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SONG YEAR ALBUM From Me To You 1962 Past Masters Vol 1 Love Me Do 1962 Please Please Me Please Please Me 1962 Please Please Me She Loves You 1963 Past Masters Vol 1 This Boy 1963 Past Masters Vol 1 Wanna Hold Your Hand 1963 Past Masters Vol 1 Boys 1963 Please Please Me Saw Her Standing There 1963 Please Please Me Secret 1963 Please Please Me Twist And Shout 1963 Please Please Me All My Loving 1963 With The Beatles I Wanna Be Your Man 1963 With The Beatles It Won't Be Long 1963 With The Beatles Money 1963 With The Beatles Please Mr Postman 1963 With The Beatles Roll Over Beethoven 1963 With The Beatles Eight Days A Week 1964 Beatles For Sale Honey Don't 1964 Beatles For Sale Kansas City/Hey-Hey-Hey-Hey! 1964 Beatles For Sale Rock And Roll Music 1964 Beatles For Sale A Hard Day's Night 1964 Hard Day's Night And I Love Her 1964 Hard Day's Night Any Time At All 1964 Hard Day's Night Can't Buy Me Love 1964 Hard Day's Night I Should Have Known Better 1964 Hard Day's Night If I Fell 1964 Hard Day's Night You Can't Do That 1964 Hard Day's Night I Feel Fine 1964 Past Masters Vol 1 Long Tall Sally 1964 Past Masters Vol 1 She's A Woman 1964 Past Masters Vol 1 Slow Down 1964 Past Masters Vol 1 Dizzy Miss Lizzy 1965 Help! Help! 1965 Help! Hide Your Love Away 1965 Help! Ticket To Ride 1965 Help! Yesterday 1965 Help! Bad Boy 1965 Past Masters Vol 1 I'm Down 1965 Past Masters Vol 1 Day Tripper 1965 Past Masters Vol 2 We Can Work It Out 1965 Past Masters Vol 2 Drive My Car 1965 Rubber Soul In My Life 1965 Rubber Soul Michelle 1965 Rubber Soul Norwegian Wood 1965 Rubber Soul Nowhere Man 1965 Rubber Soul The Word 1965 Rubber Soul Paperback Writer 1966 Past Masters Vol 2 Rain 1966 Past Masters Vol 2 Got To Get You Into My Life 1966 Revolver Here There & Everywhere 1966 Revolver She Said She Said 1966 Revolver Taxman 1966 Revolver Tomorrow Never Knows 1966 Revolver Yellow Submarine 1966 Revolver All You Need Is Love 1967 Magical Mystery Tour I Am The Walrus 1967 Magical Mystery Tour Magical Mystery Tour 1967 Magical Mystery Tour Penny Lane 1967 Magical Mystery Tour Strawberry Fields Forever 1967 Magical Mystery Tour Friends 1967 Sgt Peppers Lucy In The Sky 1967 Sgt Peppers Sgt. Pepper's 1967 Sgt Peppers When I'm 64 1967 Sgt Peppers Hey Jude 1968 Past Masters Vol 2 Lady Madonna 1968 Past Masters Vol 2 Revolution 1968 Past Masters Vol 2 Back In The U.S.S.R. 1968 The White Album Birthday 1968 The White Album Ob-La-Di, Ob-La-Da 1968 The White Album While My Guitar Gently Weeps 1968 The White Album Come Together 1969 Abbey Road Golden Slumbers/ Carry That Weight / The End 1969 Abbey Road Here Comes The Sun 1969 Abbey Road Something 1969 Abbey Road Get Back 1969 Let It Be I've Got A Feeling 1969 Let It Be Let It Be 1969 Let It Be One After 909 1969 Let It Be Ballad Of John And Yoko 1969 Past Masters Vol 2 Hey Bulldog 1969 Yellow Submarine Imagine 1971 John Lennon.

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Canadian Beatles Albums Identification Guide Updated: 22 De 16
Canadian Beatles Albums Identification Guide Updated: 22 De 16 Type 1 Rainbow Label Capitol Capitol Records of Canada contracted Beatlemania long before their larger and better-known counterpart to the south. Canadian Capitol's superior decision-making brought Beatles records to Canada in early 1963. After experimenting with the release of a few singles, Capitol was eager to release the Beatles' second British album in Canada. Sources differ as to the release date of the LP, but surely by December 2, 1963, Canada's version of With the Beatles became the first North American Beatles album. Capitol-USA and Capitol-Canada were negotiating the consolidation of their releases, but the US release of The Beatles' Second Album had a title and contained songs that were inappropriate for Canadian release. After a third unique Canadian album, album and single releases were unified. From Something New on, releases in the two countries were nearly identical, although Capitol-Canada continued to issue albums in mono only. At the time when Beatlemania With the Beatles came out, most Canadian pop albums were released in the "6000 Series." The label style in 1963 was a rainbow label, similar to the label used in the United States but with print around the rim of the label that read, "Mfd. in Canada by Capitol Records of Canada, Ltd. Registered User. Copyrighted." Those albums which were originally issued on this label style are: Title Catalog Number Beatlemania With the Beatles T-6051 (mono) Twist and Shout T-6054 (mono) Long Tall Sally T-6063 (mono) Something New T-2108 (mono) Beatles' Story TBO-2222 (mono) Beatles '65 T-2228 (mono) Beatles '65 ST-2228 (stereo) Beatles VI (mono) T-2358 Beatles VI (stereo) ST-2358 NOTE: In 1965, shortly before the release of Beatles VI, Capitol-Canada began to release albums in both mono and stereo.
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The Old Past Master
The Old Past Master Carl H. Claudy 1924 Originally published in 1924 By The Masonic Service Association Of the United States of America Converted to text by Bro. Carl Johnson Converted to PDF & eBook by Bro. Ron Blaisdell, PM January 28, 2001 AL 6001 PREFACE Masonry teaches the young and untried brother to apply to his elder brethren for instruction in the art and assures him that they will always be as ready to teach as his is ready to learn. The author took this comforting assurance literally and seriously. To many "Old Past Masters" (and not all of them have been through the chairs!) ... he owes anything of Masonic wisdom which may have filtered through his pen to these pages. It is given to few to originate in this world; if to him has come opportunity to report to the many what would otherwise perhaps have been but the learning of the few, he is more than content, even if there be nothing within these pages which he can claim as his own. A guidepost never gets anywhere, but it points the way! Carl H. Claudy CONTENTS Brotherly Love 1 Attendance 5 “In My Heart” 9 The Ideal Mason 14 “Failure” 18 That “Atheist!” 23 Order of DeMolay 28 For Love – Or Money? 32 The Charity Fund 36 Masonic Libraries 40 The Masonry You Make 45 When Laughter is Sad 49 A Mason’s Christmas 54 Understanding 59 The Better Way 63 “Silk Stockings” 67 The Pledge 71 Those Symbols 75 Ancient Landmarks 79 Do You Study Geometry? 83 Work To Do 87 Those Legends 91 When Twice Two is Five 95 Why Symbolism? 99 BROTHERLY LOVE "Brotherly love?" commented the Old Past Master.
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Lodge Leadership & Management Aka The
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Authenticity Letter for Stereo Introducing The
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Common Course Outline the Community College of Baltimore
Common Course Outline MUSC 128 The Beatles in the Rock Generation 3 Semester Hours The Community College of Baltimore County Description The Beatles in the Rock Generation Examines the development of the musical and lyrical artistry of the Beatles presented within the framework of aesthetic and social movement, 1957 to 1970. Corequisites: ENGL 051 or ESOL 051 or LVE 1 or LVE 2 or LVE 3 and RDNG 052 or LVR 2. Overall Course Objectives Upon successful completion of this course, the student will be able to: 1. Understand and articulate how and why the Beatles became the most influential pop group of the 1960’s and beyond. 2. Identify the principal musical and social influences on the Beatles. 3. Evaluate the growth and change of the Beatles' body of work as their career progressed. 4. Identify the influence the Beatles had on the music that succeeded them. 5. Evaluate the Beatles’ contribution to the cultural and social climate of the 1960's. 6. Trace the development of popular music in the 20th century. 7. Identify the stylistic and formal aspects of popular music. 8. Articulate the importance of music in human experience. 9. Utilize analytical and critical listening and thinking skills in evaluating music. Major Topics 1. A brief history of popular music; the Beatles early career, 1957-1963 a. Influences: Post-World War II popular music, Anglo-Irish folk music, English Music Hall/European Cabaret, American Rock and Roll: Elvis, Chuck Berry, Little Richard, Buddy Holly, Everly Bros., etc. b. Performances: Hamburg, Cavern Club c. Recordings: The Beatles Live at the BBC, Live at the Star Club, The Early Beatles, Please Please Me, With the Beatles, Past Masters Vol.
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MTO 11.4: Spicer, Review of the Beatles As Musicians
Volume 11, Number 4, October 2005 Copyright © 2005 Society for Music Theory Mark Spicer Received October 2005 [1] As I thought about how best to begin this review, an article by David Fricke in the latest issue of Rolling Stone caught my attention.(1) Entitled “Beatles Maniacs,” the article tells the tale of the Fab Faux, a New York-based Beatles tribute group— founded in 1998 by Will Lee (longtime bassist for Paul Schaffer’s CBS Orchestra on the Late Show With David Letterman)—that has quickly risen to become “the most-accomplished band in the Beatles-cover business.” By painstakingly learning their respective parts note-by-note from the original studio recordings, the Fab Faux to date have mastered and performed live “160 of the 211 songs in the official canon.”(2) Lee likens his group’s approach to performing the Beatles to “the way classical musicians start a chamber orchestra to play Mozart . as perfectly as we can.” As the Faux’s drummer Rich Pagano puts it, “[t]his is the greatest music ever written, and we’re such freaks for it.” [2] It’s been over thirty-five years since the real Fab Four called it quits, and the group is now down to two surviving members, yet somehow the Beatles remain as popular as ever. Hardly a month goes by, it seems, without something new and Beatle-related appearing in the mass media to remind us of just how important this group has been, and continues to be, in shaping our postmodern world. For example, as I write this, the current issue of TV Guide (August 14–20, 2005) is a “special tribute” issue commemorating the fortieth anniversary of the Beatles’ sold-out performance at New York’s Shea Stadium on August 15, 1965—a concert which, as the magazine notes, marked the “dawning of a new era for rock music” where “[v]ast outdoor shows would become the superstar standard.”(3) The cover of my copy—one of four covers for this week’s issue, each featuring a different Beatle—boasts a photograph of Paul McCartney onstage at the Shea concert, his famous Höfner “violin” bass gripped in one hand as he waves to the crowd with the other.
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Hello, and Welcome to Steppenwolf Theater Company's Presentation of the American Clock, a Play by Arthur Miller
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Instamatic Memories : the Beatles in Minnesota
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The Beatles Record Review
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The Beatles BC
Last Updated: 29 Jn 20 If you have a copy of Introducing the Beatles that you are trying to identify ... search on this page for 1062. Beatles records in the United States are typically found on the Capitol or Apple label. But people often ask about records, such as Introducing the Beatles, which were released by companies other than Capitol/Apple. In these articles, I will attempt to discuss the history of Beatles recordings in the US which predate their Capitol contract. Known variations of those records will be listed, along with their approximate values. The first Beatles record released anywhere was "My Bonnie" and "The Saints," with the Beatles backing Tony Sheridan. This German record (Polydor NH 24-673) was issued in two forms (with a German intro or an English intro) and with a picture sleeve. [More information can be found in this article about the Beatles' association with Tony Sheridan.] "My Bonnie" was Tony's first record and his break into the record industry. As many people know, the word "Beatles" was considered difficult to interpret by Germans, so Polydor billed the artist as Tony Sheridan and the Beat Brothers (October 1961). From that point on, Tony's band was known as the Beat Brothers, which caused some confusion to later Beatles fans. In January of 1962, Beatles manager Brian Epstein began negotiating with Polydor to release "My Bonnie" in England. Because of his negotiations, the UK "My Bonnie" release (Polydor NH 66-833) showed the artist as "Tony Sheridan and the Beatles." The record sold modestly, apparently well enough to consider releasing it in America.
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Breakfast)W/)The)Beatles) .)PLAYLIST).) Sunday'dec.'9Th'2012' Remembering John
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The Beatles and the Creative Process CCA 185/AI 185/SNC
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