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Reading Group Guide Spotlight
Spotlight on: Reading Group Guide Revolutionary Road Author: Richard Yates Born February 3, 926, in Yonkers, NY; died of Name: Richard Yates emphysema and complications from minor Born: 926 surgery, November 7, 992, in Birmingham, AL; son of Vincent M. (a sales executive) and Ruth (Maurer) Yates; married Sheila Bryant, 948 (divorced, 959); married Martha Speer, 968 (divorced, 974); children: Sharon, Monica, Gina. Military/Wartime Service: U.S. Army, 944-46. Career: United Press Association, New York City, financial reporter, 946- 48; Remington Rand, Inc., New York City, publicity writer, 948-50; freelance public relations writer, 953-60; New School for Social Research, New York City, teacher of creative writing, 959-62; Columbia University, New York City, teacher of creative writing, 960-62; United Artists, Hollywood, screenwriter, 962; U.S. Attorney General Robert Kennedy, Washington, DC, speech writer, 963; University of Iowa, Iowa City, lecturer, 964-65, assistant professor of English, 966- 92; Columbia Pictures, Hollywood, screenwriter, 965-66; Wichita State University, writer in residence, 97-72; taught at Harvard Extension, Columbia University, and Boston University. Awards: Atlantic Firsts award, 953; National Book Award nomination for Revolutionary Road; Guggenheim fellowship, 962, 98; American Academy Grant, 963; National Institute of Arts and Letters grant, 963 and 975; Creative Arts Award, Brandeis University, 964; National Endowment for the Arts grant, 966, and award, 984; Rockefeller grant, 967; Rosenthal Foundation award, 976; National Magazine Award for Fiction, 978, for “Oh, Joseph, I’m So Tired.” Writings: Novels: Revolutionary Road, Atlantic-Little, Brown, 96. A Special Providence, Knopf, 969. Disturbing the Peace, Delacorte, 975. -
Richard Yates’ “Builders” and Questions of the Autobiographical Content of His Work
.........................................................................................CROSSROADS. A Journal of English Studies 32 (2021) (CC BY-NC-SA 4.0) KARL WOOD1 DOI: 10.15290/CR.2021.32.1.04 Kazimierz Wielki University in Bydgoszcz, Poland ORCID: 0000-0002-4042-1307 A window into short- -story construction: Richard Yates’ “Builders” and questions of the autobiographical content of his work Abstract. Richard Yates, most remembered for his Revolutionary Road (1961), was also the author of two fine and exceptionally well-crafted collections of short stories, Eleven Kinds of Loneliness (1963) and Liars in Love (1981). Yates was a writer of exceptional perception and unflinching clarity, yet some have criti- cized his work as drawing too heavily on autobiographical content. This article seeks to examine Yates’ 1963 story “Builders” to gain insight into this extraordinary author’s understanding of the writing pro- cess, his use of autobiographical or semi-autobiographical content, and to suggest new approaches for work on this still under-appreciated twentieth century author. Keywords: Richard Yates, autofiction, self-narrative, short stories Richard Yates, an author whose name often evokes a vague sense of familiarity, is most often remembered for his 1961 first novel Revolutionary Road, accompanied by a sense that this was an important and fine author, yet one who remains on many bucket lists of works to be read, someday, when time permits. This is an improvement over the situa- tion at the turn of the century, when Richard Ford commented that Yates was a kind of “cultural-literary secret handshake” (2000: 16), with his work largely out of print, leading Stewart O’Nan (1999) to remark that “to write so well and be forgotten is a terrifying legacy.” Over the past twenty years or so, however, prompted by the advocacy of several of his students, there has been a small renaissance in the appreciation of Yates. -
The Reflexive Realism of Richard Yates
A Thing Made of Words: The Reflexive Realism of Richard Yates By Leif Bull Student no. 33073581 Goldsmiths College PhD English 1 DECLARATION I hereby declare that the work presented in this thesis is my own. Leif Bull 2 Abstract This thesis is a study of the work of American novelist and short story writer Richard Yates. Taking as its starting point the consensus view of Richard Yates as a realist operating during a period of strong anti-realist currents in American literature, the thesis seeks to complicate this notion, arguing instead for a reading of Richard Yates' work as a mode of realism that could only have emerged after modernism, a realism that focussed on a number of concerns and problems regarding representation and interpretation shared with literary postmodernism, and which anticipates recent and current trends within American literary fiction. Its main areas of investigation are Yates' take on everyday language as a site of entropy; his use of intertextuality, in particular in relation to the short story; tensions between realism's claim to cognitive/visual authority and epistemological uncertainty; concerns and anxieties around masculinity within American realism; his use of autobiographical material in relation to the psychoanalytic theories of Melanie Klein and D. W. Winnicott; the impact of media saturation on subjectivity, with particular focus on cliché. 3 A THING MADE OF WORDS: THE REFLEXIVE REALISM OF RICHARD YATES ........................................................................................ 1 ABSTRACT -
Richard Yates, Novelist, 66, Dies - Chronicler of Disappointed
Richard Yates, Novelist, 66, Dies - Chronicler of Disappointed ... http://www.nytimes.com/1992/11/09/obituaries/richard-yates-no... HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR U.S. Edition dennis... Help Search All NYTimes.com Obituaries WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS Richard Yates, Novelist, 66, Dies; Chronicler of Disappointed Lives By ERIC PACE Published: November 9, 1992 Richard Yates, who wrote "Revolutionary Road" and other novels FACEBOOK about self-deception, disappointment and grief, died on Saturday at TWITTER the Birmingham (Ala.) Veterans Administration hospital. He was 66 GOOGLE+ years old and had lived in Tuscaloosa, Ala., for two years. EMAIL He died of emphysema, which he had had for 10 years, and of SHARE complications from minor surgery, said his daughter Monica Yates. PRINT She said he smoked heavily until a year ago. REPRINTS "Revolutionary Road," Mr. Yates's first novel, published by Atlantic- MOST EMAILED RECOMMENDED FOR YOU Little, Brown in 1961, was what the New York Times critic Orville Prescott called a "brilliantly dismal" account of an unhappy articles viewed dennis recently All Recommendations 30-year-old couple, Frank and April Wheeler, who "lived in one of 112 those new little houses on Revolutionary Road not very far from 1. STATE OF THE ART Debunking the Latest Predictions of Stamford, Conn." Facebook’s Demise When it was reissued by Delta-Seymour Lawrence in 1983, Michiko Kakutani, reviewing it 2. MACHINE LEARNING in The New York Times, wrote, "It remains a remarkable and deeply troubling book -- a Messaging Apps Offer Do-It-All Services in Bid for Higher Profits book that creates an indelible portrait of lost promises and mortgaged hopes in the suburbs of America." 3. -
WHITE-COLLAR CREATIVITY, 1960-1970 Ben Rogerson A
ART/WORK: WHITE-COLLAR CREATIVITY, 1960-1970 Ben Rogerson A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2013 Approved by: Robert Cantwell Florence Dore Gregory Flaxman John McGowan Thomas Reinert © 2013 Ben Rogerson ALL RIGHTS RESERVED ! ii! ABSTRACT Ben Rogerson: Art/Work: White-Collar Creativity, 1960-1970 (Under the direction of Gregory Flaxman) My dissertation examines mid-twentieth century American art that poses artistic autonomy against the drudgery of white-collar work. Employed in increasing numbers in the cultural industries after World War II, artists feared that they were becoming conformist breadwinners rather than independent bohemians. Translating these concerns into crises of form, the artworks that I study present themselves as if they were produced under the conditions of managerial capitalism – film editing that follows corporate logics of efficiency, for instance, or novels that reduce dialogue to bureaucratic formulae. To resolve such crises, these artworks imagine new forms of creativity liberated from the workaday world. I argue, however, that these artists come to realize that their valorization of artistic independence is not opposed to the economic values reshaping midcentury American labor but is, in fact, derived from them; their celebrations of flexibility and self-direction, in other words, make them prototypes for -
Revolutionary Road
This book has been optimized for viewing at a monitor setting of 1024 x 768 pixels. Acclaim for Richard Yates’s REVOLUTIONARY ROAD “Every phrase reflects to the highest degree integrity and stylistic mastery. To read Revolu- tionary Road is to have forced upon us a fresh sense of our critical modern shortcomings: fail- ures of work, education, community, family, marriage . and plain nerve.” —The New Republic “Richard Yates is a writer of commanding gifts. His prose is urbane yet sensitive, with passion and irony held deftly in balance. And he provides unexpected pleasures in a flood of freshly minted phrases and in the thrust of sudden insight, pre- cise notation of feeling, and mordant unsenti- mental perceptions.” —Saturday Review “A powerful treatment of a characteristically American theme, which might be labeled ‘trapped.’ . A highly impressive performance. It is written with perception, force and awareness of complexity and ambiguity, and it tells a mov- ing and absorbing story.” —The Atlantic Monthly Richard Yates REVOLUTIONARY ROAD Richard Yates was born in 1926 in New York and lived in California. His prize-winning stories began to appear in 1953 and his first novel, Revolutionary Road, was nominated for the National Book Award in 1961. He is the author of eight other works, including the novels A Good School, The Easter Parade, and Disturbing the Peace, and two collections of short stories, Eleven Kinds of Loneliness and Liars in Love. He died in 1992. ALSO BY RICHARD YATES Eleven Kinds of Loneliness A Special Providence Disturbing the Peace The Easter Parade A Good School Liars in Love Young Hearts Crying Cold Spring Harbor ROADREVOLUTIONARY Richard Yates VINTAGE CONTEMPORARIES Vintage Books A Division of Random House, Inc. -
Revolutionary Road by Richard Yates
Revolutionary Road by Richard Yates The devastating effects of work, adultery, rebellion, and self-deception slowly destroy the once successful marriage of Frank and April Wheeler, a suburban American couple. Why you'll like it: Quiet desperation. Realistic. Emotional. Cultural alienation. About the author: Richard Yates is the author of the novels "Revolutionary Road", "A Special Providence", "Disturbing the Peace", "The Easter Parade", "A Good School", "Young Hearts Crying", & "Cold Spring Harbor". Born in Yonkers, New York in 1926. Yates was a well-known American novelist and short-story writer. Yates first became interested in writing and journalism while attending Avon Old Farms School in Avon, Connecticut. It was not until 1961 that his career as a novelist was officially launched with the publication of his first novel, Revolutionary Road. Revolutionary Road was a finalist for the National Book Award and was subsequently made into a movie in 2008. Yates also taught writing at several universities and institutions including Columbia University, Boston University, Wichita State University, and the University of Southern California Master of Professional Writing Program. He died in 1992 in Birmingham, Alabama. (Bowker Author Biography) Questions for Discussion 1. What is the significance of of the novel's title, “Revolutionary Road”? In what ways might it be read as an ironic commentary on mid-twentieth century American values? 2. Why does Yates begin the novel with the story of the play? In what ways does it set up some of the themes – disillusionment, self-deception, play-acting, etc. - that are developed throughout the novel? 3. Frank rails about the middle-class complacency of his neighbors in the Revolutionary Hill Estates. -
Richard Yates: Re-Writing Postwar American Culture. Phd Thesis
McGinley, Rory (2016) Richard Yates: re-writing postwar American culture. PhD thesis. http://theses.gla.ac.uk/7797/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Richard Yates: Re-writing Postwar American Culture Rory Mackay McGinley M.A., M. Litt. Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy Department of English Literature School of Critical Studies College of Arts University of Glasgow June 2016 © Rory Mackay McGinley, June 2016. 1 ABSTRACT This thesis explores the fiction of American author Richard Yates to propose that his work provides an insistent questioning and alternative vision of postwar American culture. Such an approach is informed by a revisionist account of four distinct yet interconnected areas of postwar culture: the role of the non-heroic soldier stepping in and out of World War II; suburbanisation and fashioning of anti-suburban performance; demarcation of gender roles and unraveling of sexual conservatism in the 1950s; consideration of what constituted the normative within postwar discourse and representations of mental illness in Yates’ work. -
Reading Placelessness and Suburbanization in Richard Yates
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2007 Reading Placelessness and Suburbanization in Richard Yates Darcy Anne Feder The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Feder, Darcy Anne, "Reading Placelessness and Suburbanization in Richard Yates" (2007). Graduate Student Theses, Dissertations, & Professional Papers. 798. https://scholarworks.umt.edu/etd/798 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. READING SUBURBANIZATION AND PLACELESSNESS IN RICHARD YATES By Darcy Anne Feder B.A., Beloit College, Beloit, WI, 2003 Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in English, Literature The University of Montana Missoula, MT Spring 2007 Approved by: Dr. David A. Strobel, Dean Graduate School Brady Harrison, Chair English Casey Charles English Kate Ryan Composition i Feder, Darcy, M.A., May 2007 English Reading Suburbanization and Placelessness in Richard Yates Chairperson: Brady Harrison The themes of suburbanization and placelessness arise in many of Yates’ novels, exposing the continuing pattern of “conformity at any price” which accompanied the rapidly-changing era of post-World War II America. As suburbanization began to take its toll on the American landscape, a new, increasingly placeless environment started to emerge; endless subdivisions of identical houses, commercial strip developments, shopping centers, and movie plazas sprang up, places which not only looked alike, but felt alike. -
A Feminine Woman Never Laughs out Loud Gender Performativity and Misogyny in Richard Yates's Revolutionary Road and the Easter Parade
Ghent University Faculty of Arts and Philosophy Laurens DeBlock A Feminine Woman Never Laughs Out Loud Gender Performativity and Misogyny in Richard Yates's Revolutionary Road and The Easter Parade Paper submitted in partial fulfillment of the requirements for the degree of 'Master in de taal- en letterkunde - afstudeerrichting: Engels - Italiaans' 2014-2015 Supervisor: dr. Éireann Lorsung Department of Literary Studies Ghent University Faculty of Arts and Philosophy Laurens DeBlock A Feminine Woman Never Laughs Out Loud Gender Performativity and Misogyny in Richard Yates's Revolutionary Road and The Easter Parade Paper submitted in partial fulfillment of the requirements for the degree of 'Master in de taal- en letterkunde - afstudeerrichting: Engels - Italiaans' 2014-2015 Supervisor: dr. Éireann Lorsung Department of Literary Studies Table of contents 1. Introduction p. 1 2. Gender: towards a discourse perspective p. 6 3. Misogyny p. 14 4. Togetherness: a containment narrative p. 19 5. A performative reading of Richard Yates's Revolutionary Road and The Easter Parade p. 26 5.1. Revolutionary Road p. 30 5.1.1. Frank Wheeler: a state of total self-deception p. 30 5.1.2. April Wheeler: wouldn't you like to be loved by me? p. 36 5.1.3. John Givings: the madman in the attic p. 43 5.2. The Easter Parade p. 46 6. Conclusion p. 56 7. Works cited p. 59 Word count: 25318 1. Introduction Accused of being "anti-feminist, grandly patronizing women in the old style"1 and displaying "oddly misogynistic turns" (Charlton-Jones, 116) in his novels and short-stories, the American novelist Richard Yates (1926-1992) has often been confused with the voices of certain of his protagonists.