The Phoenix a Magazine for the Creative Arts Thiel College, Spring 2011 Sigma Tau Delta
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Table 1. Pilot Interview Demographics
Singaporean Women’s Perceptions and Barriers to Breast and Cervical Cancer Screening By Junyang Wang Duke Global Health Institute Duke University Date:_______________________ Approved: ___________________________ Eric Finkelstein, Supervisor ___________________________ Kearsley Stewart ___________________________ Yousuf Zafar Thesis submitted in partial fulfillment of the requirements for the degree of Masters of Science in Duke Global Health Institute in the Graduate School of Duke University 2014 ABSTRACT Singaporean Women’s Perceptions and Barriers to Breast and Cervical Cancer Screening By Junyang Wang Duke Global Health Institute Duke University Date:_______________________ Approved: ___________________________ Eric Finkelstein, Supervisor ___________________________ Kearsley Stewart ___________________________ Yousuf Zafar Thesis submitted in partial fulfillment of the requirements for the degree of Masters of Science in Duke Global Health Institute in the Graduate School of Duke University 2014 Copyright by Junyang Wang 2014 Abstract Objectives: To understand the key factors guiding women’s decision of whether or not to use breast and cervical cancer screening services (in order to determine how to cost effectively increase screening uptake in following conjoint). Methods: We conducted eight focus groups, with Singaporean women aged between 40 and 64 for breast cancer screening, and between 25 and 64 years for cervical cancer screening, to identify the key factors that drive cancer screening. Using the Health Belief Model to guide our focus group questions, we analyzed the responses and compared similarities and differences among screeners and non-screeners. Results: Singaporean women understand the severity of both breast and cervical cancer and fear the associated lifestyle challenges that come with a cancer diagnosis. With the exception of several non-screeners in the breast cancer group, all women reported they believed they were at risk of developing cancer. -
2018 Jeep Compass Owner's Manual
2018 Compass STICK WITH THE SPECIALISTS® 2018 Compass OWNER’S MANUAL 18MP-126-AC ©2017 FCA US LLC. All Rights Reserved. Third Edition Jeep is a registered trademark of FCA US LLC. Printed in the U.S.A. VEHICLES SOLD IN CANADA This manual illustrates and describes the operation of With respect to any Vehicles Sold in Canada, the name features and equipment that are either standard or op- FCA US LLC shall be deemed to be deleted and the name tional on this vehicle. This manual may also include a FCA Canada Inc. used in substitution therefore. description of features and equipment that are no longer DRIVING AND ALCOHOL available or were not ordered on this vehicle. Please Drunken driving is one of the most frequent causes of disregard any features and equipment described in this accidents. manual that are not on this vehicle. Your driving ability can be seriously impaired with blood FCA US LLC reserves the right to make changes in design alcohol levels far below the legal minimum. If you are and specifications, and/or make additions to or improve- drinking, don’t drive. Ride with a designated non- ments to its products without imposing any obligation drinking driver, call a cab, a friend, or use public trans- upon itself to install them on products previously manu- portation. factured. WARNING! Driving after drinking can lead to an accident. Your perceptions are less sharp, your reflexes are slower, and your judgment is impaired when you have been drinking. Never drink and then drive. Copyright © 2017 FCA US LLC SECTION TABLE OF CONTENTS -
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998). -
Pablo Neruda - Poems
Classic Poetry Series Pablo Neruda - poems - Publication Date: 2011 Publisher: Poemhunter.com - The World's Poetry Archive Pablo Neruda(12 July 1904 – 23 September 1973) Pablo Neruda was the pen name and, later, legal name of the Chilean poet and politician Neftalí Ricardo Reyes Basoalto. He chose his pen name after Czech poet Jan Neruda. Neruda wrote in a variety of styles such as erotically charged love poems as in his collection Twenty Poems of Love and a Song of Despair, surrealist poems, historical epics, and overtly political manifestos. In 1971 Neruda won the Nobel Prize for Literature. Colombian novelist Gabriel García Márquez once called him "the greatest poet of the 20th century in any language." Neruda always wrote in green ink as it was his personal color of hope. On July 15, 1945, at Pacaembu Stadium in São Paulo, Brazil, he read to 100,000 people in honor of Communist revolutionary leader Luís Carlos Prestes. During his lifetime, Neruda occupied many diplomatic positions and served a stint as a senator for the Chilean Communist Party. When Conservative Chilean President González Videla outlawed communism in Chile in 1948, a warrant was issued for Neruda's arrest. Friends hid him for months in a house basement in the Chilean port of Valparaíso. Later, Neruda escaped into exile through a mountain pass near Maihue Lake into Argentina. Years later, Neruda was a close collaborator to socialist President Salvador Allende. When Neruda returned to Chile after his Nobel Prize acceptance speech, Allende invited him to read at the Estadio Nacional before 70,000 people. -
Five Years of Hell and One Very Torrid Love Affair Begin. for Five
Five Years of Hell And One Very Torrid Love Affair Begin. For five long and torturous years I have dreamt of devils and stop signs and large red trucks, dying babies spewing green vomit, coiled snakes, black bodies and burning bridges fill my dreams. Even today the night terrors continue as I lay very ill and uninsured in the United States of America. I made a single bad decision five years ago, to quit my job and move to another state to be near my grown children, also giving up my health insurance, and that bad decision left me where I am now, half dead and sitting outdoors on an ex-boyfriend’s porch swing, uninsured, rotting and starving and so scared, that my teeth would chatter and my knees would wobble, like an old fashion cartoon character. I sit on this swing for 18 hours a day, waiting for doctor appointments alone, and then one sunny South West Florida day, I met Kirk. Kirk is much like a block of ice amongst the glaciers, smooth on the outside, hard bodied, cool, and hidden in the wrong spot at the right time, could sink even the strongest of ships, much like the iceberg that took down the Titanic. He’s a storm all right, and my not heeding the warning signals of my gut on getting involved with Kirk start yet another stretch of terrifying events. I’ve known Kirk for about three months, yet strangely I am not even sure what he looks like. In the commotion of erratic chaos he’s a blur. -
A Journey Into Grief a Collection of Angels & Miracles a Celebration Of
A Journey into Grief A Collection of Angels & Miracles A Celebration of Motherhood... A Book for Bereaved Parents and for those who Love Them Edition VI Joanne Cacciatore, PhD, MSW, FT In Loving Memory Of: __________________________________________ “There are times when sorrow seems to be the only truth.” Oscar Wilde, De Profundis DEAR CHEYENNE A Journey into grief A Collection of angels and miracles A Celebration of motherhood By Joanne Cacciatore Cover Illustration by Linda Schmidt In memory of her precious sweet baby boy, Skyler Kirby Schmidt October 25, 1999-January 4, 2000 Remembered in the hearts of his family A special thank you to Jenny and Gary McSpadden in loving memory of Mikayla Kenzie and Kara Jones in memory of Dakota Publisher: MISS Foundation Copyright 1996,1997,1999, 2002, 2003, 2007 All rights reserved internationally No part of this publication may be reproduced, stored in a retrieval system, photocopied, or otherwise, without the written permission of the publisher and/or author. For more information visit the website at www.missfoundation.org to reorder copies send check or money order to: M.I.S.S. Foundation PO Box 5333 Peoria, Arizona 85385 Helping Families Facing Death… Include $11.95 per copy plus $3.00 shipping ISBN 0-9717266-5-5 Manufactured in the United States of America Cacciatore, Joanne Title 1 From the Author I would like to thank my surviving children: Arman, my first born, spirited child and first true love; Cameron, my quiet and strong son who brightens my day with his beautiful blue eyes; Stevie Jo, my daughter for her love, courage, and infinite wisdom of the ages; Joshua Cheyne, my subsequent child and the light of my life. -
Detective Special Agent = DET. =SA Assistant
Detective = DET. Special Agent =SA Assistant Prosecuting Attorney =APA Unknown Male One= UM1 Unknown Male Two- UM2 Unknown Female= UF Tommy Sotomayor= SOTOMAYOR Ul =Unintelligible DET. Today is Thursday, November 6, 2014 and the time is 12:10 p.m. This is Detective with the St. Louis County Police Department's Bureau of Crimes Against Persons, . I'm here in a conference room, in the Saint Louis County Prosecuting Attorney's Office, with a, Special Agent, Special Agent of the F.B.I., and also present in the room is ... Sir, would you say your name for the recorder please? DET. Okay, and it's is that correct? That's correct. DET. Okay ... and what is your date of birth, ? DET. ...and your home address? DET. And do you work at all? DET. Do not. DET. Okay ... and what is your cell phone? What is my what now? DET. Cell phone? Number? DET. Yes Sir. DET. Okay and, a, did you say an apartment number with that? DET okay. mm hmm. DET. So ... you came down here, a, to the Prosecuting Attorney's Office, because you received a Grand Jury Subpoena, is that correct? That is correct. DET Okay and you received that Grand Jury Subpoena a few days ago? Yes. DET. Okay ... and since then, you had a conversation with a, at least one of the Prosecutors here, explaining to you that they would like you to come down to the office today, is that correct? Yes. DET. Okay, uhh ... having said that, a, I think your attendance at the Grand Jury will be later on this afternoon, or, or in a little bit here. -
Bruce Greenwood, Leslie Hope, Benjamin Ayres
Directed by Jerry Ciccoritti Written by Jeff Kober Starring: Bruce Greenwood, Leslie Hope, Benjamin Ayres, Megan Follows, David Hewlett, Kris Holden-Reid, Jeff Kober, Grace Lynn Kung, Kristin Lehman, Daniel Maslany, Tony Nappo, Paula Rivera TRT: 92:26 Format: 2:39 Sound: 5.1 surround sound Rating: (pending) Country: Canada Language: English Genre: Drama Trailers: Available Website: www.IndicanPictures.com Table of Contents Synopsis ...................................................................................................................................................................... 2 Director’s Statement .................................................................................................................................................. 3 Producer’s Statement ................................................................................................................................................. 3 Artist’s Statement (Jeff Kober) ................................................................................................................................... 4 Cast Bios ...................................................................................................................................................................... 5 Bruce Greenwood (Frank) ...................................................................................................................................... 5 Leslie Hope (Melanie) ............................................................................................................................................ -
The Career of John Jacob Niles: a Study in the Intersection of Elite, Traditional, and Popular Musical Performance
The Kentucky Review Volume 12 Article 2 Number 1 Double Issue of v. 12, no. 1/2 Fall 1993 The aC reer of John Jacob Niles: A Study in the Intersection of Elite, Traditional, and Popular Musical Performance Ron Pen University of Kentucky, [email protected] Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the Music Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Pen, Ron (1993) "The aC reer of John Jacob Niles: A Study in the Intersection of Elite, Traditional, and Popular Musical Performance," The Kentucky Review: Vol. 12 : No. 1 , Article 2. Available at: https://uknowledge.uky.edu/kentucky-review/vol12/iss1/2 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. The Career of John Jacob Niles: a Study in the Intersection of Elite, Traditional, and Popular Musical Performance Ron Pen As a young and naive doctoral student, I approached my folklore professor with a dissertation proposal. Quivering with trepidation, I informed him that I intended to provide an initial biography and works of the composer and balladeer John Jacob Niles. The folklorist cast a bemused glance over his tortoise shell glasses and said: "He was a fraud. You realize, of course, that no folklorist would write his obituary." Years later, with the dissertation nestled securely on the library shelves, I recalled this conversation and attempted to reconcile my understanding of John Jacob Niles's career with the folklorist's accusation. -
February 5, 2013 - Uvm, Burlington, Vt Uvm.Edu/~Watertwr - Thewatertower.Tumblr.Com
volume 13 - issue 3 - tuesday, february 5, 2013 - uvm, burlington, vt uvm.edu/~watertwr - thewatertower.tumblr.com by staceybrandt Veiled in a dimness that makes every- thing ironic and decorated with items from a shitty garage sale, Radio Bean creates the perfect environment for local talent to sing, strum, and squawk their stuff . It’s no won- der that when sign-ups for Monday night’s Open Mic rolled around the line was liter- ally out the door. Hoards of hipsters and hippies crammed around the sign-up sheet eager to reserve fi ft een precious minutes of attention from strangers. I managed to squeeze my name onto the list, and be- ing a fi rst timer, my name was generously weed smell in one’s dorm room. It’s funny spotlight, an idiot with a microphone, and subsequent performers included a mind- pushed to the top: 9 o’clock was my time. I what the Radio Bean crowd can do to one’s my words now somehow mattered. Con- blowing bongo drummer who later col- would perform fi rst. mental state. Th e cool chick sitting next to templating using an edgy stage name (Cool laborated with a resident beat-boxer (they When I am nervous, I tend to yawn me gave me the sudden urge to dread my Jew?), I half-mumbled my intro and began did an impromptu jam session that brought involuntarily—probably because I forget hair and get a tattoo sleeve. And a heavily to pluck my guitar strings. People got quiet everyone to their feet), a man making nois- to breath and, deprived of oxygen, I must bearded man across the bar made becom- when I started to sing which made me relax es which he called “hip-hop”, and a talented resort to large spontaneous gulps of air to folk-country singer named Will Overman remain conscious. -
Karaoke Songs by Title
Songs by Title Title Artist Title Artist #9 Dream Lennon, John 1985 Bowling For Soup (Day Oh) The Banana Belefonte, Harry 1994 Aldean, Jason Boat Song 1999 Prince (I Would Do) Anything Meat Loaf 19th Nervous Rolling Stones, The For Love Breakdown (Kissed You) Gloriana 2 Become 1 Jewel Goodnight 2 Become 1 Spice Girls (Meet) The Flintstones B52's, The 2 Become 1 Spice Girls, The (Reach Up For The) Duran Duran 2 Faced Louise Sunrise 2 For The Show Trooper (Sitting On The) Dock Redding, Otis 2 Hearts Minogue, Kylie Of The Bay 2 In The Morning New Kids On The (There's Gotta Be) Orrico, Stacie Block More To Life 2 Step Dj Unk (Your Love Has Lifted Shelton, Ricky Van Me) Higher And 20 Good Reasons Thirsty Merc Higher 2001 Space Odyssey Presley, Elvis 03 Bonnie & Clyde Jay-Z & Beyonce 21 Questions 50 Cent & Nate Dogg 03 Bonnie And Clyde Jay-Z & Beyonce 24 Jem (M-F Mix) 24 7 Edmonds, Kevon 1 Thing Amerie 24 Hours At A Time Tucker, Marshall, 1, 2, 3, 4 (I Love You) Plain White T's Band 1,000 Faces Montana, Randy 24's Richgirl & Bun B 10,000 Promises Backstreet Boys 25 Miles Starr, Edwin 100 Years Five For Fighting 25 Or 6 To 4 Chicago 100% Pure Love Crystal Waters 26 Cents Wilkinsons, The 10th Ave Freeze Out Springsteen, Bruce 26 Miles Four Preps, The 123 Estefan, Gloria 3 Spears, Britney 1-2-3 Berry, Len 3 Dressed Up As A 9 Trooper 1-2-3 Estefan, Gloria 3 Libras Perfect Circle, A 1234 Feist 300 Am Matchbox 20 1251 Strokes, The 37 Stitches Drowning Pool 13 Is Uninvited Morissette, Alanis 4 Minutes Avant 15 Minutes Atkins, Rodney 4 Minutes Madonna & Justin 15 Minutes Of Shame Cook, Kristy Lee Timberlake 16 @ War Karina 4 Minutes Madonna & Justin Timberlake & 16th Avenue Dalton, Lacy J. -
Hello, Hatchlings Families! a Few Reminders
SESSION 3 LCCOOM EEL MEE WW Hello, Hatchlings Families! A few reminders Unexpected Calm down Respect is expected without the crowd baby’s rest Hands on Stay Engaged; exploration Silence phones Let’s go around and introduce ourselves! 1 Smile, talk, sing, share books and play with your baby. Early speech and language skills are associated with success in developing reading, writing, and social skills, in childhood and later in life. Talk, Sing, Share Books & Play. Can You Clap With Two Hands? “Mirror” the faces your baby makes, clap when your RHYME baby claps. Old Mother Goose when she wanted to wander, would fly through the air on a very fine gander. 2 There are many ways to read a story... k about wh up sto al at ke ri T you see. a es M . Once Upon a 1 3 Time 2 4 C ou t’s nt wha . in s the picture And even sing to any tune you like or make up a song! There are Bubbles in the Air Try chanting! “You can do it!” Babies’ brains learn best when you talk directly to them, not by listening to the television. Books Away 3 Name the parts of your baby’s face and talk about the faces they’re making. Who’s That Tapping on my Shoulder & Two Little Eyes to Look Around Two little eyes to look around, Two little ears to hear a sound. One little nose to smell what’s sweet... (take a deep smell) And one little mouth that likes to eat! (mmmmmmm) Use words to describe how you think your baby is feeling.