(Fab) Four Management Insights from the Beatles
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Course Outline and Syllabus the Fab Four and the Stones: How America Surrendered to the Advance Guard of the British Invasion
Course Outline and Syllabus The Fab Four and the Stones: How America surrendered to the advance guard of the British Invasion. This six-week course takes a closer look at the music that inspired these bands, their roots-based influences, and their output of inspired work that was created in the 1960’s. Topics include: The early days, 1960-62: London, Liverpool and Hamburg: Importing rhythm and blues and rockabilly from the States…real rock and roll bands—what a concept! Watch out, world! The heady days of 1963: Don’t look now, but these guys just might be more than great cover bands…and they are becoming very popular…Beatlemania takes off. We can write songs; 1964: the rock and roll band as a creative force. John and Paul, their yin and yang-like personal and musical differences fueling their creative tension, discover that two heads are better than one. The Stones, meanwhile, keep cranking out covers, and plot their conquest of America, one riff at a time. The middle periods, 1965-66: For the boys from Liverpool, waves of brilliant albums that will last forever—every cut a memorable, sing-along winner. While for the Londoners, an artistic breakthrough with their first all--original record. Mick and Keith’s tempestuous relationship pushes away band founder Brian Jones; the Stones are established as a force in the music world. Prisoners of their own success, 1967-68: How their popularity drove them to great heights—and lowered them to awful depths. It’s a long way from three chords and a cloud of dust. -
Foreign Rights C a Talogue 2020
FOREIGN RIGHTS CATALOGUE 2020 • Iconic portraits and contact sheets from Goldfinger, Diamonds are Forever, Live and Let Die, Golden Eye and the 1967 Bond spoof, Casino Royale • Contributions from actors including George Lazenby and Jane Seymour • Includes a foreword by Robert Wade and Neal Purvis, screenwriters for the latest Bond film, No Time to Die Bond Photographed by Terry O’Neill The Definitive Collection James Clarke Terry O’Neill was given his first chance to photograph Sean Connery as James Bond in the filmGoldfinger . From that moment, O’Neill’s association with Bond was made: an enduring legacy that has carried through to the era of Daniel Craig. It was O’Neill who captured gritty and roguish pictures of Connery on set, and it was O’Neill who framed the super-suave Roger Moore in Live and Let Die. His images of Honor Blackman as Pussy Galore are also important, celebrating the vital role of women in the James Bond world. But it is Terry O’Neill’s casual, on-set photographs of a mischievous Connery walking around the casinos of Las Vegas or Roger Moore dancing on a bed with co-star Madeline Smith that show the other side of the world’s most recognisable spy. Terry O’Neill opens his archive to give readers - and viewers - the chance to enter the dazzling world of James Bond. Lavish colour and black and white images are complemented by insights from O’Neill, alongside a series of original essays on the world of James Bond by BAFTA-longlisted film writer, James Clarke; and newly-conducted interviews with a number of actors featured in O’Neill’s photographs. -
Fab Four Center for Performing Arts
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Governors State University Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 1-26-2008 Fab Four Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "Fab Four" (2008). Center for Performing Arts Memorabilia. Book 228. http://opus.govst.edu/cpa_memorabilia/228 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. COMING SOON TO FOR JWORMINO MS Governors State University fOR PERfORMING MS Governors State University presents **H An EveningWith Colin Mochrie & Brad Saturday, February 2,2008 Don H miss our SEASON FINALE AN EVENING WITH January 26, 2008 JERRY This performance is sponsored by STILLER Saturday, LlNCOLNMALL May 17, 2008 The Centerfor Performing Arts' 2007-2008 Season is sponsored Illinois in part by a generous grant from Council Contact The Center (708) 235"2222 The IllinoisArts Council, Box Office Today! www.centertickets.net an agency ofthe state ofIllinois. l!(W! h /U&\^#- ftejZrS GAVIN LESCIE as George Harrison has out 4 gipdfly'playejMnthJmms atthe age of16, but after an injury that left him hospitaljzedrhe- decided tc^ak^up-g^itaj^avirrtiadThe honor of ith Paul McCartney during Irthday tribute in2002. -
BWTB Revolver @ 50 2016
1 PLAYLIST AUG. 7th 2016 Part 1 of our Revolver @ 50 Special~ We will dedicate to early versions of songs…plus the single that preceded the release of REVOLVER…Lets start with the first song recorded for the album it was called Mark 1 in April of 1966…good morning hipsters 2 9AM The Beatles - Tomorrow Never Knows – Revolver TK1 (Lennon-McCartney) Lead vocal: John The first song recorded for what would become the “Revolver” album. John’s composition was unlike anything The Beatles or anyone else had ever recorded. Lennon’s vocal is buried under a wall of sound -- an assemblage of repeating tape loops and sound effects – placed on top of a dense one chord song with basic melody driven by Ringo's thunderous drum pattern. The lyrics were largely taken from “The Psychedelic Experience,” a 1964 book written by Harvard psychologists Timothy Leary and Richard Alpert, which contained an adaptation of the ancient “Tibetan Book of the Dead.” Each Beatle worked at home on creating strange sounds to add to the mix. Then they were added at different speeds sometime backwards. Paul got “arranging” credit. He had discovered that by removing the erase head on his Grundig reel-to-reel tape machine, he could saturate a recording with sound. A bit of….The Beatles - For No One - Revolver (Lennon-McCartney) Lead vocal: Paul 3 The Beatles - Here, There And Everywhere / TK’s 7 & 13 - Revolver (Lennon-McCartney) Lead vocal: Paul Written by Paul while sitting by the pool of John’s estate, this classic ballad was inspired by The Beach Boys’ “God Only Knows.” Completed in 14 takes spread over three sessions on June 14, 16 and 17, 1966. -
The Fab Four – the Ultimate Beatles Tribute to Perform at Pikes Peak Center on April 10, 2020
EMPORIUM PRESENTS // MEDIA RELEASE FOR IMMEDIATE RELEASE The Fab Four – The Ultimate Beatles Tribute to Perform at Pikes Peak Center on April 10, 2020 COLORADO SPRINGS (September 3, 2019) -– The Fab Four – The Ultimate Beatles Tribute is coming to Pikes Peak Center for the Performing Arts on Friday, April 10, 2020. This show is for all ages and begins at 7:30 p.m. with doors opening at 6:30 p.m. Tickets range in price from $30 to $50, plus applicable fees, and will go on sale at 10 a.m. on Friday, September 6. Please note that all price levels will increase by $5 on the day of the show. Tickets can be purchased at the Pikes Peak Center and The Broadmoor World Arena box offices or online at PikesPeakCenter.com, BroadmoorWorldArena.com and AXS.com. The Emmy Award Winning Fab Four is elevated far above every other Beatles Tribute due to their precise attention to detail. With uncanny, note-for-note live renditions of Beatles' classics such as "Can't Buy Me Love," "Yesterday," "A Day In The Life," "Twist And Shout," "Here Comes The Sun," and "Hey Jude", the Fab Four will make you think you are watching the real thing. If you want to experience the best Beatles tribute ever, don’t miss The Fab Four - The Ultimate Tribute. The incredible stage performances include three costume changes representing every era of the Beatles ever-changing career. This loving tribute to the Beatles has amazed audiences in countries around the world, including Japan, Australia, France, Hong Kong, The United Kingdom, Germany, Mexico and Brazil. -
Harmonic Resources in 1980S Hard Rock and Heavy Metal Music
HARMONIC RESOURCES IN 1980S HARD ROCK AND HEAVY METAL MUSIC A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts in Music Theory by Erin M. Vaughn December, 2015 Thesis written by Erin M. Vaughn B.M., The University of Akron, 2003 M.A., Kent State University, 2015 Approved by ____________________________________________ Richard O. Devore, Thesis Advisor ____________________________________________ Ralph Lorenz, Director, School of Music _____________________________________________ John R. Crawford-Spinelli, Dean, College of the Arts ii Table of Contents LIST OF FIGURES ............................................................................................................................... v CHAPTER I........................................................................................................................................ 1 INTRODUCTION ........................................................................................................................... 1 GOALS AND METHODS ................................................................................................................ 3 REVIEW OF RELATED LITERATURE............................................................................................... 5 CHAPTER II..................................................................................................................................... 36 ANALYSIS OF “MASTER OF PUPPETS” ...................................................................................... -
Negotiating Music Licensing and Structuring Deals: Digital Sampling, Royalty Rates, Music Copyright and More
Presenting a live 90-minute webinar with interactive Q&A Negotiating Music Licensing and Structuring Deals: Digital Sampling, Royalty Rates, Music Copyright and More WEDNESDAY, FEBRUARY 8, 2017 1pm Eastern | 12pm Central | 11am Mountain | 10am Pacific Today’s faculty features: Anjan Choudhury, Partner, Munger Tolles & Olson, Los Angeles Steve Gordon, Founder, Steve Gordon Law, New York The audio portion of the conference may be accessed via the telephone or by using your computer's speakers. Please refer to the instructions emailed to registrants for additional information. If you have any questions, please contact Customer Service at 1-800-926-7926 ext. 10. Tips for Optimal Quality FOR LIVE EVENT ONLY Sound Quality If you are listening via your computer speakers, please note that the quality of your sound will vary depending on the speed and quality of your internet connection. If the sound quality is not satisfactory, you may listen via the phone: dial 1-866-570-7602 and enter your PIN when prompted. Otherwise, please send us a chat or e-mail [email protected] immediately so we can address the problem. If you dialed in and have any difficulties during the call, press *0 for assistance. Viewing Quality To maximize your screen, press the F11 key on your keyboard. To exit full screen, press the F11 key again. Continuing Education Credits FOR LIVE EVENT ONLY In order for us to process your continuing education credit, you must confirm your participation in this webinar by completing and submitting the Attendance Affirmation/Evaluation after the webinar. A link to the Attendance Affirmation/Evaluation will be in the thank you email that you will receive immediately following the program. -
“The Beatles Raise the Bar-Yet Again”By Christopher Parker
“The Beatles Raise the Bar-Yet Again” by Christopher Parker I know what you’re thinking. You’re thinking, Parker, everyone knows that 1967’s Sgt. Pepper‘s Lonely Hearts Club Band is the Beatles’ greatest album and in fact the greatest album of all time. Nope. No way. I beg to differ. In my humble opinion, 1966’s Revolver, the Beatles album released the year before Sgt. Pepper, is the greatest. Why, you ask? In many ways, Revolver was the beginning of a new era, not only in the career of the Beatles, but in the ever-changing world of rock & roll. The world’s greatest rock band was beginning to tire of the endless touring amidst the chaos of Beatlemania. The constant battling against hordes of screaming fans, and a life lived being jostled and shoved from one hotel room to another were becoming more than tiresome. In addition, during a concert, the volume of screams often exceeded 120 decibels-approximately the same noise level as one would be exposed to if he were standing beside a Boeing 747 during takeoff. No one was listening to their music, and consequently, they were beginning to feel like, as John Lennon would later say, ‘waxworks’ or ‘performing fleas.’ Revolver signals a change from the ‘She Loves You’ era-relatively simple songs of love and relationships- to a new era of songs designed to be listened to. These were songs that could never be played at a live concert. They were creations-works of art-songs that were created to be appreciated and discussed-not to elicit screams from teenage girls. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Fabfest-2021-Program.Pdf
FABFESTCharlotte.org Welcome to FabFest-Charlotte’s Beatles Festival! When we celebrated our first FabFest in 2019, we had no idea we’d have to wait two long years to do it again! After this past year apart, we could not be happier to return to live music with the timeless songs of the Beatles. FabFest is a labor of love and the combined effort of many people. FRIDAY, JULY 9 It’s also an opportunity to discover new artists and sing along, just like all of our Tosco Music Parties. THE FAB FOUR Tosco Music launched FabFest to help music lovers of all ages and 8:00pm cultures come together around the universal popularity of the music of the Beatles. FabFest also draws fans from across the region to the Belk Theater Queen City, and raises support for our nonprofit programs. 130 N. Tryon Street Thank you for being part of this year’s festival and helping Tosco FabFest Silent Auction in Lobby Music build community through music year-round. On behalf of our Board of Directors and everyone involved, I wish you a wonderful FabFest weekend! SATURDAY, JULY 10 John Tosco Executive Director FABFEST DAYTIME 10:00am-5:00pm About Tosco Music Spirit Square 345 N. College Street For more than 30 years, Tosco Music has presented music with a purpose in Charlotte. Our nonprofit programs build community More Live Music! through music, celebrate diversity with a wide variety of performers Speakers, Activities, Games and music styles, and support musicians of all ages, serving both youth and older adults across Charlotte. -
TOMORROW NEVER KNOWS One, Traveling Across Town to Buy a Second Bolt of Gingham
128 CHICAGO QUARTERLY REVIEW Catherine WONG 129 year later at age fifteen, she passed it on to me and made him a larger TOMORROW NEVER KNOWS one, traveling across town to buy a second bolt of gingham. At the time, Catherine Wong I resented the outfits, which she laid on our beds for these useless parties sometimes six days in advance. I recognize, only now, what I did not understand then, how loneliness can wash away even the acid taste of bartered company. ur father sent us to San Francisco the week that Leah lost The day after our mother left, I walked into the kitchen to find my the last of her baby teeth. Milk teeth, our mother would father hunched against the wall and nodding as Bill and Linda consoled have said, but she had run away three days before to New him over the telephone. Though I have tried, I cannot forget how he O looked, defeat worn so visibly into his shoulders that I turned my head York City. That was the week our father boiled hot dogs every night for dinner. away. On Sunday he called the three of us into the living room before They go with everything, he explained, though when the buns ran out, he dinner and announced that they would be taking us into their apartment never bought another pack. For months he had been revising the errata for the summer so he could spend some time alone figuring things out. of one of his textbooks, on the material nature of time. -
TBS GCSE MUSIC A4 Revison.Indd
GCSE Music. Comprehensive resource pack to support the popular Music area. GCSE Music. Contents. 1. Introduction 2. Learning Aims and Objectives 3. Before Sgt Pepper 4. The ‘concept album’. 5. Pop Art, Peter Blake and the importance of album art in the 60s and beyond 6. L yric Analysis: (exploring melody, harmony, structure, rhythm and meaning behind the lyrics) — Lucy in the Sky — Within You/Without You — With a Little Help from my Friends 7. Worksheets – exploring structure: With a Little Help from My Friends and Within You, Without You 8. Sgt Pepper lectures @ The Beatles Story 9. The Beatles story and Liverpool Hope Partnership 10. Booking a visit to the Beatles Story 11. L yrics: With a Little Help from My Friends, Lucy in the Sky, Within you, Without You 12. Fascinating facts about the album 13. Recommended reading list/websites 2 Introduction. Located within Liverpool’s historic Albert Dock, the Beatles Story is a unique visitor attraction that transports you on an enlightening and atmospheric journey into the life, times, culture and music of the Beatles. Since opening in 1990, the Beatles Story has continued to develop our learning resources to create a fun and educational experience for all. Our commitment to life-long learning ensures every guest has a valuable experience, whatever their age or ability. We have linked the story of the Beatles, their early lives, their fame and combined creativity to selected areas of the National Curriculum: history, literacy, art and music to actively encourage and involve pupils in their own learning. This resource pack focuses on GCSE Music in accordance with the AQA specification.