Villanueva, Os Passeios Cobertos E a Idéia De Cidade
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Caracas (Venezuela) in Terms of the Categories of Cultural Property Set out in Article 1 of the 1972 World Heritage Convention, This Is a Group of Buildings
Category of property Caracas (Venezuela) In terms of the categories of cultural property set out in Article 1 of the 1972 World Heritage Convention, this is a group of buildings. No 986 History and Description History The origin of the Central University of Venezuela is in the Identification foundation of the Royal and Pontifical University by a decree of Philip V in 1721, promulgated during the Spanish Nomination Ciudad Universitaria de Caracas colonial period. It operated in the Santa Rosa Seminary, located in the main square of the city of Caracas, today the Location Municipality of Libertador, Caracas Plaza Bolívar. In 1827 Simón Bolívar promulgated the new Republican Statutes for the University, and in 1856 it State Party Republic of Venezuela became independent of the Seminary and was transferred to the former San Francisco Convent, two blocks south-west of Date 29 July 1999 the Plaza Bolívar. The University soon started growing and occupied other buildings outside the convent. The dispersion caused problems to the work and it was thus decided to concentrate the university in a new enclosure, a campus in the outskirts of Caracas. The new university demanded a Justification by State Party modernization of the institution, in order to correspond with The Ciudad Universitaria de Caracas, created by the the new requirements of the time. Venezuelan architect Carlos Raúl Villanueva, is an example In 1942 the studies for the new university campus began, of outstanding quality representing the highest ideals and focusing first on the faculty of medicine and the clinical concepts of modern city planning, architecture, and art. -
South America: the Top End Overview
SOUTH AMERICA: THE TOP END OVERVIEW Tour Date: 2 November 2018 – 4 December 2018 Tour Duration: 33 days Tour Cost ($AUD): $22,750 Single Supplement ($AUD): $3,990 ‘The Top End’ is Travel Directors most daring traverse into South America. Little visited, this journey offers utterly pristine jungles, abundance of wildlife, the world’s highest waterfall and the rich culture of Colombia, a country that has emerged into a new and exciting era, and is waiting to be discovered. This tour, which is a scenic wonderland, will have great appeal for the wildlife enthusiast, but at the same time enriching our travelers with a tapestry of cultural wealth. French Guyana is the starting point of the tour and in its capital city, Cayenne we experience France and the Caribbean meeting exotic South America. Here we visit France’s Ariane Space Centre, an incongruous hi-tech satellite complex surrounded by jungle. We the cross into the Dutch colony of Suriname where we explore remote villages that still cling to their African roots. We then reach Guyana, a country which arguably possesses the most pristine rainforest in the world and the greatest abundance of wildlife in South America. Travelling onto Caracas, we learn of the extraordinary hero, Simon Bolivar before heading south to one of the dazzling jewels on Earth – Angel Falls. From Venezuela we travel to Colombia, a country that has emerged from a violent past into one of the most staggering destinations in Latin America. Here we discover the previously impenetrable colonial wonders of Salento, Medellin and Cartagena. From French Guyana to Colombia, ‘The Top End’ is a stunning adventure across South America’s north face. -
Se Respeta RESPECT Venezuela
VENEZUELA SE respetA RESPECT VENEZUELA Ministerio del Poder Popular APRIL 2014 para la Comunicación y la Información VENEZUELA SE respetA RESPECT VENEZUELA 2 3 RESPECT VENEZUELA Descargue nuestras publicaciones en: www.minci.gob.ve Respect Venezuela Democracy is threatened The passing away of Venezuelan President Co- During the second half of 2013, unscrupulous Nicolás Maduro Moros mandante Hugo Rafael Chávez Frías - the top businessmen, traders, and shopkeepers lead by President of the Bolivarian Republic of Venezuela leader of the Bolivarian Revolution- on March the trade-oriented Fedecámaras (Federation of Delcy Rodríguez 5 2013 was perceived by Venezuelan people Chambers and Trade and Production Associa- Minister of People’s Power for Communication and Information as an irreparable loss, one of historical dimen- tions of Venezuela), counting on the active par- sions. During 14 years, President Chávez led ticipation of Consecomercio (National Council Venezuela along a victorious political process of Commerce), and Venamcham (The Venezu- Rolando Corao that pursued the recovery of the nation’s dig- elan-American Chamber of industry and Com- Vice-Minister for Communication and Information nity and the construction of social justice. The merce), carried out a series of indiscriminate William Castillo affectionate warrior who with his accurate price increases in all segments of the economy, Vice-Minister for Television words guided Venezuelans through the tran- reaching in some cases up to 2,000 percent of Francisco Pérez Santana sition between two centuries, and despite big increase; they also proceeded to stock up es- Vice-Minister for Radio obstacles was able to take society to an upper sential goods. -
International Circulating Exhibitions
Internationally Circulating Exhibitions This list details exhibitions shown outside of the United States and Canada, including U.S. Representations sent to recurrent international exhibitions, festivals, and special events. All exhibitions were organized by The Museum of Modern Art and, since 1953, have toured with support from The International Council. Exhibitions are listed by the year of their first international showing. Although The Museum of Modern Art sent its first exhibition abroad in 1938, this selection begins with the year 1952, when the International Program was formed and assumed responsibility for the international circulation of exhibitions. 1952 U.S. SELECTIONS FOR BERLIN TRADE FAIR, 1952 A group of well-designed American household objects, assembled for the Mutual Security Agency, which organized and circulated the exhibition. Shown: GERMANY, Berlin, Industrial Trade Fair, Sep 19-Nov 2, 1952; Stuttgart, Landesgewerbemuseum (Int'l Fair), Dec 13, 1952-Jan 11, 1953; Hanover, Industrial Fair, Mar 1-8, 1953; Hamburg, Int'l Horticultural Exhibition, Jun 20-July 12, 1953; AUSTRIA, Vienna, Kunstlerhaus, Aug 30-Oct 18, 1953; FRANCE, Paris, Grands Palais, Salon des Arts Menagers, Feb 25-Mar 21, 1954; ITALY, Milan, Milan Trade Fair, April 12-28, 1954; Dispersed 1954. YOUNG AMERICAN PRINTMAKERS U.S. Representation: Internationale Graphik, 1952. (48 prints by 40 artists) Selected by William S. Lieberman. Circulated in Austria by Galerie Kunst der Gegenwart; circulated in Germany by U.S. High Commission for Germany. Shown: AUSTRIA, Salzburg, Galerie Kunst der Gegenwart, Jul 27-Aug 31, 1952; Linz, Neue Galerie, Sep-Oct 12; Vienna, Secession Galerie, Oct 18-Nov 15; Graz, Neue Galerie, Dec; GERMANY, Munich, Amerika Haus, Jan-Feb, 1953; Berlin, Amerika Haus, Mar. -
Figuras, Formas Y Volúmenes Fundación Francisco Narváez
FIGURES, FORMS AND VOLUMES | FIGURAS, FORMAS Y VOLÚMENES FUNDACIÓN FRANCISCO NARVÁEZ The Francisco Narváez Foundation is a non-profit institution created in 1985 whose essential purpose is the preservation of the artist’s legacy through the assessment, compilation and documentation of all the information related to his life and work. As a part of this effort, it supports exhibitions, academic works, publications and educa- tional workshops based upon the organized corpus of documentation on the Master, which is readily made available to persons and institutions involved with the fine arts. From its inception the foundation is committed with the recovery, restoration and preservation of monuments and public works carried out by Narváez, and it has accordingly participated in important integral rescue proposals of public spaces in different locations of the Venezuelan territory. This labor is complemented with a significant development in the academic field which has been conveyed through strategic associations to other institutions’ personnel in response to the need to maintain, preserve and restore public monuments as well as privately-owned works of smaller dimensions. Ascaso Gallery and the Francisco Narváez Foundation have organized this anthologi- cal exhibition comprising an ample series of paintings and sculptures elaborated with diverse techniques and materials in different stages of the life of Francisco Narváez, undoubtedly one of Latin American most outstanding artists. LOBELIA BENÍTEZ DE Narváez 3 “Mommy, they’re naked!” The commentary was about Narváez’s Las Toninas grace- ful figures silhouetted against the exit of the tunnel of El Silencio. From the rear window of the car I turned around to see the fountain and the robust bodies of the mermaids riding on the dolphins.