Superman, Batman, Wonder Woman, the Flash, Green Lantern, Aquaman

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With shared strength, power and courage, SUPERMAN, BATMAN, WONDER WOMAN, THE FLASH, GREEN LANTERN, AQUAMAN, AND CYBORG unite as the Justice League, a legendary team of Super Heroes, standing shoulder-to-shoulder for truth, justice and freedom. TELEVISION PUBLISHING • The DC Nation Block on Cartoon Network features two new • Over 12 million people read DC Comics each animated DC shows plus original interstitial content for an hour of month! DC Entertainment publishing offers digital action packed adventure! day and date availability across multiple platforms (iOS, Android, Kindle, Nook, Windows 7). HOME VIDEO • Warner Premiere makes sure that the Justice League heroes stay THEMED PARKS top-of-mind through DC Universe direct-to-DVD animated movies, • Justice League characters are showcased in Six expanding and inspiring a legion of worldwide fans. 2013 titles Flags theme parks and International Parks in Spain, include JUSTICE LEAGUE: THE FLASHPOINT PARADOX and Brazil, Australia & Mexico. SUPERMAN: UNBOUND. INTERACTIVE • INFINITE CRISIS is a next-generation, free-to-play, multiplayer online battle arena game featuring fast-paced battles, iconic locations and characters from across the DC Multiverse. Coming Fall 2013 for the PC, players can select from different reimagined versions of the Justice League characters. • INJUSTICE: GODS AMONG US is an all-new DC fighter game now available for the Xbox 360, PS3, WiiU and Mobile platforms. • The hugely successful and popular SCRIBBLENAUTS game series expands into the DC Universe Fall 2013 with the release of SCRIBBLENAUTS UNMASKED: A DC COMICS ADVENTURE for the Nintendo WiiU, Nintendo 3DS and PC. .

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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal.
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Graham Crackers Special Orders 2
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