ENGLISH HUMOR: SEE ALSO ATTACHMENTS for INDIVIDUAL ENGLISH AUTHORS by Don L. F. Nilsen English Department Arizona State Universi
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ENGLISH HUMOR: SEE ALSO ATTACHMENTS FOR INDIVIDUAL ENGLISH AUTHORS by Don L. F. Nilsen English Department Arizona State University Tempe, AZ 85287-0302 ( [email protected] ) Aercke, Kristiaan P. Gods of Play: Baroque Festive Performances as Rhetorical Discourse. Albany, NY: State University of New York Press, 1994. Alden, Raymond MacDonald. The Rise of Formal Satire in England under Classical Influence. New York, NY: Archon, 1961. Altick, Richard D. PUNCH: The Lively Youth of a British Institution, 1841-1851. Columbus, OH: Ohio University Press, 1997. Belkin, Roslyn. "The Worth of the Shadow: Margaret Atwood's Lady Oracle." Thalia: Studies in Literary Humor 1.3 (1989): 3-8. Biester, James. Lyric Wonder: Rhetoric and Wit in Renaissance English Poetry. Ithaca, NY: Cornell University Press, 1997. Bishop, Ellen. "Bakhtin, Carnival and Comedy: The New Grotesque in Monty Python and the Holy Grail." Film Criticism 15.1 (1990): 49-64. Blyth, Relginald H. Humor in English Literature: A Chronological Anthology. Tokyo, Japan: The Folcroft Press, 1970. Boardman, Brigid M. "'Dear Jester in the Courts of God': Francis Thompson's Tribute to St. Thomas More." Moreana 27.101-102 (1990): 87-92. Bowen, Barbara C., ed. One Hundred Renaissance Jokes: An Anthology. Birmingham, Alabama: Summa Publications, 1988. Braun, Heather L. “English Comedy, Victorian.” Comedy: A Geographic and Historical Guide Ed. Maurice Charney. Westport, CT: Praeger/Greenwood Press, 2005, 280-295. Brewer, Derek. "Prose Jest-Books Mainly in the Sixteenth to Eighteenth Centuries in England." A Cultural History of Humour: From Antiquity to the Present Day. Eds. Jan Bremmer, and Herman Roodenburg. Cambridge, England: Polity Press, 1997, 90-111. Brooke, Nicholas. Horrid Laughter in Jacobean Tragedy. New York: Barnes and Noble, 1979. Browning, J. D. ed. Satire in the 18th Century. New York, NY: Garland, 1983. Burns, Edward. Restoration Comedy: Crises of Desire and Identity. New York: St. Martin's, 1987. Busby, Olive Mary. Studies in the Development of the Fool in the Elizabethan Drama. Folcroft, PA: Folcroft Library Editions. 1975. Cardiff, D. "Mass Middlebrow Laughter--The Origins of BBC Comedy." Media, Culture, and Society 10.1 (1988): 41-60. Carlson, Richard S. The Benign Humorists. New York, NY: Archon, 1975. Carmeli, Yoram S. "An Outsider and a Fool: Participant Observation in a British Circus." Play and Culture 4.4 (1991): 305-321. Cazamian, Louis. The Development of English Humor. Durham, NC: Duke University Press, 1952. Clark, John. "The Decline and Fall of Jack and Jill." Studies in Contemporary Satire 18 (1991-1992): 1-8. Colletta, Lisa. Dark Humor and Social Satire in the Modern British Novel. New York, NY: Palgrave/McMillan, 2003. Collins, Clife. "Clive Collins Interviews Britain's Political Cartoonist of the Year, Charles Griffin." Witty World 6-7 (1989): 72-76. BRITISH HUMOR, PAGE 1 Cordner, Michael, Peter Holland, and John Kerrigan, eds. English Comedy. New York, NY: Cambridge University Press, 1994. Crawford, Neil. "Do You Like Aural? British Phone Sex Ads" Maledicta 11 (1990-1995): 129-132. Crockett, Bryan. The Play of Paradox: Stage and Sermon in Renaissance England. Philadelphia, PA: University of Pennsylvania Press, 1995. Davies, Christie. "The Changing Stereotype of the Welsh in English Jokes." It's a Funny Thing, Humour. Eds. Antony Chapman and Hugh Foot. NY: Pergamon, 1977, 311-14. Davis, Bruce J. "The Development of Sustained Narrative Irony in Fourteenth-Century Europe." Unpublished MA Thesis. Tempe, AZ: Arizona State University, 1991. Delabastita, Dirk. “Cross-Language Comedy in Shakespeare.” HUMOR: International Journal of Humor Research 18.2 (2005): 161-184. Douch, L., and V. Arthey. "Comedy on BBC2 1964-1981 (Teleography)." Primetime 1.6-7 (1983): 20-26. Duckworth, A. M. “Lisa Colletta Dark Humor and Social Satire in the Modern British Novel.” English Literature in Transition 49.2 (2006): 234-238. Dutton, R. Modern Tragicomedy and the British Tradition Brighton, England: Harvester Press, 1986. Dynes, William R. "The Trickster-Figure in Jacobean City Comedy." Studies in English Literature, 1500-1900. 33.2 (1993): 365-384. Easthope, Antony. “The English Sense of Humor?” HUMOR: International Journal of Humor Research 13.1 (2000): 59-76. English, James F. Comic Transactions: Literature, Humor, and the Politics of Community in Twentieth-Century Britain. Ithaca, NY: Cornell University Press, 1994. Esquibel, Catrióna Rueda. "A Duel of Wits and the Lesbian Romance Novel, or Verbal Intercourse in Fictional Regency England." New Perspectives on Women and Comedy. Ed. Regina Barreca. Philadelphia, PA: Gordon and Breach, 1992, 123-134. Everson, William K. "British Humor on the Screen." Films in Review 8.9 (1957): 433-442. Farley-Hills, David. The Benovelence of Laughter: Comic Poetry of the Commonwealth and Restoration. Totowa, NJ: Rowman and Littlefield, 1974. Fisher, James. "Harlequinade: Commedia dell'Arte on the Early Twentieth-Century British Stage." Theatre Journal. 41 (1989): 30-44. Gale, Steven H. ed. Encyclopedia of British Humorists. Levittown, PA: Garland, 1995. Gifford, Denis. "British Comics Pull Duty During the War." Witty World 6-7 (1989): 84-86. Goldweber, David E. "Mr. Punch, Dangerous Savior." The International Journal of Comic Art 1.1 (1999): 157- 170. Gomez Lara, Manuel Jose. "Discurso Ironico en The Country Wife." Literary and Linguistic Aspects of Humour. Barcelona, Spain: Univ of Barcelona Dept of Language, 1984, 155-61. Goodman, Joel. "Humor is Not a Luxury: A Comedian Called Cleese." Laughing Matters 6.1 (1989): 7-15. Guilhamet, Leon. Satire and the Transformation of Genre. Philadelphia, PA: Univ of Pennsylvania Press, 1987. Haidu, Peter. Aesthetic Distance in Cretien de Troyes: Irony and Comedy in Cliges and Perceval. Geneva, Switzerland: Librairie Droz, 1968. Haight, M. R. "Nonsense." British Journal of Aesthetics 11 (1971): 247-256. Hall, James. The Tragic Comedians: Seven Modern British Novelists. Bloomington, IN: Indiana University, 1963, 3-10. Hawkes, David. “British Contemporary Comedy.” Comedy: A Geographic and Historical Guide Ed. Maurice Charney. Westport, CT: Praeger/Greenwood Press, 2005, 185-198. Hazlitt, William. English Comic Writers London, England: E. P. Dutton, 1910. Heath-Stubbs, John. The Verse Satire. New York, NY: Oxford Univ Press, 1969. Henderson, Bill, ed. Rotten Reviews: A Literary Companion. New York: Penguin, 1986. Henkle. Roger B. Comedy and Culture--England--1820-1900. Princeton, NJ: Princeton University Press, 1980. Hirst, David L. Comedy of Manners. Volume 40 of The Critical Idiom. London, England: Methuen, 1979. BRITISH HUMOR, PAGE 2 Holcomb, Christopher. "`A Man in a Painted Garment': The Social Function of Jesting in Elizabethan Rhetoric and Courtesy Manuals." HUMOR: International Journal of Humor Research 13.4 (2000): 429-456. Holcomb, Christopher. Mirth Making: The Rhetorical Discourse on Jesting in Early Modern England. Columbia, SC: University of South Carolina Press, 2001. Holden, William P. Anti-Puritan Satire. New Haven, CT: Yale Univ Press, 1954. Hünig, Wolfgang K. British and German Cartoons as Weapons in World War I. Frankfurt am Main, Germany: Peter Lang, 2002. Hunt, Leigh. Wit and Humour from the English Poets. New York, NY: Folcroft Library, 1972. Imholtz, August A., Jr. "Latin and Greek Versions of 'Jabberwocky' Exercises in Laughing and Grief." Rocky Mountain Review 41.4 (1987): 211-228. Janik, Vicki K., ed. Fools and Jesters in Literature, Art, and History: A Bio-Bibliographical Sourcebook. Westport, CT: Greenwood Press, 1998. Jensen, H. James, and Malvin R. Zirker, Jr., eds. The Satirist's Art. Bloomington, IN: Indiana Univ Press, 1972. Johnson, Kim "Howard." Life Before and After Monty Python: The Solo Flights of the Flying Circus. New York: St. Martin's Press, 1993. Kaiser, Walter Jacob. Praisers of Folly: Erasmus, Rabelais, Shakespeare. Cambridge, MA: Harvard University Press, 1963. Kantra, Robert A. All Things Vain: Religious Satirists and Their Art. University Park, PA: Penn State Univ Press, 1984. Kaufman, Will. "Triumph of Wit, Triumph of Lent." Thalia: Studies in Literary Humor 16.1-2 (1997): 27-45. Kazmierczak, Janusz. “Raymond Williams and Cartoons: From Churchill’s Cigar to Cultural History.” International Journal of Comic Art 7.2 (2005): 147-163. Kehler, Dorothea. "The Comedy of Errors: as Problem Comedy." Rocky Mountain Review of Language and Literature. 41.4 (1987): 229-41. Kernan, Alvin. The Cankered Muse: Satire of the English Renaissance. New Haven, CT: Yale Univ Press, 1959. Kingsley, James, and James T. Boulton. English Satiric Poetry. London, England: Edward Arnold, 1966. Knoepflmacher, U. C. "The Secret Agent: The Irony of the Absurd." Laughter and Despair: Readings in Ten Novels of the Victorian Era. Berkeley, CA: University of California Press, 1971, 240-273. Kreider, Paul V. Elizabethan Comic Character Conventions. New York, NY: Octagon Books, 1975. L'Estrange, A. G. History of English Humour: with an Introduction Upon Ancient Humour. NY: Franklin, 1970. Lansbury, Coral. "The Triumph of Clarissa: Richardson's Divine Comedy." Thalia 1.1 (1987): 9-18. Lanters, José. "'Still Life' versus Real Life: the English Writings of Brian O'Nolan." Explorations in the Field of Nonsense. Ed. Wim Tigges. Amsterdam, Holland: Rodopi, 1987, 161-182. Larson, Egon. Wit as a Weapon. London, England: 1980. Lassner, Phyllis. "'Between the Gaps': Sex, Class and Anarchy in the British Comic Novel of World War II." Look Who's Laughing: Gender and Comedy. Ed. Gail Finney. New York,