Mary Poppins *****
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Feed the Birds from Walt Disney’S Mary Poppins
From: “Mary Poppins [Original Soundtrack]” Feed the Birds from Walt Disney’s Mary Poppins by RICHARD M. SHERMAN and ROBERT B. SHERMAN Published Under License From Walt Disney Music Publishing © 1963 Wonderland Music Company, Inc. Copyright Renewed International Copyright Secured All Rights Reserved Authorized for use by Louis Lagalante NOTICE: Purchasers of this musical file are entitled to use it for their personal enjoyment and musical fulfillment. However, any duplication, adaptation, arranging and/or transmission of this copyrighted music requires the written consent of the copyright owner(s) and of Musicnotes.com. Unauthorized uses are infringements of the copyright laws of the United States and other countries and may subject the user to civil and/or criminal penalties. Musicnotes.com FEED THE BIRDS from Walt Disney’s MARY POPPINS Words and Music by RICHARD M. SHERMAN Slowly, with feeling and ROBERT B. SHERMAN Em Am/E Em B o ooo x x o o ooo x Em Am/E Edim7 Am/E Em o ooo x x o x x x x o o ooo Ear - ly each day to the steps of Saint Paul’s the lit - tle old Am/E Em x x o o ooo bird wom - an comes. In her own spe - cial Am/E Edim7 Am/E Em x x o x x x x o o ooo way to the peo - ple she calls, “Come, buy my © 1963 Wonderland Music Company, Inc. Copyright Renewed International Copyright Secured All Rights Reserved Musicnotes.com Authorized for use by: Louis Lagalante 2 B7 Em D7 x o o ooo x x o bags full of crumbs. -
Dear Jarit Del, You. Oh! I Am A Prototype Bioneural Gel-Based
Dear Jarit Del, Hello!! This isn’t my actual voice. But if I could, I would say, Hello! This is just writing, a letter, communicating my intentions and my hopes and thoughts and words that I wish to say, but I want to say instead! I’m really scared!! I am very scared. But I am really excited, and Doctor Vier told me that I can practice being brave when I’m with you. Oh! I am a prototype bioneural gel-based android, otherwise known as Project Blue Blood. I am three years old! Approximately. I had to write this letter five times because I kept trying to spell out my actual age as it advanced and changed, but I kept running out of paper, so Doctor Vier told me to keep it approximate! My name is Chuck! It stands for Cybernetic Humanoid Understanding Cumulative Knowledge. But you can call me just Chuck. But I like Chuckles as a nickname because it’s like a laugh! And I like to laugh. Do you like to laugh? I love to laugh! Ha, ha, ha, ha! Loud and long and clear! I love to laugh, he, he, he, he! It’s getting worse every year! That’s some lyrics from one of my favorite movies. It’s called Mary Poppins! Have you seen it yet? It’s one of my favorites because of the songs that they sing, and because of the characters and the story! The children go on adventures with someone who looks after them! I like the colors and the things that they do, but I really like the songs. -
Audition Packet Anything Goes
Audition Packet – Mary Poppins Jr – Twelve Corners Middle School Auditions for Twelve Corners Middle School’s production of “Mary Poppins Jr” are Monday March 5, 3-4:30pm OR Tuesday March 6, 3-4:30pm in the TCMS Small Gym. You should ONLY ATTEND ONE DAY. Callbacks, if needed, will be Friday March 9, 3-4:30pm. You will receive an email if you are needed at callbacks. At the auditions you will be asked to: • Read one scene from the audition packet • Sing a song segment from the audition packet. If you are interested in a character who has a solo in the show, you will be asked to sing by yourself. If you do not want a solo, you can sing in a group of people. • Perform a short dance number in a group. Script and song selections for auditions can be found in this packet. Please look over all the scenes and the music. Have your parents and friends help you! Read through the scenes several times before the audition. YOU MUST HAVE A COMPLETED AUDITION FORM WHEN YOU ARRIVE AT AUDITIONS. Tracks for rehearsal can be downloaded from Dropbox using the addresses below. Note you do not need a DropBox account to download these. Vocal Tracks: https://goo.gl/LXXFDC Non-Vocal Tracks: https://goo.gl/Dop9oV (note that case matters, type it in exactly!) If you have questions, please call John Barthelmes (Director) at 585-305-4767 or email [email protected]. ==================================================================================================== Rehearsals, Performances Rehearsals will generally be: Mondays 3-5pm, Tuesdays 3-5pm, Thursdays 3-5pm, Fridays 3-5pm. -
Winning Essays from the Federal Reserve Bank of Cleveland's 2004
Two Thumbs Up! Winning Essays from the Federal Reserve Bank of Cleveland’s 2004 Essay Contest: Economics Goes to the Movies 6 Ryan McVay/Getty Images The Federal Reserve Bank of Boston is not the tuppence at the bank. At the bank, Jane and Michael are introduced to only Reserve Bank to use entertainment as a the chairman, the senior Mr. Dawes. The children's visit to the bank hook for teaching economics. together takes up less than ten minutes in the movie and yet in those few minutes, the movie introduces the audience to fundamental economic In 2004, the Federal Reserve Bank of concepts. The time value of money and compound interest in financial Cleveland's annual essay contest gave high economics (Hirschey, 727) are introduced in the form of a song sung by school juniors and seniors the opportunity the elder Mr. Dawes, "a giant in the world of finance." Accompanied by a to choose their favorite movie and explain chorus of other bankers, Mr. Dawes tries to convince Michael, with a the economic concepts behind the scenes. We song, the wisdom of saving the tuppence in a bank account and the were so struck by the quality of the essays that magic of compounding as the principal multiplies over time. As Mr. we asked permission to share the first and sec- Dawes explains, Michael Banks's present value of one tuppence can grow ond place winners with our readers. Here they into a future value of a "generous amount" through semiannual com- are. Enjoy! pounding, if Michael deposits the tuppence in the bank. -
Announcer Session: Speaker 1: Ladies and Gentlemen. Speaker 2: Moms and Dads, Speaker 3: Children of All Ages
ACT I Announcer Session: Speaker 1: Ladies and Gentlemen. Speaker 2: Moms and Dads, Speaker 3: Children of all Ages. Speaker 1: Welcome to the wonderful world of Walt Disney! Speaker 2: A magical kingdom where elephants fly, Chimney sweeps dance Speaker 3: And every wish you make comes true. Speaker 1,2, &3: Welcome one and all to the happiest place on earth! Zip-a-dee-doo-dah Zip-a-dee-doo-dah, Zip-a-dee-ay, my oh my, what a wonderful day, Plenty of sunshine headin’ my way, Zip-a-dee-doo-dah, Zip-a-dee-ay. Mister Bluebird on my shoulder, it’s the truth! It’s act’chill’! Everything is satisfactich’ll! Zip-a-dee-doo-dah, Zip-a-dee-ay wonderful feelin’ wonderful day. Wonderful feelin’ it’s a Disney Day. Wonderful Day. How d’ya do and shake hands How d’ya do and shake hands, shake hands, shake hands, Say how d’ya do and shake hands; state your name and business How d’ya do and shake hands, shake hands, shake hands, Say how d’ya do and shake hands; state your name and business Twiddle Dee: You go thru life and never know the day when fate may bring, a situation that will prove to be embarrassing Twiddle Dum: Your face gets red; you hide your head, and wish that you could die. But that’s old fashioned, here’s a new thing you should really try: How d’ya do and shake hands, shake hands, shake hands, Say how d’ya do and shake hands, state your name and business Say how d’ya do and shake hands, shake hands, shake hands, Say how d’ya do and shake hands, state your name and business Bibbidi Bobbidi Boo Sa-la-ga-doo-la, men-chic-ka-boo-la, bib-bi-di-bob-bi-di-boo Put ‘em together and what have you got? bib-bi-di-bob-bi-di-boo Fairy Godmother: Sa-la-ga-doo-la means men-chic-ka-boo-la-roo, but the thing –a-ma-bob that does the job is bib-bi-di-bob-bi-di-boo Sa-la-ga-doo-la, men-chic-ka-boo-la, bib-bi-di-bob-bi-di-boo Put ‘em together and what have you got? bib-bi-di-bob-bi-di, bib-bi-di-bob-bi-di, bib-bi-di-bob-bi-di, bib-bi-di-bob-bi-di, bib-bi-di-bob-bi-di-boo. -
Jolly Holiday Script V3
JOLLY HOLIDAY by Kira Prince DRAFT © 2017 Kira Prince 2. QUEUE: The queue for Jolly Holiday combines several queuing ideas under one roof. The queue starts and ends as a traditional queue but the main portion is a thoroughly modern "virtual queue" with activities and distractions. It takes much inspiration from the world of immersive theatre with several live characters populating the micro-land and interacting with each other as well as the guests. EXT. EDWARDIAN LONDON TOWN - ENTRANCE / TRADITIONAL QUEUE 1 A quaint town on the outskirts of London sits proudly awaiting its visitors. The buildings are close together and sit helter-skelter. A variety of chimneys stick up charmingly at odd angles. Underscore of The Life I Lead and the Overture plays. At night silhouettes of chimney sweeps mulling about are seen on this skyline. Occasionally underscore of Step in Time breaks out and the sweeps dance about the rooftop. A large archway sits in the center of the facade leading us to the street that curves away beneath it. ALLEY - TRADITIONAL QUEUE 1 As we venture onto this street/alleyway the slim facades of various slightly grimy businesses and residences are seen. Signs in the windows advertise their wares and various doors and staircases hint at the residents living above. If you listen closely you might hear the LAUGH of UNCLE ALBERT echoing inside his wood-paneled walls. Some row homes can be seen through gaps in the buildings on the next street over (the exit queue). As we approach another bend the buildings pull away to reveal the gate to Cherry Tree Lane. -
Show 1- Sunday-June 2-12:30 Pm
Show 1- Sunday-June 2-12:30 pm 1 Ready or Not SPT Competition Sr Ballet Miss Beckie [Song:Ready or Not] (00:00) • 1432 SPT Ballet Sr (W9:00pm) 2 Where Them Girls At Hip Hop Beg Miss Danni [Song:Where Them Girls At] (02:00) • 1370 Hip Hop Beg (W6:15pm) 3 Real Lo Hip Hop Beg/Int Miss Lisa [Song:Real Lo] (02:15) • 1371 Hip Hop Beg/Int (W5:15pm) 4 Alive Lyrical Int/Adv Miss Lisa [Song:Alive] (02:00) • 1352 Lyrical Int/Adv (W8:00pm) 5 Get Back Up Again Dance Baby Dance Miss Beckie [Song:Get Back Up Again ] (02:00) • 1304- Dance Baby Dance W-1:45 (W1:45pm) 6 Chris Brown SPT Ensemble Jr 2 Miss Danni [Song:Chris Brown] (00:00) • 1419 SPT Ensemble Jr 2 (Sa3:45pm) 7 Heart Beat Tap and Toes Miss Beckie [Song:Heart Beat ] (02:00) • 1310 Tap and Toes (W1:00pm) 8 Toy Jazz Int/Adv Miss Lisa [Song:Toy] (02:15) • 1367 Jazz Int/Adv (W7:00pm) 9 Dance of the Reed Flutes Pre Ballet Miss Jackie [Song:Dance of the Reed Flutes ] (02:15) • 1324 Pre Ballet (Th04:30pm) 10 Treat Myself Pre Hip Hop Miss Danni [Song:Treat Myself] (02:00) • 1329 Pre Hip Hop (W5:30pm) 11 Power Pre Hip Hop Miss Danni [Song:Power] (02:15) • 1330 Pre Hip Hop (Sa11:14am) 12 It's Your Birthday Jazzy Toes Miss Beckie [Song:It's Your Birthday ] (02:00) • 1314 Jazzy Toes (W12:15pm) 13 Work Mix Hip Hop Int Miss Danni [Song:Work Mix ] (02:15) • 1374 Hip Hop Int (W7:45pm) 14 Until We Go Down SPT Competition Int Lyrical Miss Beckie [Song:Until We Go Down] (00:00) • 1435 SPT Lyrical Int (Sa8:00am) 15 Circus SPT Ensemble Jr 1/2 Miss Beckie [Song:Circus] (00:00) • 1110 SPT Ensemble Jr 1/2 (Sa4:15pm) -
AB 1199: Success in New Legislation to Save Jobs Sacramento! for CA Musicians Soars Through Committees and Heads to Assembly Floor
AFM LOCAL 47 Vol. 1 No. 6 June 2015 AB 1199: Success in New legislation to save jobs Sacramento! for CA musicians soars through committees and heads to Assembly floor Spring Membership Drive ‘I Create Music’ Join through June 30 and save! #listenLA recaps the 10th annual ASCAP Expo DISCLAIMER Overture Online is optimized for viewing in its native App version as published in the Apple App Store & Google Play. This pdf version of Overture Online does not contain the live html links or other interactive elements as they appear in the App version, and serves to exist for archival reference only. A digital archive of Overture Online containing all interactive elements may be accessed at the following link: afm47.org/press/category/overture-online ISSN: 2379-1322 Publisher Editor AFM Local 47 Gary Lasley 817 Vine Street Managing Editor / Ad Manager Hollywood, CA 90038-3779 Linda A. Rapka p 323.462.2161 f 323.461.3090 Graphic Design / Layout Assistant www.afm47.org Candace Evans Titled Officers Hearing Board President: John Acosta Alan Estes, Chuck Flores, Overture Online is the official electronic Vice President: Rick Baptist Jon Kurnick, Jeff Lass, monthly magazine of the American Federa- Secretary/Treasurer: Gary Lasley Norman Ludwin, Allen Savedoff, tion of Musicians Local 47, a labor union for Marc Sazer Trustees professional musicians located in Hollywood. Judy Chilnick, Dylan Hart, Hearing Representative Bonnie Janofsky Vivian Wolf Formed by and for Los Angeles musicians over a century ago, Local 47 promotes and Directors Salary Review Board Pam Gates, John Lofton, Rick Baptist, Stephen Green, protects the concerns of musicians in all ar- Andy Malloy, Phil O’Connor, Bill Re- Norman Ludwin, Marie Matson, Paul eas of the music business. -
Saving Mr. Banks
LAMORINDA WEEKLY | Saving Mr. Banks Published December 18th, 2013 Saving Mr. Banks By Derek Zemrak I went into the press screening of "Saving Mr. Banks" thinking I was going to see a "feel good" Disney holiday movie. But in reality, I got more than a "spoonful of sugar." I saw a solid film with a superior script and superb acting based on the true story about P. L. Travers, the author of "Mary Poppins." The film stars two-time Oscar winner Emma Thompson ("Sense and Sensibility," "Howards End") as the bitter Travers and two-time Oscar winner and Bay Area native Tom Hanks ("Forrest Gump," "Philadelphia") as Walt Disney. Disney's daughters loved the book, "Mary Poppins," and he promised them that one day he would make a "Mary Poppins" movie. Well, sometimes things are not that easy, even if you are Walt Disney. Travers was very protective of the creation of her characters in "Mary Poppins" and she had no desire to have them come to life on the big screen. After 20 years chasing his promise to his daughters, Disney continued to pursue the rights from Travers. When the royalties were drying up, Travers finally agreed under Walt Disney Studios Motion Pictures one condition: that she maintain total control of production. As Disney says, "A promise is a promise," and for his daughters he agreed to the terms. Disney did not have any idea what was in store for him and the production crew as they began making "Mary Poppins." Travers was not happy about anything from the script, the music, the animation, to the casting of Dick Van Dyke. -
Mary Poppins Jr. Full Synopsis from Mtishows.Com
Mary Poppins Jr. Full Synopsis From mtishows.com Bert, a man of many trades, introduces the audience to the unhappy Banks family: father George, mother Winifred, and children Jane and Michael (Prologue). The family; the housekeeper, Mrs. Brill; and the houseboy, Robertson Ay, are shocked when Katie Nanna quits and storms out in frustration. George muses about what he expects from the household - the nanny, in particular ("Cherry Tree Lane - Part 1"). Though Jane and Michael insist upon their own requirements for their caregiver ("The Perfect Nanny"), George dismisses their requests ("Cherry Tree Lane - Part 2"). As if summoned, Mary Poppins appears, offering her services as a nanny. She fits the children's requirements exactly ("Practically Perfect / Practically Perfect - Playoff" ). She then takes the children to the park, where they meet Bert, who describes how wonderful everyday life can be when spending time with Mary ("Jolly Holiday"). At first, the children are not convinced, but when Mary Poppins brings to life a park statue named Neleus, Jane and Michael are in awe of her. The children return home and gush to their father about the nanny, but George is preoccupied ("Winds Do Change"). A few weeks later, the household is preparing for Winifred's party, and Jane and Michael make a mess of the house. Despite Mary's magic ("A Spoonful of Sugar"), the party is ruined when no one attends ("Spoonful - Playoff"). Later, Mary takes the children on a visit to George's workplace, the bank ("Precision and Order - Part 1"). While Clerks are bustling about and clients are trying to convince George to grant them loans, the children burst into the bank ("Precision and Order - Part 2"). -
MARCH 2021—Mary Poppins Rehearsal Schedule
MARCH 2021—Mary Poppins Rehearsal Schedule Sun Monday Tuesday Wednesday Thursday Friday Sat 7 8 9 10 11 12 13 Ensemble Casting: Music Rehearsal: Music Rehearsal: Music Rehearsal: Virtual Rehearsal: 3:30-5:15 p.m.: Required 3:30-5:15 p.m.: Required 3:30-5:15 p.m.: Required 3:30-5:15 p.m.: Required 3:30: TBA for Everyone in the show for Step n’ Time Dancers, for Step n’ Time Dancers, for Step n’ Time Dancers, except Mary Poppins, Chimney Sweeps, Bert, Chimney Sweeps, Bert, Chimney Sweeps, Bert, Bert, Mr. Banks, Mrs. and Mary and Mary and Mary Banks, Jane, and Michael 14 15 16 17 18 19 20 Music Rehearsal: Music Rehearsal: Music Rehearsal: Music Rehearsal: Virtual Rehearsal: 3:30-5:15 p.m.: Required 3:30-5:15 p.m.: Required 3:30-5:15 p.m.: Required 3:30-5:15 p.m.: Required 3:30: TBA for Step n’ Time Dancers, for All Bankers, Bank for Everyone for All Bankers, Bank Chimney Sweeps, Bert, Executive Board, Mr. Executive Board, Mr. and Mary Banks, Mr. Dawes Sr., and Banks, Mr. Dawes Sr., Mr. Dawes Jr. and Mr. Dawes Jr. 21 22 23 24 25 26 27 Music Rehearsal: Music Rehearsal: Music Rehearsal: Music Rehearsal: Virtual Rehearsal: 3:30-5:15 p.m.: Required 3:30-5:15 p.m.: 3:30-5:15 p.m.: 3:30-5:15 p.m.: Required 3:30: TBA for All Supercalifragilistic Required for All Required for All Jolly for All Jolly Holiday Dancers, Singers, Mary, Supercalifragilistic Holiday Characters, Bert, Characters, Bert, Mary, Mrs. -
Movies & Languages 2014-2015 Saving Mr. Banks As and Like
Movies & Languages 2014-2015 Saving Mr. Banks About the movie (subtitled version) DIRECTOR John Lee Hancock YEAR / COUNTRY 2013 / USA GENRE Comedy ACTORS T. Hanks, E. Thompson, C. Farrell, P. Giamatti PLOT Walt Disney, a doting father, promised his daughters that he would bring their favourite fictional nanny, Mary Poppins, to life in the cinema. Little did he know what he was getting into because the author of the book, Pamela Travers, did not like Hollywood and had no intention of letting her most famous creation be manipulated for the marketplace. Years later, when her book sales began to slow, dwindling finances forced her to schedule a meeting with Disney to discuss future movie rights to her beloved story. For two weeks in 1961, a determined Disney did all he possibly could to convince Travers that his film version of Mary Poppins would be wondrous and respectful. In the end, to really convince her, he had to reach back to his early childhood. LANGUAGE Standard American, Australian and British English. GRAMMAR As and Like 1. Similarity We can use like or as to say things that are similar. a. Like is a preposition. We use like before a noun or pronoun. You look like your sister He ran like the wind She's dressed like me We also use like to give examples. He's good at some subjects, like mathematics In mountainous countries, like Switzerland b. As is a conjunction. We use as before a clause, and before an expression beginning with a preposition. Nobody knows her as I do We often drink tea with the meal, as they do in China On Friday, as on Tuesday, the meeting will be at 8.30 2.