Handout 5 - Tom Morello on Sun City
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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Journal of Academic Perspectives
Journal of Academic Perspectives Religion, Politics, and Public Discourse: Bruce Springsteen and the Public Church of Roll Frederick L. Downing, Professor of Philosophy & Religious Studies, Valdosta State University and Jonathan W. Downing, Co-Director, Screaming Shih-Tzu Productions Abstract The thesis of this paper is that Bruce Springsteen’s art participates in a musical public square in which the outsider can come up close and overhear a dialogue that has been going on for centuries. Following the work of Robert Detweiler on religion and public life, this paper starts from the premise that the bard’s music, like literature, creates a type of public square or a form of public discourse where urgent matters of human survival, like the nature and nurture of a just state, are expressed, a call for social justice can be heard, and faith and hope for the future can be assimilated. Using the theory of Martin Marty on religion and civic life, the paper further describes Springsteen’s work as the creation of a “public church” beyond sectarian demand which is open to all and approximates, in his language, a true “land of hopes and dreams.” The paper uses the theory of Walter Brueggemann on the ancient church idea to demonstrate the nature and dimension of Springsteen’s “public church.” Using Brueggemann’s theory, Springsteen’s Wrecking Ball album is shown to have both a prophetic and priestly function. As a writer and performer, Springsteen demonstrates on this album and on the Wrecking Ball tour that he not only speaks truth to power, but attempts to create a sense of alternative vision and alternative community to the unjust status quo. -
Cinemati • TRADE NEWS • Full Implementation of Law Due in 0C Private Labs Suffer From
CINEMAti • TRADE NEWS • Full Implementation of law due in 0C Private labs suffer from MONTREAL - By the end of gross; and the factors which Once the regulations are ap NF B IT Fproductions October, the Quebec Cabinet should determine the 'house proved, the Cabinet will then 15 projects since the begin is expected to have approved nut' or the cost of operating a promulgate the articles of the MONTREAL - Figures recently the final version of the regula theatre. law which are pertinent. released by the National Film ning of the Broadcast Fund for tions of the Cinema Law. Ap Guerin does not foresee any Board to Sonolab's president budgets totalling 532,528,000. proval of the 140 articles of the parts of the law being set aside, Andre Fleury reveal for the Of this amount, the NFB spent regulations will permit prom For articles concerning film and commented that the first time the ventilation of in $4,399,000 internally on tech ulgation of the remaining arti distribution as defined in the cinema dossier is one of the vestments made by the NFB on nical services while it spent cles of the law which was pass regulations see page 44, minister's priorities. Richard productions involving Telefilm only 565,000 on the same ser ed by the National Assembly has already announced that he Canada and are sure to fuel the vices in the private sector. on June 22, 1983. will not stand for re-election, long-standing battle involving Emo explains in her letter to The final, public consulta Other briefs presented at the but has promised to see the the Board and the private-sec Fleury that the Board's policy tion on the regulations took hearings dealt with video-cas Cinema Law completed before tor service houses. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
(Pdf) Download
-1- FEED MY SHEEP PUBLISHED BY DR. JAMES W. BRUGGEMAN STONE KINGDOM MINISTRIES P. O. BOX 5695 ASHEVILLE, NC 28813 U.S.A. See my blog at www.stonekingdom.org Issue #198 August 2015 All We Need Is Love, Part 1 he previous four issues of Feed My Sheep were 18 A good tree cannot bring forth evil fruit, T literally entitled “Feed My Sheep,” and focused neither can a corrupt tree bring forth good fruit. on the difference between two Greek words (phileo and 19 Every tree that bringeth not forth good agape), both translated by the English word “love.” fruit is hewn down, and cast into the fire. That was setting the stage for this small series which 20 Wherefore by their fruits ye shall know will deal with the fruit of the Spirit called “love.” them. We shall begin our study with part of that long pas- This is a continuation of our occasional studies on sage beginning in Matthew, chapter five, generally the fruits of the Spirit. A fundamental reason why we called the sermon on the mount. A vast crowd of disci- have been learning about the fruits of the Spirit, of ples were following Jesus and hanging on His every course, is so that we can know how to nurture and grow word, because He taught them “as one with authority” them in our own individual lives, so that we can pro- the Bible says, not as the scribes. duce the sweet fruit in our character which is pleasing to the husbandman, our heavenly Father. -
Yeats and the Mask of Deirdre: "That Love Is All We Need"
Colby Quarterly Volume 37 Issue 3 September Article 6 September 2001 Yeats and the Mask of Deirdre: "That love is all we need" Maneck H. Daruwala Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 37, no.3, September 2001, p.247-266 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Daruwala: Yeats and the Mask of Deirdre: "That love is all we need" Yeats and the Mask ofDeirdre: "That love is all we need II By MANECK H. DARUWALA The poet finds and makes his mask in disappointment, the hero in defeat. The desire that can be satisfied is not a great desire. (Yeats) Man is least himself when he talks in his own person. Give him a mask and he will tell you the truth. (Wilde) EIRDRE, written during a very painful period of Yeats's life, is a civilized D form of autobiography. What could not be put down in journals or lyric poetry and could not be ignored becomes drama. Yeats turns here from the mirror to the mask. "The poet finds and makes his mask in disappointment, the hero in defeat" ("Anima Hominis," Mythologies, 334, 337), may apply equally to Yeats and Naoise. As Yeats says, there is always a phantasmago ria. Here the phantasmagoria includes Celtic myth, politics, chess games, and the literary tradition (or intertextuality-which, like a Greek mask, combines the advantages of resonance with those of disguise). -
Love Is All We Need John 14: 15-21, 25-27 “If You Love Me….” I Wonder
1 Love is All We Need John 14: 15-21, 25-27 “If you love me….” I wonder what the disciples thought when Jesus opened with that phrase. What do you mean, Jesus? If? You know we love you! The unspoken protest in this section would be repeated after Jesus’ death with he gathered with the disciples for breakfast on the beach. Jesus asked Peter if he loved him, and Peter did not take kindly to having his love for Jesus questioned. This from the person who denied even knowing Jesus! But on this last evening with his disciples that was all a rather hypothetical question. They had encountered opposition in the past, and there was a certainty there would be more. But it didn’t matter so much as long as they were together, relying on one another’s company, depending on each other for spiritual and emotional support. They had no idea that soon they would be scattered far and wide, fearful for their very lives, unsure about what the future would be, not at all clear what Jesus had mean by ‘church.’ Sounds disturbingly familiar, doesn’t it? How do we love in this strange new world? While it is definitely more challenging and not as satisfying, we can still connect with family and friends with technology the disciples could not have envisioned. We’re worshiping in a virtual world right now and are actually reaching more people than when we were confined in the walls of this beautiful building. Zoom meetings and the like are becoming the norm. -
Steve Earle Townes Biography
Steve Earle Townes Biography Steve Earle had two reasons for coming out with this long-planned tribute to Townes Van Zandt now. The first reason is practical. Earle is currently pushing himself to finish a years-in-the-making novel, and he wants to see it in print before the publishing business goes belly up. The second is a more personal concern. Like all artists worthy of the name, Steve Earle loves the truth, and in the case of Van Zandt, he sees that the waters are muddying before his eyes. Very often over periods of years, the truth first becomes myth and myth later becomes truth. In regards to his teacher, hero and friend Townes Van Zandt, Steve Earle was not about to let that happen. “I’m very thankful that when I got out of jail I started meeting people like Jay Farrar and other people his age that knew Townes chapter and verse,” he says. “I’ve always been very thankful for that. But a lot of what powered that is a take on roots music that comes from alternative music, and the crowd that kind of attached itself to Townes was the same kind of people that have White Light / White Heat in the front of their record collection so everybody knows how intense they are when they have a party. I love that record, but I don’t think I’ve listened to it all the way through since I bought it.” “I’m tryin’ not to kill myself,” he laughs. Van Zandt’s reputation has been under something of an overhaul since the dawn of the 1990s. -
With One Voice Community Choir Program
WITH ONE VOICE COMMUNITY CHOIR PROGRAM We hope being part of this choir program will bring you great joy, new connections, friendships, opportunities, new skills and an improved sense of wellbeing and even a job if you need one! You will also feel the creative satisfaction of performing at some wonderful festivals and events. If you have any friends, family or colleagues who would also like to get involved, please give them Creativity Australia’s details, which can be found on the inside of the front cover of this booklet. We hope the choir will grow to be a part of your life for many years. Also, do let us know of any performance or event opportunities for the choir so we can help them come to fruition. We would like to thank all our partners and supporters and ask that you will consider supporting the participation of others in your choir. Published by Creativity Australia. Please give us your email address and we will send you regular choir updates. Prepared by: Shaun Islip – With One Voice Conductor In the meantime, don’t forget to check out our website: www. Kym Dillon – With One Voice Conductor creativityaustralia.org.au Bridget a’Beckett – With One Voice Conductor Andrea Khoza – With One Voice Conductor Thank you for your participation and we are looking forward to a very Marianne Black – With One Voice Conductor exciting and rewarding creative journey together! Tania de Jong – Creativity Australia, Founder & Chair Ewan McEoin – Creativity Australia, General Manager Yours in song, Amy Scott – Creativity Australia, Program Coordinator -
This Machine Kills Fascists" : the Public Pedagogy of the American Folk Singer
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2016 "This machine kills fascists" : the public pedagogy of the American folk singer. Harley Ferris University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Rhetoric Commons Recommended Citation Ferris, Harley, ""This machine kills fascists" : the public pedagogy of the American folk singer." (2016). Electronic Theses and Dissertations. Paper 2485. https://doi.org/10.18297/etd/2485 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN FOLK SINGER By Harley Ferris B.A., Jacksonville University, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English/Rhetoric and Composition Department of English University of Louisville Louisville, KY August 2016 “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN -
Chapters in Canadian Popular Music
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Ilona Šoukalová Chapters in Canadian Popular Music Diplomová práce Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Olomouc 2015 Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky Chapters in Canadian Popular Music (Diplomová práce) Autor: Ilona Šoukalová Studijní obor: Anglická filologie Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Počet stran: 72 Počet znaků: 138 919 Olomouc 2015 Prohlašuji, že jsem diplomovou práci na téma "Chapters in Canadian Popular Music" vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla jsem všechny použité podklady a literaturu. V Olomouci dne 3.5.2015 Ilona Šoukalová Děkuji vedoucímu mé diplomové práce panu Mgr. Jiřímu Flajšarovi, Ph.D. za odborné vedení práce, poskytování rad a materiálových podkladů k práci. Poděkování patří také pracovníkům Ústřední knihovny Univerzity Palackého v Olomouci za pomoc při obstarávání pramenů a literatury nezbytné k vypracování diplomové práce. Děkuji také své rodině a kamarádům za veškerou podporu v době mého studia. Abstract The diploma thesis deals with the emergence of Canadian popular music and the development of music genres that enjoyed the greatest popularity in Canada. A significant part of the thesis is devoted to an investigation of conditions connected to the relation of Canadian music and Canadian sense of identity and uniqueness. Further, an account of Canadian radio broadcasting and induction of regulating acts which influenced music production in Canada in the second half of the twentieth century are given. Moreover, the effectiveness and contributions of these regulating acts are summarized and evaluated. Last but not least, the main characteristics of the music style of a female singer songwriter Joni Mitchell are examined. -
Nu-Metal As Reflexive Art Niccolo Porcello Vassar College, [email protected]
Vassar College Digital Window @ Vassar Senior Capstone Projects 2016 Affective masculinities and suburban identities: Nu-metal as reflexive art Niccolo Porcello Vassar College, [email protected] Follow this and additional works at: http://digitalwindow.vassar.edu/senior_capstone Recommended Citation Porcello, Niccolo, "Affective masculinities and suburban identities: Nu-metal as reflexive art" (2016). Senior Capstone Projects. Paper 580. This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. ! ! ! ! ! ! ! ! ! ! ! AFFECTIVE!MASCULINITES!AND!SUBURBAN!IDENTITIES:!! NU2METAL!AS!REFLEXIVE!ART! ! ! ! ! ! Niccolo&Dante&Porcello& April&25,&2016& & & & & & & Senior&Thesis& & Submitted&in&partial&fulfillment&of&the&requirements& for&the&Bachelor&of&Arts&in&Urban&Studies&& & & & & & & & _________________________________________ &&&&&&&&&Adviser,&Leonard&Nevarez& & & & & & & _________________________________________& Adviser,&Justin&Patch& Porcello 1 This thesis is dedicated to my brother, who gave me everything, and also his CD case when he left for college. Porcello 2 Table of Contents Acknowledgements .......................................................................................................... 3 Chapter 1: Click Click Boom .............................................................................................