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Constructing, Programming, and Branding Celebrity on Reality Television
UNIVERSITY OF CALIFORNIA Los Angeles Producing Reality Stardom: Constructing, Programming, and Branding Celebrity on Reality Television A dissertation submitted in partial satisfaction of the Requirements for the degree Doctor of Philosophy in Film and Television by Lindsay Nicole Giggey 2017 © Copyright by Lindsay Nicole Giggey 2017 ABSTRACT OF THE DISSERTATION Producing Reality Stardom: Constructing, Programming, and Branding Celebrity on Reality Television by Lindsay Nicole Giggey Doctor of Philosophy in Film and Television University of California, Los Angeles, 2017 Professor John T. Caldwell, Chair The popular preoccupation with celebrity in American culture in the past decade has been bolstered by a corresponding increase in the amount of reality programming across cable and broadcast networks that centers either on established celebrities or on celebrities in the making. This dissertation examines the questions: How is celebrity constructed, scheduled, and branded by networks, production companies, and individual participants, and how do the constructions and mechanisms of celebrity in reality programming change over time and because of time? I focus on the vocational and cultural work entailed in celebrity, the temporality of its production, and the notion of branding celebrity in reality television. Dissertation chapters will each focus on the kinds of work that characterize reality television production cultures at the network, production company, and individual level, with specific attention paid to programming focused ii on celebrity making and/or remaking. Celebrity is a cultural construct that tends to hide the complex labor processes that make it possible. This dissertation unpacks how celebrity status is the product of a great deal of seldom recognized work and calls attention to the hidden infrastructures that support the production, maintenance, and promotion of celebrity on reality television. -
Mrts 4450/5660.001: It's Not Tv, It's Hbo!
MRTS 4450/5660.001: IT’S NOT TV, IT’S HBO! University of North Texas Fall 2020 Professor: Jennifer Porst Email: [email protected] Class: T 2:30-5:20P Office Hours: By appointment Course Description: Since its debut in the early 1970s, HBO has been a powerhouse in American television and film. They regularly dominate the nominations for Emmy and Golden Globe awards, and their success has profoundly affected the television and film industries and the content they produce. Through an examination of the birth and development of HBO, we will see what a closer analysis of the channel can tell us about television, Hollywood, and American culture over the last four decades. We will also look to the future to see what HBO might become in the increasingly global and digital television landscape. Student Learning Goals: This course will provide students with an opportunity to: • Understand the industrial conditions that led to the birth and success of HBO • Gain insight into the contemporary challenges and opportunities faced by the media industries • Develop critical thinking skills through focused analysis of readings and HBO content • Communicate clearly and confidently in class discussion and presentations Required Texts: 1. Edgerton, Gary R. and Jeffrey P. Jones, Eds. The Essential HBO Reader. Lexington, KY: The University Press of Kentucky, 2008. Available as an e-book via the UNT Library website. 2. Subscription to HBO Go/Now 3. Additional required readings and screenings will be available for free through the class website. 4. Students will need to register for use of the Packback Questions site, which should cost between $10- 15 for the semester. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Star World Hd Game of Thrones Schedule
Star World Hd Game Of Thrones Schedule How flaky is Deane when fringe and shaggy Bailey diddling some Selby? Is Moise brakeless when Mackenzie moan blithely? Unprecedented and venous Jude never wrongs his nationalisations! Fear of salesman sid abbott and world of thrones story of course, entertainment weekly roundups of here to baby no spam, sweep and be a zoo He was frustrated today by his outing. Channel by tangling propeller on their dinghies. Fun fact: President Clinton loves hummus! Battle At Biggie Box. My BT deal ordeal! This is probably not what you meant to do! You have no favorites selected on this cable box. Maybe the upcoming show will explore these myths further. Best bits from the Scrambled! Cleanup from previous test. Get a Series Order? Blige, John Legend, Janelle Monáe, Leslie Odom Jr. Memorable moments from the FIFA World Cup and the Rugby World Cup. Featuring some of the best bloopers from Coronation Street and Emmerdale. Anarchic Hip Hop comedy quiz show hosted by Jordan Stephens. Concerning Public Health Emergency World. Entertainment Television, LLC A Division of NBCUniversal. Dr JOHN LEE: Why should the whole country be held hostage by the one in five who refuse a vaccine? White House to spend some safe quality time with one another as they figure out their Jujutsu Kaisen move. Covering the hottest movie and TV topics that fans want. Gareth Bale sends his. International Rescue answers the call! Is she gaslighting us? Rageh Omaar and Anushka Asthana examine how equal the UK really is. Further information can be found in the WHO technical manual. -
Accepted Manuscript Version
Research Archive Citation for published version: Kim Akass, and Janet McCabe, ‘HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007’, Mise au Point, Vol. 10, 2018. DOI: Link to published article in journal's website Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: This manuscript version is made available under the terms of the Creative Commons Attribution-NonCommercial- NoDerivatives License CC BY NC-ND 4.0 ( http://creativecommons.org/licenses/by-nc-nd/4.0/ ), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. Enquiries If you believe this document infringes copyright, please contact Research & Scholarly Communications at [email protected] 1 HBO and the Aristocracy of TV Culture : affiliations and legitimatising television culture, post-2007 Kim Akass and Janet McCabe In its institutional pledge, as Jeff Bewkes, former-CEO of HBO put it, to ‘produce bold, really distinctive television’ (quoted in LaBarre 90), the premiere US, pay- TV cable company HBO has done more than most to define what ‘original programming’ might mean and look like in the contemporary TV age of international television flow, global media trends and filiations. In this article we will explore how HBO came to legitimatise a contemporary television culture through producing distinct divisions ad infinitum, framed as being rooted outside mainstream commercial television production. In creating incessant divisions in genre, authorship and aesthetics, HBO incorporates artistic norms and principles of evaluation and puts them into circulation as a succession of oppositions— oppositions that we will explore throughout this paper. -
True Detective Provides Talented Acting and Exciting Plot
True Detective provides talented acting and exciting plot HBO’s True Detective has been one of the best shows to come to television in recent years. With its riveting action sequences, sizzling erotic scenes, and amazing cast, this program, directed by Cary Fukanaga, truly provides audiences with gripping television. Set in the mid-1990s and filmed in Louisiana, detectives Martin Hart (Woody Harrelson) and Rustin “Rust” Cohle (Matthew McConaughey) are on the trail of a ritual-obsessed serial killer who adorns his victims’ bodies with antlers and other symbols. Told mostly through flashbacks, the show cuts to scenes of the detectives being interviewed in present day, with hints at their possible corruption. The excitement of the program comes with the transition between seasons, with each season having a completely new story and cast. This format ensures that the viewer is never left with a cliffhanger, as all the questions have to be answered by the last episode of each season. For me, actors have done their job when they are completely absorbed in their part and the audience no longer sees an actor, but only a character. McConaughey and Harrelson achieve this feat and truly bring these characters off the screen and into our living rooms. However, where these actors really excel is their power to tell a story. Now, one might think that storytelling comes from the writer, but the detectives’ use of facial expressions, along with slight mannerisms to get their intended message across, certainly brings the show to a whole new level. However, the area in which this series is lacking is where so many other great shows today excel—the presence of strong female characters. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
Cheat Sheet to Westeros and Beyond, Your Guide on Catching up to “Game of Thrones” Before Season 8 Starts April 14
“Game of Thrones” has several great battle scenes, and the sixth season features the Battle of the Bastards, one of the most epic battle scenes ever filmed, movie or television. COURTESY/HBO ith the final season of “Game of Thrones” fast approaching, you might feel a little left out of the pop culture phenomenon as ‘GAME OF your friends and family discuss Targaryens, Starks and Lan- nisters. But it’s not too late to get caught up, if you’re willing to Wtake a crash course in the Seven Realms. THRONES’ Today we’re giving you a cheat sheet to Westeros and beyond, your guide on catching up to “Game of Thrones” before Season 8 starts April 14. This is by no means complete. We definitely recommend you take time later to go back and watch the entire series, which is epic in scale and qual- TV ity. We’ve boiled the show’s 67 episodes down to 28, or a little over 26 hours ‘Game of CHEAT Thrones’ season of viewing. While you won’t get every detail, this list will give you what you 8 premiere need to understand the major plot points. With a bit of dedication, you can 8 p.m. April 14, HBO get through it all in a week. SHEET And if you’re already familiar with Game of Thrones, you can use this as a guide to re-familiarize yourself with the world you’ve been missing for the last 18 months. Your guide to catching up on the Seven Tip: Wikipedia has pretty good summaries for each episode. -
Game of Thrones: Rules of Play
GAME OF THRONES Introduction n a land where summers span decades and win- Game of Thrones lets two players experience their Iters can last a lifetime, trouble is brewing. Based own battles and courtly intrigues in the lands of on the popular book series A Song of Ice and Fire, Westeros as House Lannister or House Stark. Play- by George R. R. Martin, HBO’s hit fantasy series ers first use plot cards to attempt to gain the ad- GAME OF THRONES chronicles an epic struggle vantage, then marshall their forces consisting of a for power set in a vast and violent fantasy king- variety of characters, locations, and attachments. dom. From the scheming south and the savage Each player can then engage his opponent in three eastern lands, to the frozen north and the ancient types of challenges: Wall that protects the realm from the darkness beyond, two powerful families are engaged in a Military deadly cat-and-mouse game for control of the Seven Kingdoms of Westeros. As betrayal, lust, in- Intrigue trigue, and supernatural forces shake the four cor- Power ners of the Kingdoms, their bloody struggle for the Iron Throne will have unforeseen and far-reaching As players win challenges, they claim power for consequences. GAME OF THRONES follows kings their House. The first player to gain 15 power wins and queens, knights and renegades, liars and no- the game. blemen as they vie for power. Gather your wits and muster your armies, for when you play the game of thrones, you win, or you die; there is no middle ground. -
True Detective Is an Inquisitive Soul, Sunday* 1 P.M
W ho is the TRUE Visiting the Library DETECTIVE? Loca tion 1 Conti Parkway, Elmwood Park, IL 60707 For the... We are located in Conti Circle, near the • Creative problem solver intersection of Grand Ave. and N. 76th Ave. • Exudes grace under pressure • Parking in the Circle is free for 4 hours. TRUE Enjoys a good challenge The True Detective is an inquisitive soul, DETECTIVE who thrives on finding answers. Patient Hours of Operation and analytical, the True Detective will go Monday - Thursday 9 a.m. – 9 p.m. to great lengths to understand the current Friday9 a.m. – 6 p.m. mystery at hand. Oftentimes this involves Saturday9 a.m. – 5 p.m. dealing with the seedier side of life, which Sunday*1 p.m. – 5 p.m. the True Detective is seemingly fearless *Closed on Sundays Memorial Day - Labor Day against. True Detectives are quick on their feet and whether or not they are truly pre- pared for the situation at hand, they will GIFT GUIDE always appear as if they are. 2014 Elmwood Park Public Library 1 Con Parkway, Elmwood Park, IL 60707 708.453.7645 | www.elmwoodparklibrary.org Elmwood Park Public Library 1 Con Parkway, Elmwood Park, IL 60707 708.453.7645 | www.elmwoodparklibrary.org FICTION NONNON----FICTIONFICTION DVDDVDssss The Bird Box , Josh Malerman The Most Dangerous Animal of All: True Detective (Season 1) A dark and twisted postapocalyptic Searching for my Father ...and The lives of two detectives become en- survival story. Think Stephen King meets Finding the Zodiac Killer, tangled during a 17-year hunt for a serial Hitchcock. -
A Case Study of Female Detectives on HBO
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 9-26-2017 10:00 AM (Not) One of the Boys: A Case Study of Female Detectives on HBO Darcy Griffin The University of Western Ontario Supervisor Dr. Susan Knabe The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Darcy Griffin 2017 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Film and Media Studies Commons, Television Commons, and the Women's Studies Commons Recommended Citation Griffin, Darcy, "(Not) One of the Boys: A Case Study of Female Detectives on HBO" (2017). Electronic Thesis and Dissertation Repository. 4995. https://ir.lib.uwo.ca/etd/4995 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract In 1997 HBO aired its first original drama series, Oz. In the years that have followed the network has positioned itself as vanguard in the television landscape, however, HBO drama series have remained a complicated, and often dangerous site for female characters. Moreover, with a few exceptions (Sex and the City, or True Blood for example), original HBO drama series remain focused on the network’s primary audience demographic: the predominantly male, relatively affluent consumers of quality television. This research explores the representation of female detectives within original HBO crime drama series, The Wire (2002--8) and Season Two of True Detective (2014 -), in order to examine how female officers, operate within the male-dominated world of HBO drama. -
Final Draft Thesis Corrected
REDEFINING MASCULINITY IN GAME OF THRONES !1 Redefining Masculinity through Disability in HBO’s Game of Thrones A Capstone Thesis Submitted to Southern Utah University in partial fulfillment of the requirements for the degree of Master of Arts in Professional Communication April 2016 By Amanda J. Dearman Capstone Committee: Dr. Kevin A. Stein, Ph.D., Chair Dr. Arthur Challis, Ed.D. Dr. Matthew H. Barton, Ph.D. Running head: REDEFINING MASCULINITY IN GAME OF THRONES !3 Acknowledgements I have been blessed with the support of a number of number of people, all of whom I wish to extend my gratitude. The completion of my Master’s degree is an important milestone in my academic career, and I could not have finished this process without the encouragement and faith of those I looked toward for support. Dr. Kevin Stein, I can’t thank you enough for your commitment as not only my thesis chair, but as a professor and colleague who inspired many of my creative endeavors. Under your guidance I discovered my love for popular culture studies and, as a result, my voice in critical scholarship. Dr. Art Challis and Dr. Matthew Barton, thank you both for lending your insight and time to my committee. I greatly appreciate your guidance in both the completion of my Master’s degree and the start of my future academic career. Your support has been invaluable. Thank you. To my family and friends, thank you for your endless love and encouragement. Whether it was reading my drafts or listening to me endlessly ramble on about my theories, your dedication and participation in this accomplishment is equal to that of my own.