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Designing a Cinema Auditorium
ROLV GJESTLAND HOW TO DESIGN A CINEMA AUDITORIUM Practical guidelines for architects, cinema owners and others involved in planning and building cinemas HOW TO USE THIS BOOK This book can be read from beginning to end, to learn more about the elements that need to be taken into consideration when designing a cinema auditorium. But it may also be used as a reference in the design process, as the different parts of the auditorium are planned. Just be aware that making a change in one element might affect others. Designing a cinema auditorium is quite easy if you follow the rules. Although, if everyone follows all the rules, all auditoriums would look the same. Go beyond the rules, but always keep in mind that the main purpose of a cinema auditorium is to give the audience the best film experience. In addition, there are many other rooms in a cinema complex where you can use your creativity to create great experiences for patrons and make them want to come back. FEEDBACK This is the first edition of the book, and I am sure someone will miss something, someone will disagree with something and something will be incomplete or difficult to understand. Please do not hesitate to share your opinions, so the next edition can be better and the next one after that… Please use the contact info below. ABOUT THE AUTHOR Rolv Gjestland has a master's degree in metallurgy from the Norwegian University of Science and Technology. He is now advisor in cinema concepts, design, logistics and technology for Film&Kino, the nonprofit trade organisation for Norwegian cinemas. -
Dtavhal Programmers Interface Table of Contents
DTAvHAL Programmers Interface Revision 0.1 Copyright (c) 2004-2012 Drastic Technologies Ltd. All Rights Reserved www.drastic.tv Table of Contents DTAvHAL Programmers Interface......................................................................................1 Introduction.....................................................................................................................3 Direct Link Usage...........................................................................................................3 Windows 32 OS – using 32 bit..............................................................................3 Windows 64 – using 32 bit....................................................................................3 Windows 64 – using 64 bit....................................................................................3 Mac OS-X..............................................................................................................3 Linux 64.................................................................................................................3 Functions.........................................................................................................................5 avOpen...................................................................................................................5 avClose..................................................................................................................5 avChannels.............................................................................................................5 -
MS-900 Datasheet Front Cover.Psd
MOBILE VIDEO STUDIO MS-900 8-channel SD mobile video studio CHROMA 8 KEY MS-900 Datavideo MS-900 is a fully integrated features tally information, the live source is mobile video studio designed around highlighted in Red and the cued source is Datavideo SE-900 modular 8-channel highlighted in yellow. In addition each input SD switcher. The MS-900 feature card offers a Composite Video preview set can be expanded with additional putput, irrespective of the input type. input cards and accessories as your The Datavideo MS-900 features also requirements evolve. include a down stream keyer (DSK) for The Datavideo MS-900 accepts up to integration with character generator such 8 SD inputs of your choice including as Datavideo CG-100 or CG-350. Overlay DV, SDI, DVI YUV and Composite Keying can be performed internally or Video. Standard outputs include DV, externally. A separate Logo Display can be YUV, S-Video (Y/C) and Composite used independently of the DSK utilising two Video. built in stores. Thanks to a built in frame synchroniser An optional Chroma Key board can be fitted and TBC for each channel no external to add a 4 channel Chroma Key function. genlock is required for flicker free Each channel can be set independently, switching between all 8 inputs - in any and you can seamlessly switch from one format. to another. This is ideal for virtual studio or Optional genlock input card is newsroom type applications. available for genlock to existing house To accommodate for anydelay in DV or SDI reference. equipment SE-900 includes an audio The Multi Image Preview output allows delay function as well as a DV/SDI audio all 8 input channels, together with embedder for output. -
13A Computer Video (1022-1143)
Section13a COMPUTER VIDEO 12 Inch Design ............................1024-1027 Adobe ...........................................1028-1043 AJA ................................................1044-1063 Apple.............................................1064-1079 Avid ...............................................1080-1083 Automatic Duck..........................1084-1085 BlackMagic Design ....................1086-1099 Boris FX .........................................1100-1109 Video Cineform ........................................1110-1111 DigiEffects .....................................1112-1113 Contour Design......................................1114 Grass Valley ...................................1115-1119 Intel..........................................................1120 JL Cooper ......................................1122-1123 Matrox ...........................................1124-1127 MOTU .............................................1128-1129 SourceBook Newtek ..........................................1130-1133 Red Giant ......................................1134-1139 Sony ...............................................1140-1143 Sorenson.................................................1144 Tiffen........................................................1145 Obtaining information and ordering from B&H is quick and The easy. When you call us, just punch in the corresponding Quick Dial number anytime during our welcome message. The Quick Dial code then directs you to the specific professional sales associates in our order department. -
Model 5280 Digital to Analog Composite Video Converter Data Pack
Model 5280 Digital to Analog Composite Video Converter Data Pack ENSEMBLE DESIGNS Revision 2.1 SW v2.0 This data pack provides detailed installation, configuration and operation information for the 5280 Digital to Analog Composite Video Converter and the 5210 Genlock option submodule as part of the Avenue Signal Integration System. The module information in this data pack is organized into the following sections: • Module Overview • Applications • Installation • Cabling • Module Configuration and Control ° Front Panel Controls and Indicators ° Avenue PC Remote Control ° Avenue Touch Screen Remote Control • Troubleshooting • Software Updating • Warranty and Factory Service • Specifications 5280-1 Model 5280 Video DAC MODULE OVERVIEW The 5280 module converts serial digital component video into composite analog video. Six separate composite or two Y/C (S-video) analog video outputs are available. The following analog formats are supported: • NTSC Composite with or without setup • PAL Composite A serial output BNC is provided for applications requiring the serial digital input signal to loop-through to another device. Output timing can be adjusted relative to a reference input signal by installing the 5210 Genlock Option, a submodule that plugs onto the 5280 circuit board. Incorporating a full- frame synchronizer, the 5210 also allows the 5280 to accept serial inputs that are asyn- chronous to the reference. As shown in the block diagram on the following page, the serial digital input signal first passes through serial receiver circuitry then on to EDH processing and deserializing. The serial output signal goes to a cable driver and is then AC coupled to a loop-through output BNC on the backplane. -
PROFESSIONAL VIDEO 315 800-947-1175 | 212-444-6675 Blackmagic • Canon
PROFESSIONAL VIDEO 315 800-947-1175 | 212-444-6675 Blackmagic • Canon VIDEO TAPE Fuji Film PRO-T120 VHS Video Cassette (FUPROT120)............................3.29 XA10 Professional HD Camcorder DVC-60 Mini DV Cassette (FUDVC60) .......................................3.35 Pocket Cinema Camera Ultra-compact, the XA10 DVC-80 Mini DV Cassette (FUDVC80)........................................7.99 shares nearly all the Pocket Cinema Camera is a HDV Cassette, 63 Minute (FUHDVDVM63) .................................6.99 functionality of the XF100, true Super 16 digital film DV141HD63S HDV (FUDV14163S) ............................................7.95 but in an even smaller, camera that’s small enough run-and-gun form factor. to keep with you at all times. Maxell 64GB internal flash drive Remarkably compact (5 x 2.6 DV-60 Mini DV Cassette (MADVM60SE) .................................3.99 and two SDXC-compatible x 1.5”) and lightweight (12.5 M-DV63PRO Mini DV Cassette (MADVM63PRO)......................5.50 card slots allow non-stop oz) with a magnesium alloy chassis, it features 13 stops of T-120 VHS Cassette (MAGXT120) ..........................................2.39 recording. Able to capture dynamic range, Super 16 sensor size, and and records 1080HD STD-160 VHS Cassette (MAGXT160).....................................2.69 AVCHD video at bitrates up to lossless CinemaDNG RAW and Apple ProRes 422 (HQ) files to fast STD-180 VHS Cassette (MAGXT180)......................................3.09 24Mbps, the camcorder’s native 1920 x1080 CMOS sensor also SDXC cards, so you can immediately edit or color correct your HG-T120 VHS Cassette (MAHGT120) .....................................1.99 lets you choose 60i, 24p, PF30, and PF24 frame rates for media on your laptop. Active Micro Four Thirds lens mount can HG-T160 VHS Video Cassette (MAHGT160) ............................2.59 customizing the look of your footage. -
Eidr 2.6 Data Fields Reference
EIDR 2.6 DATA FIELDS REFERENCE Table of Contents 1 INTRODUCTION ............................................................................................................................................... 5 1.1 Introduction to Content ................................................................................................................................ 5 1.2 Composite Details ......................................................................................................................................... 5 1.3 How to read the Tables ................................................................................................................................. 6 1.4 EIDR IDs ........................................................................................................................................................ 7 2 BASE OBJECT TYPE ......................................................................................................................................... 9 2.1 Summary ...................................................................................................................................................... 9 2.2 Referent Type Details ................................................................................................................................. 25 2.3 Title Details ................................................................................................................................................ 26 2.4 Language Code Details ............................................................................................................................... -
MS-900 Eight-Input SD Mobile Studio
MS-900 eight-input SD mobile studio The MS-900 is a portable, eight input SD mobile studio that speeds the workflow of any SD or travelling studio. The shock mounted case of the MS-900 houses the SE-900 switcher, which can accept a variety of input boards for DV, SDI, DVI , YUV, as well as S-Video and composite video. It can store up to two logos for output display and also features a CG (Character Generator) overlay channel. You can use a CG (like Datavideo’s CG-100) as a DSK and retain access to the multiple outputs of the SE-900 switcher. It also has a built-in 17” monitor for multi-view output, which folds down into a one rack-unit space for travel. Some card options include external sync and a chromakey card that allows cuts between two cameras and two backgrounds. Additionally, it has an eight channel wired intercom with belt-packs and tally lights. Features Virtual studio with up to eight live camera inputs. Requires Control optional chromakey card RS-232 or RS-422 control interface Built in frame synchronizer and TBC for each channel, no exter- Monitor nal gen-lock is required for flicker free switching Advanced multi-screen monitor to preview each source with between all 8 inputs – in any format next source/effect preview and program output – with overlay Designed to be “live-in-seconds” with easy setup, breakdown tally indicator and storage at any location Recorder Anti shock padding protects the MS-900 during transit Built-in DN-500 hard disk recorder for video recording Each input card offers a composite Video Preview Output, irre- or playback spective of the input type Intercom Each DV and SDI video input has an audio de-embedder which Keeping communication open between the camera crew, the provides dual channel balanced audio output producer, lighting, floor manager, etc. -
Modern Post: Workflows and Techniques for Digital Filmmakers
Modern Post Workflows and Techniques for Digital Filmmakers This page intentionally left blank Modern Post Workflows and Techniques for Digital Filmmakers Scott Arundale and Tashi Trieu First published 2015 by Focal Press 70 Blanchard Road, Suite 402, Burlington, MA 01803 and by Focal Press 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Focal Press is an imprint of the Taylor & Francis Group, an informa business © 2015 Taylor & Francis The right of Scott Arundale and Tashi Trieu to be identified as author of this work has been asserted by them in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. -
Film Printing
1 2 3 4 5 6 7 8 9 10 1 2 3 Film Technology in Post Production 4 5 6 7 8 9 20 1 2 3 4 5 6 7 8 9 30 1 2 3 4 5 6 7 8 9 40 1 2 3111 This Page Intentionally Left Blank 1 2 3 Film Technology 4 5 6 in Post Production 7 8 9 10 1 2 Second edition 3 4 5 6 7 8 9 20 1 Dominic Case 2 3 4 5 6 7 8 9 30 1 2 3 4 5 6 7 8 9 40 1 2 3111 4 5 6 7 8 Focal Press 9 OXFORD AUCKLAND BOSTON JOHANNESBURG MELBOURNE NEW DELHI 1 Focal Press An imprint of Butterworth-Heinemann Linacre House, Jordan Hill, Oxford OX2 8DP 225 Wildwood Avenue, Woburn, MA 01801-2041 A division of Reed Educational and Professional Publishing Ltd A member of the Reed Elsevier plc group First published 1997 Reprinted 1998, 1999 Second edition 2001 © Dominic Case 2001 All rights reserved. No part of this publication may be reproduced in any material form (including photocopying or storing in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright holder except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London, England W1P 0LP. Applications for the copyright holder’s written permission to reproduce any part of this publication should be addressed to the publishers British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging in Publication Data A catalogue record -
AVR-591 AV Surround Receiver
New model information AVR-591 AV Surround Receiver A/V Home Theater Receiver with 3D Video Connectivity The AVR-591 is packed with exciting features that lets you experience superb surround sound. It's also equipped with the latest HDMI 1.4a technology, which for the !rst time provides for 3D pass-through (Broadcast and Blu-ray) capability, delivering thrilling 3D high de!nition viewing with 3D-compatible HDTVs. With 4 HDMI inputs, the AVR-591 also features upconversion of standard de!nition signals to HDMI output, allowing a single cable run to the TV, minimizing costs and reducing system complexity. Equipped with the latest high resolution audio decoders, including Dolby TrueHD and DTS-HD Master Audio, the AVR-591 also features Dolby Pro Logic IIz, which provides front height channels for a dramatically big front soundstage. The remote control features codes to control a wide variety of other components, and the AVR-591 even provides an easy-to-use on-screen remote control setup guide. Features New Features Connectivity & Future-ready Expandability t'FBUVSJOH%QBTTUISPVHIUFDIOPMPHZ TVQQPSUT#SPBEDBTUBOE#MVSBZ t%PDLDPOOFDUJWJUZGPSJ1PE® and network streaming t4VQQPSUT)%.*BXJUI% "VEJP3FUVSO$IBOOFM %FFQ$PMPS iYW$PMPSw Auto Lipsync and HDMI control function Ease-of-Use tY)%.*JOY)%.*PVU 3FQFBUFS t0O4DSFFO%JTQMBZ t/FXMZEFWFMPQFEQSFNFNPSZSFNPUFDPOUSPMIBOETFUXJUI(MP,FZCVUUPOT t"VEZTTFZ%ZOBNJD7PMVNF GPSSFBMUJNFWPMVNFBEKVTUNFOU t3FNPUF4FUVQ(VJEBODFWJB0O4DSFFO%JTQMBZ t"VEZTTFZ.VMU&2BOE"VUP4FUVQ - Tower type microphone included for more accurate measuring -
Preparing for the Broadcast Analog Television Turn-Off: How to Keep Cable Subscribers’ Tvs from Going Dark
White Paper Preparing for the Broadcast Analog Television Turn-Off: How to Keep Cable Subscribers’ TVs from Going Dark Learn about the NTSC-to-ATSC converter/ receiver and how TANDBERG Television’s RX8320 ATSC Broadcast Receiver solves the Analog Turn-Off issues discussed in this paper Matthew Goldman Vice President of Technology TANDBERG Television, part of the Ericsson Group First presented at SCTE Cable-Tec Expo® 2008 in Philadelphia, Pennsylvania © TANDBERG Television 2008. All rights reserved. Table of Contents 1. The “Great Analog Television Turn-Off” ..............................................................................................3 1.1 Receiving Over-the-Air TV Transmissions ..............................................................................3 1.2 ATSC DTV to NTSC Analog Conversion ...................................................................................5 2. Video Down-Conversion .........................................................................................................................5 2.1 Active Format Description ..........................................................................................................8 2.2 Bar Data .............................................................................................................................................9 2.3 Color Space Correction ................................................................................................................9 3. Audio Processing .......................................................................................................................................9