Measuring Cotton Consumption: BCI Conversion Factors and Multipliers
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Dear Stitchers, Looking for a Little Inspiration? Color, Texture and Pattern Are All Sparking Our Creativity This Month
KATHY'S KREATIONS 141 East Main Street Ligonier, PA 15658 724-238-9320 FEBRUARY 2015 UPDATE Dear Stitchers, Looking for a little inspiration? Color, texture and pattern are all sparking our creativity this month. This is the season when we turn inward, embracing those elements that make our home a welcome sanctuary against the longer nights and the chill of winter. Knit and crochet projects using rich colors of comforting yarn, plush textures and a mix of traditionally-inspired patterns all bring a sense of warmth. Color your world and bring substance to your wardrobe this winter! Laid-back outfits are elevated by mixing color and texture. Cozy classics in deep neutral tones create the perfect canvas to express yourself with "let it snow" accessories. TAHKI YARNS tonal cotton-wool blend "Zona" embodies casual elegance. A few bold tones can rejuvenate a neutral base, while keeping the overall palette simple and adjustable. Lightweight MIRASOL "Pagu Pura" 100% alpaca is fashionable without being trendy. Dream up your own combinations. Change it up with your mood. Make it your own. Discover rustic textures in beautiful tweeds and thick-and-thin yarns. Inspired by the notion that opposites attract, rustic textures create drama, depth, and a casual fashion sense with the added spice of luscious texture. Tweeds and marls can be an elegant canvas for your personal style, especially when paired with softer, more luxurious surfaces, from densely woven knits to delicate embroidery. On our shelves, you'll find new shades of BERROCO "Inca Tweed" and ROWAN "Felted Tweed Aran" for toasty mittens, hats and scarves. -
Yarn 101 with Fancy Tiger
Yarn 101 with Fancy Tiger Chapter 1 - Introduction Overview (inspiring music) - Hi, I'm Jaime. - And I'm Amber. We're from Fancy Tiger in Denver, Colorado. We have a craft shop and in our shop we carry a lot of different yarns. We really love different fibers and different types of yarn. We're going to tell you today a little bit about what we look for in a yarn. - It can be intimidating and overwhelming sometimes to go into a yarn shop and see all of the different types of yarns that are available. So, today in Yarn 101, we're gonna teach you everything we know about yarn. We're gonna teach you how it's made, what to look for when picking out yarn for a project, what the different gauges are, what the different fibers are, the difference between plant fibers and protein fibers. - We'll cover a little bit of everything about yarn. (inspiring music) Chapter 2 - Natural Fibers Yarn overview - We're gonna talk about how yarn is made. This is a piece of fiber and yarn is made from lots of different fibers and it's the same whether it's a plant fiber or a protein fiber like wool. As you can see, when it's just in the fiber form, it is very easy to pull apart. So in order to make yarn twist is added to the fiber. And by adding twist it then makes it really strong. This is how yarn is made. - This is called a single. -
Yarn Support Programme AW 20-21
Yarn Support Programme AW 20-21 The Fibre Co. are seeking applications from independent designers for its 7th Yarn Support Programme for Autumn Winter 2020-21. We welcome submissions from designers of all races, sexualities, gender expressions, abilities, ages and body sizes. For this request we are looking for garment designs for our new brushed yarn Cirro and sock designs for our new sock yarn Amble. Interested and looking for some inspiration? We’ve put together amood board of what inspires us – remember, we are also interested in what inspires you! The Details The designer will be responsible for all aspects of self-publishing the pattern to an agreed timescale (including technical editing, test knitting, layout, photography and marketing). The Fibre Co. will provide designers with full yarn support for selected designs. We will also work with you to promote your designs to our customers and yarn shops where appropriate. All designs published with yarn support from this programme will be self-published by the designer. The designer retains full rights. The Fibre Co. will request use of images to promote the designs and collaboration where appropriate. Everyone we work with is expected to follow our Code of Conduct, so please kindly read it before submitting your design. Key Dates The deadline for submission of design proposals is 17th April 2020. We will be in touch by 30th April 2020 if your design has been selected. The publishing deadline should fall between August 2020 and February 2021. Final time lines will be agreed once your design has been accepted. Submission Requirements Please submit a one-page pdf with the following details: • Photographs of your knitted swatches showing 2 full repeats of any stitch patterns or texture work used. -
Terminology Associated with Silk in the Middle Byzantine Period (AD 843-1204) Julia Galliker University of Michigan
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Terminologies from the Orient to the Centre for Textile Research Mediterranean and Europe, 1000 BC to 1000 AD 2017 Terminology Associated with Silk in the Middle Byzantine Period (AD 843-1204) Julia Galliker University of Michigan Follow this and additional works at: http://digitalcommons.unl.edu/texterm Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Art and Materials Conservation Commons, Classical Archaeology and Art History Commons, Classical Literature and Philology Commons, Fiber, Textile, and Weaving Arts Commons, Indo-European Linguistics and Philology Commons, Jewish Studies Commons, Museum Studies Commons, Near Eastern Languages and Societies Commons, and the Other History of Art, Architecture, and Archaeology Commons Galliker, Julia, "Terminology Associated with Silk in the Middle Byzantine Period (AD 843-1204)" (2017). Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD. 27. http://digitalcommons.unl.edu/texterm/27 This Article is brought to you for free and open access by the Centre for Textile Research at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Terminology Associated with Silk in the Middle Byzantine Period (AD 843-1204) Julia Galliker, University of Michigan In Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD, ed. Salvatore Gaspa, Cécile Michel, & Marie-Louise Nosch (Lincoln, NE: Zea Books, 2017), pp. 346-373. -
7. Wool Combing
7. Wool Combing Errol Wood Learning objectives On completion of this topic you should be able to: • Outline the objectives of wool combing • Describe the design of a typical rectilinear comb • Explain the steps in rectilinear combing – feeding, initial combing, final combing and drawing off, and sliver formation • Discuss the means by which noils are removed, and the balance required in setting the amount to be removed • Explain the purpose of re-combing • Calculate: tear ratio, noil(%), romaine, regain and combing production • Discuss the factors that affect the combing quality of fine wools Key terms and concepts Combing (Nobel and rectilinear), nips per minute, doublings, noils, finisher gilling, packaging, re- combing, tear, noil(%), romaine, percent fibres less than 30 mm, combing production. Introduction to the topic Wool combing is a comprehensive term when used in its widest sense, and it embraces all the operations carried out in a topmaking plant. It includes the processes of raw wool scouring, drying, carding, backwashing and preparer gilling. Then follows the actual combing operation and the sequence of topmaking processes concludes with two gilling steps called top finishing (or finisher gilling). Combing is not included in the semiworsted or woollen processing routes. Wool combing, the single process, is indispensable in the manufacture of a worsted yarn. The card has disentangled the fibres in the mass of scoured wool and has mixed them in a roughly parallel formation. However, during the carding process many fibres will have been broken, and the card sliver will consist of a variety of fibre lengths. Some vegetable matter will have been removed but fragments remain. -
TRI-1016-Random-Slub-Rotor-Yarn
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ________________________________________________________________________________ TRI 1016 RANDOM SLUB ROTOR YARN PRODUCTION ON CONVENTIONAL EQUIPMENT © 2004 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. Concept Spinning mills have long desired a way to produce a 100% cotton novelty rotor yarn with slubs of random size and length using conventional mill machinery without any special attachments. New technology provides a method to create very short and small size slubs, which are not attainable with most electro-mechanical designs due to their inherent limitations and the rotor diameter that controls the minimum slub length. This random slub process can be a cost- effective alternative for producing novelty slub yarns on rotor-spinning machines. Introduction Cotton Incorporated developed a process for producing a random slub rotor yarn by using small amounts (10%-25%) of comber noils (0.5 in/12.5mm or less) in the final drawing process (usually two “short cotton” slivers in the creel). The practical count range of yarn from this process is projected to be Ne 20/1 and coarser. The main targets for this yarn include denim, shirting, fashion fabrics for women’s wear, and home products. Fiber Processing Specifications for Producing Random Slub Rotor Yarn General Procedure One or two slivers made from comber noil/short staple virgin cotton are introduced into the drawing creel at the finisher drawing step with six to seven ends of “base” cotton or virgin lint (base cotton slivers can be produced in the normal manner). These short fiber slivers produce drafting waves, which later become random thick places (slubs) in the yarn. -
Recommendations for Producing Linen-Look Yarn on Conventional Equipment
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 TRI 1010 RECOMMENDATIONS FOR PRODUCING LINEN-LOOK YARN ON CONVENTIONAL EQUIPMENT © 1992 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. TABLE OF CONTENTS Page CONCEPT 2 INTRODUCTION 2 FIBER ANALYSIS 3 LINEN-LOOK YARN--PREPARATORY PROCEDURE 3 SPINNING PROCEDURE 4 PROCESSING SEQUENCE AND EQUIPMENT SETTINGS 4 OPENING AND CLEANING 4 CARDING 4 DRAWING--FIRST PROCESS 4 DRAWING--SECOND PROCESS 5 ROVING 5 SPINNING 5 TEST RESULTS--18/1 Ne 6 CONCEPT To produce a 100% cotton novelty yarn with long linen-like slubs using standard mill machinery without special attachments. INTRODUCTION Cotton Incorporated developed a totally new novelty yarn with a linen look which can be produced on conventional mill machinery without special attachments. It is called "linen look" because it simulates long slubs common to linen yarn but is made using 100% cotton. The slubs are formed by using small amounts of comber noils (short fibers) in the final drawing operation. One of the main targets for this yarn is women's wear fabrics for blouses and skirts. In the current work, counts of 18/1 Ne were spun. The effective count range of this type yarn is projected to be from 8/1 Ne to 28/1 Ne. Example: Linen-Look vs. Regular Yarn (Ne 18/1 Ring TM 3.8) 2 FIBER ANALYSES 1. Characteristics of fiber used in this project Type - U.S. upland cotton Grade - SLM Length (inches) - 1.12 Mic - 3.8 - 4.6 Strength (grams/tex) - 24 and up 2. -
Bamboo Yarn Toothbrushes, Razors, Combs, Hair Brushes, Ear Buds, and Other Sustainable Options (E
Bamboo Yarn toothbrushes, razors, combs, hair brushes, ear buds, and other sustainable options (e. The whole distillation and production process strictly adopts green processing standards according to ISO 9000 and ISO 14000. Combining the softness and drape of bamboo rayon with the durability of cotton, our beautiful Cotton Bamboo yarn is great for year-round projects, such as clothing and baby items. View all Patons Silk Bamboo Yarn 9 Shades Available Compare Patons Silk Bamboo Yarn. Many yarns are produced in a mixture of materials, to get the benefits from several materials. 509-536-7746. And bamboo viscose filament has properties of soft hand and good hygroscopicity and vetilatory,cool and bright luster,it has a good wearability and natural antibiotic and bacteriostasis for colon bacillus and golden staphylococcus. All of our products are made from organic sources, which include our hemp, agave cactus, coconut fiber, and others. 3 Reviews $ 4. What was the first violin string? probably a thick piece of yarn or bamboo wire. Hemp - Hemp Yarn. Add a little bit of acrylic! The thread consists of 70% bamboo, which makes the yarn the softest you have ever experienced and gives it a special light weighted feel. Visit Our Blog. Great for cheerful socks, accessories, baby knits, and more! Machine wash warm, dry flat. The smooth surface ensures that the yarn is pulled smoothly and evenly in the hole without being stuck. How is Bamboo Textile Fibre made? The bamboo forests in China have largely been cultivated there for many hundreds, and in some cases thousands, of years. -
The Ideal Rotor Spinning Process for a High Short-Fiber Content Rieter
John Spatafora Harald Schwippl Technology & Process Analytics Head Technology & Process Analytics Rieter Machines & Systems Rieter Machines & Systems July 2020 The Ideal Rotor Spinning Process for a High Short-Fiber Content Rieter . The Ideal Rotor Spinning Process for a High Short-Fiber Content 2 Rieter . The Ideal Rotor Spinning Process for a High Short-Fiber Content Contents 1. Introduction 4 2. Process Shortening for a High Short-Fiber Content 5 3. Trial Setup 6 4. Optimal Process Sequence 8 4.1. Sliver Evenness and Adhesive Strength on the Intermediate Product 8 4.2. Evenness of the Rotor Yarn 10 4.3. Tenacity and Elongation of the Rotor Yarn 11 4.4. Hairiness and Abrasion of the Rotor Yarn 13 4.5. Running Behavior of the Rotor Spinning Machine 14 5. Advantages of the RSB Module with Two Draft Zones 15 6. Effects on the End Product 17 7. Process Recommendation 20 8. Economic Viability 21 9. Summary 22 3 Rieter . The Ideal Rotor Spinning Process for a High Short-Fiber Content 1. Introduction Unevenness in staple fiber yarns has Improvements of Yarn Unevenness Since 1957 TM been improving constantly in recent de- 100% Cotton, USP 50% (Uster Statistics Percentile) cades despite high production speeds at the individual process steps – from fiber 22 preparation through the end-spinning machine (see Fig. 1). 20 On the one hand, the improvement in 18 unevenness is due to innovations in me- chanical engineering, such as optimiza- 16 tions in drafting system design or newly developed technology components. On 14 Mass variation[%] CVm the other hand, the increasingly precise definition and coordination of raw ma- 12 terial, process sequence and yarn count 10 plays an important role. -
13, 53, 56-57 Imogene Shawl. Knits: 13, 53, 57-58 Corsage Scarf
Knits Index Through Knits Summer 2017 Issue abbreviations: F = Fall W = Winter Sp = Spring Su = Summer This index covers Knits magazine, and special issues of Crochet, Knit.Wear, Knit.Purl and Knitscene magazine before they became independent journals. To find an article, translate the issue/year/page abbreviations (for example, “Knitting lace. Knits: Su06, 11” as Knits, Summer 2006, page 11.) This index also includes references to articles and patterns on the website, some of which are for subscribers only. Some of these are reprinted from the magazine; others appear only on the website. The first issue of Crochet magazine appeared in Fall, 2007. This index includes all of the special issues of Knits magazine devoted to crochet before Crochet became its own publication. After Spring, 2007, Crochet issues do not appear in this index, but can be found in the Crochet index. For articles indexed before that time, translate “City Stripes. Knits (Crochet): special issue F06, 90” as the special issue of Knits, labeled “Interweave Crochet,” Fall 2006, p. 90. The first issue of Knitscene magazine as an independent journal appeared in Spring, 2011. This index includes all of the special issues of Knitscene magazine before Knitscene became its own publication. After Spring, 2011, Knitscene issues do not appear in this index, but can be found in the Knitscene index. For articles indexed before that time, translate “City Stripes. Knits (Knitscene): special issue F06, 90” as the special issue of Knitscene, labeled “Interweave Knitscene,” Fall 2006, p. 90. The first issue of Knit.wear as an independent journal appeared in Spring, 1017. -
Consumer & Family Sciences
CONSUMER AND FAMILY SCIENCES Clothing Department C Superintendents: Stephanie Cogdill, Kris Vahrenkamp, and Julie Schommer Junior Superintendent: Kaylie Phillips CLOTHING GUIDELINES AND RULES: ***ALL CLOTHING PROJECTS (SEWING, KNITTING, CROCHET, SHOPPING & MODELING) WILL BE JUDGED AT PRE-FAIR DAY ON THURSDAY, JULY 29th. NO CLOTHING WILL BE JUDGED DURING FAIR. *** A. Entry Tags. Every clothing exhibit must be described on the appropriate entry tag accompanying it (for example: dark blue wool skirt and jacket, red and white figured blouse). Entry tag placement: as you look at the garment place the entry tag securely using straight pins or safety pins on the right side of the garment and the hook of the hanger to the left. B. Identification Labels. Each item entered as a clothing, knitting or crochet exhibit must have a label attached stating: County, Exhibitor’s name and age, project name, and class in which garment is entered, and the number of years enrolled in the project exhibited. Wool entries must have the fiber content listed on the identification label. Attach a label on every component of the outfit using safety pins or by basting. Not responsible for unlabeled items. C. Preparation of Exhibits. Please bring all wearable exhibits on wire hangers or hangers with a swivel hook ONLY. All exhibits not suitable for hanging should be entered in a self-sealing plastic bag hung on a hanger. Wool garments and garments with narrow straps hang better on other hangers, i.e., wooden or notched plastic hangers. As you look at the garment, place the hook of the hanger pointing to the left. -
35000-Knitting-And-Crocheting-Patterns-Ebook-2.Pdf
35,000 Free Knitting & Crocheting Patterns The Brooklyn Refinery thebrooklynrefinery.com 35,000 Free Knitting and Crocheting Patterns Finding Great Patterns Below is a list of 22 websites offering free knitting and crocheting patterns. Some offer thousands of patterns. Some also offer additional patterns for sale. Our list is ordered based on several factors. We prefer websites that are easily searchable, that offer some modern patterns, and that are mobile-friendly. We’re hoping you’ll find a good match and bookmark it. Whenever we could, we’ve provided links that go directly to the free pattern webpage rather than the home page, to save you some time. Please beware that some patterns are formatted in inches and some are in cm, because some of these sites are from companies based in Europe. A few of these sites are connected to fiber arts stores or yarn manufacturing companies. They offer free patterns, and links may lead to an online store patterns, yarn, tools, and kits. Some of the websites also have YouTube channels with tutorials. If there’s a website that’s a good match for you, with great free patterns that you can’t wait to make, you might take the time to look around their website to see if they also offer free tutorials. It might be just what you’ve been looking for. We highly recommend you sign up for a free account at Ravelry. It’s a worldwide community of makers where you’re sure to find online knitting pals and connect with some crafters who share your preferences in patterns and colors.