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Annual Exhibition by the Society for Contemporary American Art
23rd ANNUAL EXHIBITION BY THE SOCIETY FOR CONTEHPOR.ARY ANERICMJ ART May 24- June 17, 1963 Nominated by: 1. IV AN ALBRIGHT Young Girl, charcoal3 $1700 Lent by the artis-t,, Chicago Hr. Lawrence Pucci, Jr. 2, MILTON AVERY Beach Blankets, wat er color> ~;;1300 Grace Borgenicht Gallery, New York Mr" and Urs. H . Press Hodgkins 3 • ROBERT BARNES View From Riverbank, pencil, ~P2.50 Allan Frumkin Gallery, Chicago Mr. and Mrs. Arnold noot 4. ROBERT BARNES Stage No.,l, pencil, ~>2.50 Allan Frumkin Gallery, Chicago Mrs. Jane G8 Weinberg .5. LEONARD BASIITN l1outh of Socrates, ink and wash, ~>700 Boris Hirski Gallery, Boston l1r. and Mrs.. Arnold Smoller 6. LEONARD BASKIN Flower III, ink, $7.50 Grace Borgenicht Gallery, New York Mr. and Mrs. Albert Arenberg 7. ROBERT BEAUCHAMP Untitled, pencil, ~~175 Green Gallery, .New York Mr. and Hrs. Sanford R. Robertson 8.. GENE BEERY Hello There, water color Lent by the artist, Racine, Wi.sconsin Mr. and Hrs. Barnet Hodes 9 •. CLAUDE BENTLEY Retablo, paper collage and casein, $800 Lent by the artist, Chicago Mr. and Mrs. Alfred w. Stern 10. CLAUDE BENTLEY Boy with Kite, swni ink, ~~175 lent by the artist, Chicago Mr. and Mrs. Altred W. Stern 11. LEE BONTECOU Untitled, soot on muslin, ~~875 Leo Castelli Gallery, New York Mr~ and Mrs. Joseph R. Shapir o 12., LEE BONTECOU Untitled, pencil, ~~470 Leo Castelli Gallery, New York ~Wo and I~s. Joseph R. Shapiro 13. HARRY BOURAS Gift of Night, collage, ~~250 lent by the artist, Chicago Mr .. and Urs. Alexander Liveright 14 o HARRY BOURAS Landfigure 1 collage, ~~350 lent by the artist, Chicago }~o and Mrs. -
Download The
NEW YORK STATE ASSEMBLY COMMITTEES: RULES 822 LEGISLATIVE OFFICE BUILDING, ALBANY, NY 12248 HEALTH TEL: 518-455-4941 FAX: 518-455-5939 HIGHER EDUCATION RICHARD N. GOTTFRIED MAJORITY STEERING 75TH ASSEMBLY DISTRICT 250 BROADWAY, RM. 2232, NEW YORK, NY 10007 TEL: 212-312-1492 FAX: 212-312-1494 CHAIR CHAIR E-MAIL: [email protected] COMMITTEE ON HEALTH MANHATTAN DELEGATION Comments of ASSEMBLY MEMBER RICHARD N. GOTTFRIED ON THE DRAFT ENVIRONMENTAL IMPACT STATEMENT and ULURP Applications Nos. 130100ZMM, 130101ZSM, 130102ZSM, N130103ZSM and 130104ZCM SUPPORTING THE PIER 57 REDEVELOPMENT PROPOSAL before New York City Department of City Planning Public Hearing Spector Hall, 22 Reade Street Wednesday, January 23, 2013 As the Assembly Member representing the site of the proposed redevelopment project at Pier 57, as a member of the Pier 57 Working Group and as the Assembly author of the NYS law that created the Hudson River Park, I thank the City Planning Commission for the opportunity to present comments on the Draft Environmental Impact Statement (DEIS) and proposed ULURP actions and thank the Hudson River Park Trust (HRPT) and Hudson Eagle for creating a valuable and significant project. The proposal by Young Woo and Associates to convert Pier 57 into a new and noteworthy cultural and commercial destination will be a benefit to the Hudson River Park and its communities not just for the income it will bring to the Park, but also for the addition of 110,000 square feet of beautiful roof-top public open space, the perimeter walkway, a marina, exciting programming and a variety of restaurants. -
Manhattan 2016 Mid-Year Sales Report by Ariel Property Advisors | Released July 2016
MANHATTan 2016 Mid-Year SaleS REPORT by Ariel Property Advisors | Released July 2016 Join Our Network: e-mail [email protected] or visit arielpa.nyc 212.544.9500 I arielpa.nyc 122 East 42nd Street, Suite 2405, New York NY 10168 MANHATTan 2016 Mid-Year SaleS REPORT Dear Friends, 2016 Mid-Year SaleS REPORT From the continuation of low interest rates to the Brexit, the first half of 2016 has seen some remarkable economic events that have been having various effects on the Manhattan real estate market. Manhattan investment property sales saw a pullback in terms of dollar volume and, in a more pronounced way, transaction volume during 1H16, but several fac- Dollar Volume Transaction Volume Property Volume tors are contributing to a greater sense of stability in the market place. In 1H16, Manhattan saw 304 transactions consisting of 361 properties totaling approxi- $19.3 304 361 mately $19.35 billion in gross consideration in 1H16. The previous six months of 2H15, which saw 345 transactions for 477 properties with an aggregate dollar volume of $22.29 BILLION billion, capped off a banner year that included the $5.5 billion sale of Stuyvesant Town / Pe- 13% decrease 11% decrease 24% decrease ter Cooper Village. By excluding this outlier transaction from the aggregate dollar volume, 1H16 figures represent a 15% increase in total dollar volume compared to 2H15. Moreover, compared compared compared 1H16 dollar volume figures are well above the dollar volume seen in 1H14. to 2H 2015 to 2H 2015 to 2H 2015 Fewer transactions are taking place—the 1H16’s 304 sales is the lowest number of trans- actions to take place since 1H13—but properties that are selling demonstrate that strong demand remains for quality product. -
Walking Tour #2 Reflection Prompt History of RED in NYC As You Walk
Walking Tour #2 Reflection Prompt History of RED in NYC As you walk north along the Hudson River, keep in mind the formerly active docks, market areas, and elevated highways that characterized the west side of Manhattan. What lesson or lessons do you draw from the development that you see in terms of both urban infrastructure and real estate? Your answers should be no more than 500 words. Please include a photo of your journey with your write-up. Submittal Instructions: •! Hard copy: Please bring a hard copy to class on October 20th and place at front of lecture hall before or after lecture. •! Electronically: Please submit before October 20th 9AM on CourseWorks in the Assignment tab prior to the start of class. Please label your assignment PLANA6272_Walking Tour 2_Last Name_FirstName (i.e. PLANA6272_Walking Tour 2_Ascher_Kate). Word or PDF is acceptable. ! WALKING(TOUR(#2( History(of(Real(Estate(Development(in(NYC( WALKING(TOUR(#2,(cont’d( History(of(Real(Estate(Development(in(NYC WALKING(TOUR(#2,(cont’d( History(of(Real(Estate(Development(in(NYC WALKING TOUR #2 MAP LINK A. Battery Park - Castle Clinton National Monument Other Names: Fort Clinton, Castle Garden, West Battery, South-West Battery Castle Clinton is a circular sandstone fort now located in Battery Park at the southern tip of Manhattan that stands approximately two blocks west of where Fort Amsterdam stood almost 400 years ago. Construction began in 1808 and was completed in 1811. The fort (originally named West Battery) was built on a small artificial island just off shore and was intended to complement the three-tiered Castle Williams on Governors Island, which was East Battery, to defend New York City from British forces in the tensions that marked the run-up to the War of 1812, but never saw action in that or any war. -
Context Statement
CONTEXT STATEMENT THE CENTRAL WATERFRONT PREPARED FOR: THE HISTORIC PRESERVATION PROGRAM DEPARTMENT OF NEIGHBORHOODS, CITY OF SEATTLE November 2006 THOMAS STREET HISTORY SERVICES 705 EAST THOMAS STREET, #204 SEATTLE, WA 98102 2 Central Waterfront and Environs - Historic Survey & Inventory - Context Statement - November 2006 –Update 1/2/07 THE CENTRAL WATERFRONT CONTEXT STATEMENT for THE 2006 SURVEY AND INVENTORY Central Waterfront Neighborhood Boundaries and Definitions For this study, the Central Waterfront neighborhood covers the waterfront from Battery Street to Columbia Street, and in the east-west direction, from the waterfront to the west side of First Avenue. In addition, it covers a northern area from Battery Street to Broad Street, and in the east- west direction, from Elliott Bay to the west side of Elliott Avenue. In contrast, in many studies, the Central Waterfront refers only to the actual waterfront, usually from around Clay Street to roughly Pier 48 and only extends to the east side of Alaskan Way. This study therefore includes the western edge of Belltown and the corresponding western edge of Downtown. Since it is already an historic district, the Pike Place Market Historic District was not specifically surveyed. Although Alaskan Way and the present shoreline were only built up beginning in the 1890s, the waterfront’s earliest inhabitants, the Native Americans, have long been familiar with this area, the original shoreline and its vicinity. Native Peoples There had been Duwamish encampments along or near Elliott Bay, long before the arrival of the Pioneers in the early 1850s. In fact, the name “Duwamish” is derived from that people’s original name for themselves, “duwAHBSH,” which means “inside people,” and referred to the protected location of their settlements inside the waters of Elliott Bay.1 The cultural traditions of the Duwamish and other coastal Salish tribes were based on reverence for the natural elements and on the change of seasons. -
SELLING ART in the AGE of RETAIL EXPANSION and CORPORATE PATRONAGE: ASSOCIATED AMERICAN ARTISTS and the AMERICAN ART MARKET of the 1930S and 1940S
SELLING ART IN THE AGE OF RETAIL EXPANSION AND CORPORATE PATRONAGE: ASSOCIATED AMERICAN ARTISTS AND THE AMERICAN ART MARKET OF THE 1930s AND 1940s by TIFFANY ELENA WASHINGTON Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation advisor: Anne Helmreich Department of Art History CASE WESTERN RESERVE UNIVERSITY JANUARY, 2013 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of __________Tiffany Elena Washington_________ candidate for the __Doctor of Philosophy___ degree*. (signed) _______Anne L. Helmreich________ (chair of the committee) ______Catherine B. Scallen__________ ________ Jane Glaubinger__________ ____ _ _ Renee Sentilles___________ (date) 2 April, 2012 *We also certify that written approval has been obtained for any proprietary material contained herein. 2 For Julian, my amazing Matisse, and Livia, a lucky future artist’s muse. 3 Table of Contents List of figures 5 Acknowledgments 8 Abstract 11 Introduction 13 Chapter 1 46 Chapter 2 72 Chapter 3 93 Chapter 4 127 Chapter 5 155 Conclusion 202 Appendix A 205 Figures 207 Selected Bibliography 241 4 List of Figures Figure 1. Reeves Lewenthal, undated photograph. Collection of Lana Reeves. 207 Figure 2. Thomas Hart Benton, Hollywood (1937-1938). Tempera and oil on canvas mounted on panel. The Nelson Atkins Museum of Art, Kansas City. 208 Figure 3. Edward T. Laning, T.R. in Panama (1939). Oil on fiberboard. Smithsonian American Art Museum. 209 Figure 4. Plan and image of Associated American Artists Gallery, 711 5th Avenue, New York City. George Nelson, The Architectural Forum. Philadelphia: Time, Inc, 1939, 349. 210 Figure 5. Thomas Hart Benton, Departure of the Joads (1939). -
PAVIA, PHILIP, 1915-2005. Philip Pavia and Natalie Edgar Archive of Abstract Expressionist Art, 1913-2005
PAVIA, PHILIP, 1915-2005. Philip Pavia and Natalie Edgar archive of abstract expressionist art, 1913-2005 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Pavia, Philip, 1915-2005. Title: Philip Pavia and Natalie Edgar archive of abstract expressionist art, 1913-2005 Call Number: Manuscript Collection No. 981 Extent: 38 linear feet (68 boxes), 5 oversized papers boxes and 5 oversized papers folders (OP), 1 extra oversized papers folder (XOP) and AV Masters: 1 linear foot (1 box) Abstract: Philip Pavia and Natalie Edgar archive of abstract expressionist art including writings, photographs, legal records, correspondence, and records of It Is, the 8th Street Club, and the 23rd Street Workshop Club. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Source Purchase, 2004. Additions purchased from Natalie Edgar, 2018. Citation [after identification of item(s)], Philip Pavia and Natalie Edgar archive of abstract expressionist art, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Elizabeth Russey and Elizabeth Stice, October 2009. Additions added to the collection in 2018 retain the original order in which they were received. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Philip Pavia and Natalie Edgar archive of abstract expressionist art, Manuscript Collection No. -
Hollis Taggart to Examine the Work of Acclaimed Artist Knox Martin in Two Solo Presentations This May
Hollis Taggart to Examine the Work of Acclaimed Artist Knox Martin in Two Solo Presentations This May Opening at Frieze New York, May 1 – 5, 2019, And in a Concurrent Exhibition at the Gallery’s Primary Space in Chelsea, May 2 – 27, 2019 Knox Martin: Radical Structures to Include New Work by the Prolific 96-Year-Old Artist This May, Hollis Taggart will present an in-depth exploration of the work of acclaimed artist Knox Martin, with a solo presentation at Frieze New York and a concurrent solo exhibition at its primary location in Chelsea. Martin’s practice, which spans nearly seven decades, has engaged with the conceptual and aesthetic underpinnings of a wide range of artistic movements, from Cubism to Abstract Expressionism to Pop Art. His use of bright swaths of color, precise, architectural lines, and organic forms that reference the female body have resulted in energetic and vibrant compositions that speak to a visual vocabulary that is entirely his own. For the upcoming edition of Frieze New York, Hollis Taggart will present a focused selection of paintings, from the 1950s through the 1970s, providing an introduction to the artist’s early works. To foster a broader understanding of Martin’s practice, the gallery will also open Knox Martin: Radical Structures at its 521 W. 26th Street space on May 2, 2019. The exhibition at the gallery will emphasize in particular Martin’s paintings from the 1960s and 1970s, and also include several later works, among which are two new paintings created by the 96-year-old artist in 2019. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day -
A Finding Aid to the B. C. Holland Gallery Records, 1942-1991, Bulk 1959-1965, in the Archives of American Art
A Finding Aid to the B. C. Holland Gallery Records, 1942-1991, bulk 1959-1965, in the Archives of American Art Anna Rimel 2014 January 14 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Artist Files, 1942-1991 (bulk 1959-1965).................................................. 4 Series 2: Business Records, 1961-1963................................................................ 11 B. C. Holland Gallery records AAA.bcholl Collection Overview Repository: Archives of American Art Title: B. C. Holland Gallery records Identifier: -
July 31, 2018 Madelyn Wils President Hudson River Park Trust Pier 40
CITY OF NEW YORK MANHATTAN COMMUNITY BOARD FOUR nd th 330 West 42 Street, 26 floor New York, NY 10036 tel: 212-736-4536 fax: 212-947-9512 www.nyc.gov/mcb4 Burt Lazarin Chair Jesse R. Bodine District Manager July 31, 2018 Madelyn Wils William Floyd President Head of External Affairs Hudson River Park Trust Google, Inc. Pier 40 111 Eighth Avenue 353 West Street, 2nd Floor New York, NY 10011 New York, NY 10014 Seth Pinsky Executive Vice President RX R Realty 75 Rockefeller Plaza New York, NY 10019 Re: Pier 57 Dear President Wils, Mr. Floyd and Vice President Pinsky, Thank you for your presentation of the final redesign of Pier 57 to the Waterfront, Parks & Environment Committee (the “Committee”) of Manhattan Community Board 4 (“MCB4”) on July 12, 2018. As the final plan was essentially the same plan that was presented to, and approved by, the Committee in March of this year, the Committee continues its support of the redesign plan. At its Full Board meeting on July 25, 2018, MCB4 ratified the Committee’s support with 29 in favor, 0 against, 0 abstaining, and 0 present but not eligible to vote. Additionally, as we discussed, we would appreciate further updates as the plans for the water taxi at Pier 57 develop, as the Committee has some very strong feelings about what is appropriate at that site. The Committee would also like RXR and Google to explore the idea of adding a public information kiosk to the pier, to provide information both about Hudson River Park and other events in the local community, including Community Board 4 meetings. -
Hollis Taggart to Present Exhibition Exploring Acclaimed Artist Knox Martin’S Connection to Work of Francisco Goya
Hollis Taggart to Present Exhibition Exploring Acclaimed Artist Knox Martin’s Connection to Work of Francisco Goya Exhibition to Feature a Selection of Martin’s Goya-Inspired Drawings, From a Series the Artist Developed Across Multiple Decades Knox Martin: Homage to Goya On View July 8 - August 6, 2021 Over the course of his seven-decade career, acclaimed artist Knox Martin has engaged with a wide range of artistic movements, from Cubism to Abstract Expressionism to Pop Art, establishing his own distinct style. On July 8, Hollis Taggart will open an exhibition that explores Martin’s particular affinity toward Francisco Goya and the ways in which that artist has served as an important source of inspiration for Martin since childhood. The exhibition, titled Knox Martin: Homage to Goya, features a selection of drawings from Martin’s series, titled Caprichos, which the artist has been evolving for several decades. The works reflect the vibrant and energetic approach for which Martin is known, while also capturing the artist’s formal and conceptual relationship to Goya. The exhibition will be on view through August 6, 2021, at the gallery’s flagship location in Chelsea. Martin grew up across the street from the Hispanic Society of America in New York, where he would spend hours copying the Spanish artist’s etchings and drawings into his notebooks. While Martin felt an artistic and spiritual connection with much of Goya’s oeuvre, he was particularly drawn to Los Caprichos (1799), Goya’s sardonic series of etchings of Spanish society gone mad. As Martin’s own practice matured, the incisive energy of Goya’s work continued to influence Martin’s own painting and drawings.