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Clara E. Sipprell Papers
Clara E. Sipprell Papers An inventory of her papers at Syracuse University Finding aid created by: - Date: unknown Revision history: Jan 1984 additions, revised (ASD) 14 Oct 2006 converted to EAD (AMCon) Feb 2009 updated, reorganized (BMG) May 2009 updated 87-101 (MRC) 21 Sep 2017 updated after negative integration (SM) 9 May 2019 added unidentified and "House in Thetford, Vermont" (KD) extensively updated following NEDCC rehousing; Christensen 14 May 2021 correspondence added (MRC) Overview of the Collection Creator: Sipprell, Clara E. (Clara Estelle), 1885-1975. Title: Clara E. Sipprell Papers Dates: 1915-1970 Quantity: 93 linear ft. Abstract: Papers of the American photographer. Original photographs, arranged as character studies, landscapes, portraits, and still life studies. Correspondence (1929-1970), clippings, interviews, photographs of her. Portraits of Louis Adamic, Svetlana Allilueva, Van Wyck Brooks, Pearl S. Buck, Rudolf Bultmann, Charles E. Burchfield, Fyodor Chaliapin, Ralph Adams Cram, W.E.B. Du Bois, Albert Einstein, Dorothy Canfield Fisher, Ralph E. Flanders, Michel Fokine, Robert Frost, Eva Hansl, Roy Harris, Granville Hicks, Malvina Hoffman, Langston Hughes, Robinson Jeffers, Louis Krasner, Serge Koussevitzky, Luigi Lucioni, Emil Ludwig, Edwin Markham, Isamu Noguchi, Maxfield Parrish, Sergei Rachmaninoff, Eleanor Roosevelt, Dane Rudhyar, Ruth St. Denis, Otis Skinner, Ida Tarbell, Howard Thurman, Ridgely Torrence, Hendrik Van Loon, and others Language: English Repository: Special Collections Research Center, Syracuse University Libraries 222 Waverly Avenue Syracuse, NY 13244-2010 http://scrc.syr.edu Biographical History Clara E. Sipprell (1885-1975) was a Canadian-American photographer known for her landscapes and portraits of famous actors, artists, writers and scientists. Sipprell was born in Ontario, Canada, a posthumous child with five brothers. -
Drug Delivery Technology Y
* DDT Nov-Dec 2007 Working 11/9/07 2:29 PM Page 1 November/December 2007 Vol 7 No 10 IN THIS ISSUE Company Profiles 12 Drug Delivery Technologies 58 Excipients, Polymers, Liposomes & Lipids 78 Contract Pharmaceutical & Biological Development Services 83 Machinery & Laboratory Equipment and Software 96 Technology Showcase 102 The science & business of specialty pharma, biotechnology, and drug delivery www.drugdeliverytech.com * DDT Nov-Dec 2007 Working 11/9/07 2:39 PM Page 2 * DDT Nov-Dec 2007 Working 11/9/07 2:40 PM Page 3 * DDT Nov-Dec 2007 Working 11/9/07 2:40 PM Page 4 November/December 2007 Vol 7 No 10 PUBLISHER/PRESIDENT Ralph Vitaro EXECUTIVE EDITORIAL DIRECTOR Dan Marino, MSc [email protected] CREATIVE DIRECTOR Shalamar Q. Eagel CONTROLLER Debbie Carrillo CONTRIBUTING EDITORS Cindy H. Dubin Debra Bingham Jason McKinnie TECHNICAL OPERATIONS Mark Newland EDITORIAL SUPPORT Nicholas D. Vitaro ADMINISTRATIVE SUPPORT Kathleen Kenny Corporate/Editorial Office 219 Changebridge Road, Montville, NJ 07045 Tel: (973)299-1200 Fax: (973) 299-7937 www.drugdeliverytech.com Advertising Sales Offices East & Midwest Victoria Geis - Account Executive Coming in 2008 Cheryl S. Stratos - Account Executive 103 Oronoco Street, Suite 200 Alexandria, VA 22314 Tel: (703) 212-7735 Drug Delivery Weekly & Fax: (703) 548-3733 E-mail: [email protected] Specialty Pharma News E-mail: [email protected] West Coast Warren De Graff Western Regional Manager 818 5th Avenue, Suite 301 San Rafael, CA 94901 Tel: (415) 721-0644 Fax: (415) 721-0665 E-mail: [email protected] 0 The weekly electronic newsletter from the publishers of Drug 1 International o N Delivery Technology and Specialty Pharma will provide over 12,000 Ralph Vitaro 7 219 Changebridge Road l o subscribers with the latest news of business deals, alliances, and V Montville, NJ 07045 Tel: (973) 299-1200 7 technology breakthroughs from the pharmaceutical, specialty 0 Fax: (973) 299-7937 0 2 pharmaceutical, drug delivery, and biotechnology industries. -
Some Pioneer Families of Wisconsin
.. .... -. ,. .. ,. ......i ......- -- SOME PIONEER FAMILIES OF WISCONSIN - An Index - edited by Betty Patterson A Bicentennial Project of the Wisconsin State Genealogical Society, Inc. Madison, Wisconsin 1977 Copyright@1977, Wisconsin State Genealogical Society, Inc. Library of Congress Cata log Card No.: 77-11739 PUBLISHED BY THE WISCONSIN STATE c;:+ICAL SOCIETY INC. PRINTED IN THE UNITED STATES OF AMERICA BY .•.• tht: PRINl'shop OF DIXON, ILLINOIS ' ' This little book is dedicated to those who have sensed the thrill of unraveling their family mystery stories and the quiet satisfaction that comes from traveling vicariously with generations of grandparents long unknown. It is hoped that, at least in Wisconsin, it may make their searching a little easier. ERRATA II p. 2, Line 31 should read: "Spelling was an imprecise art in times past, Line 38 should read: 11 Jorndt, while the other (Fern Smith, #1815 .... 11 p. 126, Lines 70, 71, & 72, the spouses in column 4 should be Ann Eliza Taylor, George J. Beach, and Edward L. Myers. Background of the Pioneer and Century Certificate Project Even before the impetus of the Bicentennial year and the appearance of Alex Haley's Roots, more and more people were becoming interested in genealogy. Fifty years ago, the word was apt to mean an exercise aimed at qualifying for membership in an exclusive society. Today, its meaning has broadened to acconnnodate an increased awareness of the value of family and national heritages. Realization has come, too, that in a time of great social change, the knowledge of these--placing the individual, as it were, in a context--can stabilize and illuminate the sense of self. -
Press Release
49 Geary Street, 4th Floor, San Francisco, CA 94108 t: 415 981 2661 f: 415 981 4041 fraenkelgallery.com For immediate release: 5 February – 4 April 2015 fraenkel gallery is pleased to announce our first solo exhibition of the work of Alec Soth. On view from February 5 – April 4, 2015, Alec Soth: Songbook will feature approximately 20 new and never-before-seen photographs. The artist will be present for the exhibition opening and signing of his new publication, Songbook, on Thursday, February 5, from 5:30 to 7:30 pm. Celebrated for his haunting and influential portraits and landscapes in such acclaimed books asSleeping by the Mississippi, Broken Manual, and NIAGARA, Alec Soth has recently turned his lens toward community life in the country. From 2012 to 2014 Soth traveled the United States looking for signs of social life in our era of virtual social networks. To aid in his search, Soth assumed the increasingly obsolescent role of community newspaper reporter. From upstate New York to Silicon Valley, he attended hundreds of meetings, dances, festivals and family gatherings. With Songbook, Soth has stripped these pictures of their news context in order to highlight the longing for connection at their root. Fragmentary, funny, and sad, Songbook is a lyrical depiction of the tension between American individualism and the ongoing desire to be united. Alec Soth (b. 1969) is based in Minneapolis, Minnesota. His work has been presented at numerous museums, including solo exhibitions at the Jeu de Paume, Paris; Fotomuseum Winterthur, Switzerland; and the Walker Art Center, Minneapolis. Among his many publications are Dog Days, Bogotá; The Last Days of W; Fashion Magazine; and the LBM Dispatch series, with writer Brad Zellar. -
Carroll, Eric William. “I Struggle When I Know the Words to a Place by Heart,” the Design Observer, May 19, 2014
Carroll, Eric William. “I struggle when I know the words to a place by heart,” The Design Observer, May 19, 2014. Photographs from the irregular newspaper LBM Dispatch Howard in the asparagus patch of a community garden. Detroit. [Photo by Alec Soth, from LBM Dispatch #3: Michigan] Ten years ago, photographer Alec Soth established himself as a master of the 8x10 format in his series Sleeping by the Mississippi; these days he’s known for posting “unselfies” on Instagram. Where others might see creative regression, I see an artist determined to find an effective use for photography in an era when, as Soth says, “a document is being made of just about everything all of the time.” Lately Soth has been issuing “Dispatches” in the form of an irregular newspaper created with writer (and fellow Minnesotan) Brad Zellar. Together, they take road trips to distant states and report the stories of the people and the land. The partners work on their own deadline and produce a self-published broadsheet shortly after they return. The papers are simple — black and white, flash-lit photographs of people and landscapes, presented with titles and often with a brief text. Under the title, Jack. Downtown Dallas. 50th Anniversary of the J.F.K. assassination, we see a boy wearing a fedora and raincoat in front of a nondescript wall, avoiding eye contact with the photographer. We learn that he was named after Jack Kennedy, and that his parents have taken him out of school to attend the memorial. In another photograph, titled 88-year-old Bil (“My mother said she couldn’t pronounce the other L”). -
Fotofocus Photobook Collection
FotoFocus Photobook Collection Date Additional Artist Title Publisher Published Call Number information 2041, edited by Lewis Chaplin and Ben Weaver 2041 Here Press 2014 NF655 .T97 2014 Abeles, Michele Zebra Sadie Coles HQ 2017 NF140 .G7 2016 On Abortion: And the Repercussions of Lack of Abril, Laia Access Dewy Lewis 2017 NF140.A27 2018 1974 - first published by Colorado The New West : landscapes along the Associated Adams, Robert Colorado Front Range Steidl 2015 NF140.A33 A4 2015 University Press Alfred S McEwen; Francis Rocard; Xavier Barral; Sébastien Girard; Nicolas Mangold This is Mars Aperture 2017 NF140 .M395 2013 Andenæs, Morten Skyldfolk Teknisk Industri A/S 2013 NF140 .A534 2013 Andrianjafy, Emmanuelle Nothing's in Vain MACK 2017 NF140 .A536 2017 Araki, Nobuyoshi Nobuyoshi Araki Palaeroid Oktagon Verlag 1997 N7433.4.A7 P6 Ashkin, Michael Long Branch A-Jump Books 2014 NF140 .A844 2014 Asselin, Mathieu Monsanto: a photographic investigation Verlag Kettler 2017 NF140.A87 M66 2017 Basu, Poulomi Centralia Dewi Lewis 2020 NF140 .B378 2019 Batniji, Taysir Home Away from Home Aperture 2018 NF140.B387 2018 Baum, Erica The Naked Eye Bureau / Crèvecœur 2015 NF140 .B38x 2015 Bee, Olivia Kids in Love Aperture 2016 NF140 .B44x 2016 Benabderrahmane, Yasmina La Bête A Modern Tale MACK 2020 NF140 .B463 2020 signed Bradley, Andre Dark Archive Image Text Ithaca 2015 N7433.4.B73 D37 2015 Brodie, Mike A Period of Juvenile Prosperity Twin Palms Publishers 2012 NF140.B755 P4 2012 Brown, Drew AIRGAP TBW Books 2018 NF140 .B788 2018 Bryan Schutmaat and Ashlyn Davis Islands of the Blest Silas Finch 2014 NF660.5 .I75 2014 Cabrera, C. -
The Wandering Spirit
Photo Booth The Wandering Spirit By Rodrigo Canedo Gattegno December 16, 2013 1 / 14 USA. Denver, Colorado. 2013. The photographer Alec Soth and the writer Brad Zellar have undertaken a long-term project, born out of simple pleasure, that captures both the humanity and banality of the American continent. Their self-described “North American ramblings” are presented in an irregularly published newspaper titled The LBM Dispatch, which recalls the documentary-style photography of days long gone. Soth describes it as “being in the style of both newspaper journalism and the Walker Evans/James Agee approach in ‘Let Us Now Praise Famous Men.’ ” The project began with Soth asking Zellar to indulge him with an imaginary newspaper assignment for his birthday. They ended up covering a story about a stray cat living under a suburban freeway interchange. “Freed from the conventions of working for a real paper, Brad and I were able to get at the poignancy behind the somewhat trivial story,” Soth told me. Exhilarated by working on their own, the friends made their adventure into a more serious undertaking. After they published projects documenting Ohio, Michigan, and upstate New York, they foresaw a more Western future. Last summer, they traveled throughout Colorado for a few weeks, meeting hundreds of people and detailing the trivial, riveting moments of their lives. The images bring us face to face with the treasures (and terrors) of the eeting moment. The photographs document more than the place where they were taken; together, they form a study of the North American soul and the wandering spirit. -
ALEC SOTH Bibliography Selected Publications
ALEC SOTH Bibliography Selected Publications 2019 Soth, Alec. I Know How Furiously Your Heart is Beating. London: MACK, 2019. 2018 Soth, Alec. Alec Soth: Niagara. London: MACK, 2018. 2015 Penhall, Michele M. Stories from the Camera: Reflections on the Photograph. Albuquerque: University of Mexico, 2015. Schuman, Aaron and Kate Bush. Gathered Leaves, London: MACK, 2015. 2014 Fraenkel, Jeffrey ed. The Plot Thickens. San Francisco: Fraenkel Gallery, 2014. Knight, Robert. In Context: The Portrait in Contemporary Photographic Practice. Clinton, New York: Ruth and Elmer Wellin Museum of Art, 2014. Soth, Alec. Songbook. Minnesota: Little Brown Mushroom, 2014. “The Secret Lives of Museum Guards,” The New Yorker, September 26, 2015. “Voyages: Visual Journeys by six photographers,” The New York Times Magazine, September 26, 2015. 2013 Dyer, Geoff and Pico Iyer. Ping Pong. St. Paul, Minnesota: Little Brown Mushroom, September 2013. Soth, Alec and Brad Zellar. Three Valleys. St. Paul, Minnesota: Little Brown Mushroom, March 2013. 2012 Soth, Alec. Looking for Love 1996. Berlin: Kominek Books, 2012. Soth, Alec and Brad Zellar. Ohio. St. Paul, Minnesota: Little Brown Mushroom, May 2012. Soth, Alec and Brad Zellar. Upstate. St. Paul, Minnesota: Little Brown Mushroom, August 2012. Soth, Alec and Brad Zellar. Michigan. St. Paul, Minnesota: Little Brown Mushroom, November 2012. 2011 Alec Soth: Mostly Women. Portland, Oregon: Nazraeli Press, 2011. Soth, Alec. Alec Soth: La Belle Dame Sans Merci. 2011. Soth, Alec. Lonley Boy Mag (No. A-1: Alec Soth’s Midwestern Exotica). St. Paul, Minnesota: Little Brown Mushroom Books, March 2011. 2010 Rodarte, Catherine Opie, Alec Soth. Zurich: JRP Ringier, 2010. Soth, Alec. -
Not So Very Bad Beginnings: What Fiction Can Teach Lawyers About Beginning a Persuasive Legal Narrative Before a Court Cathren Koehlert-Page Barry University
Barry University School of Law Digital Commons @ Barry Law Faculty Scholarship 2017 Not So Very Bad Beginnings: What Fiction Can Teach Lawyers about Beginning a Persuasive Legal Narrative before a Court Cathren Koehlert-Page Barry University Follow this and additional works at: https://lawpublications.barry.edu/facultyscholarship Part of the Legal Education Commons, and the Legal Writing and Research Commons Recommended Citation Cathren Page, Not So Very Bad Beginnings: What Fiction Can Teach Lawyers about Beginning a Persuasive Legal Narrative before a Court, 86 Miss. L.J. 315, (2017) This Article is brought to you for free and open access by Digital Commons @ Barry Law. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Digital Commons @ Barry Law. NOT SO VERY BAD BEGINNINGS: WHAT FICTION CAN TEACH LAWYERS ABOUT BEGINNING A PERSUASIVE LEGAL NARRATIVE BEFORE A COURT Cathren Page* INTRODUCTION .................................................................. 317 I. A BRIEF OVERVIEW OF APPLIED LEGAL STORYTELLING AS APPLIED TO THIS ARTICLE ............ 320 II. A FEW GREAT OPENING LINES FROM LAW AND LITERATURE ................................................................ 322 A. Fiction .................................................................... 322 B. Law ........................................................................ 323 Ill. AN EXAMINATION OF GOOD AND BAD, FICTION AND LEGAL BEGINNINGS .................................................... 324 A. Overview of the Tasks Beginnings -
Thesis 19.11.17, Elena Stevens
! University of Southampton Research Repository Copyright!©!and!Moral!Rights!for!this!thesis!and,!where!applicable,!any!accompanying!data!are! retained!by!the!author!and/or!other!copyright!owners.!A!copy!can!be!downloaded!for!personal! non>commercial!research!or!study,!without!prior!permission!or!charge.!This!thesis!and!the! accompanying!data!cannot!be!reproduced!or!quoted!extensively!from!without!first!obtaining! permission!in!writing!from!the!copyright!holder/s.!The!content!of!the!thesis!and!accompanying! research!data!(where!applicable)!must!not!be!changed!in!any!way!or!sold!commercially!in!any! format!or!medium!without!the!formal!permission!of!the!copyright!holder/s.!! When!referring!to!this!thesis!and!any!accompanying!data,!full!bibliographic!details!must!be!given,! e.g.!! Thesis:!Author!(Year!of!Submission)!"Full!thesis!title",!University!of!Southampton,!name!of!the! University!Faculty!or!School!or!Department,!PhD!Thesis,!pagination.!! ! UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Striking an Attitude: Tableaux Vivants in the British Long Nineteenth Century by Elena Stevens Thesis for the degree of Doctor of Philosophy December 2017 ! UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Doctor of Philosophy STRIKING AN ATTITUDE: TABLEAUX VIVANTS IN THE BRITISH LONG NINETEENTH CENTURY by Elena Stevens This thesis examines one instance of the long nineteenth-century’s engagement with the Antique: the medium of entertainment known as tableaux vivants. In tableau vivant performances, men, women and children were arranged into motionless (or near- motionless) configurations, and presented to audiences in parlour rooms, pleasure gardens, circuses, public houses, exhibition halls, variety theatres and music halls. Many performances derived inspiration from Antique statues or classicising paintings, although some captured elements of distant cultures. -
Gertrude Kasebier: Her Photographic Career, 1894-1929
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 1985 Gertrude Kasebier: Her Photographic Career, 1894-1929 Barbara L. Michaels Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1848 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. -
Seizing the Light
Dedication V Rural Practice 42 Preface vii The Daguerreotype and the Landscape 42 The Daguerreotype and Science 43 CHAPTER ONE o John Whipple Advancing toward Photography: The Birth CHAPTER THREE z of Modernity 3 Calotype Rising: H A Desire for Visual Representation 3 The Arrival of Photography 49 W Perspective 4 The Calotype^ 49 z Thinking of Photography 4 William Henry Fox Talbot Camera Vision. 5 Early Calotype Activity 52 H The Demand for Picturemaking Systems 6 David Octavius Hill; Robert Adamson; C/5 Proto-Photographers: Chemical Action of Sir William Newton; Thomas Keith Light 7 Calotypists Establish a Practice 59 Modernity: New Visual Realities 9 Louis-Desire Blanquart-Evrard; Thomas Sutton; Louis Jacques Mande Daguerre Gustave Le Gray; Charles Negre Calotype and Architecture: Mission Optical Devices 10 Heliographique 63 Images through Light: A Struggle for Permanence 11 Henri Le Secq; Edouard Baldus; Charles Marville Joseph Nicephore Niepce; Sir John Fredrick William The End of the Calotype and the Future of Photography 67 Herschel; William Henry Fox Talbot; Anna Atkins Other Distinct Originators 18 CHAPTER FOUR Hippolyte Bayard; Mungo Ponton; Hercules Florence Pictures on Glass: CHAPTER TWO The Wet-Plate Process 71 The Daguerreotype: The Albumen Process 71 Image and Object 25 Frederick Scott Archer The New Transparent Look 72 What Is a Daguerreotype? 27 The Ambrotype 74 Samuel F. B. Morse Pictures on Tin 77 The Daguerreotype Comes to America 28 The Carte-de-Visite and the Photo Album 78 The Early Practitioners 29 Andre Disderi;John Jabez Edwin Mayall Early Daguerreian Portrait Making 29 The Cabinet Photograph: Post-Mortem Portraits 33 The Picture Gets Bigger 82 Technical Improvements 33 The Studio Tradition 84 Expanding U.S.