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Jan Dismas Zelenka's Missae Ultimae
Jan Dismas Zelenka's Missa Dei Patris (1740): The Use of stile misto in Missa Dei Patris (ZWV 19) Item Type text; Electronic Dissertation Authors Cho, Hyunjin Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 05/10/2021 20:42:28 Link to Item http://hdl.handle.net/10150/195489 JAN DISMAS ZELENKA‟S MISSA DEI PATRIS (1740): THE USE OF STILE MISTO IN MISSA DEI PATRIS (ZWV 19) by HyunJin Cho ______________________ Copyright © HyunJin Cho 2010 A Document Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2010 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by HyunJin Cho entitled Jan Dismas Zelenka‟s Missa Dei Patris (1740): The Use of stile misto in Missa Dei Patris (ZWV 19) and recommend that it be accepted as the fulfilling requirements for the degree of Doctor of Musical Arts ___________________________________________________ Date: 07/16/2010 Bruce Chamberlain ___________________________________________________ Date: 07/16/2010 Elizabeth Schauer ___________________________________________________ Date: 07/16/2010 Robert Bayless Final approval and acceptance of this document is contingent upon the candidate‟s submission of the final copy of the document to the Graduate College. -
Zelenka I Penitenti Al Sepolchro Del Redentore, Zwv 63
ZELENKA I PENITENTI AL SEPOLCHRO DEL REDENTORE, ZWV 63 COLLEGIUM 1704 COLLEGIUM VOCALE 1704 VÁCLAV LUKS MENU TRACKLIST TEXTE EN FRANÇAIS ENGLISH TEXT DEUTSCH KOMMENTAR ALPHA COLLECTION 84 I PENITENTI AL SEPOLCHRO DEL REDENTORE, ZWV 63 JAN DISMAS ZELENKA (1679-1745) 1 SINFONIA. ADAGIO – ANDANTE – ADAGIO 7’32 2 ARIA [DAVIDDE]. SQUARCIA LE CHIOME 10’08 3 RECITATIVO SECCO [DAVIDDE]. TRAMONTATA È LA STELLA 1’09 4 RECITATIVO ACCOMPAGNATO [MADDALENA]. OIMÈ, QUASI NEL CAMPO 1’21 5 ARIA [MADDALENA]. DEL MIO AMOR, DIVINI SGUARDI 10’58 6 RECITATIVO SECCO [PIETRO]. QUAL LA DISPERSA GREGGIA 1’38 7 ARIA [PIETRO]. LINGUA PERFIDA 6’15 8 RECITATIVO SECCO [MADDALENA]. PER LA TRACCIA DEL SANGUE 0’54 4 MENU 9 ARIA [MADDALENA]. DA VIVO TRONCO APERTO 11’58 10 RECITATIVO ACCOMPAGNATO [DAVIDDE]. QUESTA CHE FU POSSENTE 1’25 11 ARIA [DAVIDDE]. LE TUE CORDE, ARPE SONORA 8’31 12 RECITATIVO SECCO [PIETRO]. TRIBUTO ACCETTO PIÙ, PIÙ GRATO DONO RECITATIVO SECCO [MADDALENA]. AL DIVIN NOSTRO AMANTE RECITATIVO SECC O [DAVIDDE]. QUAL IO SOLEVA UN TEMPO 2’34 13 CORO E ARIA [DAVIDDE]. MISERERE MIO DIO 7’07 TOTAL TIME: 71’30 5 MARIANA REWERSKI CONTRALTO MADDALENA ERIC STOKLOSSA TENOR DAVIDDE TOBIAS BERNDT BASS PIETRO COLLEGIUM 1704 HELENA ZEMANOVÁ FIRST VIOLIN SUPER SOLO MARKÉTA KNITTLOVÁ, JAN HÁDEK, EDUARDO GARCÍA, ELEONORA MACHOVÁ, ADÉLA MIŠONOVÁ VIOLIN I JANA CHYTILOVÁ, SIMONA TYDLITÁTOVÁ, PETRA ŠCEVKOVÁ, KATERINA ŠEDÁ, MAGDALENA MALÁ VIOLIN II ANDREAS TORGERSEN, MICHAL DUŠEK, LYDIE CILLEROVÁ, DAGMAR MAŠKOVÁ VIOLA LIBOR MAŠEK, HANA FLEKOVÁ CELLO ONDREJ BALCAR, ONDREJ ŠTAJNOCHR -
Ons-Tafelmusik.Pdf
CENTER FOR THE PERFORMING ARTS AT PENN STATE ONSTAGE Don Lee, The Banff Centre Banff The Don Lee, Today’s performance is sponsored by Gay D. Dunne and James H. Dunne COMMUNITY ADVISORY COUNCIL The Community Advisory Council is dedicated to strengthening the relationship between the Center for the Performing Arts and the community. Council members participate in a range of activities in support of this objective. Nancy VanLandingham, chair Mary Ellen Litzinger Lam Hood, vice chair Bonnie Marshall Pieter Ouwehand William Asbury Melinda Stearns Patricia Best Susan Steinberg Lynn Sidehamer Brown Lillian Upcraft Philip Burlingame Pat Williams Alfred Jones Jr. Nina Woskob Deb Latta Eileen Leibowitz student representative Ellie Lewis Jesse Scott Christine Lichtig CENTER FOR THE PERFORMING ARTS AT PENN STATE presents Tafelmusik Baroque Orchestra Jeanne Lamon, director The Galileo Project: Music of the Spheres Conceived, programmed, and scripted by Alison Mackay Glenn Davidson, production designer Marshall Pynkoski, stage director John Percy, astronomical consultant Shaun Smyth, narrator 7:30 p.m. Wednesday, November 5, 2014 Schwab Auditorium The performance includes one intermission. This presentation is a component of the Center for the Performing Arts Classical Music Project. With support from The Andrew W. Mellon Foundation, the proj- ect provides opportunities to engage students, faculty, and the community with classical music artists and programs. Marica Tacconi, Penn State professor of musicology and Carrie Jackson, Penn State associate professor of German and linguistics, provide faculty leadership for the curriculum and academic components of the grant project. sponsors Gay D. Dunne and James H. Dunne support provided by Nina C. Brown Endowment media sponsor WPSU The Center for the Performing Arts at Penn State receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania, and the National Endowment for the Arts, a federal agency. -
Kevin Ayers Joy of a Toy Mp3, Flac, Wma
Kevin Ayers Joy Of A Toy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Joy Of A Toy Country: Japan Released: 2013 Style: Psychedelic Rock, Prog Rock MP3 version RAR size: 1807 mb FLAC version RAR size: 1163 mb WMA version RAR size: 1563 mb Rating: 4.6 Votes: 194 Other Formats: VOC ASF XM AA DXD VOX AAC Tracklist Hide Credits 1 Joy Of A Toy Continued 2 Town Feeling 3 The Clarietta Rag 4 Girl On A Swing Song For Insane Times 5 Backing Band – The Soft Machine*Featuring – Hugh Hopper, Mike Ratledge Stop This Train (Again Doing It) 6 Drums – Rob Tait 7 Eleanor's Cake (Which Ate Her) 8 The Lady Rachel Oleh Oleh Bandu Bandong 9 Drums – Rob Tait 10 All This Crazy Gift Of Time Companies, etc. Manufactured By – Warner Music Japan Inc. Credits Arranged By, Piano – David Bedford Drums – Robert Wyatt (tracks: 1 to 5, 7, 8, 10) Producer – Kevin Ayers, Peter Jenner Notes Jewel Case 13-3-20 (03-6-9) (Y) Barcode and Other Identifiers Barcode: 4943674177578 Other versions Title Category Artist Label Category Country Year (Format) Joy Of A Toy SHVL 763, 1E 062 Kevin Harvest, SHVL 763, 1E 062 (LP, Album, UK 1969 ○ 04210 Ayers Harvest ○ 04210 Gat) Joy Of A Toy Kevin MR-SSS 513 (LP, Album, Vinilisssimo MR-SSS 513 Spain 2012 Ayers RE, Gat) Joy Of A Toy Kevin SHVL 763 (LP, Album, Harvest SHVL 763 France 1970 Ayers Gat) Joy Of A Toy Kevin 07243-582776-2-3 (CD, Album, EMI, Harvest 07243-582776-2-3 Europe Unknown Ayers RE, RM) 4 Men With Joy Of A Toy Kevin Beards, 4 4M229, 4m229 (LP, Album, 4M229, 4m229 US 2012 Ayers Men With RE) Beards Related Music albums to Joy Of A Toy by Kevin Ayers Soft Machine - BBC Radio | 1967 - 1971 Kevin Ayers - Bananamour Kevin Ayers - The Confessions Of Dr. -
In Seclusion After Defeat
Hie Weadw f^*1ltt<Wll City o f rwogm Charm ▼OL. Lxzzvni, MO. m (TWENTT P A 6E S-T W 0 SECnONB-TABU)ID) MANCHESTER, CONN, MONDAY, APRIL 28, 1H9 « n g » I t ) PRICE TEN CENTS in Seclusion After Defeat ' -^1 Fails To Carry Party with Him Poher Takes Post O Weill Quits Post Pending Election PABE3 (AP)—Oharies de GauHe Sbeiiiied out of tbo Prenfeh preaidfnicy today and retired once more to U s home in eastern France, endfngr ntoie tfoan 10 tariio- lent years o f po>wer that profoundty altered the nsttioa's As Ulster ^s Chief political ouilook, eooookny anld foreign iMUcy. --- ---------------------- Da OauUa’s r a ‘ BEIiFAST, Northern Iie- ootna prime mtoistar unleac the cadoeatorOaik, on the otoar came affocMva at ‘^5? 1A0P)-Jctapt Terence UMcnlst party didntogratoa hand, has come out In total op- President Alain O^NeOl irenfgiMd today as O'NoUl fougtat a prolonged poattlon.to reform. ed him aa Interim t o w in e ndniater o f rlotJboni rearguard aotloo to preserve Any new Nortoam Ireland Foe Tackles aerve until . '-N'orthertj Ireland and said Unionist support for his leader prime mtatoter win have to take are held. Ihere he had quH to serve “ the ship and oo^ a week ago he into aooount toe parent Britlah ny of traswfar, aaS Da cause of refonn.’* muetered a frail eix-vote mar- Covemmant'a total commitment f/.S. Armor wsw in sactaakm a t hto , Oir«ni*s dapartnitt cam* aft fin eMhin toe party for the prin- to • reform system Inooiporat- Ootombay-toa-DancMBHa otple of ona«nan-«n»-voto in lo er waafes of poUtlaal tneulaBo* ing (he onn-man-ona-vote prtnol- I’kwnoe'w TS-yaaw«M that «niptad Into TrtilM|aiiai1 cal govammant elaotiona. -
La Jolla High School
SCHOOL ACCOUNTABILITY REPORT CARD Issued Spring 2008 for Academic Year 2006–07 Dr. Terry Grier, Superintendent 4100 Normal St reet San Diego, CA 92103 www.sandi.net 750 Nautilus St, San Diego, CA Phone: (858) 454-3081, Fax: (858) 459-2188 [email protected] La Jolla High School www.ljhs.sandi.net Dana Shelburne, Principal School Information Contents School Description and Mission Statement About this School 2 La Jolla High School (LJHS) is a comprehensive high school for Grades 9–12 located School Climate 2 in La Jolla, a community within the city limits of San Diego. LJHS is the nucleus of the School Facilities 3 community and provides leadership for a middle school and three elementary schools. Teachers 3 LJHS supports approximately 1,650 students with exemplary educational programs and Support Staff 4 Curriculum and Instructional Materials 4 services. The student body comprises both students from the local community and from School Finances 6 the Voluntary Enrollment Exchange Program (VEEP), Program Improvement School Student Performance 7 Choice (PISC), Open Enrollment Program, and Gifted and Talented Education (GATE). Accountability 9 LJHS has a positive, well-ordered climate conducive to learning. La Jolla High has School Completion and Postsecondary been awarded a six-year Western Association of Schools and Colleges (WASC) accredita- Preparation 10 tion and has been cited as one of the top high schools in the nation (Newsweek magazine), a California Distinguished School, and an Achievement via Individual Determination (AVID) School of Distinction. LJHS is the first public high school west of the Mississippi What Is a School Accountability to have a chapter in the Cum Laude Society. -
Zelenka Reception Since the Eighteenth Century: the Role of Emotions
2017 © Frederic Kiernan, Context 42 (2017): 99–103. RESEARCH REPORT Zelenka Reception since the Eighteenth Century: The Role of Emotions Frederic Kiernan Ever since Camerata Bern first released their recording of Jan Dismas Zelenka’s (1679–1745) trio and quadro sonatas in 1973 (Archiv 2708 027), something of a cult following has formed around the Bohemian composer and his music. An online forum (www.jdzelenka.net) keeps track of most new recordings and notable developments in research, and a regular Zelenka Festival (www.zelenkafestival.cz) now takes place in Prague, usually with a conference attached. Discussions about the composer in both scholarship and the media generally express a sense of admiration and curiosity about his quirky-yet-learned style, and the paucity of biographical sources has led to speculation about his personal life and character (for example, that clues about his alleged homosexuality are encoded into his compositions).1 Zelenka’s name, however, is hardly ever mentioned in standard music history textbooks. 1 Wolfgang Reich, Zwei Zelenka-Studien, Studien und Materialien zur Musikgeschichte Dresdens 7 (Dresden: Sächsische Landesbibliothek, 1987), especially ‘Die Triosonaten von Jan Dismas Zelenka: Untersuchungen zu ihrer Struktur und Semantik,’ 13–59. 99 100 Context 42 (2017) It was not until about 1980 that research on Zelenka gained serious traction, and most of this has taken the form of editions, or studies of his life and works. Zelenka spent much of his career composing sacred music for the Catholic court of Dresden, but relatively little is known about the posthumous fate of his music, and it has generally been assumed that there is no real transmission or reception history to write of; that is, until the ‘rediscovery’ of his music in the second half of the twentieth century. -
Fomrhi-110.Pdf
v^uaneny INO. nu, iNovcmDer ^uuo FoMRHI Quarterly BULLETIN 110 Christopher Goodwin 2 COMMUNICATIONS 1815 On frets and barring; some useful ideas David E McConnell 5 1816 Modifications to recorder blocks to improve sound production Peter N Madge 9 1817 What is wrong with Vermeer's guitar Peter Forrester 20 1818 A new addition to the instruments of the Mary Rose Jeremy Montagu 24 181*9 Oud or lute? - a study J Downing 25 1820 Some parallels in the ancestry of the viol and violin Ephraim Segerman 30 1821 Notes on the polyphont Ephraim Segerman 31 1822 The 'English' in English violette Ephraim Segerman 34 1823 The identity of tlie lirone Ephraim Segerman 35 1824 On the origins of the tuning peg and some early instrument name:s E Segerman 36 1825 'Twined' strings for clavichords Peter Bavington 38 1826 Wood fit for a king? An investigation J Downing 43 1827 Temperaments for gut-strung and gut-fretted instruments John R Catch 48 1828 Reply to Hebbert's Comm. 1803 on early bending method Ephraim Segerman 58 1829 Reply to Peruffo's Comm. 1804 on gut strings Ephraim Segerman 59 1830 Reply to Downing's Comm. 1805 on silk/catgut Ephraim Segerman 71 1831 On stringing of lutes (Comm. 1807) and guitars (Comms 1797, 8) E Segerman 73 1832 Tapered lute strings and added mas C J Coakley 74 1833 Review: A History of the Lute from Antiquity to the Renaissance by Douglas Alton Smith (Lute Society of America, 2002) Ephraim Segerman 77 1834 Review: Die Renaissanceblockfloeten der Sammlung Alter Musikinstrumenten des Kunsthistorisches Museums (Vienna, 2006) Jan Bouterse 83 The next issue, Quarterly 111, will appear in February 2009. -
15 January 2020
15 January 2020 12:01 AM Jakov Gotovac (1895-1982) Symphonic Dance 'Kolo', Op 12 Zagreb Philharmonic Orchestra, Kazushi Ono (conductor) HRHRT 12:10 AM Johannes Brahms (1833-1897) Rhapsody for piano in B minor, Op 79 No 1 Steven Osborne (piano) USMPR 12:20 AM Jan Dismas Zelenka (1679-1745) De profundis (Psalm 129) in D minor Czech Chamber Choir, Virtuosi di Praga, Petr Chromcak (conductor) CZCR 12:29 AM Giuseppe Torelli (1658-1709) Sonata in D for Trumpet, Strings and Basso Continuo Sebastian Philpott (trumpet), European Baroque Orchestra, Lars Ulrik Mortensen (conductor) PLPR 12:37 AM David Popper (1843-1913) Hungarian rhapsody, Op 68 Shauna Rolston (cello), Calgary Philharmonic Orchestra, Mario Bernardi (conductor) CACBC 12:45 AM Silvius Leopold Weiss (1687-1750) Prelude, Toccata and Allegro in G major Hopkinson Smith (baroque lute) HRHRT 12:55 AM Franz Berwald (1796-1868) String Quartet No 2 in A minor (1849) Bernt Lysell (violin), Per Sandklef (violin), Thomas Sundkvist (viola), Mats Rondin (cello) SESR 01:14 AM Franz Schubert (1797-1828) Arpeggione Sonata for cello and piano (D.821) Erling Blondahl Bengtsson (cello), Katherine Jacobson Fleisher (piano) NONRK 01:36 AM Wolfgang Amadeus Mozart (1756-1791) Violin Concerto No 3 in G major, K 216 Nikolaj Znaider (violin), Danish Radio Chamber Orchestra, Adam Fischer (conductor) DKDR 02:01 AM Hector Berlioz (1803-1869) L'Enfance du Christ, op. 25 Stephanie D'Oustrac (mezzo soprano), Bernard Richter (tenor), Edwin Crossley-Mercer (baritone), Nicholas Teste (bass baritone), Orchestre National -
The Lute Society Microfilm Catalogue Version 2 12/13 the List Is Divided by Instrument. Works for Renaissance Lute with Voice A
The Lute Society Microfilm Catalogue Version 2 12/13 The list is divided by instrument. Works for Renaissance lute with voice and in ensemble are separated because of the size of the main list. The categories are: Renaissance lute Renaissance lute with voice Renaissance lute in ensemble (with other instruments) Lute in transitional tunings (accords nouveaux) Vihuela Baroque lute Renaissance guitar Baroque guitar Bandora Cittern Mandore Orpharion Theorbo Musical scores without plucked instrument tablature Theoretical works without music The 'Other instruments' column shows where there is music in the work for other listed instruments. The work also appears in the other list(s) for ease of reference. The list is sorted by composer or compiler, where known. Anonymous manuscripts are listed at the end of each section, sorted by shelf mark. Date references are to HM Brown Instrumental Music printed before 1600. Where the date is asterisked the work is not in Brown. Tablature style is shown as French (F), German (G), Italian (I), Inverted Italian (II) or Keyboard (K) The Collection and MCN fields identify each reel and the collection to which it belongs. Renaissance Lute Other Composer/ Compiler Title Shelf Mark or HMB Tab Format Coll MCN Duplicates Notes Instrument(s) Intabolatura di Julio Abondante Sopra el Julio Abondante 1546 I Print MP 59 Lauto Libro Primo 1 Julio Abondante Intabolatura di Lauto Libro Secondo 15481 I Print MP 60 GC 195 Intabolatura di liuto . , novamente Julio Abondante ristampati, Libro primo 15631 I Print MP 62 GC 194, -
The Renaissance Cittern
The Renaissance Cittern Lord Aaron Drummond, OW [email protected] 1. HISTORY,DEVELOPMENT, CONSTRUC- while chromatic citterns are more associated with Italian TION and English music. [3] As far as the body of the instrument goes, citoles and ear- The Renaissance cittern most likely developed from the lier citterns had the back, ribs and neck carved from a single medieval citole. The citole was a small, flat-backed instru- block of wood with the soundboard and fingerboard being ment with four strings. It was usually depicted as having added. Later citterns were constructed from a flat back, frets and being plucked with a quill or plectrum. The citole bent ribs and separately carved neck, which cut down on in turn may have developed from a kind of ancient lyre called the materials cost. [10] Constructed citterns differ in con- a kithara by adding a fingerboard and then gradually remov- struction from lutes in that in citterns the back is made ing the (now redundant) arms. [1] The cittern may have been from a single flat piece of wood, whereas the lute has a large viewed as a revival of the ancient Greek instrument despite number (typically ten or more) of ribs which must be sep- being quite different in form. The word kithara also evolved arately bent and joined to the achieve the \bowl" shape. into the modern word guitar. This made lutes substantially more difficult to build as well Some modern instruments such as the German waldzither as more delicate than the cittern. Internally there are braces (literally `forest-cittern') and various Iberian instruments to strengthen the back and the soundboard, but like the lute, (Portuguese guitar, bandurria, etc) claim some descent from guitar, viol, etc there is no soundpost or bass bar. -
Athletic Handbook
ATHLETIC HANDBOOK 2019–2020 Important Contact Information Jeff Hutzler, M.Ed. Director of Athletics and Terri Bamford Physical Education Athletic Liaison for College Counseling 858-453-3440 x129 Athletic Transportation Coordinator 858-518-1905 mobile 858-453-3440 x233 [email protected] [email protected] Robert Grasso Christine Mitchell Assistant Director of Athletics Head Athletic Trainer, M.S., ATC and Physical Education 858-453-3440 x138 858-453-3440 x259 760-390-7903 mobile [email protected] [email protected] Judy Spoelstra Christian Evans Assistant to the Athletic Director Athletic Trainer, MAT, ATC for Middle School 858-453-3440 x138 858-453-3440 x262 619-402-8793 mobile jspoelstra@ljcd [email protected] Kathy Dinwiddie Athletic Business Manager 858-453-3440 x130 [email protected] Page | 1 last updated: 8/13/2019 Table of Contents Torrey Head Coaches Sport Coach School Ext./Home E-mail Basketball, Men’s Ryan Meier x205 [email protected] Basketball, Women’s Terri Bamford x233 [email protected] Baseball John Edman x175 [email protected] Cheerleading Shayla Griffard ’11 760-505-7388 [email protected] Cross Country Scott Sanders x248 [email protected] Equestrian (club) Hadley Zeavin x249 [email protected] Fencing (club) Tedd Padgitt 619-278-8114 [email protected] Field Hockey Krista Jackson x131 [email protected] Football Tyler Hales x193 [email protected] Golf, Men’s Bob Simon 858-337-0719 [email protected] Golf, Women’s Bob Simon 858-337-0719 [email protected] Ice Hockey (club) Dan Wagner x322 [email protected] Lacrosse,