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Ludwig-Musser 2010 Concert Percussion Catalog AV8084 2010
Welcome to the world of Ludwig/Musser Concert Percussion. The instruments in this catalog represent the finest quality and sound in percussion instruments today from a company that has been making instruments and accessories in the USA for decades. Ludwig is “The Most famous Name in Drums” since 1909 and Musser is “First in Class” for mallet percussion since 1948. Ludwig & Musser aren’t just brand names, they are men’s names. William F. Ludwig Sr. & William F. Ludwig II were gifted percussionists and astute businessmen who were innovators in the world of percussion. Clair Omar Musser was also a visionary mallet percussionist, composer, designer, engineer and leader who founded the Musser Company to be the American leader in mallet instruments. Both companies originated in the Chicago area. They joined forces in the 1960’s and originated the concept of “Total Percussion.” With our experience as a manufacturer, we have a dedicated staff of craftsmen and marketing professionals that are sensitive to the needs of the percussionist. Several on our staff are active percussionists today and have that same passion for excellence in design, quality and performance as did our founders. We are proud to be an American company competing in a global economy. Musser Marimbas, Xylophones, Chimes, Bells, & Vibraphones are available in a wide range of sizes and models to completely satisfy the needs of beginners, schools, universities and professionals. With a choice of hammered copper, smooth copper or fiberglass bowls, Ludwig Timpani always deliver the full rich sound that generations of timpanists have come to expect from Ludwig. -
Millennium Development Goals (Mdgs) Needs Assessment
Investing in the Sustainable Development of the Dominican Republic: Millennium Development Goals (MDGs) Needs Assessment Anexar Logos de COPDES, ONU-RD, ONAPLAN, Proyecto del Milenio (tenemos que asegurar que los logos de COPDES y ONU-RD están en Inglés, logo de ONAPLAN solo existe en español y logo de Proyecto del Milenio solo existe en Inglés) 2 Copyright © 2005 Presidential Commission on the Millennium Development Goals and Sustainable Development (COPDES) and the United Nations Country Team in the Dominican Republic (UNCT) All Rights Reserved www.copdes.gov.do www.onu.org.do 3 Contents Prologue – H.E. Dr. Leonel Fernandez, President of the Dominican Republic i Preface – Mr. Niky Fabiancic, United Nations Resident Coordinator in the ii Dominican Republic Presentation – Dr. Jeffrey Sachs, Director of the U.N. Millennium Project and iii Special Advisor to the U.N. Secretary-General for the Millennium Development Goals (MDGs) Millennium Development Goals and Targets iii I. Introduction 00 II. Working Methodology 00 III. National Situation 00 IV. Interventions and Investments for Achieving the Millennium Development 00 Goals 1. Combating Hunger and Malnutrition 00 2. Education 00 3. Gender Equality and Women’s Empowerment 00 4. Health and HIV-AIDS 00 5. Environment 00 6. Infrastructure 00 V. Conclusion: The Millennium Development Goals and their viability in the 33 Dominican Republic ___________________________________________________________________ Annexes Matrices of Interventions and Costs 1. Combating Hunger and Malnutrition 00 2. Education 00 3. Gender Equality and Women’s Empowerment 00 4. Health and HIV-AIDS 00 5. Environment 00 Methodological Estimation of Gross Domestic Product (GDP) and the 00 Expenditures of the Dominican Government for the period 2006-2015 Participants by Working Group and Sub-Working Group 00 Bibliography 00 4 Prologue of H.E. -
DOCTRINE of the MILLENNIUM May 26, 1987
DOCTRINE OF THE MILLENNIUM May 26, 1987 I. Definition: it constitutes the final 1,000 years of human history before the eternal state, extending from the Second Advent to the dissolution of original creation (Rev.20:2-7; cp. 20:11ff; 21:1). II. Synonyms. A. Thousand years (6X in Rev.20:2-7). B. Summer (Mt.24:32). C. Wedding supper (Rev.19:9; cp. Mt.25:1-13; 22:1ff). D. Rest (Jer.50:34; 30:10; 46:27; Zech.1:11). E. Kingdom of God (heaven; Dan.2:44,45; 7:13,14; Mt.25:1ff; 2Tim.4:1; 1Cor.15:24). F. Times of refreshing (Act.3:19). G. Time of restoration (Act.3:21). H. Day of the Lord (2Pet.3:10). This includes the Tribulation and 1,000 years. The Age of Aquarius (circa.2000), when peace will rule the planets. III. False views. A. Amillennial: says the 1,000 year references are figurative and that the present age is the Millennium. Augustine advanced this view in his work "City of God". The popular, modified Augustinian view espoused by modern amillennialists equates the Millennium with believers reigning with Christ in heaven. The binding of Satan is figurative for Christ's triumph over him at the Cross. Their Millennium ends with the second coming. For instance, the first resurrection is the Christian soul going to heaven at death, and the second resurrection is the resurrection of all men. B. Postmillennial: believe the gospel will be triumphant in the last 1,000 years of history and, when the world is converted, Christ will return. -
Virtual Musical Field Trip with Maestro Andrew Crust
YOUR PASSPORT TO A VIRTUAL MUSICAL FIELD TRIP WITH MAESTRO ANDREW CRUST Premier Education Partner Za The Conductor Today, you met Andrew Crust, the Vancouver Symphony Orchestra’s Assistant Conductor. He joined the VSO this season in September of 2019. He grew up in Kansas City, and his main instrument is the trumpet. He studied music education and conducting, and has worked with orchestras in Canada, the United States, Italy, Germany, the Czech Republic, Chile, and many other exotic places. The conductor keeps the orchestra in time and together. The conductor serves as a messenger for the composer. It is their responsibility to understand the music and convey it through movements so clearly that the musicians in the orchestra understand it perfectly. Those musicians can then send a unified vision of the music out to the audience. Conductors usually beat time with their right hand. This leaves their left hand free to show the various instruments when they have entries (when they start playing) or to show them to play louder or softer. Most conductors have a stick called a “baton”. It makes it easier for people at the back of large orchestras or choirs to see the beat. Other conductors prefer not to use a baton. A conductor stands on a small platform called a “rostrum”. To be a good conductor is not easy. It is not just a question of giving a steady beat. A good conductor has to know the music extremely well so that they can hear any wrong notes. They need to be able to imagine exactly the sound they want the orchestra to make. -
The Millennium - Part 2
The Millennium - Part 2 PREVIOUS NEXT Resources on the Millennium: Table Comparing Present Age, the Millennium and Eternity Future The Millennial Kingdom (see chart) - Tony Garland The Millennial Position of Spurgeon by Dennis Swanson What is the Millennial Kingdom, and should it be understood literally? Who will occupy the Millennial Kingdom? Will David reign with Jesus in the Millennial Kingdom? Will there be animal sacrifices during the millennial kingdom? What is the purpose of the thousand-year reign of Christ? The Theocratic Kingdom - Volume 1-3 (Click index to Volume 1) Although written in 1883, The Theocratic Kingdom stands as one of the single best expositions on the kingdom of God (including the Millennial Kingdom) ever written. In 1883 George Peters published his 3 volume magnum opus which is now available online. Links to Pdf's of each volume are listed below in addition to a link to Volume 1 (698 pages) in a rich text format (MS Word document). The Pdf downloads are huge, so be patient as the three volumes total more than 2000 pages. In 1952, Dr. Wilbur Smith writing a preface to the Theocratic Kingdom work said in his opening remarks that. "No writer of a major work in the field of Biblical interpretation in modern times could have lived and died in greater oblivion, and experienced less recognition for a great piece of work, than the author of these three great volumes devoted to Biblical prophecy . Yet, this clergyman, never becoming nationally famous, never serving large churches, passing away in such comparative obscurity . wrote the most important single work on Biblical predictive prophecy to appear in this country at any time during the nineteenth century. -
Maranatha, Or, the Lord Cometh
PRINCETON, N. J. BT 885 .B7 1878 Brookes, James H. 1830-1897 Marantha MARANATHA OB THE LORD COMETH By JAMES H. BROOKES, Author of “How to be Saved,” “Mat Christians Dance, “ Gospel Hymns,” “ The Way Made Plain,” &c. FIFTH EDITION. ST. LOUIS: EDWARD BREDELL, PUBLISHER 212 N. Fifth Street. PREFACE TO THE FIFTH EDITION. The Lord has been pleased to own the testimony of this little volume to the truth of His pre-millennial advent, far beyond any expectation of the measure of its acceptance, at the time it was written. Sent forth in much weakness, it has led many to study the teach¬ ings of His own word; and thus having learned to “love his appearing,” (2 Tim. iv: 8), they are now eagerly “looking for that blessed hope,” (Tit. ii: 13). Again is it sent forth with the prayer that He will graciously use it still more, to awaken the attention of His beloved ones to the last promise that fell from His lips, “ Surely I come quickly,” and to call forth from their hearts the longing response, “ Even so, come, Lord Jesus,” (Rev. xxii: 20). St. Louis, November., 1878. 3 CONTENTS CHAP. PAGE. Introduction. I. The Question Stated. 13 II. Importance of the Subject... 24 III. Christ’s Coming Literal. 37 IV. H ii Cl V. Post-millennial Testimony.. VI. Prominence of the Doctrine. VII. Scriptural Use of the Doctrine. VIII. No Millennium till Christ Comes... (( IX. 149 n it X. 159 XI. it it tt . 1S6 XII. it a ft XIII. <( tt XIV. (( (( tt . 236 XV. -
Why Sacrifices in the Millennium
Scholars Crossing Article Archives Pre-Trib Research Center May 2009 Why Sacrifices in The Millennium Thomas D. Ice Liberty University, [email protected] Follow this and additional works at: https://digitalcommons.liberty.edu/pretrib_arch Recommended Citation Ice, Thomas D., "Why Sacrifices in The Millennium" (2009). Article Archives. 60. https://digitalcommons.liberty.edu/pretrib_arch/60 This Article is brought to you for free and open access by the Pre-Trib Research Center at Scholars Crossing. It has been accepted for inclusion in Article Archives by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. WHY LITERAL SACRIFICES IN THE MILLENNIUM Tom's Perspectives by Thomas Ice A common objection to the consistent literal interpretation of Bible prophecy is found in Ezekiel’s Temple vision (Ezek. 40—48). Opponents argue that if this is a literal, future Temple, then it will require a return to the sacrificial system that Christ made obsolete since the prophet speaks of “atonement” (kiper) in Ezekiel 43:13, 27; 45:15, 17, 20. This is true! Critics believe this to be a blasphemous contradiction to the finished work of Christ as presented in Hebrews 10. Hank Hanegraaff says that I have “exacerbated the problem by stating that without animal sacrifices in the Millennium, Yahweh’s holiness would be defiled. That, for obvious reasons, is blasphemous.” He further says that such a view constitutes a return “to Old Covenant sacrifices.”1 “Is it heretical to believe that a Temple and sacrifices will once again exist,” ask John Schmitt and Carl Laney? “Ezekiel himself believed it was a reality and the future home of Messiah. -
TD-30 Data List
Data List Preset Drum Kit List No. Name Pad pattern No. Name Pad pattern 1 Studio 41 RockGig 2 LA Metal 42 Hard BeBop 3 Swingin’ 43 Rock Solid 4 Burnin’ 44 2nd Line 5 Birch 45 ROBO TAP 6 Nashville 46 SATURATED 7 LoudRock 47 piccolo 8 JJ’s DnB 48 FAT 9 Djembe 49 BigHall 10 Stage 50 CoolGig LOOP 11 RockMaster 51 JazzSes LOOP 12 LoudJazz 52 7/4 Beat LOOP 13 Overhead 53 :neotype: 1SHOT, TAP 14 Looooose 54 FLA>n<GER 1SHOT, TAP 15 Fusion 55 CustomWood 16 Room 56 50s King 17 [RadioMIX] 57 BluesRock 18 R&B 58 2HH House 19 Brushes 59 TechFusion 20 Vision LOOP, TAP 60 BeBop 21 AstroNote 1SHOT 61 Crossover 22 acidfunk 62 Skanky 23 PunkRock 63 RoundBdge 24 OpenMaple 64 Metal\Core 25 70s Rock 65 JazzCombo 26 DrySound 66 Spark! 27 Flat&Shallow 67 80sMachine 28 Rvs!Trashy 68 =cosmic= 29 melodious TAP 69 1985 30 HARD n’BASS TAP 70 TR-808 31 BazzKicker 71 TR-909 32 FatPressed 72 LatinDrums 33 DrumnDubStep 73 Latin 34 ReMix-ulator 74 Brazil 35 Acoutronic 75 Cajon 36 HipHop 76 African 37 90sHouse 77 Ka-Rimba 38 D-N-B LOOP 78 Tabla TAP 39 SuperLoop TAP 79 Asian 40 >>process>>> 80 Orchestra TAP Copyright © 2012 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. Roland and V-Drums are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries. -
African Drumming in Drum Circles by Robert J
African Drumming in Drum Circles By Robert J. Damm Although there is a clear distinction between African drum ensembles that learn a repertoire of traditional dance rhythms of West Africa and a drum circle that plays primarily freestyle, in-the-moment music, there are times when it might be valuable to share African drumming concepts in a drum circle. In his 2011 Percussive Notes article “Interactive Drumming: Using the power of rhythm to unite and inspire,” Kalani defined drum circles, drum ensembles, and drum classes. Drum circles are “improvisational experiences, aimed at having fun in an inclusive setting. They don’t require of the participants any specific musical knowledge or skills, and the music is co-created in the moment. The main idea is that anyone is free to join and express himself or herself in any way that positively contributes to the music.” By contrast, drum classes are “a means to learn musical skills. The goal is to develop one’s drumming skills in order to enhance one’s enjoyment and appreciation of music. Students often start with classes and then move on to join ensembles, thereby further developing their skills.” Drum ensembles are “often organized around specific musical genres, such as contemporary or folkloric music of a specific culture” (Kalani, p. 72). Robert Damm: It may be beneficial for a drum circle facilitator to introduce elements of African music for the sake of enhancing the musical skills, cultural knowledge, and social experience of the participants. PERCUSSIVE NOTES 8 JULY 2017 PERCUSSIVE NOTES 9 JULY 2017 cknowledging these distinctions, it may be beneficial for a drum circle facilitator to introduce elements of African music (culturally specific rhythms, processes, and concepts) for the sake of enhancing the musi- cal skills, cultural knowledge, and social experience Aof the participants in a drum circle. -
Climate Changes Over the Past Millennium: ∗ Relationships with Mediterranean Climates( )
IL NUOVO CIMENTO Vol. 29 C, N. 1 Gennaio-Febbraio 2006 DOI 10.1393/ncc/i2005-10223-1 Climate changes over the past millennium: ∗ Relationships with Mediterranean climates( ) M. E. Mann Department of Environmental Sciences, University of Virginia Charlottesville, VA, USA (ricevuto l’1 Settembre 2005) Summary. — Evidence is reviewed for climate change and its causes over the interval spanning roughly the past millennium. Particular emphasis is placed on patterns of climate change influencing Mediterranean climates of the Northern Hemi- sphere. The evidence is taken from studies using high-resolution climate “proxy” data sources, and climate modeling simulations. The available evidence suggests that forced changes in dynamical modes of variability including the North Atlantic Oscillation (NAO) and El Nino/Southern Oscillation (ENSO) have played a key role in the patterns of climate variability in Mediterranean regions over the past millennium. PACS 92.60.Ry – Climatology. PACS 92.70.Gt – Climate dynamics. PACS 92.60.Wc – Weather analysis and prediction. PACS 01.30.Cc – Conference proceedings. I review here evidence for climate change and its causes over the interval spanning roughly the past millennium, with a focus on patterns of climate change influencing Mediterranean climates of the Northern Hemisphere. The evidence is taken from instru- mental and high-resolution climate “proxy” data sources, and climate modeling studies. Several research groups have recently developed annually-resolved, hemispheric recon- structions of Northern Hemisphere mean temperature changes over the past 500-2000 years suggesting anomalous late 20th century warmth at hemispheric or global scales (e.g. [28, 13, 21, 30, 34, 7]). In addition, a large number of simulations of Northern Hemi- sphere mean temperature spanning the past millennium or longer have been performed over the past few years using the full hierarchy of available climate models and estimates of past natural and anthropogenic radiative forcing histories [5,14,4,17,15,10,3,11]. -
MILLENNIUM AVIATION LTD Old School Service: Modern Approach
MILLENNIUM AVIATION LTD Old School Service: Modern Approach Hangar 6 Wayne Hicks Lane Saskatoon SK (306) 384 - 4230 S7L 6S2 www.millenniumaviation.ca Commercial Pilot Licence – Aeroplane Pre-Requisites: There is no requirement regarding education other that you must be able to read and write one of Canada’s official languages. However having a University Degree or at least have graduated from High School is a definite plus on the job market. Minimum age: 18 years Transport Canada category 1 medical certificate Private Pilot Licence Requirements: 80 hours commercial pilot ground school (following the issue of a PPL) 200 hours flight time, of which at least: 35 hours must be with an instructor (dual) 100 hours must be as pilot in command (solo) 20 hours must be cross country experience 20 hours of Instrument training Minimum CPL course cost: Piper Cherokee Private Pilot Licence: $10,700.00 60 hrs dual instruction @ $250/hr: $15,000.00 85 hrs solo @ $180/hr: $15,300.00 10 hours instrument training(sim): $950.00 10 hours instrument training(airplane): $2,500.00 Total: $44,500.00* All rates are wet (include fuel/oil costs) but do not include GST. The night rating and all required cross-country training are included in the hourly breakdown. *This is the minimum cost for a Commercial Pilot Licence. In our experience, the average student without previous flying experience will take longer and can expect a more realistic cost would be between $45,000.00 and $50,000.00. In Canada all time obtained on the Recreational Pilot Permit or the Private Pilot Licence counts toward the 200 hours required for the Commercial Pilot Licence. -
THE SYMBOLOGY of the ROOSTER by Maria Manuela D'oliveira Martins Director of Museu Do Oriente Several Symbologies Are Given To
THE SYMBOLOGY OF THE ROOSTER By Maria Manuela d’Oliveira Martins Director of Museu do Oriente Several symbologies are given to the rooster in the Western and Eastern cultures. In all of them, it is universally connected to the cult of the sun because its chant announces sunrise. But the rooster becomes more relevant in China, either for its physical characteristics and grandness or its behaviour, which convey five virtues: the civil virtue, represented by the comb, confering the look of a mandarin; the military virtue, because of the spur, symbol of bravery; courage, shown by its behaviour in fights (in countries where cockfights are allowed); kindness, for sharing food with the hens; trust, for the assurance which announces daylight everyday. In this country the rooster is the tenth animal of the Chinese zodiac along with the rat, ox, tiger, rabbit, dragon, snake, horse, goat, monkey, dog and pig. In 2017 the year of the monkey will end and the year of the rooster will begin. Roosters in China are not eaten or killed. They are considered protectors against demons. Having a painting of a red rooster at home means protection against fire. Placing a white rooster in a coffin keeps the dead away from demons. In Chinese mythology, the rooster also means honesty, for its accuracy in marking time, and masculine strength. Cockfights, known in China since the 1st millennium B.C., became a very popular sport in the south, even though they were forbidden. Its chant symbolizes fullfilment and fame. The Chinese word ‘rooster comb’ (guan) is homophonous to ‘guan’ meaning official.