The Music Scene of 1960S Cambridge Edition 4
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Productionprofile
productionprofile COINCIDING WITH HIS ON AN ISLAND ALBUM DEBUTING AT NUMBER ONE WITHIN DAYS OF HIS 60TH BIRTHDAY, THE “VOICE AND GUITAR OF PINK FLOYD” HAS EMBARKED ON HIS FIRST FULL TOUR IN 12 YEARS. MARK CUNNINGHAM REPORTS FROM AMSTERDAM... david gilmour With the surprise and awe of last summer's Pink Floyd fortunate, for not only is this venue purpose-built for association as audio provider with Mike Lowe in office. reunion at Live 8 still a spine-tingling memory in many live music, with all facilities thoughtfully designed to The highly respected Searle maintains a happy ship quarters, David Gilmour's new solo album, On An cope with the practical requirements of incoming upon which an air of polite Englishness resides. As they Island, captures a man who is clearly very happy with productions, but on a personal note, Gilmour's show say, the vibe always comes from the top, and it's a cosy his lot. Released on his 60th birthday in March, the provided an intimate audio experience unrivalled by family affair with Mrs. G documenting the tour collection — his first complete studio project since pretty much anything to date. A bold statement, photographically, guitarist Phil Manzanera's wife Claire Floyd's The Division Bell in 1994 — is a beautifully perhaps, but from the heart. Singers looking after publicity, and Wright's son-in-law mellow showcase for his unmistakable guitar sound and Although Gilmour ventured out in a minor way Guy Pratt on bass. articulate vocal style. So tranquil, in fact, that one can during 2001 and 2002 with a handful of acoustic "I've known Phil Taylor for many years and almost feel the warmth of the Mediterranean sunset shows, it's been 12 years since he's needed a full-scale because he needs to focus on David's stage that inspired Gilmour and his lyricist wife, Polly Samson. -
Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd Free
FREE CRAZY DIAMOND: SYD BARRETT AND THE DAWN OF PINK FLOYD PDF Mike Watkinson,Pete Anderson | 192 pages | 30 Jul 2007 | OMNIBUS PRESS | 9781846097393 | English | London, United Kingdom Crazy Diamond: Syd Barrett, Loads of LSD, and the Founding of Pink Floyd Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to experience all the features of our site. Learn how to enable JavaScript on your browser. Syd Barrett was Pink Floyd's founder, singer, guitarist and principal composer, who left the group in amidst tales of acid-induced madness. Barrett's brief flash of erratic brilliance has is now the stuff of rock legend, and his post-Floyd recordings have become cult classics. Updated forthis book draws on years on research to relate an epic rock tragedy. Home 1 Books 2. Read an excerpt of this book! Add to Wishlist. Sign in to Purchase Instantly. Members save with free shipping everyday! See details. Overview Syd Barrett was Pink Floyd's founder, singer, guitarist and principal composer, who left the group in amidst tales of acid- induced madness. Product Details. Pages: Sales rank:Product dimensions: 5. Related Searches. Music journalist Mike Barnes MOJO, The Wire, Prog, and author of the acclaimed biography Captain Beefheart goes back to the birth of progressive rock and surveys the cultural conditions and attitudes that fed into, and were in turn affected by, View Product. Bob Marley: Lyrical Genius. This in-depth analysis of the reggae superstar's poetry in lyric form delves into the songwriter's This in-depth analysis of the reggae superstar's poetry in lyric form delves into the songwriter's intellect and spirituality with scholarly precision usually more associated with Bob Dylan or John Lennon. -
Draft Recommendations for Cambridgeshire County Council
Contents Summary 1 1 Introduction 2 2 Analysis and draft recommendations 4 Submissions received 5 Electorate figures 5 Council size 5 Division patterns 6 Detailed divisions 7 Cambridge City 8 East Cambridgeshire District 13 Fenland District 16 Huntingdonshire District 19 South Cambridgeshire District 25 Conclusions 29 Parish electoral arrangements 29 3 Have your say 32 Appendices A Table A1: Draft recommendations for Cambridgeshire 34 County Council B Submissions received 39 C Glossary and abbreviations 41 Summary Who we are The Local Government Boundary Commission for England (LGBCE) is an independent body set up by Parliament. We are not part of government or any political party. We are accountable to Parliament through a committee of MPs chaired by the Speaker of the House of Commons. Our main role is to carry out electoral reviews of local authorities throughout England. Electoral review An electoral review examines and proposes new electoral arrangements for a local authority. A local authority’s electoral arrangements decide: How many councillors are needed How many wards or electoral divisions should there be, where are their boundaries and what should they be called How many councillors should represent each ward or division Why Cambridgeshire? We are conducting an electoral review of Cambridgeshire County Council as the Council currently has high levels of electoral inequality where some councillors represent many more or many fewer voters than others. This means that the value of each vote in county council elections varies depending on where you live in Cambridgeshire. Overall, 32% of divisions currently have a variance of greater than 10%. Our proposals for Cambridgeshire Cambridgeshire County Council currently has 69 councillors. -
Situation of Polling Stations
SITUATION OF POLLING STATIONS European Parliamentary Elections - Eastern Region South Cambridgeshire Local Counting Area Date of Election: Thursday 23 May 2019 Hours of Poll: 7:00 am to 10:00 pm Notice is hereby given that: The situation of Polling Stations and the description of persons entitled to vote thereat are as follows: Ranges of electoral register Station Situation of Polling Station numbers of persons entitled to Number vote thereat Balsham Church Institute, Church Lane, Balsham 1 ZA1-1 to ZA1-1255/1 Caravan, Pinehawk Kennels, Church Road, Carlton 2 ZC1-1 to ZC1-154 Horseheath Village Hall, Haverhill Road, Horseheath 3 ZF1-1 to ZF1-390/1 West Wickham Village Hall, High Street, West Wickham 4 ZI1-1 to ZI1-346 West Wratting Village Hall, 79 High Street, West Wratting 5 ZJ1-1 to ZJ1-398 The Hall Reading Room, Chapel Road, Weston Colville 6 ZK1-1 to ZK1-365 Bar Hill Church, Hanover Close, Bar Hill 7 QA1-1 to QA1-1497 Bar Hill Church, Hanover Close, Bar Hill 8 QA1-1498 to QA1-3034 Barrington Village Hall, 63 High Street, Barrington 9 XB1-1 to XB1-826/2 Great Eversden Village Hall, 4 Chapel Road, Great 10 XD1-1 to XD1-188 Eversden Little Eversden Pavilion, Recreation Ground, Bucks Lane, 11 XE1-1 to XE1-472 Little Eversden Orwell Communal Room, Meadowcroft Way, Orwell 12 XL1-1 to XL1-885 Wimpole Village Hall, Cambridge Road, Wimpole 13 XO1-1 to XO1-236 The Limes Communal Room, High Street, Bassingbourn 14 VB1-1 to VB1-2241 Litlington Village Hall, Meeting Lane, Litlington 15 VE1-1 to VE1-646 Bourn Village Hall, 3 Short Street, Bourn -
“The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay By: Daniel Levitin (Guest Post)*
“The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay by: Daniel Levitin (guest post)* Dark Side of the Moon Angst. Greed. Alienation. Questioning one's own sanity. Weird time signatures. Experimental sounds. In 1973, Pink Floyd was a somewhat known progressive rock band, but it was this, their ninth album, that catapulted them into world class rock-star status. “The Dark Side of the Moon” spent an astonishing 14 years on the “Billboard” album charts, and sold an estimated 45 million copies. It is a work of outstanding artistry, skill, and craftsmanship that is popular in its reach and experimental in its grasp. An engineering masterpiece, the album received a Grammy nomination for best engineered non-classical recording, based on beautifully captured instrumental tones and a warm, lush soundscape. Engineer Alan Parsons and Mixing Supervisor Chris Thomas, who had worked extensively with The Beatles (the LP was mastered by engineer Wally Traugott), introduced a level of sonic beauty and clarity to the album that propelled the music off of any sound system to become an all- encompassing, immersive experience. In his 1973 review, Lloyd Grossman wrote in “Rolling Stone” magazine that Pink Floyd’s members comprised “preeminent techno-rockers: four musicians with a command of electronic instruments who wield an arsenal of sound effects with authority and finesse.” The used their command to create a work that introduced several generations of listeners to art-rock and to elements of 1950s cool jazz. Some reharmonization of chords (as on “Breathe”) was inspired by Miles Davis, explained keyboardist Rick Wright. -
A History of Audio Effects
applied sciences Review A History of Audio Effects Thomas Wilmering 1,∗ , David Moffat 2 , Alessia Milo 1 and Mark B. Sandler 1 1 Centre for Digital Music, Queen Mary University of London, London E1 4NS, UK; [email protected] (A.M.); [email protected] (M.B.S.) 2 Interdisciplinary Centre for Computer Music Research, University of Plymouth, Plymouth PL4 8AA, UK; [email protected] * Correspondence: [email protected] Received: 16 December 2019; Accepted: 13 January 2020; Published: 22 January 2020 Abstract: Audio effects are an essential tool that the field of music production relies upon. The ability to intentionally manipulate and modify a piece of sound has opened up considerable opportunities for music making. The evolution of technology has often driven new audio tools and effects, from early architectural acoustics through electromechanical and electronic devices to the digitisation of music production studios. Throughout time, music has constantly borrowed ideas and technological advancements from all other fields and contributed back to the innovative technology. This is defined as transsectorial innovation and fundamentally underpins the technological developments of audio effects. The development and evolution of audio effect technology is discussed, highlighting major technical breakthroughs and the impact of available audio effects. Keywords: audio effects; history; transsectorial innovation; technology; audio processing; music production 1. Introduction In this article, we describe the history of audio effects with regards to musical composition (music performance and production). We define audio effects as the controlled transformation of a sound typically based on some control parameters. As such, the term sound transformation can be considered synonymous with audio effect. -
(Section 36 of the Highways Act 1980) Updated 01-Oct-2017
List of Streets (Section 36 of the Highways Act 1980) updated 01-Oct-2017 CAMBRIDGE CITY COUNCIL Parish/Town/Village Street Length (m) CAMBRIDGE ABBEY GARDENS 113.18 CAMBRIDGE ABBEY ROAD 240.65 CAMBRIDGE ABBEY STREET 109.33 CAMBRIDGE ABBEY WALK 171.23 CAMBRIDGE ABBOTS CLOSE 177.47 CAMBRIDGE ABERDEEN AVENUE 434.06 CAMBRIDGE ABERDEEN SQUARE 182.08 CAMBRIDGE ACCESS PATH FOR 24 TO 34 CHEQUERS CLOSE 58.88 CAMBRIDGE ACCESS ROAD BETWEEN BOWERS CROFT AND FIELD WAY 23.02 CAMBRIDGE ACCESS ROAD BETWEEN KEYNES ROAD AND EKIN ROAD 78.90 CAMBRIDGE ACCESS ROAD TO MILL ROAD DEPOT 55.21 CAMBRIDGE ACCESS ROAD TO NO 117-133 HIGH STREET CHESTERTON 44.27 CAMBRIDGE ACCESS ROAD TO NO 13-19 MOWBRAY ROAD 32.86 CAMBRIDGE ACCESS ROAD TO NO 13-25 ST BEDES CRESCENT AND PLAY AREA 137.86 CAMBRIDGE ACCESS ROAD TO NO 14-46 FULBOURN ROAD 100.24 CAMBRIDGE ACCESS ROAD TO NO 14-76 FULBOURN ROAD 18.03 CAMBRIDGE ACCESS ROAD TO NO 319A-331 HILLS ROAD 104.70 CAMBRIDGE ACCESS ROAD TO NO 335-353 HILLS ROAD 187.03 CAMBRIDGE ACCESS ROAD TO NO 454-464 CHERRY HINTON ROAD 71.34 CAMBRIDGE ACCESS ROAD TO NO 466-476 CHERRY HINTON ROAD 107.61 CAMBRIDGE ACCESS ROAD TO NO 47-76 FULBOURN ROAD 90.21 CAMBRIDGE ACCESS ROAD TO PERSE PREPARATORY SCHOOL 99.95 CAMBRIDGE ACCESS ROAD TO PRIORY INFANTS AND JUNIOR SCHOOLS 37.19 CAMBRIDGE ACCESS ROAD TO STOURBRIDGE COMMON 75.26 CAMBRIDGE ACCESS TO REAR OF 40-45 BAILEY MEWS 100.58 CAMBRIDGE ACREFIELD DRIVE 156.25 CAMBRIDGE ACTON WAY 116.91 CAMBRIDGE ADAM AND EVE STREET 239.44 CAMBRIDGE ADAMS ROAD 487.27 CAMBRIDGE ADDENBROOKES ROAD 2,929.83 CAMBRIDGE AINSDALE -
Pitchfork Mental Health
“NAME ONE GENIUS THAT AIN’T CRAZY”- MISCONCEPTIONS OF MUSICIANS AND MENTAL HEALTH IN THE ONLINE STORIES OF PITCHFORK MAGAZINE _____________________________________________________________________________ A Thesis Presented to The Faculty of the Graduate School At the University of Missouri-Columbia ____________________________________ In Partial Fulfillment Of the Requirements for the Degree Master of Arts _____________________________________ By Jared McNett Dr Berkley Hudson, Thesis Supervisor December 2016 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled “NAME ONE GENIUS THAT AIN’T CRAZY”- MISCONCEPTIONS OF MUSICIANS AND MENTAL HEALTH IN THE ONLINE STORIES OF PITCHFORK MAGAZINE presented by Jared McNett, A candidate for the degree of masters of art and hereby certify that, in their opinion, it is worthy of acceptance. Professor Berkley Hudson Professor Cristina Mislan Professor Jamie Arndt Professor Andrea Heiss Acknowledgments It wouldn’t be possible to say thank enough to each and every person that has helped me with this along my way. I’m thankful for my parents, Donald and Jane McNett, who consistently pestered me by asking “How’s it coming with your thesis? Are you done yet?” I’m thankful for friends, such as: Adam Suarez, Phillip Sitter, Brandon Roney, Robert Gayden and Zach Folken, who would periodically ask me “What’s your thesis about again?” That was a question that would unintentionally put me back on track. In terms of staying on task my thesis committee (mentioned elsewhere) was nothing short of a godsend. It hasn’t been an easy two-and-a-half years going from basic ideas to a proposal to a thesis, but Drs. -
Warblerwinter2019-COMBINED.Pdf
1 2 Contents page Public Service Contact Details 4 Editorial 5 Letters 6 Great Wilbraham Parish Council 9 Little Wilbraham Parish Council 11 Great Wilbraham Primary School 13 PTFA 14 Great Wilbraham Village Post Office & Shop 15 Give a gift Twice this Christmas 16 Playground Opens, The Wilbrahams’ Memorial Hall 17 Wilbrahams’ Autumn Food & Craft Fair Sept 2019 21 Wilbrahams’ Social Club 22 Wilbrahams, Six Mile Bottom and Fulbourn Over 60 Club 23 The Future of the Carpenters’ Arms 24 St. Nicholas’ Tower project 25 Bottisham Medical Practice Patients’ Group 27 Wilbraham River Protection Society 29 Countryside Matters! 31 Untold Stories 32 Calendar 36/37 The St Nicholas Great Wilbraham Trust 39 Wilbrahams 2020 Calendar 39 Climate Change 40 Over the Farm Gate 42 The Day We Dropped a Clapper 43 Grand Opera at the Memorial Hall 44 The Wilbrahams Film Club 45 Frailty and Healthy Movement 46 The Wilbrahams’ Bridge Club : The Wilbrahams’ Choir 47 Getting to Know the Parishes 48 A View from the Garden 49 Cricket 51 Country Music 52 Carol singing 53 A14 update 55 Church Graffiti Protection from Witches 56 Christmas 57 Church Repairs 58 Wilbrahams’ WI 59 The Wilbrahams’ Collection 59 Six Mile Bottom Sports and Social Club 61 Co-op Local Community Fund 63 The Big Conversation 65 Crossword 67 Advertisers 68 Community Group Contact Details 69 Bus Timetable, 3 & 18 70 3 Public Service Contact Details Emergency Police, Fire or Ambulance 999 Community Support Officer PCSO Julie Hajredini 101 ext. 7113441 The Surgery, Bottisham Enquiries/Appointments : 810030 -
Floyd Quartet – Pink Floyd Live at Pompeii & 1972
FLOYD QUARTET – PINK FLOYD LIVE AT POMPEII & 1972 Nel 2014 si apre un progetto parallelo per i Floyd Machine: Floyd Quartet. I Quartet ripercorrono gli anni psichedelici del gruppo inglese dal 1967 fino al 1972. Coadiuvati da alcuni strumenti indispensabili per ottenere il "sound ottimale" i Quartet ripropongono i pezzi che hanno reso celebri i Pink Floyd nelle loro esibizioni live. Da Astronomy Domine a Careful with that axe Eugene, passando per ad Atom Heart Mother, Echoes, Set controls for the heart of the sun e molti altri. Prima dei successi mondiali degli album “The Dark Side of The Moon” e “Wish You Were Here”, i Pink Floyd sperimentano la propria identità progressive in varie direzioni come avvenne nel celebre filmato “Live At Pompeii”. In quegli anni i Pink Floyd si esibivano in quattro, con effetti luci e scenografici psichedelici, lasciando maggiore risalto a sonorità e musica. I brani selezionati vengono riproposti fedelmente utilizzando strumentazione vintage come tastiere, chitarre e bassi, effetti analogici, amplificatori, gong che accompagneranno il pubblico nelle stesse atmosfere dei primi concerti floydiani. Location storiche e anfiteatri Nell’intento di trasportare e coinvolgere lo spettatore nella dimensione psichedelica tipica della fine anni ’60 primi ’70, oltre ad un palcoscenico minimalista ed essenziale che non concede distrazioni al pubblico, ma che si desidera rimanga concentrato solo sulle musiche e la perfetta replica del suono, il progetto QUARTET porta in scena questo spettacolo in location suggestive ed esclusive quali ad esempio le corti dei castelli medioevali (sullo stile del concerto di Pompei) oppure all’ interno di prestigiosi club musicali. -
Notice of Situation of Polling Places
EAST CAMBRIDGESHIRE DISTRICT COUNCIL ELECTION OF MEMBER OF PARLIAMENT FOR THE SOUTH EAST CAMBRIDGESHIRE PARLIAMENTARY CONSTITUENCY NOTICE OF SITUATION OF POLLING PLACES I should advise you that the EAST CAMBRIDGESHIRE DISTRICT COUNCIL Election will take place on Thursday 12 December 2019 and the poll will take place between the hours of 07:00 am to 10:00 pm. Notice is hereby given that the polling places and the voters assigned to each in this election shall be as follows: Ballot Register(s) Polling Place and address Station Street Range No of Electors Box No. (Polling No. District) 1 HA6 STUNTNEY SOCIAL CLUB SOHAM ROAD HA6 LOWER ROAD - STUNTNEY 209 STUNTNEY ELY CAMBS CB7 5TL CAUSEWAY 2 HC1 PRICKWILLOW VILLAGE HALL 21 MAIN HC1 BRANCH BANK - STATION 402 STREET PRICKWILLOW ELY CAMBS CB7 4UN DROVE 3 HD6 QUEEN ADELAIDE VILLAGE HALL HD6 ELY ROAD - THISTLE CORNER 160 PRICKWILLOW ROAD QUEEN ADELAIDE ELY CAMBS CB7 4TZ 4 HF1 ELY COMMUNITY CENTRE (LARKFIELDS) HIGH HF1/2 ABBOT THURSTON AVENUE 1200 BARNS ELY CAMBS CB7 4SB HIGH BARNS 5 HF1 ELY COMMUNITY CENTRE (LARKFIELDS) HIGH HF1/1 HOLLY WALK - WILFORD 1188 BARNS ELY CAMBS CB7 4SB DRIVE 6 HF2 CONFERENCE ROOM PRINCESS OF WALES HF2/2 ALLEN ROAD - MERIVALE WAY 1172 HOSPITAL OFF LUMLEY CLOSE ELY CAMBS CB7 4FF 7 HF2 CONFERENCE ROOM PRINCESS OF WALES HF2/1 MERRIFIELD GARDENS 1058 HOSPITAL OFF LUMLEY CLOSE ELY CAMBS DAMSON AVENUE CB7 4FF 8 HG1 ST PETERS CHURCH HALL ELY BROAD HG1 ANNESDALE - WINFARTHING 604 STREET ELY CAMBS CB7 4AH COURT SHIP LANE 9 HH1 CENTRE E ELY BARTON ROAD ELY CAMBS HH1 BACK HILL - -
Local Development Framework
Local Development Framework Adopted Proposals Map Published by South Cambridgeshire District Council © To be published January 2010 Gareth Jones, BSc (Hons), MRTPI – Corporate Manager (Planning & Sustainable Communities) CONTENTS Page Chapter 1 Introduction 1 Chapter 2 Schedule of Adopted Plans and Saved Policies 2 Key District Wide Proposals Maps North West North East South West South East Inset Proposals Maps Inset Map Number Village A Northstowe B Cambridge East C Trumpington West D South of Addenbrooke’s E Cambridge Northern Fringe F North West Cambridge Area Action Plan G North West Cambridge Huntingdon Road to Histon Road 1 Abington Pigotts 2 Arrington 3 Babraham 4 Balsham 5 Bar Hill 6 Barrington 7 Bartlow 8 Barton 9 Bassingbourn 10 Bassingbourn Barracks 11 Bourn 12 Boxworth 13 Highfields Caldecote 14 Cambourne 15 Cambridge Airport Safety Zone 16 Carlton 17 Castle Camps 18 Caxton 19 Cherry Hinton 20 Comberton 21 Conington 22 Coton To be published January 2010 Adopted Proposals Map i Inset Map Number Village 23 Cottenham 24 Croxton 25 Croydon 26 Dry Drayton 27 Duxford 28 Elsworth 29 Eltisley 30 Fen Ditton 31 Fen Drayton 32 Fen Drayton Former LSA Estates 33 Fowlmere 34 Foxton 35 Fulbourn 36 Gamlingay 37 Girton 38 Grantchester 39 Graveley 40 Great & Little Abington 41 Great Abington, Granta Park 42 Great Chishill 43 Great & Little Eversden 44 Great Shelford & Stapleford 45 Great Wilbraham 46 Guilden Morden 47 Hardwick 48 Harlton 49 Harston 50 Haslingfield 51 Hatley 52 Hauxton 53 Heathfield 54 Heydon 55 Hildersham 56 Hinxton 57 Histon