Who Are the Women on the Timeline?

Total Page:16

File Type:pdf, Size:1020Kb

Who Are the Women on the Timeline? Writing Women Into History – Who are the women on the timeline? Boudica b AD 33 Also known as or Boudicca, Boadicea or Boudicea, was a queen of a British Celtic tribe, the Iceni. She had been married to Prasutagus, ruler of the Iceni, but when he died the Romans decided to rule the tribe directly. As a result of their treatment of Boudica and her daughters, she led an uprising against them. Boudicca's warriors successfully defeated the Roman Ninth Legion and destroyed Colchester, London and Verulamium (St Albans). She died shortly after she was finally defeated and is said to have poisoned herself. Saint Bertha of Kent b approx. 565 Bertha was married to King Æthelbhert and her influence on her husband was said to have led to him giving St Augustine the freedom to preach and reside in Canterbury. She was canonized as a saint for helping to re-introduction of Christianity to England Hilda of Whitby or Hild of Whitby b approx. 614 St Hilda is a Christian saint who was a nun and the founding abbess of the monastery at Whitby. The abbey was a double monastery, home to both monks and nuns, which was not uncommon at the time. Hilda’s strength and wisdom were well known and the monastery was known for its observance of peace, charity, justice and piety. It was chosen as the venue for the Synod of Whitby, where a dispute over the date of Easter was decided. A legend tells that Hilda turned a plague of snakes to stone, explaining the ammonite fossils found in Whitby. Wulfrun(a) b approx. 935 Wulfruna was an Anglo-Saxon noble woman who held land and property in her own right on an equal basis to Saxon noblemen. In 985 King Aethelred granted lands at a place referred to as "a Heantun" to Wulfruna by royal charter. The lands contained livestock, farms, mills, other buildings. She endowed a collegiate church there in 994 and by 1070 this had become known as ‘Wolvrenehamptonia’ (Wolfrun's heaton) now the city of Wolverhampton. 1 Lady Godiva b 980 Lady Godiva, or Godgifu, was a late Anglo-Saxon noblewoman and the wife of Leofric, Earl of Mercia. She is mainly remembered for a legend dating back at least to the 13th century, which says that she rode naked through the streets of Coventry covered only in her long hair to help lessen the taxes imposed by Leofric on his tenants. The name "Peeping Tom" comes from versions of this legend, in which a man named Thomas watched her ride and was struck blind. Empress Matilda b 1102 Empress Matilda, also known as Empress Maud, was a daughter of Henry l. After his death she was one of the claimants to the English throne during the civil war, known as the Anarchy, between England and Normandy. After she gained a major victory at the Battle of Lincoln in 1141, she was declared 'Lady of England and Normandy' by the clergy, but she was not crowned as there was a revolt during the preparations for her coronation in London. Eventually she returned to Normandy and helped to establish her son as the heir to the English throne. He became Henry ll. Margaret of Beverley b 1150 Margaret of Beverley went on crusades to the Holy Lands in the 1180s where she became involved in the fighting. She was captured and released several times until she returned to England in 1191. Her brother records her as saying, ‘Though a woman, I seemed a warrior, I threw the weapon; though filled with fear, I learned to conceal my weakness’. Eleanor of Provence b 1223 Eleanor of Provence was the wife of Henry III. She was made regent of England in 1253 when her husband left for Gascony to launch a military expedition. His brother, Richard, was named as co-counsel, not as co- regent. Her continued collecting of taxes and fines to help fund her husband's war efforts caused resentment and made her unpopular. She remained influential during the last years of her husband’s reign. When he died her son, Edward, was away on crusade and she ensured that he was proclaimed King. Dame Julian of Norwich b 1342 Julian (or Juliana) of Norwich, also known as Dame Julian or Mother Julian, lived practically her whole life in the English city of Norwich. During an illness in 1373, she had a series of visions or "shewings" of the Passion of Christ. She recovered from her illness and wrote two versions of her experiences, the earlier one being completed soon after her recovery and a much longer version, today known as the Long Text, written many years later. This became a book called Revelations of Divine Love, the first written in English by a woman. 2 Margaret of Anjou b 1430 Queen Margaret was the queen consort of King Henry VI and a leader of the Lancastrians in the Wars of the Roses, where she played a major role. She was described as having ‘Valiant courage and undaunted spirit’ and as being a woman who ‘Excelled all other, as well in beauty and favour, as in wit and policy, and was of stomach and courage, more like to a man, than a woman.’ At times during Henry’s reign she ruled the kingdom in his place. She is a character in four of William Shakespeare's plays, all three Henry VI plays and Richard III. Susanna(h) Hornebolt b 1503 Susanna was an artist and known as the first female artist in England. She was the daughter of the Flemish artist Gerard Hornebolt and learned to paint with her father, who she worked for from 1520. She became known in Europe when Albrecht Dürer bought one of her illuminations. She is said to have painted miniatures for Henry VIII and his court. Catherine Parr b 1512 Katherine, Katheryn, Kateryn or Katharine was the last of the six wives of King Henry VIII. She was influential in the Third Succession Act in 1543 that restored both of his daughters, Mary and Elizabeth, to the line of succession to the throne. Catherine was appointed regent from July to September 1544 while Henry was on a military campaign in France. If he lost his life, she was to rule as regent until Edward came of age. Her book ‘Prayers or Meditations’ became the first book published by an English queen under her own name. She assumed the role of Elizabeth's guardian following the King's death, and published a second book, ‘The Lamentation of a Sinner’. Elizabeth Cavendish, Bess of Hardwick b approx. 1527 Bess Hardwick was born in Derbyshire but little is known of her early life. Bess married four times. Following the death of her first husband she joined the household of Lady Frances Grey, became a part of court life and began a friendship with Princess Elizabeth. Bess and her second husband built their wealth and social status. His death left her with exorbitant debt but she was fortunate to be made Lady of the Bedchamber when Elizabeth became queen. Her debts were paid off during her third marriage and she was left a wealthy widow. Bess and her fourth husband housed the captive Mary, Queen of Scots for Queen Elizabeth, which led to acrimony between Bess and her husband. But when he died, Bess was left second only in wealth to the Queen. She is remembered by her original family name. 3 Saint Margaret Ward b approx 1550 Margaret was born in Congleton, Cheshire, and was living in London in the service of a noble lady when she learned of the maltreatment of Richard Watson. He was a priest imprisoned in the Bridewell prison, near Fleet Street on the River Thames. He had been starved and shackled in a cell so small that he was unable to either stand up or lie down straight. She helped him to escape by smuggling a rope into the prison in her basket and persuading a boatman to ferry the priest across the river to safety. She was arrested for this, tried and sentenced to death. Saint Margaret Clitherow b 1556 Margaret was brought up as a protestant but converted to Catholicism. She refused to attend the Anglican church and was repeatedly fined for refusing. Eventually, she was designated as a recusant (one who fails to attend Anglican services) and was later imprisoned for nearly a year because of this. Margaret allowed secret masses to be celebrated in her home, where she also hid Catholic missionary priests. After further imprisonments and releases, she was seized and placed on trial. She refused to plead guilty or innocent, stating that only God could judge her, and was executed. Saint Anne Line b approx. 1563 Anne converted to Catholicism when she married. Her husband was arrested whilst attending mass and banished from England. When widowed, Anne was put in charge of a house opened as a refuge for Catholic priests. The priest who had opened it was imprisoned for about three years and Anne continued to run it during this time. She then hired apartments in another building and continued to shelter priests there. When her house was raided, she was arrested and imprisoned. At her trial she told the court that so far from regretting having concealed a priest, she only grieved that she ‘could not receive a thousand more’. She was condemned to death and executed . Margaret Lucas Cavendish b 1623 Margaret was an English aristocrat, philosopher, poet, scientist, fiction- writer, and playwright. She was self-taught, having had access to many books when she grew up.
Recommended publications
  • All Party Parliamentary Group on British Muslims
    All Party Parliamentary Group on British Muslims The inquiry into a working definition of Islamophobia Report on the inquiry into A working definition of Islamophobia / anti-Muslim hatred All Party Parliamentary Group on British Muslims Report on the inquiry into a working definition of Islamophobia / anti-Muslim hatred 3 The All Party Parliamentary Group on British Muslims was launched in 2017. The cross party group of parliamentarians is co-chaired by Anna Soubry MP and Wes Streeting MP. The Group was established to highlight the aspirations and challenges facing British Muslims; to celebrate the contributions of Muslim communities to Britain and to investigate prejudice, discrimination and hatred against Muslims in the UK. appgbritishmuslims.org facebook.com/APPGBritMuslims @APPGBritMuslims Report on the inquiry into A working definition of Islamophobia / anti-Muslim hatred All Party Parliamentary Group on British Muslims Contents Foreword by Dominic Grieve QC 6 Foreword by Anna Soubry and Wes Streeting 7 Executive Summary 9 Introduction 12 Chapter 1 Literature review 19 Chapter 2 - Arriving at a working definition 23 Chapter 3 - Our findings 27 An INDEX to Tackle Islamophobia 51 Chapter 4 - Community consultation findings 52 Conclusion 56 Acknowledgements 60 Appendix 1 - Written evidence 61 Appendix 2 - Oral evidence sessions 62 Appendix 3 - Community consultation participants 63 Appendix 4 - Islamophobia / Anti Muslim hatred questionnaire 64 Bibliography 66 5 Foreword s Chair of the Citizens UK Commission on Islam, Participation and Public Life, I travelled round the country hearing evidence as to the extent to which this desirable goal was taking place and as to the reasons why it was not happening Ain the way many Muslims and others wished.
    [Show full text]
  • Organised With: Fabian Summer Conference 2016 Britain's Future, Labour's Future Saturday 21 May 2016, 09.30 – 17.15 TUC Co
    Organised with: Fabian Summer conference 2016 Britain’s Future, Labour’s Future Saturday 21 May 2016, 09.30 – 17.15 TUC Congress Centre, 28 Great Russell Street, London, WC1B 3LS 9.30-10.20 Registration Tea and coffee 10.20-10.45 Welcome Main Hall Andrew Harrop (general secretary, Fabian Society) Massimo D’Alema (president, Foundation for European Progressive Studies) 10.45-11.30 Keynote speech Main Hall Gordon Brown (former prime minister) 11.30-12.20 Morning Plenary ‘Should we stay or should we go now’: What should the left decide? Main Hall Caroline Flint MP (Labour MP, Don Valley) Baroness Jenny Jones (Green Party, Member of the House of Lords) Tim Montgomerie (columnist, The Times) Chair: Andrew Harrop, (general secretary, Fabian Society) 12.30-13.30 Breakout sessions Main Hall It’s the economy, stupid: what’s best for jobs and growth? Shabana Mahmood MP (Labour MP, Birmingham Ladywood) John Mills (deputy chair, Vote Leave) Lucy Anderson MEP (Labour MEP for London) Vicky Pryce (economist) Chair: Michael Izza (chief executive, ICAEW) Council Chamber The jury’s out: can the campaigns persuade the ‘undecideds’? Interactive session Brendan Chilton (general secretary, Labour Leave) Antonia Bance (head of campaigns and communications, TUC) Richard Angell (director, Progress) Chair: Felicity Slater (exec member, Fabian Women’s Network) Meeting Room 1 Drifting apart? The four nations and Europe Nia Griffith MP (shadow secretary of state for wales and Labour MP for Llanelli) John Denham (director, University of Winchester’s Centre for English
    [Show full text]
  • Download Download
    Early Modern Low Countries 1 (2017) 1, pp. 30-50 - eISSN: 2543-1587 30 ‘Before she ends up in a brothel’ Public Femininity and the First Actresses in England and the Low Countries Martine van Elk Martine van Elk is a Professor of English at California State University, Long Beach. Her research interests include early modern women, Shakespeare, and vagrancy. She is the author of numerous essays on these subjects, which have appeared in essay collections and in journals like Shakespeare Quarterly, Studies in English Literature, and Early Modern Women. Her book Early Modern Women’s Writing: Domesticity, Privacy, and the Public Sphere in England and the Low Countries has been pub- lished by Palgrave Macmillan (2017). Abstract This essay explores the first appearance of actresses on the public stage in England and the Dutch Republic. It considers the cultural climate, the theaters, and the plays selected for these early performances, particularly from the perspective of public femininity. In both countries antitheatricalists denounced female acting as a form of prostitution and evidence of inner corruption. In England, theaters were commercial institutions with intimate spaces that capitalized on the staging of privacy as theatrical. By contrast, the Schouwburg, the only public playhouse in Amsterdam, was an institu- tion with a more civic character, in which the actress could be treated as unequivocally a public figure. I explain these differences in the light of changing conceptions of public and private and suggest that the treatment of the actress shows a stronger pub- lic-private division in the Dutch Republic than in England.
    [Show full text]
  • THE POWER of BEAUTY in RESTORATION ENGLAND Dr
    THE POWER OF BEAUTY IN RESTORATION ENGLAND Dr. Laurence Shafe [email protected] THE WINDSOR BEAUTIES www.shafe.uk • It is 1660, the English Civil War is over and the experiment with the Commonwealth has left the country disorientated. When Charles II was invited back to England as King he brought new French styles and sexual conduct with him. In particular, he introduced the French idea of the publically accepted mistress. Beautiful women who could catch the King’s eye and become his mistress found that this brought great wealth, titles and power. Some historians think their power has been exaggerated but everyone agrees they could influence appointments at Court and at least proposition the King for political change. • The new freedoms introduced by the Reformation Court spread through society. Women could appear on stage for the first time, write books and Margaret Cavendish was the first British scientist. However, it was a totally male dominated society and so these heroic women had to fight against established norms and laws. Notes • The Restoration followed a turbulent twenty years that included three English Civil Wars (1642-46, 1648-9 and 1649-51), the execution of Charles I in 1649, the Commonwealth of England (1649-53) and the Protectorate (1653-59) under Oliver Cromwell’s (1599-1658) personal rule. • Following the Restoration of the Stuarts, a small number of court mistresses and beauties are renowned for their influence over Charles II and his courtiers. They were immortalised by Sir Peter Lely as the ‘Windsor Beauties’. Today, I will talk about Charles II and his mistresses, Peter Lely and those portraits as well as another set of portraits known as the ‘Hampton Court Beauties’ which were painted by Godfrey Kneller (1646-1723) during the reign of William III and Mary II.
    [Show full text]
  • View the Program!
    cast EDWARD KYNASTON Michael Kelly v Shea Owens 1 THOMAS BETTERTON Ron Loyd v Matthew Curran 1 VILLIERS, DUKE OF BUCKINGHAM Bray Wilkins v John Kaneklides 1 MARGARET HUGHES Maeve Höglund v Jessica Sandidge 1 LADY MERESVALE Elizabeth Pojanowski v Hilary Ginther 1 about the opera MISS FRAYNE Heather Hill v Michelle Trovato 1 SIR CHARLES SEDLEY Raùl Melo v Set in Restoration England during the time of King Charles II, Prince of Neal Harrelson 1 Players follows the story of Edward Kynaston, a Shakespearean actor famous v for his performances of the female roles in the Bard’s plays. Kynaston is a CHARLES II Marc Schreiner 1 member of the Duke’s theater, which is run by the actor-manager Thomas Nicholas Simpson Betterton. The opera begins with a performance of the play Othello. All of NELL GWYNN Sharin Apostolou v London society is in attendance, including the King and his mistress, Nell Angela Mannino 1 Gwynn. After the performance, the players receive important guests in their HYDE Daniel Klein dressing room, some bearing private invitations. Margaret Hughes, Kynaston’s MALE EMILIA Oswaldo Iraheta dresser, observes the comings and goings of the others, silently yearning for her FEMALE EMILIA Sahoko Sato Timpone own chance to appear on the stage. Following another performance at the theater, it is revealed that Villiers, the Duke of Buckingham, has long been one STAGE HAND Kyle Guglielmo of Kynaston’s most ardent fans and admirers. SAMUEL PEPYS Hunter Hoffman In a gathering in Whitehall Palace, Margaret is presented at court by her with Robert Balonek & Elizabeth Novella relation Sir Charles Sedley.
    [Show full text]
  • One Nation: Power, Hope, Community
    one nation power hope community power hope community Ed Miliband has set out his vision of One Nation: a country where everyone has a stake, prosperity is fairly shared, and we make a common life together. A group of Labour MPs, elected in 2010 and after, describe what this politics of national renewal means to them. It begins in the everyday life of work, family and local place. It is about the importance of having a sense of belonging and community, and sharing power and responsibility with people. It means reforming the state and the market in order to rebuild the economy, share power hope community prosperity, and end the living standards crisis. And it means doing politics in a different way: bottom up not top down, organising not managing. A new generation is changing Labour to change the country. Edited by Owen Smith and Rachael Reeves Contributors: Shabana Mahmood Rushanara Ali Catherine McKinnell Kate Green Gloria De Piero Lilian Greenwood Steve Reed Tristram Hunt Rachel Reeves Dan Jarvis Owen Smith Edited by Owen Smith and Rachel Reeves 9 781909 831001 1 ONE NATION power hope community Edited by Owen Smith & Rachel Reeves London 2013 3 First published 2013 Collection © the editors 2013 Individual articles © the author The authors have asserted their rights under the Copyright, Design and Patents Act, 1998 to be identified as authors of this work. All rights reserved. Apart from fair dealing for the purpose of private study, research, criticism or review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, electrical, chemical, mechanical, optical, photocopying, recording or otherwise, without the prior permission of the copyright owner.
    [Show full text]
  • LGBTQIA+ Rights Justnow Timeline Cards Set
    LGBTQIA+ Rights JustNow timeline cards set Created by: Annemarie Kelpe, Friederike Hobein, Sera Ria Gomes The “JustNow – A Toolbox for Teaching Human Rights” project is focused on the development of methodological-didactical materials relating to human rights education, combined with simulation games and diversity learning in non-formal and formal youth educational work. This timeline cards set focuses on teaching about the evolution of the LGBTQIA+ Rights (movement) through history up until today, covering some key milestones, leading figures, events, legislation and organizations. The cards can be used in history or civic education, or in other non-formal education settings. Where possible, it is advised that educators supplement the cards with local (history) examples. The cards were created using images and information researched online, with sources noted on the back of the cards. The cards are created for exclusively non-profit educational purpose and use, in classrooms or non-formal educational settings. Image source: Graphic created by Kayley Weinberg, 2014. https://now.org/blog/now-updates-acronym-lgbtqia/ Additional terms Cis-gender - people who identify with their birth sex and are aligned with gender constructs Transgender - people whose gender identity is different from their gender assigned at birth Queer - umbrella term for sexual and gender minorities and a sexual orientation, intentionally vague which allows different interpretations Intersex - People who are born with any of the several variations in sex characteristics including chromosomes, gonads, sex hormones or genitals that do not fit the typical definitions of male or female bodies Asexual - People, who do not experience sexual attraction to anyone. Asexuality is more of a spectrum.
    [Show full text]
  • View Questions Tabled on PDF File 0.16 MB
    Published: Monday 5 July 2021 Questions tabled on Friday 2 July 2021 Includes questions tabled on earlier days which have been transferred. T Indicates a topical oral question. Members are selected by ballot to ask a Topical Question. † Indicates a Question not included in the random selection process but accepted because the quota for that day had not been filled. N Indicates a question for written answer on a named day under S.O. No. 22(4). [R] Indicates that a relevant interest has been declared. Questions for Answer on Monday 5 July Questions for Written Answer 1 N Angela Rayner (Ashton-under-Lyne): To ask the Chancellor of the Duchy of Lancaster and Minister for the Cabinet Office, what assessment he has made of the accuracy of the Prime Minister's Official Spokesperson's statement of 28 June 2021 on the conduct of ministerial government business through departmental email addresses. [Transferred] (24991) 2 Dr Matthew Offord (Hendon): To ask the Secretary of State for Business, Energy and Industrial Strategy, what assessment his Department has made of the potential merits of setting a target for onshore wind ahead of COP26. [Transferred] (25780) 3 Stephen Morgan (Portsmouth South): To ask the Secretary of State for Education, what steps he is taking to ensure that all children receive LGBTQ+ inclusive education. [Transferred] (25919) 4 Jim Shannon (Strangford): To ask the Secretary of State for International Trade, what recent progress has been made towards agreeing a trade deal with Australia. [Transferred] (25817) 5 Daisy Cooper (St Albans): To ask the Secretary of State for Health and Social Care, if he will offer reimbursements to the single cohort of speech and language therapy undergraduates who self-funded their degrees when starting university in September 2017 before Government funding was re-instated.
    [Show full text]
  • Shadow Cabinet Meetings with Proprietors, Editors and Senior Media Executives
    Shadow Cabinet Meetings 1 June 2015 – 31 May 2016 Shadow cabinet meetings with proprietors, editors and senior media executives. Andy Burnham MP Shadow Secretary of State’s meetings with proprietors, editors and senior media executives Date Name Location Purpose Nature of relationship* 26/06/2015 Alison Phillips, Editor, Roast, The General Professional Sunday People Floral Hall, discussion London, SE1 Peter Willis, Editor, 1TL Daily Mirror 15/07/2015 Lloyd Embley, Editor in J Sheekey General Professional Chief, Trinity Mirror Restaurant, discussion 28-32 Saint Peter Willis, Editor, Martin's Daily Mirror Court, London WC2N 4AL 16/07/2015 Kath Viner, Editor in King’s Place Guardian daily Professional Chief, Guardian conference 90 York Way meeting London N1 2AP 22/07/2015 Evgeny Lebedev, Private General Professional proprieter, address discussion Independent/Evening Standard 04/08/2015 Lloyd Embley, Editor in Grosvenor General Professional Chief, Trinity Mirror Hotel, 101 discussion Buckingham Palace Road, London SW1W 0SJ 16/05/2016 Eamonn O’Neal, Manchester General Professional Managing Editor, Evening Manchester Evening News, discussion News Mitchell Henry House, Hollinwood Avenue, Chadderton, Oldham OL9 8EF Other interaction between Shadow Secretary of State and proprietors, editors and senior media executives Date Name Location Purpose Nature of relationship* No such meetings Angela Eagle MP Shadow Secretary of State’s meetings with proprietors, editors and senior media executives Date Name Location Purpose Nature of relationship* No
    [Show full text]
  • “Revenge in Shakespeare's Plays”
    “REVENGE IN SHAKESPEARE’S PLAYS” “OTHELLO” – LECTURE/CLASS WRITTEN: 1603-1604…. although some critics place the date somewhat earlier in 1601- 1602 mainly on the basis of some “echoes” of the play in the 1603 “bad” quarto of “Hamlet”. AGE: 39-40 Years Old (B.1564-D.1616) CHRONO: Four years after “Hamlet”; first in the consecutive series of tragedies followed by “King Lear”, “Macbeth” then “Antony and Cleopatra”. GENRE: “The Great Tragedies” SOURCES: An Italian tale in the collection “Gli Hecatommithi” (1565) of Giovanni Battista Giraldi (writing under the name Cinthio) from which Shakespeare also drew for the plot of “Measure for Measure”. John Pory’s 1600 translation of John Leo’s “A Geographical History of Africa”; Philemon Holland’s 1601 translation of Pliny’s “History of the World”; and Lewis Lewkenor’s 1599 “The Commonwealth and Government of Venice” mainly translated from a Latin text by Cardinal Contarini. STRUCTURE: “More a domestic tragedy than ‘Hamlet’, ‘Lear’ or ‘Macbeth’ concentrating on the destruction of Othello’s marriage and his murder of his wife rather than on affairs of state and the deaths of kings”. SUCCESS: The tragedy met with high success both at its initial Globe staging and well beyond mainly because of its exotic setting (Venice then Cypress), the “foregrounding of issues of race, gender and sexuality”, and the powerhouse performance of Richard Burbage, the most famous actor in Shakespeare’s company. HIGHLIGHT: Performed at the Banqueting House at Whitehall before King James I on 1 November 1604. AFTER: The play has been performed steadily since 1604; for a production in 1660 the actress Margaret Hughes as Desdemona “could have been the first professional actress on the English stage”.
    [Show full text]
  • Journal of Health & Culture
    ISSN:2458-8113 Journal of Health & Culture Journal of Health & Culture June 2016 Volume 1 Issue 1 June 2016 / Volume 1 / Volume June 2016 / Issue 1 The self-image of transident women since 1945 Contributions and ambiguities in Islamic research Livia Prüll ethics and research conducted in Muslim contexts: a thematic review of the literature Cultural dimensions of bios and bioethics Mehrunisha Suleman Hans-Martin Sass A review of Ottoman court records on mental diseases Migration and health in medical education: Nil Sarı a work in progress report from Central Europe Frank Kressing Journal of Health & Culture J Health Cult June 2016 Volume 1 Issue 1 ISSN:2458-8113 Journal of Health & Culture June 2016 Volume 1 Issue 1 Editors-in-chief Rainer Brömer (Istanbul, TR) M. Kemal Temel (Istanbul, TR) Editors Hakan Ertin (Istanbul, TR), İlhan İlkılıç (Istanbul, TR), Hajo Zeeb (Bremen, DE) Advisory Board Editorial Launching a new academic journal in this age of proliferating Journal of Health & Culture publications requires some justification, or at the very least a brief explanation. Health and illness are an intrinsic element of culture, and June 2016 . Volume 1 . Issue 1 in an increasingly globalized world, health concerns and approaches to healthcare are inextricably linked with the often radically different Owner cultures of patients, clinicians, and researchers. While modern medical Ahmet Özdemir, applications have not least contributed to a significant increase in life on behalf of Hayat Sağlık ve Sosyal Hizmetler Vakfı expectancy, concomitantly new complex problems have arisen from Managing Editor developments such as the use of modern technologies at the beginning Hakan Ertin and end of life, reproductive medicine, organ transplantation, or the decoding of the human genome and subsequent genomic intervention.
    [Show full text]
  • 'Prince of Players' Score Soars, While Libretto Is a Letdown
    LIFESTYLE 'Prince of Players' score soars, while libretto is a letdown By Joseph Campana | March 7, 2016 0 Photo: Marie D. De Jesus, Staff Ben Edquist, plays the lead role Edward Kynaston, a famed actor in England in the 1700s whose career is abruptly stopped when the king issues a decree prohibiting men from playing women in stage roles. Armenian soprano Mane Galoyan will sing Margaret Hughes. The Houston Grand Opera (HGO) will present Prince of Players by distinguished American composer Carlisle Floyd on March 5, 11, and 13, 2016. ( Marie D. De Jesus / Houston Chronicle ) A night at the opera can leave us speechless or it can send us to our feet shouting "Bravo!" At the close of the Houston Grand Opera world premiere of Carlisle Floyd's "Prince of Players," it was all leaping and shouting. Floyd not only co-founded the Houston Grand Opera Studio, but this great American treasure has now premiered his fifth work for Houston Grand Opera just shy of his 90th birthday. That's plenty to celebrate. But the true achievement of "Prince of Players" is a beautifully realized production of an ambitious commission with an electrifying score stirringly conducted by Patrick Summers. From its opening moments, "Prince of Players" resounds with tonal unease, surreptitious woodwinds and warning strings. And in mere seconds, Floyd conveys that, in spite of some fun and flirtation to come, we are in the presence of a sea-change, and no one will remain unscathed. The marvel of Floyd is his attention to moments great and small. Some of the most compelling passages come seemingly between scenes or in the absence of voice - as an actor silently practices his gestures or as the court eerily processes before their king.
    [Show full text]