poehler THE LAST O.G. *associate producer, editor Various Monkeypaw Productions / TBS Executive Producers: Jordan Peele, Tracy Morgan, Saladin Patterson MIRACLE WORKERS (pilot) Jorma Taccone Broadway Video / TBS Executive Producers: Simon Rich, Lorne Michaels, Andrew Singer IN THE DARK (pilot) Michael Showalter Red Hour Films / CW Executive Producer: Ben Stiller AMERICAN VANDAL (pilot) Tony Yacenda Funny or Die / NETFLIX Nominated, Critic’s Choice Award, Best Limited Series (2018) Executive Producers: Dan Perrault, Tony Yacenda MAN SEEKING WOMAN Various Broadway Video / FXX Executive Producers: Simon Rich, Jonathan Krisel, Lorne Michaels TIME TRAVELING BONG (Mini-series) Lucia Aniello Comedy Central Executive Producers: Ilana Glazer, Paul Downs, Lucia Aniello DO YOU WANT TO SEE A DEAD BODY? (pilot) Nick Jasenovec Abominable / Comedy Central Executive Producers: Rob Huebel, Jonathan Stern, Owen Burke FERRELL TAKES THE FIELD (TV movie) Brian McGinn Funny or Die / HBO Executive Producer: Will Ferrell ANOTHER PERIOD Jeremy Konner Red Hour Films / Comedy Central Executive Producer: Ben Stiller NEON JOE WEREWOLF HUNTER (pilot) Ryan McFaul / PFFR / Adult -
Miami News Record
MID-WEEK EDITION MIAMIOK.COM Have a great day! Thanks for supporting your local paper! 6 54708 11050 1 MIAMI NEWS-RECORD Serving Miami and the surrounding communities since 1903. Tuesday, December 22, 2020 | Vol. 116 No. 102 | $1.00 First round of COVID vaccinations start here Jim Ellis [email protected] MIAMI — A battle in the war against COVID- 19 was launched in Miami on Thursday, Dec. 17. Seventy-five doses of the Pfizer vaccine were administered to front- line caregivers at Integris Miami Hospital, with COURTESY PHOTO another 75 on Friday Jeremy Floyd is led into the Miami Police Department for booking following his arrest Friday morning. — with no significant JIM ELLIS/[email protected] reactions. Dr. Clark Osborn and RN Cory Reeves of Integris Miami Hospital, received the Dr. Clark Osborn, a first round of COVID-19 vaccinations in Ottawa County here Thursday morning. family medicine physi- Ottawa County cian, and emergency room “As a health care can eradicate this terrible Reeves said. “I hope that nurse Cory Reeves were professional, I feel like disease that has caused so by taking this vaccine my the first two to receive the it’s my responsibility to much illness and heart- co-workers, family and injections in Miami. take the vaccine so we ache in our community,” community will see that is Sheriff Jeremy safe and effective.” With the Pfizer vaccine as well as one for Mod- Floyd arrested erna that was approved by a Food and Drug Admin- arrested, hoping he would istration advisory panel Had been answer the phone so I could late Thursday, Osborn ask him to tender his resig- predicts that things could indicted by nation so we could move on get back to semi-normal grand jury and keep the citizens of this by July 4, 2021.