Who Are the Women on the Timeline?
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All Party Parliamentary Group on British Muslims
All Party Parliamentary Group on British Muslims The inquiry into a working definition of Islamophobia Report on the inquiry into A working definition of Islamophobia / anti-Muslim hatred All Party Parliamentary Group on British Muslims Report on the inquiry into a working definition of Islamophobia / anti-Muslim hatred 3 The All Party Parliamentary Group on British Muslims was launched in 2017. The cross party group of parliamentarians is co-chaired by Anna Soubry MP and Wes Streeting MP. The Group was established to highlight the aspirations and challenges facing British Muslims; to celebrate the contributions of Muslim communities to Britain and to investigate prejudice, discrimination and hatred against Muslims in the UK. appgbritishmuslims.org facebook.com/APPGBritMuslims @APPGBritMuslims Report on the inquiry into A working definition of Islamophobia / anti-Muslim hatred All Party Parliamentary Group on British Muslims Contents Foreword by Dominic Grieve QC 6 Foreword by Anna Soubry and Wes Streeting 7 Executive Summary 9 Introduction 12 Chapter 1 Literature review 19 Chapter 2 - Arriving at a working definition 23 Chapter 3 - Our findings 27 An INDEX to Tackle Islamophobia 51 Chapter 4 - Community consultation findings 52 Conclusion 56 Acknowledgements 60 Appendix 1 - Written evidence 61 Appendix 2 - Oral evidence sessions 62 Appendix 3 - Community consultation participants 63 Appendix 4 - Islamophobia / Anti Muslim hatred questionnaire 64 Bibliography 66 5 Foreword s Chair of the Citizens UK Commission on Islam, Participation and Public Life, I travelled round the country hearing evidence as to the extent to which this desirable goal was taking place and as to the reasons why it was not happening Ain the way many Muslims and others wished. -
Organised With: Fabian Summer Conference 2016 Britain's Future, Labour's Future Saturday 21 May 2016, 09.30 – 17.15 TUC Co
Organised with: Fabian Summer conference 2016 Britain’s Future, Labour’s Future Saturday 21 May 2016, 09.30 – 17.15 TUC Congress Centre, 28 Great Russell Street, London, WC1B 3LS 9.30-10.20 Registration Tea and coffee 10.20-10.45 Welcome Main Hall Andrew Harrop (general secretary, Fabian Society) Massimo D’Alema (president, Foundation for European Progressive Studies) 10.45-11.30 Keynote speech Main Hall Gordon Brown (former prime minister) 11.30-12.20 Morning Plenary ‘Should we stay or should we go now’: What should the left decide? Main Hall Caroline Flint MP (Labour MP, Don Valley) Baroness Jenny Jones (Green Party, Member of the House of Lords) Tim Montgomerie (columnist, The Times) Chair: Andrew Harrop, (general secretary, Fabian Society) 12.30-13.30 Breakout sessions Main Hall It’s the economy, stupid: what’s best for jobs and growth? Shabana Mahmood MP (Labour MP, Birmingham Ladywood) John Mills (deputy chair, Vote Leave) Lucy Anderson MEP (Labour MEP for London) Vicky Pryce (economist) Chair: Michael Izza (chief executive, ICAEW) Council Chamber The jury’s out: can the campaigns persuade the ‘undecideds’? Interactive session Brendan Chilton (general secretary, Labour Leave) Antonia Bance (head of campaigns and communications, TUC) Richard Angell (director, Progress) Chair: Felicity Slater (exec member, Fabian Women’s Network) Meeting Room 1 Drifting apart? The four nations and Europe Nia Griffith MP (shadow secretary of state for wales and Labour MP for Llanelli) John Denham (director, University of Winchester’s Centre for English -
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Early Modern Low Countries 1 (2017) 1, pp. 30-50 - eISSN: 2543-1587 30 ‘Before she ends up in a brothel’ Public Femininity and the First Actresses in England and the Low Countries Martine van Elk Martine van Elk is a Professor of English at California State University, Long Beach. Her research interests include early modern women, Shakespeare, and vagrancy. She is the author of numerous essays on these subjects, which have appeared in essay collections and in journals like Shakespeare Quarterly, Studies in English Literature, and Early Modern Women. Her book Early Modern Women’s Writing: Domesticity, Privacy, and the Public Sphere in England and the Low Countries has been pub- lished by Palgrave Macmillan (2017). Abstract This essay explores the first appearance of actresses on the public stage in England and the Dutch Republic. It considers the cultural climate, the theaters, and the plays selected for these early performances, particularly from the perspective of public femininity. In both countries antitheatricalists denounced female acting as a form of prostitution and evidence of inner corruption. In England, theaters were commercial institutions with intimate spaces that capitalized on the staging of privacy as theatrical. By contrast, the Schouwburg, the only public playhouse in Amsterdam, was an institu- tion with a more civic character, in which the actress could be treated as unequivocally a public figure. I explain these differences in the light of changing conceptions of public and private and suggest that the treatment of the actress shows a stronger pub- lic-private division in the Dutch Republic than in England. -
THE POWER of BEAUTY in RESTORATION ENGLAND Dr
THE POWER OF BEAUTY IN RESTORATION ENGLAND Dr. Laurence Shafe [email protected] THE WINDSOR BEAUTIES www.shafe.uk • It is 1660, the English Civil War is over and the experiment with the Commonwealth has left the country disorientated. When Charles II was invited back to England as King he brought new French styles and sexual conduct with him. In particular, he introduced the French idea of the publically accepted mistress. Beautiful women who could catch the King’s eye and become his mistress found that this brought great wealth, titles and power. Some historians think their power has been exaggerated but everyone agrees they could influence appointments at Court and at least proposition the King for political change. • The new freedoms introduced by the Reformation Court spread through society. Women could appear on stage for the first time, write books and Margaret Cavendish was the first British scientist. However, it was a totally male dominated society and so these heroic women had to fight against established norms and laws. Notes • The Restoration followed a turbulent twenty years that included three English Civil Wars (1642-46, 1648-9 and 1649-51), the execution of Charles I in 1649, the Commonwealth of England (1649-53) and the Protectorate (1653-59) under Oliver Cromwell’s (1599-1658) personal rule. • Following the Restoration of the Stuarts, a small number of court mistresses and beauties are renowned for their influence over Charles II and his courtiers. They were immortalised by Sir Peter Lely as the ‘Windsor Beauties’. Today, I will talk about Charles II and his mistresses, Peter Lely and those portraits as well as another set of portraits known as the ‘Hampton Court Beauties’ which were painted by Godfrey Kneller (1646-1723) during the reign of William III and Mary II. -
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cast EDWARD KYNASTON Michael Kelly v Shea Owens 1 THOMAS BETTERTON Ron Loyd v Matthew Curran 1 VILLIERS, DUKE OF BUCKINGHAM Bray Wilkins v John Kaneklides 1 MARGARET HUGHES Maeve Höglund v Jessica Sandidge 1 LADY MERESVALE Elizabeth Pojanowski v Hilary Ginther 1 about the opera MISS FRAYNE Heather Hill v Michelle Trovato 1 SIR CHARLES SEDLEY Raùl Melo v Set in Restoration England during the time of King Charles II, Prince of Neal Harrelson 1 Players follows the story of Edward Kynaston, a Shakespearean actor famous v for his performances of the female roles in the Bard’s plays. Kynaston is a CHARLES II Marc Schreiner 1 member of the Duke’s theater, which is run by the actor-manager Thomas Nicholas Simpson Betterton. The opera begins with a performance of the play Othello. All of NELL GWYNN Sharin Apostolou v London society is in attendance, including the King and his mistress, Nell Angela Mannino 1 Gwynn. After the performance, the players receive important guests in their HYDE Daniel Klein dressing room, some bearing private invitations. Margaret Hughes, Kynaston’s MALE EMILIA Oswaldo Iraheta dresser, observes the comings and goings of the others, silently yearning for her FEMALE EMILIA Sahoko Sato Timpone own chance to appear on the stage. Following another performance at the theater, it is revealed that Villiers, the Duke of Buckingham, has long been one STAGE HAND Kyle Guglielmo of Kynaston’s most ardent fans and admirers. SAMUEL PEPYS Hunter Hoffman In a gathering in Whitehall Palace, Margaret is presented at court by her with Robert Balonek & Elizabeth Novella relation Sir Charles Sedley. -
One Nation: Power, Hope, Community
one nation power hope community power hope community Ed Miliband has set out his vision of One Nation: a country where everyone has a stake, prosperity is fairly shared, and we make a common life together. A group of Labour MPs, elected in 2010 and after, describe what this politics of national renewal means to them. It begins in the everyday life of work, family and local place. It is about the importance of having a sense of belonging and community, and sharing power and responsibility with people. It means reforming the state and the market in order to rebuild the economy, share power hope community prosperity, and end the living standards crisis. And it means doing politics in a different way: bottom up not top down, organising not managing. A new generation is changing Labour to change the country. Edited by Owen Smith and Rachael Reeves Contributors: Shabana Mahmood Rushanara Ali Catherine McKinnell Kate Green Gloria De Piero Lilian Greenwood Steve Reed Tristram Hunt Rachel Reeves Dan Jarvis Owen Smith Edited by Owen Smith and Rachel Reeves 9 781909 831001 1 ONE NATION power hope community Edited by Owen Smith & Rachel Reeves London 2013 3 First published 2013 Collection © the editors 2013 Individual articles © the author The authors have asserted their rights under the Copyright, Design and Patents Act, 1998 to be identified as authors of this work. All rights reserved. Apart from fair dealing for the purpose of private study, research, criticism or review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, electrical, chemical, mechanical, optical, photocopying, recording or otherwise, without the prior permission of the copyright owner. -
LGBTQIA+ Rights Justnow Timeline Cards Set
LGBTQIA+ Rights JustNow timeline cards set Created by: Annemarie Kelpe, Friederike Hobein, Sera Ria Gomes The “JustNow – A Toolbox for Teaching Human Rights” project is focused on the development of methodological-didactical materials relating to human rights education, combined with simulation games and diversity learning in non-formal and formal youth educational work. This timeline cards set focuses on teaching about the evolution of the LGBTQIA+ Rights (movement) through history up until today, covering some key milestones, leading figures, events, legislation and organizations. The cards can be used in history or civic education, or in other non-formal education settings. Where possible, it is advised that educators supplement the cards with local (history) examples. The cards were created using images and information researched online, with sources noted on the back of the cards. The cards are created for exclusively non-profit educational purpose and use, in classrooms or non-formal educational settings. Image source: Graphic created by Kayley Weinberg, 2014. https://now.org/blog/now-updates-acronym-lgbtqia/ Additional terms Cis-gender - people who identify with their birth sex and are aligned with gender constructs Transgender - people whose gender identity is different from their gender assigned at birth Queer - umbrella term for sexual and gender minorities and a sexual orientation, intentionally vague which allows different interpretations Intersex - People who are born with any of the several variations in sex characteristics including chromosomes, gonads, sex hormones or genitals that do not fit the typical definitions of male or female bodies Asexual - People, who do not experience sexual attraction to anyone. Asexuality is more of a spectrum. -
View Questions Tabled on PDF File 0.16 MB
Published: Monday 5 July 2021 Questions tabled on Friday 2 July 2021 Includes questions tabled on earlier days which have been transferred. T Indicates a topical oral question. Members are selected by ballot to ask a Topical Question. † Indicates a Question not included in the random selection process but accepted because the quota for that day had not been filled. N Indicates a question for written answer on a named day under S.O. No. 22(4). [R] Indicates that a relevant interest has been declared. Questions for Answer on Monday 5 July Questions for Written Answer 1 N Angela Rayner (Ashton-under-Lyne): To ask the Chancellor of the Duchy of Lancaster and Minister for the Cabinet Office, what assessment he has made of the accuracy of the Prime Minister's Official Spokesperson's statement of 28 June 2021 on the conduct of ministerial government business through departmental email addresses. [Transferred] (24991) 2 Dr Matthew Offord (Hendon): To ask the Secretary of State for Business, Energy and Industrial Strategy, what assessment his Department has made of the potential merits of setting a target for onshore wind ahead of COP26. [Transferred] (25780) 3 Stephen Morgan (Portsmouth South): To ask the Secretary of State for Education, what steps he is taking to ensure that all children receive LGBTQ+ inclusive education. [Transferred] (25919) 4 Jim Shannon (Strangford): To ask the Secretary of State for International Trade, what recent progress has been made towards agreeing a trade deal with Australia. [Transferred] (25817) 5 Daisy Cooper (St Albans): To ask the Secretary of State for Health and Social Care, if he will offer reimbursements to the single cohort of speech and language therapy undergraduates who self-funded their degrees when starting university in September 2017 before Government funding was re-instated. -
Shadow Cabinet Meetings with Proprietors, Editors and Senior Media Executives
Shadow Cabinet Meetings 1 June 2015 – 31 May 2016 Shadow cabinet meetings with proprietors, editors and senior media executives. Andy Burnham MP Shadow Secretary of State’s meetings with proprietors, editors and senior media executives Date Name Location Purpose Nature of relationship* 26/06/2015 Alison Phillips, Editor, Roast, The General Professional Sunday People Floral Hall, discussion London, SE1 Peter Willis, Editor, 1TL Daily Mirror 15/07/2015 Lloyd Embley, Editor in J Sheekey General Professional Chief, Trinity Mirror Restaurant, discussion 28-32 Saint Peter Willis, Editor, Martin's Daily Mirror Court, London WC2N 4AL 16/07/2015 Kath Viner, Editor in King’s Place Guardian daily Professional Chief, Guardian conference 90 York Way meeting London N1 2AP 22/07/2015 Evgeny Lebedev, Private General Professional proprieter, address discussion Independent/Evening Standard 04/08/2015 Lloyd Embley, Editor in Grosvenor General Professional Chief, Trinity Mirror Hotel, 101 discussion Buckingham Palace Road, London SW1W 0SJ 16/05/2016 Eamonn O’Neal, Manchester General Professional Managing Editor, Evening Manchester Evening News, discussion News Mitchell Henry House, Hollinwood Avenue, Chadderton, Oldham OL9 8EF Other interaction between Shadow Secretary of State and proprietors, editors and senior media executives Date Name Location Purpose Nature of relationship* No such meetings Angela Eagle MP Shadow Secretary of State’s meetings with proprietors, editors and senior media executives Date Name Location Purpose Nature of relationship* No -
“Revenge in Shakespeare's Plays”
“REVENGE IN SHAKESPEARE’S PLAYS” “OTHELLO” – LECTURE/CLASS WRITTEN: 1603-1604…. although some critics place the date somewhat earlier in 1601- 1602 mainly on the basis of some “echoes” of the play in the 1603 “bad” quarto of “Hamlet”. AGE: 39-40 Years Old (B.1564-D.1616) CHRONO: Four years after “Hamlet”; first in the consecutive series of tragedies followed by “King Lear”, “Macbeth” then “Antony and Cleopatra”. GENRE: “The Great Tragedies” SOURCES: An Italian tale in the collection “Gli Hecatommithi” (1565) of Giovanni Battista Giraldi (writing under the name Cinthio) from which Shakespeare also drew for the plot of “Measure for Measure”. John Pory’s 1600 translation of John Leo’s “A Geographical History of Africa”; Philemon Holland’s 1601 translation of Pliny’s “History of the World”; and Lewis Lewkenor’s 1599 “The Commonwealth and Government of Venice” mainly translated from a Latin text by Cardinal Contarini. STRUCTURE: “More a domestic tragedy than ‘Hamlet’, ‘Lear’ or ‘Macbeth’ concentrating on the destruction of Othello’s marriage and his murder of his wife rather than on affairs of state and the deaths of kings”. SUCCESS: The tragedy met with high success both at its initial Globe staging and well beyond mainly because of its exotic setting (Venice then Cypress), the “foregrounding of issues of race, gender and sexuality”, and the powerhouse performance of Richard Burbage, the most famous actor in Shakespeare’s company. HIGHLIGHT: Performed at the Banqueting House at Whitehall before King James I on 1 November 1604. AFTER: The play has been performed steadily since 1604; for a production in 1660 the actress Margaret Hughes as Desdemona “could have been the first professional actress on the English stage”. -
Journal of Health & Culture
ISSN:2458-8113 Journal of Health & Culture Journal of Health & Culture June 2016 Volume 1 Issue 1 June 2016 / Volume 1 / Volume June 2016 / Issue 1 The self-image of transident women since 1945 Contributions and ambiguities in Islamic research Livia Prüll ethics and research conducted in Muslim contexts: a thematic review of the literature Cultural dimensions of bios and bioethics Mehrunisha Suleman Hans-Martin Sass A review of Ottoman court records on mental diseases Migration and health in medical education: Nil Sarı a work in progress report from Central Europe Frank Kressing Journal of Health & Culture J Health Cult June 2016 Volume 1 Issue 1 ISSN:2458-8113 Journal of Health & Culture June 2016 Volume 1 Issue 1 Editors-in-chief Rainer Brömer (Istanbul, TR) M. Kemal Temel (Istanbul, TR) Editors Hakan Ertin (Istanbul, TR), İlhan İlkılıç (Istanbul, TR), Hajo Zeeb (Bremen, DE) Advisory Board Editorial Launching a new academic journal in this age of proliferating Journal of Health & Culture publications requires some justification, or at the very least a brief explanation. Health and illness are an intrinsic element of culture, and June 2016 . Volume 1 . Issue 1 in an increasingly globalized world, health concerns and approaches to healthcare are inextricably linked with the often radically different Owner cultures of patients, clinicians, and researchers. While modern medical Ahmet Özdemir, applications have not least contributed to a significant increase in life on behalf of Hayat Sağlık ve Sosyal Hizmetler Vakfı expectancy, concomitantly new complex problems have arisen from Managing Editor developments such as the use of modern technologies at the beginning Hakan Ertin and end of life, reproductive medicine, organ transplantation, or the decoding of the human genome and subsequent genomic intervention. -
'Prince of Players' Score Soars, While Libretto Is a Letdown
LIFESTYLE 'Prince of Players' score soars, while libretto is a letdown By Joseph Campana | March 7, 2016 0 Photo: Marie D. De Jesus, Staff Ben Edquist, plays the lead role Edward Kynaston, a famed actor in England in the 1700s whose career is abruptly stopped when the king issues a decree prohibiting men from playing women in stage roles. Armenian soprano Mane Galoyan will sing Margaret Hughes. The Houston Grand Opera (HGO) will present Prince of Players by distinguished American composer Carlisle Floyd on March 5, 11, and 13, 2016. ( Marie D. De Jesus / Houston Chronicle ) A night at the opera can leave us speechless or it can send us to our feet shouting "Bravo!" At the close of the Houston Grand Opera world premiere of Carlisle Floyd's "Prince of Players," it was all leaping and shouting. Floyd not only co-founded the Houston Grand Opera Studio, but this great American treasure has now premiered his fifth work for Houston Grand Opera just shy of his 90th birthday. That's plenty to celebrate. But the true achievement of "Prince of Players" is a beautifully realized production of an ambitious commission with an electrifying score stirringly conducted by Patrick Summers. From its opening moments, "Prince of Players" resounds with tonal unease, surreptitious woodwinds and warning strings. And in mere seconds, Floyd conveys that, in spite of some fun and flirtation to come, we are in the presence of a sea-change, and no one will remain unscathed. The marvel of Floyd is his attention to moments great and small. Some of the most compelling passages come seemingly between scenes or in the absence of voice - as an actor silently practices his gestures or as the court eerily processes before their king.