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SUCCESSFUL DEFENDING CHAMPIONS Al MORALES U.S
SUCCESSFUL DEFENDING CHAMPIONS Al MORALES PAUL PESTHY U.S. Sabre Champion U.S. Epee Champion POSITION OPENS FOR PRO olume 19 Number 1 fENCING DEMONSTRATIONS Welcome to the 1967-1968 fencing season of the AHA. We eagerly look forward to a John R. West, general manager of National ;1 IJl f 11 lCIl 11 f El1CJl10 bonner fencing year culminating in the 1968 School Assemblies Agency, has announced Official Organ of the Amateur Fencers League of Americo Olympics scheduled for October in Mexico that his organization is seeking a fencing Management City. couple to put on demonstrations of the sort 'vV. L. Osborn, Publisher J. R. de Capriles, Editor on a year-around basis, starting in September P.O. Box 144 41 Fish Hawk Drive, Oak Hill, In the post year, your Notional Officers 1968. Terre Haute, Ind. Middletown, New Jersey 201-671-5872 have concentrated on publicizing the sport Feature Editors: Miguel de Copriles, Claribel Sounders and Rolph Goldstein. of fencing and encouraging participa The team, which could be either a married Assistant Editor: William J. Latzko tion primarily at the student level as it couple or two men, would sign up for one Advertising Office: 5 Great Oak Lone, Pleasantville, N.Y. is from these ranks that future champions or more tours to demonstrate fencing at Telephone: 867-9191 will emerge. Promotional brochures have schools and colleges throughout the U. S. National School Assemblies has been in busin Policy Board been developed and made available to any N. Lewis, Chairman; J. R. de Capriles, W. J. Latzko, body interested in fencing. -
Object of the Objec Points (In the Time Eliminatio Epee and First Fence
Basics of Competitiion Object of the Bout The object of a fencing bout (“game”) is to effectively score 15 points (inn direct elimination play) or five points (in preliminary pool play) before your opponent, or have a higher score than your opponent when the time limit expires. Points are received by making a touch in the opponent’s target area. Direct elimination matches consist of three three‐minute periods with a one‐minute break between each in epee and foil. In saber, each the first period lasts for eight touuches and the second period ends when the first fencer scores 15 points. Penalties Penalties are divided into four categories. Category One All Category One penalties are interdependent. Upon the first occurrence of an offense during a bout, the fencer is warned and receives a yellow card. Committing any additional offense during the bout will result in the offender receiving a red card and the opponent receiving a penalty touch. Category Two All Category Two penalties are also interdependent. A fencer is given a red card upon first and any subsequent infraction during a bout. Both Category One and Two infractions result in the annulment of a touch made by the offending fencer while committing the offense. Category Three Category Three penalties may be assessed for infractions against safety or the order of the competition. Such infractions can result in penalty touches (red card) or expulsion (black card) from the competition. Category Four The Category Four penalties involve unsportsmanlike conduct, using fraudulently modified equipment, collusion or brutality. The infractions result in automatic expulsion (black card) from the competition. -
The Concealment of Violence in the History of Fencing: Semantics, Codification, and Deterritorialization
The Philosophical Journal of Conflict and Violence Vol. II, Issue 2/2018 © The Authors 2018 Available online at http://trivent-publishing.eu/ The Concealment of Violence in the History of Fencing: Semantics, Codification, and Deterritorialization Elise Defrasne Ait-Said Cognition and Action Group (UMR 8257, Université Paris-Descartes), France Abstract: Depending on historical periods and individual perspectives, fencing has been defined in various ways. Indeed, fencing has been regarded as an art, and/or a science, and/or a sport, and/or a game. This paper shows that those various attempts to define fencing throughout history are strategies aiming to conceal the founding violence of fencing (although these strategies do not prevent the emergence of further forms of violence). The study demonstrates that these strategies pertain to semantics, to regulation and codification of fencing, and to more recent phenomena which are linked to the deterritorialization of the practice of fencing. Keywords: Jules Barbey d'Aurevilly; Gilles Deleuze; Roger Caillois; Deterritorialization; Duelling; Fencing; Game; History; Sport; Violence. The PJCV Journal is published by Trivent Publishing. This is an Open Access article distributed in accordance with the Creative Commons Attribution Non Commercial (CC-BY-NC-ND 4.0) license, which permits others to copy or share the article, provided original work is properly cited and that this is not done for commercial purposes. Users may not remix, transform, or build upon the material and may not distribute the modified material (http://creativecommons.org/licenses/by-nc/4.0/) The Concealment of Violence in the History of Fencing: Semantics, Codification, and Deterritorialization Elise Defrasne Ait-Said Cognition and Action Group (UMR 8257, Université Paris-Descartes), France Abstract: Depending on historical periods and individual perspectives, fencing has been defined in various ways. -
Downloaded and Shared for Private Use Only – Republication, in Part Or in Whole, in Print Or Online, Is Expressly Forbidden Without the Written Consent of the Author
The International Armizare Society Presents: Beginning Armizare An Introduction to Medieval Swordsmanship Gregory D. Mele © 2001 - 2016 Beginning Armizare: An Introduction to Medieval Swordsmanship Copyright Notice: © 2014 Gregory D. Mele, All Rights Reserved. This document may be downloaded and shared for private use only – republication, in part or in whole, in print or online, is expressly forbidden without the written consent of the author. ©2001-2016 Gregory D. Mele Page 2 Beginning Armizare: An Introduction to Medieval Swordsmanship TABLE OF CONTENTS Foreword 4 Introduction: The Medieval Art of Arms 5 I. Spada a Dui Mani: The Longsword 7 II. Stance and Footwork 9 III. Poste: The Guards of the Longsword 14 IV. Learning to Cut with the Longsword 17 V. Defending with the Fendente 23 VI. Complex Blade Actions 25 VII. Parrata e Risposta 25 Appendix A: Glossary 28 Appendix B: Bibliography 30 Appendix C: Armizare Introductory Class Lesson Plan 31 ©2001-2016 Gregory D. Mele Page 3 Beginning Armizare: An Introduction to Medieval Swordsmanship FOREWORD The following document was originally developed as a study guide and training companion for students in the popular "Taste of the Knightly Arts" course taught by the Chicago Swordplay Guild. It has been slightly revised, complete with the 12 class outline used in that course in order to assist new teachers, small study groups or independent students looking for a way to begin their study of armizare. Readers should note that by no means is this a complete curriculum. There is none of the detailed discussion of body mechanics, weight distribution or cutting mechanics that occurs during classroom instruction, nor an explanation of the number of paired exercises that are used to develop student's basic skills, outside of the paired techniques, or "set-plays," themselves. -
Competition Rules and Regulations
Competition Rules and Regulations as at 1 January 2017 4 COMPETITION RULES - 01 GENERAL ASPECTS COMPETITION UIPM COMPETITION RULES AND REGULATIONS as at 1 January 2017 table of CONTENTS COMPETITION RULES 01MP - General Aspects Pg. 6 02MP - Fencing Pg. 30 03MP - Swimming Pg. 52 04MP - Riding Pg. 62 05MP - Laser-Run Pg. 80 06UIPM - Biathle Pg. 108 07UIPM - Triathle Pg. 116 EQUIPMENT REGULATIONS 01MP - General Aspects Pg. 123 02MP - Fencing Pg. 124 03MP - Swimming Pg. 138 04MP - Riding Pg. 140 05MP - Laser-Run Pg. 144 6 COMPETITION RULES - 01 GENERAL ASPECTS COMPETITION 01 GENERAL ASPECTS ABBREVIATIONS BAD Business Affairs Delegate NF National Federation CCh Continental Championships NTO National Technical Observer CISM Conseil Internationale du OG Olympic Games Sport Militaire PWR Pentathlon World Ranking EB Executive Board TC Technical Committee FOP Field of Play TD Technical Delegate HQ Headquarters TM Technical Meeting IJ International Judges UIPM Union Internationale de IOC International Olympic Pentathlon Moderne Committee WCC World Cup Competition LOC Local Organising Committee WCF World Cup Final Mins minutes WCh World Championships MD Medical Delegate YOG Youth Olympic Games MP Modern Pentathlon UIPM COMPETITION RULES AND REGULATIONS as at 1 January 2017 7 PART A MODERN PENTATHLON - CONTENTS COMPETITION RULES - 01 GENERAL ASPECTS COMPETITION 1.1 SPHERE OF APPLICATION 1.2 1 Age Groups 2 Calculating age AGE GROUPS 1.3 1 The Five Disciplines 2 Disciplines in Youth Competitions THE EVENTS 1.4 1 The Official UIPM Competitions in 3 OG -
SWORD British Fencing Magazine JANUARY 2014
THE SWORD British Fencing Magazine JANUARY 2014 A TRIBUTE TO MATTHEW THOMPSON (1956-2013) P16 FIE CELEBRATES CENTENARY IN LAVISH STYLE P19 NEW LEON PAUL FENCING CENTRE P23 THE SAINSBURY’S SCHOOL GAMES P33 Combative KRUSE Richard Kruse is World Combat Games champion P18 JANUARY 2014 Editor Malcolm Fare Pyndar Lodge, Hanley Swan, Worcs WR8 0DN T: 01684 311197 Welcome to THE sword F: 01684 311250 E: [email protected] Print Warwick Printing Co Ltd Caswell Road, Leamington Spa, Warwickshire CV31 1QD T: 01926 883355 F: 01926 883575 Design and Layout Jon Labram T: 020 7674 7171 E: [email protected] Advertising BFA T: 0208 742 3032 E: [email protected] British Fencing accepts no responsibility for the contents of advertisements and reserves the right to refuse inclusion. NEWS The Sword, a quarterly magazine founded 4-6 AGM – Finances; Growth in the North-East; Open forum; in 1948, is distributed to all individual Olympic fencer chairs IOC Commission; Foil co-ordinator; and club members of British Fencing and its affiliates. It can also be obtained on Navy fencing wins top award; drop in fencing participation; subscription – UK £20 FIE congress decisions Overseas airmail £26 – direct from HQ. MESSAGE FROM THE CHAIR Contributions are welcome. Photographs 8 New year message from David Teasdale should include the names of those pictured and the photographer. REPORTS 10-15 BEAZLEY BRITISH CHAMPIONSHIPS Views expressed in The Sword do not Karim Bashir reports on the senior British championships necessarily reflect those of British Fencing. No part of the magazine may be 16-17 WHEELCAHIR CHAMPIONSHIPS reproduced without permission from the The British Disabled Fencing Association held their national editor/photographer. -
Glossary of Terms, 2016 (PDF Version)
The Society of American Fight Directors GLOSSARY OF TERMS (revised as of 3/19/16) It is important to note that the terms listed below may not correspond to the proper definitions of the actions as they are applied to historical or modern fencing, swordplay, boxing or wrestling. These terms are theatrical in nature, not tactical, describing the action as it is executed in the performance environment. General Use Terms Active Hand: The non-weapon bearing hand used to block, check, lock, parry, strike, or trap the opposing weapon or parts of a partner’s body. Attacker (also called Aggressor): The actor/combatant who initiates the offensive action or attack. Center Line: An imaginary line that bisects the body. Horizontal Center Line (also called Mid Line): The imaginary line that bisects the body horizontally at waist level delineating High Line and Low Line. Vertical Center Line: The imaginary line that bisects the body vertically through the center delineating Inside Line and Outside Line. Cue: a physical action or event that is a signal for someone to do something. Cue-Reaction-Action: A basic stage combat principle/process used to achieve a safe and dramatically effective sequence of events Distance (also called Measure, Fighting Measure, and/or Fencing Measure): The proper measure between two or more combatants to safely execute any particular technique in stage combat. En Garde: The basic physical "ready" position of a combatant. Eye Contact: A look to one’s partner to assure mutual awareness and readiness to perform the techniques. Fighting Measure/Fencing Measure): see Distance Hand Positions: Pronation: The palm is turned down. -
Visualization of Technical and Tactical Characteristics in Fencing
Visualization of Technical and Tactical Characteristics in Fencing Mingdong Zhang, Li Chen, Xiaoru Yuan, Renpei Huang, Shuang Liu, and Junhai Yong Fig. 1. Men’s Sabre Individual Golden Match of 2017 World Fencing Championship in FencingVis. (A) Phrase List View shows the tactical usage of the fencers in each phrase. (B) Tactic Flow Graph View shows the statistics of the tactic usage in the whole bout. (C) Piste View shows the animation of the selected phrase. (D) Bout View shows the changing of the scores and the duration of each phrase. (E) Control Pannel provides set of controls to support interactive exploration. Abstract— Fencing is a sport that relies heavily on the use of tactics. However, most existing methods for analyzing fencing data are based on statistical models in which hidden patterns are difficult to discover. Unlike sequential games, such as tennis and table tennis, fencing is a type of simultaneous game. Thus, the existing methods on the sports visualization do not operate well for fencing matches. In this study, we cooperated with experts to analyze the technical and tactical characteristics of fencing competitions. To meet the requirements of the fencing experts, we designed and implemented FencingVis, an interactive visualization system for fencing competition data. The action sequences in the bout are first visualized by modified bar charts to reveal the actions of footworks and bladeworks of both fencers. Then an interactive technique is provided for exploring the patterns of behavior of fencers. The different combinations of tactical behavior patterns are further mapped to the graph model and visualized by a tactical flow graph. -
Elementary Treaty on the Destreza of the Sabre
Elementary Treaty on the Destreza of the Sabre Author: Simón de Frías Translator: Jamie MacIver Version: Draft v.0.1.2 Translator’s Note & Copyright This translation may be distributed freely but not reproduced without consent of the author. It is released as a draft work-in-progress for comment. Translation ELEMENTARY TREATY ON THE DESTREZA OF THE SABRE COMPOSED BY DON SIMÓN DE FRÍAS MASTER OF ALL ARMS EXAMINED, APROVED AND CERTIFIED BY THE SUPERIOR GOVERNMENT OF NEW SPAIN MEXICO: IN THE PRINTER OF ARIEPE IN THE YEAR 1809 WITH LICENCE TO MY STUDENTS GENTLEMEN The reasons that often tend to stimulate those A.A. for the dedication of their works are either the fear of scathing criticism or the desire of some high protection for particular ends. However, I can surely pride myself to have abandoned such a trite path. For, moved on the one hand by gratitude, and stimulated on the other by the cordial affection that I profess for all of you, I enjoy the sweetest satisfaction to have the first opportunity to express my gratitude, friendship, and affection publicly, and I wish to prove with this small gift that I will always be your most affectionate and humble servant. Q. SS. M. B. Simón de Frías Introduction of the Treatise Self-preservation by the means of defence is so natural that it is shown to us even by the actions of brutes born only with instinct (or as some authors would say: with imperfect rationality). Why then does man, gifted with the most perfect and sublime and who’s existence is in higher esteem than any other being, not have to shine and polish his superior intelligence in honour of the divine Omnipotence that deigned to grant it to him, and in aid of his own conservation exceed his natural character and ward off the causes of his destruction? There is no nobler objective than the defence of life, country and honour. -
The Fight Master, Fall/Winter 1999, Vol. 22 Issue 2
Marshall University Marshall Digital Scholar Fight Master Magazine The Society of American Fight Directors Winter 1999 The Fight Master, Fall/Winter 1999, Vol. 22 Issue 2 The Society of American Fight Directors Follow this and additional works at: https://mds.marshall.edu/fight Part of the Acting Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Theatre History Commons TheThe FightFight MasterMaster IN THE SPANISH STYLE Caranza, Navarez, Thibault and the Mysterious Circle Shattering Lances, two knights joust on FIGHTING IN Spanish Andalusian stallions at Medieval Times Dinner and Tournament. Photo provided by Medieval Times ARMOR VolVol XXIIXXII NumberNumber 22 Fall/Winter Fall/Winter 19991999 TheThe FightFight MasterMFall/Winteraster 1999 Volume XXII, Number 2 FeaturesFeatur e s S panish Fencing in the Sixteenth Century7 Ramon Martinez examines the fencing styles of Caranza, Navarez and Thibault. The Mysterious Circle 12 Anthony DeLongis makes a practical application of the Spanish technique and discovers its relationship to Filipino Kali. G irard Thibault 18 Raymond Delgato asks “Who was the man behind the Academy of the Sword?” J ulian Romero: The Duel Until Sunset 23 Linda Carlyle McCollum tells the story of a Spanish mer- cenary who fought for Henry VIII and was immortalized by El Greco and Lope de Vega Carpio. F eints and Responses to Them 28 John Michael Greer shares a section on feints from his trans- lation of Thibault’s Academy of the Sword. The Bilbo and Spanish Swordsmanship 30 John McGrath shows how a little known development in the rapier affected Spanish swordplay. P roximity Part II 33 Payson Burt examines the Three Rings of Progression and how they may be used by the actor/combatant. -
African-Americans Taking a Stand 6Th – 8Th Grade Note: This Is a Sample of What Can Be Done Over Two Weeks
Title/Grade Level African-Americans Taking a Stand 6th – 8th Grade Note: This is a sample of what can be done over two weeks. Please use the texts of your choice and feel free to add activities, questions, protocols, graphic organizers, etc.… Teachers are encouraged to introduce students to multiple historical African-American figures, past and present, that took a stand for social justice. Essential Question(s) How has an African American Leader taken a stand for social justice in the United States? CCSS Standard (s): CCSS.ELA-LITERACY.RL.6.1 Cite textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text. CCSS.ELA-LITERACY.RL.6.2 Determine a theme or central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments. CCSS.ELA-LITERACY.RL.6.4 Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of a specific word choice on meaning and tone. CCSS.ELA-LITERACY.RL.6.7 Compare and contrast the experience of reading a story, drama, or poem to listening to or viewing an audio, video, or live version of the text, including contrasting what they "see" and "hear" when reading the text to what they perceive when they listen or watch. CCSS.ELA-LITERACY.W.7.2.B Develop the topic with relevant facts, definitions, concrete details, quotations, or other information and examples. CCSS.ELA-LITERACY.W.7.2.C Use appropriate transitions to create cohesion and clarify the relationships among ideas and concepts. -
Information and Background Guide
Information Extracted From US Fencing Association’s Parent/Spectator Guide Information and Background Guide A far cry from the choreographed bouts portrayed on film, the sport of fencing is dynamic, fast and athletic. Weapons Foil, epee and saber are the three weapons used in the sport of fencing. While it is not unusual for fencers to compete in all three events, an athlete typically chooses to hone their skills in one weapon. Foil – The Sport of Kings The foil is a descendant of the light court sword formally used by nobility to train for duels. The foil has a flexible rectangular blade, approximately 35 inches in length and weighs less than one pound. Points are scored with the tip of the blade and must land within the torso of the body. The valid target area in foil is the torso from the shoulders to the groin in the front and to the waist in the back. It does not include the arms, neck, head and legs. This concept of on-target and off- target evolved from the theory of 18th-century fencing masters who instructed their pupils to only attack the vital areas of the body – i.e. the torso. Of course, the head is also a vital area of the body, but attacks to the face were considered unsporting and therefore discouraged. The foil fencer’s uniform includes a metallic vest (called a lamé), which covers the valid target area so that a valid touch will register on the scoring machine. The flexible nature of the foil blade permits the modern elite foil fencer to attack an opponent from seemingly impossible angles.