Bakhtin, Mikhail, Rabelais and His World, trans. Hélène Iswolsky (Cambridge, MA: MIT Press, 1968). Bradbrook, M. C., The Growth and Structure of Elizabethan Comedy (Harmondsworth: Penguin, 1963). Braunmuller, A. R. and Michael Hattaway (eds), The Cambridge Companion to English Renaissance Drama (Cambridge: Cambridge University Press, 1990). Bristol, Michael D., Carnival and Theater: Plebeian Culture and the Structure of Authority in Renaissance England (London: Methuen, 1985). Bruster, Douglas, Drama and the Market in the Age of Shakespeare (Cambridge: Cambridge University Press, 1992). Butler, Martin, Theatre and Crisis 1632–1642 (Cambridge: Cambridge University Press, 1984). Cordner, Michael, Peter Holland and John Kerrigan (eds), English Comedy (Cambridge: Cambridge University Press, 1994). Cox, John D. and David Scott Kastan (eds), A New History of Early English Drama (New York: Columbia University Press, 1997). Esche, Edward J. (ed.), Shakespeare and His Contemporaries in Performance (Aldershot: Ashgate, 2000). Gibbons, Brian, Jacobean City Comedy (London: Methuen, 1980). Griswold, Wendy, Renaissance Revivals: City Comedy and Revenge Tragedy in the London Theatre, 1576–1980 (Chicago and London: University of Chicago Press, 1986). Gurr, Andrew, The Shakespearean Stage 1574–1642, 3rd edition (Cambridge: Cambridge University Press, 1992). Gurr, Andrew, Playgoing in Shakespeare’s London (Cambridge: Cambridge University Press, 1987). Gurr, Andrew, The Shakespearean Playing Companies (Oxford: Clarendon Press, 1996). Hattaway, Michael, Elizabethan Popular Theatre: Plays in Performance (London: Routledge, 1982). Heinemann, Margot, Puritanism and Theatre: Thomas Middleton and Opposition Drama under the Early Stuarts (Cambridge: Cambridge University Press, 1980). Howard, Jean E., The Stage and Social Struggle in Early Modern England (London and New York: Routledge, 1994). Kastan, David Scott, Shakespeare After Theory (London: Routledge, 1999). 313 314 Further Reading

Kastan, David Scott (ed.), A Companion to Shakespeare (Oxford: Blackwell, 1999). Kastan, David Scott and Peter Stallybrass (eds), Staging the Renais- sance: Reinterpretations of Elizabethan and Jacobean Drama (London and New York: Routledge, 1991). Kinney, Arthur F. (ed.), A Companion to English Renaissance Drama (Oxford: Blackwell, 2002). Leggatt, Alexander, English Stage Comedy 1490–1990 (London: Routledge, 1998). Leggatt, Alexander, Introduction to English Renaissance Comedy (Manchester: Manchester University Press, 1999). Leinwand, Theodore B., The City Staged: Jacobean Comedy 1603–1613 (Madison, Wisconsin, 1986). McLuskie, Kathleen, Renaissance Dramatists (Hemel Hempstead: Harvester Wheatsheaf, 1989). Masten, Jeffrey, Textual Intercourse: Collaboration, Authorship, and Sexualities in Renaissance Drama (Cambridge: Cambridge University Press, 1996). Scott, Michael, Renaissance Drama and a Modern Audience (Basingstoke: Macmillan, 1982). Shaughnessy, Robert (ed.), Shakespeare in Performance: Contemporary Critical Essays (Basingstoke: Macmillan, 2000). Shepherd, Simon and Peter Womack, English Drama: A Cultural History (Oxford: Blackwell, 1996). Smith, David L., Richard Strier and David Bevington (eds), The Theatrical City: Culture, Theatre and Politics in London, 1576–1649 (Cambridge: Cambridge University Press, 1995). Weimann, Robert, Shakespeare and the Popular Tradition in the Theater, trans. Robert Schwartz (Baltimore: Johns Hopkins University Press, 1978). Weimann, Robert, Author’s Pen and Actor’s Voice (Cambridge: Cambridge University Press, 2000). Thomson, Peter, Shakespeare’s Theatre, 2nd edition (London: Routledge, 1992). White, Martin, Renaissance Drama in Action (London: Routledge, 1998). Wiggins, Martin, Shakespeare and the Drama of His Time (Oxford: Oxford University Press, 2000). Wiles, David, Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse (Cambridge: Cambridge University Press, 1987). Zimmerman, Susan (ed.), Erotic Politics: Desire on the Renaissance Stage (London and New York: Routledge, 1992).