Flag Day Committee Unchanged First a Id Squads Set
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Weaving Books and Monographs
Tuesday, September 10, 2002 Page: 1 ---. 10 Mujeres y Textil en 3d/10 Women and Textile Into 3. [Mexico City, Mexico: Universidad Nacional Autonoma de Mexico. Galeria Aristos, 1975], 1975. ---. 10 Mujeres y Textil en 3d/10 Women and Textile Into 3. [Mexico City, Mexico: Universidad Nacional Autonoma de Mexico. Galeria Aristos, 1975], 1975. ---. 100 Jahre J. Hecking; Buntspinnerei und Weberei. Wiesbaden, Verlag f?r Wirtschaftspublizistik Bartels, 1958. ---. 100 Years of Native American Arts: Six Washington Cultures. [Tacoma, Washington: Tacoma Art Museum, 1988], 1988. ---. 1000 [i.e. Mil] Años de Tejido en la Argentina: [Exposici?n] 24 de Mayo Al 18 Junio de 1978. Buenos Aires: Ministerio de Cultura y Educaci?n, Secretaría de Cultura, Instituto Nacional de Antropología, 1978. ---. 1000 Years of Art in Poland. [London, Great Britain: Royal Academy of Arts, 1970], 1970. ---. 101 Ways to Weave Better Cloth: Selected Articles of Proven Interest to Weavers Chosen from the Pages of Textile Industries. Atlanta, GA.: Textile Indistries, 1960. ---. 125 Jahre Mech. Baumwoll-Spinnerei und Weberei, Augsburg. [Augsburg, 1962. ---. 1977 HGA Education Directory. West Hartford, CT: Handweavers Guild of America, 1978. ---. 1982 Census of Manufactures. Preliminary Report Industry Series. Weaving Mills. [Washington, DC: U.S. Dept. of Commerce, Bureau of, 1984. ---. 1987 Census of Manufactures. Industry Series. Weaving and Floor Covering Mills, Industries 2211, 2221, 2231, 2241, and 2273. Washington, DC: U.S. Dept. of Commerce, Bureau of, 1990. ---. 1987 Census of Manufactures. Preliminary Report. Industry Series. Weaving and Floor Covering Mills: Industries 2211, 2221, 2241, and 2273. [Washington, DC: U.S. Dept. of Commerce, Bureau of, 1994. ---. 1992 Census of Manufactures. -
Demorest's Family Magazine. January 1881. Vol. 17, No. 1
‘ ‘ You are offended : that' s ment a warm, mysterious hand slipped round “ No,” she said. her own and gave it a gentle squeeze. “ Then will you shake hands ? ” “ Oh, dear !” said Anne, with a sudden Anne hesitated; than slowly stretched out start away. her hand, which he took at once. “ That will “ How nervous you are, child, to be startled do," she said, finding that he did not relinquish by fireworks so far off,” said Mrs. Loveday. it immediately. But as he still held it, she “ I never saw rockets before,” murmured pulled, the effect of which was to draw Bob’s Anne, recovering from her surprise. swaying person, bough and all, toward her, Mrs, Loveday presently spoke again. “ I and herself toward him. wonder what has become of Bob ? ” “ I am afraid to let go your hand,” said that Anne did not reply, being much exercised officer; “ for if I do your spar will fly back, in trying to get her hand, away from the one and you will be thrown upon the deck with that imprisoned it ; and whatever the miller great violence.” thought he kept to him self because it dis “ I wish you to let me go! ” turbed his smoking to speak. He accordingly did, and she flew back, but Another hatch of rockets went up. “ Oh, did not by any means fall. I never!” said Anne, in a half-suppressed “ It reminds me of the times when I used to tone, springing in her chair. A second hand be aloft clinging to a yard not much bigger had with the rise of the rockets leapt round than this tree-stem, in the mid-Atlantic, and her waist. -
The Revolt of the Artefacts Andrea Canepa
June 12th - July 23rd, 2021 The revolt of the artefacts Andrea Canepa Spindle and spinning. Knots and data. A span of many millennia lies between the first cultivated cotton yarn dating back to 4200 BC, found in the archaeological site of Ancón, Peru, and the transoceanic connection of the Marea cable laid between Bilbao and the state of Virginia, USA, in 2018. The times and places are so far removed from each other that only a ghost could visit them, yet, nevertheless, they can be woven together through their fibres: the organic thread used by pre-Hispanic native peoples in their weavings, and the fibre optic that transmits digital information at 160 terabits per second. Material and algorithm are entwined in similar coding processes based on patterns, in the weaving of a fabric as the core axis of their structures. This is the analogy that underpins the story told by Andrea Canepa, who begins by recovering a phantasmagorical and rebellious spindle of ancient myth and using this artefact to give a woven-body to the immaterial information on the fluctuating value of the cotton futures market. In the imaginaries of the Moche and Japanese worldviews, when objects usurp control, taking on their own agency, which is to say, arrogating the power to act in the world, they pose a real threat to man. The myth of “the revolt of the objects”, as depicted in one of the mural paintings in a temple of the Moche culture in northern Peru, as well as in some ceremonial ceramic vessels, tells how one night, a long, long time ago, tools rebelled against their masters, throwing off their shackles as slaves only to enslave humans. -
David N.G.Mccallum
Glitching the Fabrıc STRATEGIES OF NEW MEDIA ART APPLIED TO THE CODES OF KNITTING AND WEAVING David N.G. McCallum Glitching the Fabrıc STRATEGIES OF NEW MEDIA ART APPLIED TO THE CODES OF KNITTING AND WEAVING David N.G. McCallum Thesis for the degree of Doctor of Philosophy in Digital Representation (digital gestaltning) at Valand Academy, Faculty of Fine, Applied and Performing Arts, University of Gothenburg Published by Göteborgs universitet (Avhandlingar) This doctoral dissertation is No 68 in the series ArtMonitor Doctoral Dissertations and Licentiate Theses, at the Faculty of Fine, Applied and Performing Arts, University of Gothenburg www.konst.gu.se/artmonitor Graphic design & layout: Lucinda Wallace Printed by: Göteborgstryckeriet, Sweden, 2018 © David N.G. McCallum 2018 ISBN: 978-91-7833-139-0 (printed version) ISBN: 978-978-91-7833-140-6 (digital version) Abstract Title: Glitching the Fabric: Strategies of New Media Art Applied to the Codes of Knitting and Weaving Language: English Keywords: Glitch art, New media art, Weaving, Knitting, Textile design, Artistic research ISBN: 978-91-7833-139-0 (printed version) 978-978-91-7833-140-6 (digital version) The purpose of the research has been to explore the creative possibilities in applying strategies derived from the domain of digital media and glitch art to a range of processes in the domain of textiles—specifically weaving, knitting, bobbin lace—with particular attention to the role of notations and coding in both domains. The enquiry presented in this dissertation is based upon the proposi- tion that there are creative possibilities that arise when approaches and strategies from new media and glitch art are transferred to some textile processes, and that this is possible because objects of new media and textile objects share features not limited to the grid. -
Tuti Weaving
Bridges Finland Conference Proceedings Tuti Weaving Abdalla G. M. Ahmed∗ Oliver Deussen Department of Computer and Information Science, University of Konstanz, Germany Abstract We present a new idea for the algorithmic design of weaving patterns that is based on AA Outlines. The method takes advantage of their inherent property of having only a few distinct rows and columns. In contrast to a prior Bridges paper, we describe a new approach for extracting weaving patterns from AA Outlines, and we add colors of yarns as a design parameter. The resulting patterns can be non-periodic, are free of long floats, and can be woven in looms with only two shafts. Introduction Weaving design is a good example of a topic that bridges math and art: the goal is to produce aesthetically pleasing woven patterns, and the way woven fabrics are structured and produced lends itself well to math- ematical abstraction. Unsurprisingly, a large number of articles have been dedicated to the mathematics of weaving design. Ralph Griswold compiled a huge collection of literature of this kind [10], and contributed many articles by himself. Another prominent example is the website compiled by sarah-marie belcastro [5]. The Bridges conference also published some articles in this area, for example [2, 4, 8]. In this paper we contribute a new technique for algorithmic weaving design. We describe a new family of bicolor patterns that are readily weave-able in 2-shaft looms. This family is closely related to AA Bitmaps [4], but here we introduce a new design idea and furthermore we utilize yarn colors to reduce the number of shafts and to control floats. -
ELECTED PRESIDENT PASTOR State FIRST NATIONAL FARM IX) an John F
y&iSijifiMailsill^jiij^Mfcjli^li^KBiEftliJ^ ; _.iTi,& : •'^W 7hW- :':^o A.v THE WEATHER. 5'«^»ri ^!4 • Become a stockholder in the United P^ilfll: iff ,Stat,es—buy War Savings Stamps Fair tonl^ift;; FridWy unsettled, fol lowed by rain or snow. THE "PRESS" HAS A LARGER CIRCULATION IN THE TERRITORY BETWEEN HART FORD AND SPRINGFIELD THAN ANY OTHER NEWSPAPER -IT PAYS TO ADVERTISE IN IT 1 ^ESTABLISHED 1880 THOMPSONVILLE, CONNECTICUT, THURSDAY, JANUARY 16, 1919 Single Copy 5 Cents VOL. XXXIX, NO. 38 Connecticut WBSm -" "i ,c *' •• -; •''mIW?' ELECTED PRESIDENT PASTOR State FIRST NATIONAL FARM IX) AN John F. Cavanaugh, superintend STREET BECOMES A ASSOCIATION OF ENFIELDCitif REV. DAVID C, REID TERMINATES In his message to the general assem ANNUAL-MEETING ent of the supplies departments for WAS LIGHTING KITCHEN FIRE WHILE WRITING A LETTER TOV > ? •'fe,.,, ONE-WAY STREET, WITH «» SAsli STAY HERE AFTER FIVE overseas, at the Knights of Colum bly Governor Ilolcoinli called attention WITH KEROSENE OIL FRI to the really serious situation through v bus headquarters in New York city, HIS SISTER IN NEW YORK I • f^pspi NO PARKING gppftdf|l Peter A. Crombie was elected pres YEARS SERVICE 't«r > * out the state of the various trolley "- m Wtewsm® jihas been spending a few days at his DAY MORNING .-. ::•••. •• —- few?®® *z- ident of the FirstNational Farm Loan' '• companies. JAMES MORAN EnPIRES. - * . At the annual meeting of the ec home on Prospect street. Mr. Cav ; ' _ P $*•' J" '. At the last annual town meeting Association of Enfield at the annuo 1 It was announced at New Haven ^ 'i \ r'V clesiastical society of the Enfield anaugh and a corps of Knights of " it was voted to adopt a code of traffic meeting which was held' Tuesday Mrs. -
Santa Fe New Mexican, 07-06-1912 New Mexican Printing Company
University of New Mexico UNM Digital Repository Santa Fe New Mexican, 1883-1913 New Mexico Historical Newspapers 7-6-1912 Santa Fe New Mexican, 07-06-1912 New Mexican Printing Company Follow this and additional works at: https://digitalrepository.unm.edu/sfnm_news Recommended Citation New Mexican Printing Company. "Santa Fe New Mexican, 07-06-1912." (1912). https://digitalrepository.unm.edu/sfnm_news/876 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Santa Fe New Mexican, 1883-1913 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. ........ A H H VOL. 49 SANTA FE. NEW MEXICO, SATURDAY, rl ULY (, vm. NO. 124 DARROW EXPECTS TO KING GEORGE GOES BE CLEARED BY JURY ANOTHER BIG LUCK OF FOOD WILSON S OPENED GUIS TO WATER CARNIVAL. ELKS GOAT IS He Will Handle Case for Himse'f if For the First Time in Many Years His is Not Well Attorney Says I Royalty Graces Boat Races on RAIN WRECK is not Sufficient. AND I Testimony MONEY CAMPAIGN ISSUE WITH PRAYER Thames. IE FOB GOOD U!v ftpecla! Lfiisrd Wire to Mexican) (By Ppectal Lonsrd Wire to New Mexican lien'ov-on-Thame- Fng., fi. Los fi. Clar- July Angeles, Calif., July w;-le- r e Henley liegctja, England's famous Twenty-On- Were Killed and ence S. on for Desertions in Orozco's Dwin- He Will to Nation on Sermon and Darrow, trial alleged Appeal Hymn Singing carnival today reached the turning Effort to Reestablish His In- will be to More 1 han a Score jury bribing prepared take dling Army Are on the Cost of Preceded Events point in all big events and for the firK of his own case in the event Hight Living Athletic Reign in Lodge Rooms charge time since l.vlll, received the patron-rg- at Ligonier Chief Counsel Earl has not re- Increase jured Rogers Puzzle at Stockholm of the king. -
Rochester Directory
Central Library of Rochester and Monroe County - City Directory Collection - 1938 ROCHESTER HOUSE AND STREET DIRECTORY Copyright, 1937, Sampson & Murdock Co., Inc., Boston, Mass. Names of householders and business places arranged in numerical order upon their respective streets. The streets are arranged In alphabetical order; on streets thai are not numbered ciphers are used in place of a street number. Intersecting streets are shown in bold face. Business places are denoted by business being given. In business blocks the occupants are arranged by room number where practicable. When business and residence are at the same place, it is indicated by business bring given followed by abbreviation h. House numbers are in ordinary type, business numbers in bold face, room and apartment numbers in italic. Street numbers begin at the end of the street nearest the centre of the city. Even numbers are upon the north or east side of streets. Odd numbers are upon the south or west side of streets. After each street the car or bus line running through or nearest to it is named. 'Denotes streets improperly numbered. A HOME OWNERS AND TENANTS DIRECTORY a valuable feature showing which houses are owned by the occupants. The symbol, , following the name or a householder indicates that the house is owned by the person listed, or by some member of the family. This information is as received by the canvasser. The publisher does not and cannot guarantee its correctness. Abbreviations. al, alley; av, avenue; blvd, boulevard; ct, court; e, east; fr, from; h, house; n, north or near; pl, place; rd, road; s, south; sq, square; st, street; sum res, summer residence; ter, terrace; w, west; wd, ward. -
Textile, a Diagonal Abstraction: Glass Bead in Conversation with T'ai
JOURNAL > SITE 1: LOGIC GATE, THE POLITICS OF THE ARTIFACTUAL MIND | 2017 Textile, A Diagonal Abstraction: Glass Bead in conversation with T’ai Smith T’ai Smith For decades, textile work barely figured in discussions and studies of modern art because textiles have historically been linked to women’s work, domesticity and what could be called a “feminine sensitivity”. However, contrary to the traditional image of textiles as rooted in diligent care, intimacy, and intuition, textile practices are logical and iterated operations, structural processes produced through mechanical and engineering decisions, much more than affective expressions of homely pragmatism. Their recognition as an art form only really occurred at the end of the 1990s with the emergence of the network as a major contemporary figure and the increasing attention given to the way in which algorithmic processes shape our contemporary condition, as well as from a revival of interest in craft and design which gave textiles a new significance, releasing them from the margins of modernity. Because of their common genealogies and operations, the interaction between developments in computing and textiles opened new fields of research between textile experimentations and digital technologies. We invited T’ai Smith to discuss how textile practices can both reorient our understanding of the modern project and, as a rule-based art, help provide direction to the artefactual elaboration of its future. Textile, A Diagonal Abstraction: Glass Bead in conversation with T’ai Smith | T’ai Smith Glass Bead: In your book Bauhaus Weaving Theory: From Feminine Craft to Mode of Design (2014), you investigated the weaving workshop’s history, highlighted its central position within the school, and positioned it as a major theoretical engine for the modern project at large.