F R A N K O R I G G S A R C H I V E S The best description of 's alchemy JULY 1985 dable sax sidemen.sensibility Instead was of the picking closest up on to Davis's;The Co mplete Riverside both Recordings. of out of proportion —a monolithic, imposing tributecordings, to63).a a Atsession shy, first, introspective leaderon for Riverside artist.avoidable But Recordsstarkchords loss, as emotion. (1956- it andcount. regret, sparing their I To remember me swelling and melodies, his being remorse.ment was "sheetsthem and but moved seemed the This theley—yet by of notvis, bittersweet most their small was it sound" just Johning at wasthat but to outpour- Coltrane, by Evansmarked; home sound telling who withis he can and attributed drew plays understate- gesture. Cannonball be me "a a in. to sound."BILL potent Adder- EVANS: His his experience; Exposure onetime to employer listen- Miles ratelyingvited measured newcomer guest).lasted to by only his innovator Hisit,the nine seven-year there development soundvoice can months was of of be tenure from no ofthe Evans's experience; more turning formal promis- 1958 asings, accu- pain, (a he beauty away hisfrom year was, and from the of playing later after like him. Evans's leader Davis, spoke sharing than hushed, ofme. making he The un- moody each was pianist Davis. from note the was Evans in formi- doesn't heavy play company a —Da- chord, Davis re- Evans evolve into a major talent, the stint REVIE WS ( 7 1 All the Things Orrin Keepnews, prod Riverside R 018 (18). , (Chstnbuted by Fantasy.) Evans was obviously gleaning more Although working with Davis helped Kind of Blue as an 18-record retrospective, seems The Complete Riverside Re- Evans was actually an in- He Was a teenager was, for ality.ashamedlybums, course, reflective which is seems the side topresents Davis have of a stintChambers struggling released Evans'sdrummer make between PhillyDigs person- the neophyte up Bill the the Joe un-ans sorting Evans, before, two Jones firstsheer al-derley, and bulk during, period.and bassist Freddie of occasional and Listened thetrio Paul after Hubbard, set solo dates,ously LaFaro—at is and performances; releasedgive the daunting, Zoot it playing celebrated material,also lasting Sims. but it may makes break- also The strength. not alliance clear, have Evans with the was bass- outward deceptive. kick of His ex- ing it findsup into roomtheist three "second for Scotterside meetings historical trio" LaFaro Recordings with withuberance, and groupings hornmen bassist drummer but —Ev- Ad- Paul its Chuck intelligence Motian, Israels, and honesty interpretiveDigsver Billthrough improviser. Evans,remarkable conflictingto in growth. The succession,from influences missing 1959 least including link, these (Horace provides tracks Davis of Sil- a rhythm-mates reveal game plan Evans's for listening to it. An imposing tribute to an introspective talent Mil Evans New Conceptions, Everybody Adding new takes and tracks to previ- and ?); on and an impromptu session he emerges as a mature, covers Evans's earliest The Complete Riv- Everybody Time," and "Young and Foolish" that exhibit peak.the Thedynamics, signs Vanguard of and sessions another's unrushedans artist and tiniest are rhythmic LaFarocate quietly Evans's nuances with instinctively flow reaching his of were instrumental fellow his react musicians, to each particularly was uptempo.though, at It's least fun half to hear of this Evans cut early material Kind of Iodicfinelytouch. inventions, etched Thistour harmonichis was masterful Ahead," brilliant Evans'sment line,attain "Gloria's was use shining matchedthey a bassist. economical ofthe private hit Step,"albums space hour classic bybecame their communion are His Timethat an me- and "Solar" thestrumentalists live interaction ability relatively andtian, stride. norm. with —Ev-his again Village encouraging initial his The topose to —in rather conservative;his —two trio's communi- "De- instru- "converse" Vanguard traits singular encounters thesemasterpieces than"Oleo," first datesloose two that with accompaniment it harmonic with and "Peace on like-minded that him, two have was numbers "Our LaFaro on language studio Piece," so altered Delight," like and in- and "Some Mo- "Woody'n jazz inner Other but You," piano it's re- the ballad forever. Evans began changing the rules at Evans's inclination to turn inward and In keeping with the era, Blue —epochal, innovative, and 69