Download Booklet
Paschale Mysterium Gregorian Chant for Easter Ijl Vexilla regis (hymnus) Domine, exaudi (tractus) Crucem tuam (antiphona) Improperia I1 Oratio Jeremiae Exultet (praeconium paschale) Cantemus Domino (canticum) [81 Surrexit Dominus vere (antiphona cum psalmo invitatorio 94) Alleluia. Haec dies (antiphonae) Haec dies. Confitemini (responsorium - graduale) Alleluia. Pascha nostrum Victimae paschali laudes (sequentia) Exsultemus et laetemur (cantus responsorialis) Aurora lucis (hymnus) Benedicamus Domino, alleluia (ad dimittendum populum) The liturgical celebration of the mystery of Easter, the Paschale Mysterium, comes at the height of the Christian year, marking the task of human redemption and the glorification of God. It is both a record and a redemptive representation of the passion and death of Christ, on Good Friday, and of his resurrection, on Easter Eve and Easter Day. These two celebrations, which have formed the core of the Easter liturgy since the apostolic age, centre on the Cross, the "King's emblem, glowing with mystery . the wonderful, shining tree, adorned with royal purple", in the words of the hymn Vexilln regis, written by Venantius Fortunatus, seventh century bishop of Poitiers, the opening of the present release. In tl~emodern liturgy the VexiIla regis is sung at Vespers in Holy Week. Its composition presents highly lyrical melodic motifs and is constructed on an authentic protzrs mode which has a range of a modal fifth (D to A) wit11 the ornamentation of B flat. T11e liturgy of Good Friday juxtaposes the celebration of two ritual elements, the readings from the Bible followed by the universal prayer (orntio fidelitan) and the Veneration of the Cross. The first has its origin in the papal liturgy, celebrated in the Roman Basilica of the Holy Cross of Jerusalem, the second, more popular in character, is derived from the presbyterial liturgy.
[Show full text]