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Programme Specification
[BA Fashion Textiles & Design] Programme Specification 1. Programme title BA Fashion Textiles & Design 2. Awarding institution Middlesex University 3. Teaching institution Middlesex University (Hendon Campus) 4. Details of accreditation by N/A professional/statutory/regulatory body 5. Final qualification(s) available BA (Hons) Fashion Textiles & Design BA (Hons) Fashion Textiles & Design with Foundation Year Cert (HE) Fashion Textiles & Design Dip (HE) Fashion Textiles & Design 6. Year of validation / last review 2014 Year of amendment 2020 7. Language of study English 8. Mode of study Full-Time, Full-Time TKSW (Thick Sandwich mode) or Part-Time 9. Criteria for admission to the programme Applicants will generally be expected to either: - Have completed a BTEC Foundation course or a National Diploma in Art & Design or - Have completed GCSE / A Levels or equivalent in Art & Design related subjects or - Have a recognised professional qualification in one experience of the design disciplines – fashion / textiles, three-dimensional design, interior or spatial design, product/industrial design, visual communication/graphics, furniture, ceramics, jewellery, metals, glass or architecture. - Have qualifications amounting to 112 UCAS points Middlesex University has a flexible and personalised approach to admissions and we accept applications from students with a wide range of qualifications and a combination of qualifications. Please check our general entry requirements page to see how these points can be achieved from our acceptable level 3 qualifications and the combinations which are welcomed by Middlesex University, including GCSE requirements. 1 http://www.mdx.ac.uk/about-us/policies/academic-quality/handbook/ Last updated 23.09.2019 All students who apply and meet the entry requirements will be offered an interview, during which they will meet with one of the tutors, who will review the work presented, diagnose and recommend a point of entry, where appropriate, based on the quality of the portfolio and of the interview. -
Autonomatic Book.Pdf
Contents 4 Foreword Professor Eric Spiller Vice Principal, University College Falmouth 6 Autonomatic Lesley Jackson 10 Dr Katie Bunnell, Cluster Leader 18 Dr Justin Marshall, Research Fellow 26 Drummond Masterton, Research Assistant 34 Tavs Jørgensen, Research Fellow 44 Biographies 46 Acknowledgments Foreword The 3D Digital Production research cluster at University College Falmouth set out on its expedition to further the boundaries of digital making in October 2003. Bringing together a There are great possibilities for further research that combines this creative, integrated group of practitioner-researchers with established skills in digital designing and making, the approach with the expertise of engineers, technologists, economists, and manufacturers. It is cluster aims to contribute innovative developments in design products and processes. perhaps the high level of human engagement with materials and technologies involved in the process of designing and making which places makers in a unique position to contribute to the development of human oriented and individually customized design production. Appropriate dissemination is key in practice-based design research and the cluster uses With established craft skills in ceramics, glass, plaster, metals and textiles, researchers multiple methods to reach other design researchers, professionals and students, including approach digital technologies in diverse and creative ways: combining the autonomous exhibitions, hands on workshops, international conferences, symposia, live projects and approach of the maker with the flexible production capabilities of automated digital publications. Wherever possible research findings are tested and developed through to their manufacturing. Through this research they are challenging boundaries between hand and practical application in producing design and craftwork that can stand alone in professional machine, craft and industry, and are developing a hybrid autonomatic design methodology. -
CVAN Open Letter to the Secretary of State for Education
Press Release: Wednesday 12 May 2021 Leading UK contemporary visual arts institutions and art schools unite against proposed government cuts to arts education ● Directors of BALTIC, Hayward Gallery, MiMA, Serpentine, Tate, The Slade, Central St. Martin’s and Goldsmiths among over 300 signatories of open letter to Education Secretary Gavin Williamson opposing 50% cuts in subsidy support to arts subjects in higher education ● The letter is part of the nationwide #ArtIsEssential campaign to demonstrate the essential value of the visual arts This morning, the UK’s Contemporary Visual Arts Network (CVAN) have brought together leaders from across the visual arts sector including arts institutions, art schools, galleries and universities across the country, to issue an open letter to Gavin Williamson, the Secretary of State for Education asking him to revoke his proposed 50% cuts in subsidy support to arts subjects across higher education. Following the closure of the consultation on this proposed move on Thursday 6th May, the Government has until mid-June to come to a decision on the future of funding for the arts in higher education – and the sector aims to remind them not only of the critical value of the arts to the UK’s economy, but the essential role they play in the long term cultural infrastructure, creative ambition and wellbeing of the nation. Working in partnership with the UK’s Visual Arts Alliance (VAA) and London Art School Alliance (LASA) to galvanise the sector in their united response, the CVAN’s open letter emphasises that art is essential to the growth of the country. -
Curriculum Vitae – Irene Mavrommati
Irene Mavrommati December 2017 p. 1 Curriculum Vitae – Irene Mavrommati Personal Name Irene Mavrommati Address Hellenic Open University, School of Applied Arts Parodos Aristotelous 18, 26335 Patras Contact e-mail: mavrommati[at]eap.gr Education June 2011 PhD in Interaction Design, Department of Products and Systems Design PhD Interaction Design Engineering, University of the Aegean. Thesis title: “Enabling user independence and creativity in ubiquitous computing environments”. Supervisor: Prof. J. Darzentas. March 1999 Postgraduate Certificate In Open and Distance Learning. Hellenic Open Open Distant Learning University February 1995 Master of Arts in Interactive Multimedia. Royal College of Art, UK. MA Multimedia (RCA) MA Study module followed in Hogeschool voor de Kunsten Utrecht (HKU - University of the Arts Utrecht), Faculty of Art, Media & Technology, the Netherlands. December 1993 Master of Arts in Graphic Design. Birmingham Institute of Art and Design MA Graphic Design (BIAD), University of Central England in Birmingham, UK. 1988 – 1992 BA in Graphic Design, Technological Educational Institute of Athens, , BA Graphic Design Greece. (State scholarship for the 1st year study performance). Languages Fluent in English (Proficiency of Cambridge) and Greek. Intermediate/threshold knowledge of Dutch and French. Employment 2009 – today Assistant professor (2014-), Lecturer (2009-2014), School of Applied Arts, Hellenic Open University Hellenic Open University. Subject area: Graphic Design and Design with School of Applied Arts Computing. Academic and administrative duties for School of Applied Arts, and for the MA degree course in Graphic Arts Multimedia. Module courses coordination and teaching of course unit: Graphic Design (GTP51). 2016-2017 sabbatical year Academic Sabbatical Year 2016-2017: guest researcher at TU/e: Technical University Eindhoven (TU/e), Industrial Design Department, Eindhoven, the Netherlands. -
RCA) Msc (Imperial College 2 Years (22 Global Innovation Design Full-Time London) Months
Programme Specification 1. General Information Award Programme Title Duration Mode of Study MA (RCA) MSc (Imperial College 2 Years (22 Global Innovation Design Full-time London) months) Royal College of Art (MA) Awarding Institutions Imperial College London (MSc) Royal College of Art Imperial College, London With placements at either: Pratt Institute in New York, U.S.A and Teaching Institutions and Keio University, Tokyo, Japan or: Tsinghua University in Beijing, China and Nanyang Technological University (NTU), Singapore. Professional Accreditation N/A Associateship of the City and Guilds of London Associateship Institute (ACGI) Qualifications Framework Level FHEQ 7 EHEA 2nd cycle Credit Value 360 CATS 180 ECTS Language of Study English Cohort Entry point Annually in September 1 Programme Specification Date of most recent validation 2010 Student cohort(s) covered by specification 2016/17 entry Programme Specification Date April 2017 2. Philosophy of the Programme The programme is founded on the belief that economic and social advancement can be achieved through innovative design. As such, GID designers are encouraged to generate and develop innovative ideas that demonstrate an awareness of commercial, social and environmental impact. The programme supports a collaborative approach that involves multidisciplinary teams working together on real world challenges, potentially also alongside commercial, public and not-for-profit sector partners. We expect our graduates to be world leading in terms of innovation within corporations, consultancies, and international innovation start-ups. The GID graduate is a unique type of innovator whose global cultural awareness combined with skills in design, technology and commerce will be a potent mix. GID graduates will be international entrepreneurs of innovation; creative, design or engineering directors leading corporate design innovation strategy. -
Report of the RIBA Full Visiting Board to Royal College of Art
Royal Institute of British Architects Report of the RIBA Full Visiting Board to Royal College of Art Date of visiting board: 04-05 April 2019 Confirmed by RIBA Education Committee: 14 June 2019 1 Details of institution hosting course/s (report part A) School of Architecture Royal College of Art Kensington Gore London SW7 2EU 2 Head of Architecture Group Adrian Lahoud Dean of School of Architecture 3 Course/s offered for validation MA Architecture, Part 2 4 Course leader/s Beth Hughes Head of Programme 5 Awarding body Royal College of Art 6 The visiting board David Howarth practitioner & academic / chair Hannah Vowles academic / vice-chair Alice Gordon practitioner Carlos Sanchez academic Julian Manev graduate member Sophie Bailey RIBA validation manager 7 Procedures and criteria for the visit The visiting board was carried out under the RIBA procedures for validation and validation criteria for UK and international courses and examinations in architecture (published July 2011, and effective from September 2011); this document is available at www.architecture.com. 8 Recommendation of the Visiting Board At its meeting on the 14 June 2019 the RIBA Education Committee confirmed that the following courses and qualifications are awarded full validation MA Architecture, Part 2 The next RIBA visiting board will take place in 2024. 9 Standard requirements for continued recognition Continued RIBA recognition of all courses and qualifications is dependent upon: i external examiners being appointed for the course ii any significant changes to the -
Members of the Quality Assurance Agency for Higher Education (QAA) 2019-20
Members of the Quality Assurance Agency for Higher Education (QAA) 2019-20 The following institutions are members of QAA for 2019-20. To find out more about QAA membership, visit www.qaa.ac.uk/membership List correct at time of publication – 18 June 2020 Aberystwyth University Activate Learning AECC University College Al-Maktoum College of Higher Education Amity Global Education Limited Anglia Ruskin University Anglo American Educational Services Ltd Arden University Limited Arts University Bournemouth Ashridge Askham Bryan College Assemblies of God Incorporated Aston University Aylesbury College Bangor University Barnsley College Bath College Bath Spa University Bellerbys Educational Services Ltd (Study Group) Bexhill College Birkbeck, University of London Birmingham City University Birmingham Metropolitan College Bishop Grosseteste University Blackburn College Blackpool and The Fylde College Bolton College Bournemouth University BPP University Limited Bradford College Brockenhurst College Buckinghamshire New University Burnley College Burton & South Derbyshire College 1 Bury College Cambridge Regional College Canterbury Christ Church University Cardiff and Vale College Cardiff Metropolitan University Cardiff University CEG UFP Ltd Central Bedfordshire College Cheshire College South and West Chichester College Group Christ the Redeemer College City College Plymouth City of Bristol College City, University of London Colchester Institute Coleg Cambria Cornwall College Coventry University Cranfield University David Game College De Montfort -
IMPACT! Exhibition Catalogue
I m p a c t ! IntroductIon I M P A C T ! exhibition is an experiment. It has fused leading U K research groups with British design talent to explore the impacts, implications and possibilities created by pioneering science. Each of the sixteen design projects has been created by designers from the Royal College of Art (RCA), and are based on a research project or research centre supported by the Engineering and Physical Sciences Research Council (EPSRC). The research included in the exhibition spans the broad spectrum of en- gineering and physical sciences. It ranges from renewable energy devices and security technologies to the emerging fields of synthetic biology and quantum computing. Sixteen leading designers and design teams have worked with the re- searchers to understand and explore this science. The mixed-media design projects they have created bring a new per- spective to the research. They do not seek to predict the future, or show design applications of science, but offer a creative interpretation of the potential impacts of these new scientific ideas. Through this work, we are invited to stop, to think differently about science and engineering: the part it plays in our lives, and our aspirations for the part it will play in the future. I M P A C T ! exhibition is a collaboration between E P S R C, R C A and N E S T A. Foreword The world of scientific research and that of design may appear vastly different. However, scratch the surface and many links and similarities are revealed. Great science teamed with innovative industrial design has delivered some of the world’s most important technologies. -
The Indigenous Prisoner and Discourse
EnterText 6.3 Notes on Contributors A. O. Adesoji is a lecturer in the Department of History, Obafemi Awolowo University, Ile-Ife, Nigeria where he is involved in teaching Nigerian history, ancient civilisations, and the history of the Commonwealth. Abimbola’s articles are published in Nigeria as well as in international journals: for instance, “Pressure Groups and Democratic Process in Nigeria, 1979-1993” (Nordic Journal of African Studies 11.1, 2002), “Colonialism and Intercommunity Relations: The Ifon-Ilobu Example” (History in Africa 32, 2005), and “Yoruba Proverbs as a Veritable Source of History” (Proverbium, 2006). His doctoral thesis is on “The Press and Ethnic Politics in Nigeria, 1960-2003.” Paul Arthur is a Research Fellow at the Centre for Social and Community Research, Division of Arts, Murdoch University, Perth, Australia. He is also a Visiting Research Fellow at the Australian National University, Canberra. His doctorate was awarded in 2002 by the Department of English, University of Western Australia, for a study of antipodean fantasies of colonial encounter between the seventeenth and nineteenth centuries. His research on postcolonial aspects of Australian culture appears in a number of publications including the essays “Capturing the Antipodes” in Graeme Harper, ed., Comedy, Fantasy and Colonialism (Continuum, 2002), and “Imaginary Voyages and the Romantic Imagination” in the Journal of Australian Studies, 2001. Jim Brogden lectures in the School of Design, at the University of Leeds, England. He conducts research on landscape, visual art and culture. His creative work has included broadcast television graphic design in the UK and Saudi Arabia, record sleeve designs for Stiff Records and RCA Records, fine art painting, artists’ books: Exile (Fugitive Press Publishing, 1999), Journey (Fugitive Press Publishing, 1999), and more recently, digital photography and short films. -
2 REGISTER of COLLABORATIVE PROVISION (2016-17) Programme (Including Award Title) Dept/Faculty Partner (And Country) Type Respo
REGISTER OF COLLABORATIVE PROVISION (2016-17) Programme (including Dept/Faculty Partner (and Type Responsibilities of Responsibilities of Status award title) Country) Imperial Partner BSc in Physics and Music Physics (Faculty Royal College of Joint Award Jointly responsible for Jointly responsible for Current Performance of Natural Music (UK) quality and standards quality and standards Sciences) Programme Imperial is the lead started in administrative party. 2002-3 BSc/MSci in Physics with Physics (Faculty Canterbury Collaborative Imperial responsible Responsible for QTS, Current Science Education of Natural Christ Church Imperial Award for quality and Provision of education Sciences) University (UK) standards of the BSc modules and teacher Programme Qualified Teacher training placements started in Status (QTS) October 2011 recommended by CCCU BSc/MSci in Mathematics Mathematics Canterbury Collaborative Imperial responsible Responsible for QTS, Current with Education (Faculty of Christ Church Imperial Award for quality and Provision of education Natural Sciences University (UK) standards of the BSc modules and teacher Programme Qualified Teacher training placements started in Status (QTS) January 2016 recommended by CCCU MSc in Taxonomy and Life Sciences Natural History Collaborative Responsible for quality Jointly responsible for Current Biodiversity (Faculty of Museum (UK) Imperial Award and standards curriculum Natural Sciences) Jointly responsible for Responsible for curriculum delivery of teaching ad resources Imperial is lead administrative -
1 Analysing the Relationship Between Higher
Analysing the relationship between higher education participation and educational and career development patterns and outcomes A new classification of higher education institutions Kate Purcell, Peter Elias and Gaby Atfield Institute for Employment Research, University of Warwick Although competing league tables are now available that rank higher education institutions (HEIs) by a range of measures, an orthodoxy is predominant when classifying HEIs, with Russell Group, ‘Old’ (pre-92) universities, ‘New’ (post-92) universities, and ‘others’ being the most commonly used categories. The use of the category termed ‘Russell Group’ universities has become a convenient proxy indicator of access to the UK’s ‘most prestigious’ universities (See Cabinet Office, 2009:40 for a recent example of this usage), but other analysts have suggested alternative ‘top university’ lists, for example The Sutton 13 Universities’ (Sutton Trust 2008:7, 2005). There is a public and professional need for a more precise taxonomy of universities, to provide accurate information to users about their relative HE provision and the implications of that for the opportunities to which they give or restrict access. While conducting Stage 1 of the Futuretrack survey, it was observed that the ‘Russell plus’ classification did not always align very closely with the experiences and qualifications of applicants. While there was typically a core of similarity within each group, some HEIs were outliers on a range of measures within their commonly-allocated category and appeared to have more in common with HEIs in other groups. This raised the question of whether it would be possible to group the HEIs in such a way that the resulting categories became more meaningful, both for students and graduate employers. -
Affiliation Figures for 2006/07
Institution Affiliation Rates 2006/07 Institution Aff Fee 06/07 Anglia Ruskin University 494 Aston University 421 Bath Spa University College 393 The University of Bath 500 Birkbeck College 472 Birmingham College of Food, Tourism and Creative Studies 185 The University of Birmingham 1111 Bishop Grosseteste College 228 The University of Bolton 355 The Arts Institute at Bournemouth 40 Bournemouth University 409 The University of Bradford 516 The University of Brighton 531 The University of Bristol 775 Brunel University 619 Buckinghamshire Chilterns University College 206 The University of Cambridge 1001 The Institute of Cancer Research 118 Canterbury Christ Church University 458 University of Central England in Birmingham 496 The University of Central Lancashire 455 Central School of Speech and Drama 240 University of Chester (#2) 395 University of Chichester (#2) 352 City University 868 Conservatoire for Dance and Drama(#1) 40 Coventry University 460 Courtauld Institute of Art 172 Cranfield University 452 Cumbria Institute of the Arts 40 Dartington College of Arts 62 De Montfort University 491 University of Derby 405 University of Durham 643 The University of East Anglia 535 The University of East London 589 Edge Hill College of Higher Education 488 The University of Essex 490 The University of Exeter 593 University College Falmouth (#2) 133 University of Gloucestershire 350 Goldsmiths College (#2) 457 The University of Greenwich 672 Harper Adams University College 67 University of Hertfordshire 592 Homerton College 40 The University of