Congressional Authority Over Intellectual Property Policy After Eldred V. Ashcroft: Deference, Empty Limitations, and Risks to the Public Domain
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Winter Newsletter 2006
Volume 23 Number 1 LLAW NEWSLETTER Page 1 NEWSLETTER Law Librarians Association of Wisconsin A Chapter of the American Association of Law Libraries VOLUME 23 NUMBER 2 WINTER 2006 President’s Message WisBlawg (http://www.law.wisc.edu/blogs/wisblawg/) Bev Butula, Davis and Kuelthau just found a new home. Bonnie Shucha’s acclaimed legal blog is a regular read for an endless amount of Anyone else out there watch “Project Runway?” I am legal professionals. She has summed up her goal per- completely addicted to the program. If you have not fectly – “Searching Smarter….With a Little Help from seen it, it is a reality show where aspiring fashion de- a Law Librarian.” If you haven’t had a chance to take a signers must design and create a garment based on the tour, please do! Bonnie has spoke about Blogs and weekly challenge. One week they had to make a cos- RSS feeds at several different conventions/institutes/ tume for figure skater Sasha Cohen. The original and seminars. interesting outfits that go down the runway at the end of the show each week constantly amaze me. The My last stop in this “authorship” tour is the publication contestants have an extraordinary amount of talent. initiative launched by Carol Bannen and currently chaired by Susan O’Toole. Most of you know that Why am I writing about a television show? Well, the AALL/West awarded this project the Marketing Award answer is actually quite simple. The show highlights for the “Best Campaign” in 2004. So many individuals individual skill. -
Circular 1 Copyright Basics
CIRCULAR 1 Copyright Basics Copyright is a form of protection Copyright is a form of protection provided by the laws of the provided by U.S. law to authors of United States to the authors of “original works of authorship” that are fixed in a tangible form of expression. An original “original works of authorship” from work of authorship is a work that is independently created by the time the works are created in a a human author and possesses at least some minimal degree of creativity. A work is “fixed” when it is captured (either fixed form. This circular provides an by or under the authority of an author) in a sufficiently overview of basic facts about copyright permanent medium such that the work can be perceived, and copyright registration with the reproduced, or communicated for more than a short time. Copyright protection in the United States exists automatically U.S. Copyright Office. It covers from the moment the original work of authorship is fixed.1 • Works eligible for protection • Rights of copyright owners What Works Are Protected? • Who can claim copyright • Duration of copyright Examples of copyrightable works include • Literary works • Musical works, including any accompanying words • Dramatic works, including any accompanying music • Pantomimes and choreographic works • Pictorial, graphic, and sculptural works • Motion pictures and other audiovisual works • Sound recordings, which are works that result from the fixation of a series of musical, spoken, or other sounds • Architectural works These categories should be viewed broadly for the purpose of registering your work. For example, computer programs and certain “compilations” can be registered as “literary works”; maps and technical drawings can be registered as “pictorial, graphic, and sculptural works.” w copyright.gov note: Before 1978, federal copyright was generally secured by publishing a work with an appro- priate copyright notice. -
West V. Mead Data Central: Has Copyright Protection Been Stretched Too Far Thomas P
Hastings Communications and Entertainment Law Journal Volume 10 | Number 1 Article 4 1-1-1987 West v. Mead Data Central: Has Copyright Protection Been Stretched Too Far Thomas P. Higgins Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Thomas P. Higgins, West v. Mead Data Central: Has Copyright Protection Been Stretched Too Far, 10 Hastings Comm. & Ent. L.J. 95 (1987). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol10/iss1/4 This Note is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. West v. Mead Data Central: Has Copyright Protection Been Stretched Too Far? by THOMAS P. HIGGINS* Introduction Users of Lexis1 will not find pinpoint cites2 to page numbers in West's reporters. In a decision that has raised some eye- brows in the legal community,3 the Eighth Circuit held that Mead Data Central's (MDC) case retrieval system, LEXIS, probably infringes on the copyright of West Publishing's case reporters by including West's page numbers in its database.4 The decision raises important questions about the extent of copyright protection. For example, the Arabic number system is not copyrightable,5 and neither are judicial opinions.6 How- * A.B., Vassar College; Member, Third Year class. -
Exploring the Application of Copyright Law to Library Catalog Records, 4 Computer L.J
The John Marshall Journal of Information Technology & Privacy Law Volume 4 Issue 2 Computer/Law Journal - Fall 1983 Article 3 Fall 1983 Ownership of Access Information: Exploring the Application of Copyright Law to Library Catalog Records, 4 Computer L.J. 305 (1983) Celia Delano Moore Follow this and additional works at: https://repository.law.uic.edu/jitpl Part of the Computer Law Commons, Intellectual Property Law Commons, Internet Law Commons, Legal Writing and Research Commons, Privacy Law Commons, and the Science and Technology Law Commons Recommended Citation Celia Delano Moore, Ownership of Access Information: Exploring the Application of Copyright Law to Library Catalog Records, 4 Computer L.J. 305 (1983) https://repository.law.uic.edu/jitpl/vol4/iss2/3 This Article is brought to you for free and open access by UIC Law Open Access Repository. It has been accepted for inclusion in The John Marshall Journal of Information Technology & Privacy Law by an authorized administrator of UIC Law Open Access Repository. For more information, please contact [email protected]. OWNERSHIP OF ACCESS INFORMATION: EXPLORING THE APPLICATION OF COPYRIGHT LAW TO LIBRARY CATALOG RECORDS by CELIA DELANO MOORE* TABLE OF CONTENTS I. INTRODUCTION ............................................ 306 II. TRADITIONAL CATALOGING AND COPYRIGHT LAW. 307 A. COPYRIGHT IN THE CATALOG RECORD ................... 307 1. Nature of the Catalog Record ....................... 307 a. Descriptive Cataloging........................... 308 b. Subject Cataloging............................... 310 2. Subject Matter of Copyright ......................... 311 a. Fixation .......................................... 312 b. Authorship ....................................... 312 c. Originality........................................ 312 3. The Catalog Record As the Subject of Copyright ... 314 B. COPYRIGHT IN THE LIRARY CATALOG ................... 315 1. Nature of the Library Catalog ..................... -
The Constitutional Law of Intellectual Property After Eldred V. Ashcroft
The Constitutional Law of Intellectual Property After Eldred v. Ashcroft By Pamela Samuelson* I. Introduction The past decade has witnessed an extraordinary blossoming of scholarship on the constitutional law of intellectual property,1 much of which focuses on copyright law.2 Had the Supreme Court ruled in favor of Eldred’s challenge to the constitutionality of the Copyright Term Extension Act,3 this body of scholarship would have undoubtedly proliferated with alacrity. Many scholars would have been eager to offer interpretations of implications of an Eldred-favorable decision for other intellectual property disputes.4 Given the Ashcroft-favorable outcome, some may expect the Eldred decision to “deconstitutionalize” intellectual property law and reduce to a trickle further scholarly * Chancellor’s Professor of Law and Information Management, University of California at Berkeley. Research support for this article was provided by NSF Grant No. SES 9979852. I wish to thank Eddan Katz for his exceptional research assistance with this article. 1 See, e.g., Dan L. Burk, Patenting Speech, 79 Tex. L. Rev. 99 (2000); Paul J. Heald and Suzanna Sherry, Implied Limits on the Legislative Power: The Intellectual Property Clause as an Absolute Constraint on Congress, 2000 U. Ill. L. Rev. 1119 (2000); Robert Patrick Merges and Glenn Harlan Reynolds, The Proper Scope of the Copyright and Patent Power, 37 J. Legis. 45 (2000); Mark A. Lemley, The Constitutionalization of Technology Law, 15 Berkeley Tech. L.J. 529 (2000); Malla Pollack, Unconstitutional Incontestability? The Intersection Of The Intellectual Property And Commerce Clauses Of The Constitution: Beyond A Critique Of Shakespeare Co. v. -
Copyright Law Revision
COPYRIGHT LAW REVISION REPORT OF THE REGISTER OF COPYRIGHTS ON THE GENERAL REVISION OF THE U.S. COPYRIGHT LAW JULY 1961 Printed for the use of the House-- Committee on the Judiciary U.S. GOVERNMENT PRINTING OFFICE 676682 WASHINGTON : 1961 For sale by the Superlntendent of Documents, U.S. Qo7cmment Prlntlug O5ce Wn~bington25, D.O. - Prlco 45 cent8 LETTER OF TRANSMITTAL THE LIBRAR~AWOF CORORESB, Washington, l).C. July 7, 1961. Hon. SAMRAYE~N, Igpealcw of the House of Representatices, Washington. D.C. SIB: As authorized by Congress, the Copyright Office of the =brary of Con- gress has in the past few years made a number of studies preparatory to a general revision of the copyright law, title 17 of the United States Code. That program bas now been completed. Thirty-four studies and a subject index have been published in a series of 12 committee prints issued by the Subcommittee on Patents, Trademarks, and Copyrights of the Senate Committee on the Judiciary. The studies have been widely circulated and interested persons were inrited to submit their comments and views. On the basis of the studies and the comments and views received. the Copy- right Ofece has prepared a report on the important issues to be considered and tentative recommendations for their solution in a general revision of the law. I am pleased to submit the report of the Register of Copyrights on general re vision of the copyright law to you find to the Vice President for consideration by the Congress. Very truly yours, L. QUINCYMUMFOBD, Librarian of Congress. -
Supreme Court of the United States
(Slip Opinion) OCTOBER TERM, 2002 1 Syllabus NOTE: Where it is feasible, a syllabus (headnote) will be released, as is being done in connection with this case, at the time the opinion is issued. The syllabus constitutes no part of the opinion of the Court but has been prepared by the Reporter of Decisions for the convenience of the reader. See United States v. Detroit Timber & Lumber Co., 200 U. S. 321, 337. SUPREME COURT OF THE UNITED STATES Syllabus ELDRED ET AL. v. ASHCROFT, ATTORNEY GENERAL CERTIORARI TO THE UNITED STATES COURT OF APPEALS FOR THE DISTRICT OF COLUMBIA CIRCUIT No. 01–618. Argued October 9, 2002—Decided January 15, 2003 The Copyright and Patent Clause, U. S. Const., Art. I, §8, cl. 8, provides as to copyrights: “Congress shall have Power . [t]o promote the Progress of Science . by securing [to Authors] for limited Times . the exclusive Right to their . Writings.” In the 1998 Copyright Term Extension Act (CTEA), Congress enlarged the duration of copy- rights by 20 years: Under the 1976 Copyright Act (1976 Act), copy- right protection generally lasted from a work’s creation until 50 years after the author’s death; under the CTEA, most copyrights now run from creation until 70 years after the author’s death, 17 U. S. C. §302(a). As in the case of prior copyright extensions, principally in 1831, 1909, and 1976, Congress provided for application of the en- larged terms to existing and future copyrights alike. Petitioners, whose products or services build on copyrighted works that have gone into the public domain, brought this suit seeking a de- termination that the CTEA fails constitutional review under both the Copyright Clause’s “limited Times” prescription and the First Amendment’s free speech guarantee. -
Intellectual Property and the Presumption of Innocence Irina D
Maurice A. Deane School of Law at Hofstra University Scholarly Commons at Hofstra Law Hofstra Law Faculty Scholarship 2015 Intellectual Property and the Presumption of Innocence Irina D. Manta Maurice A. Deane School of Law at Hofstra University Follow this and additional works at: https://scholarlycommons.law.hofstra.edu/faculty_scholarship Part of the Law Commons Recommended Citation Irina D. Manta, Intellectual Property and the Presumption of Innocence, 56 1745 (2015) Available at: https://scholarlycommons.law.hofstra.edu/faculty_scholarship/1120 This Article is brought to you for free and open access by Scholarly Commons at Hofstra Law. It has been accepted for inclusion in Hofstra Law Faculty Scholarship by an authorized administrator of Scholarly Commons at Hofstra Law. For more information, please contact [email protected]. INTELLECTUAL PROPERTY AND THE PRESUMPTION OF INNOCENCE IRINA D. MANTA* ABSTRACT Our current methods of imposing criminal convictions on defen- dants for copyright and trademark infringement are constitutionally defective. Previous works have argued that due process under the Sixth Amendment requires prosecutors to prove every element of a crime beyond a reasonable doubt, including the jurisdictionalele- ment. Applying this theory to criminal trademark counterfeiting results in the conclusion that prosecutors should have to demon- strate that an infringing mark needs to have traveled in or affected * Associate Professor of Law and Director of the Center for Intellectual Property Law, Maurice A. Deane School of -
You(Tube), Me, and Content ID: Paving the Way for Compulsory Synchronization Licensing on User-Generated Content Platforms Nicholas Thomas Delisa
Brooklyn Law Review Volume 81 | Issue 3 Article 8 2016 You(Tube), Me, and Content ID: Paving the Way for Compulsory Synchronization Licensing on User-Generated Content Platforms Nicholas Thomas DeLisa Follow this and additional works at: https://brooklynworks.brooklaw.edu/blr Part of the Intellectual Property Law Commons, and the Internet Law Commons Recommended Citation Nicholas T. DeLisa, You(Tube), Me, and Content ID: Paving the Way for Compulsory Synchronization Licensing on User-Generated Content Platforms, 81 Brook. L. Rev. (2016). Available at: https://brooklynworks.brooklaw.edu/blr/vol81/iss3/8 This Note is brought to you for free and open access by the Law Journals at BrooklynWorks. It has been accepted for inclusion in Brooklyn Law Review by an authorized editor of BrooklynWorks. You(Tube), Me, and Content ID PAVING THE WAY FOR COMPULSORY SYNCHRONIZATION LICENSING ON USER- GENERATED CONTENT PLATFORMS INTRODUCTION Ever wonder about how the law regulates your cousin’s wedding video posted on her YouTube account? Most consumers do not ponder questions such as “Who owns the content in my video?” or “What is a fair use?” or “Did I obtain the proper permission to use Bruno Mars’s latest single as the backing track to my video?” These are important questions of law that are answered each day on YouTube1 by a system called Content ID.2 Content ID identifies uses of audio and visual works uploaded to YouTube3 and allows rights holders to collect advertising revenue on that content through the YouTube Partner Program.4 It is easy to see why Content ID was implemented—300 hours of video are uploaded to YouTube per minute.5 Over six billion hours of video are watched each month on YouTube (almost an hour for every person on earth),6 and it is unquestionably the most popular streaming video site on the Internet.7 Because of the staggering amount of content 1 See A Guide to YouTube Removals,ELECTRONIC fRONTIER fOUND., https://www.eff.org/issues/intellectual-property/guide-to-youtube-removals [http://perma.cc/ BF4Y-PW6E] (last visited June 6, 2016). -
PRO Licensing of Jointly Owned Works
The Register of Copyrights of the United States of America United States Copyright Office · 101 Independence Avenue SE ·Washington, DC 20559-6000 · (202) 707-8350 January 29, 2016 Dear Vice-Chairman Collins: On behalf of the United States Copyright Office, I am pleased to deliver the attached response to your letter of January 12, 2016 requesting the views of the Copyright Office regarding the licensing of jointly owned works by the performing rights organizations ("PROs"). We appreciate your continuing interest in the fair and efficient functioning of our music licensing system, which, as you know, was the subject of the Office's February 2015 report, Copyright and the Music Marketplace. Please do not hesitate to contact me should you require any further information on this subject. Respectfully, Maria A. Pallante Enclosure The Honorable Doug Collins Vice-Chairman Subcommittee on Courts, Intellectual Property and the Internet United States House of Representatives 1504 Longworth House Office Building Washington, D.C. 20515 Views of the United States Copyright Office Concerning PRO Licensing of Jointly Owned Works In February 2015, the Copyright Office released a comprehensive report on U.S. music licensing practices, Copyright and the Music Marketplace.1 The report surveys the current music licensing landscape—much of which is subject to government regulation, including the federal antitrust consent decrees that govern the performing rights organizations (“PROs”) ASCAP and BMI2—and recommends a number of structural changes. The Office -
The Value of the Copyright Clause in Construction of Copyright Law, 2 Hastings Const
Hastings Constitutional Law Quarterly Volume 2 Article 9 Number 1 Winter 1975 1-1-1975 The alueV of the Copyright Clause in Construction of Copyright Law Thomas Boggs Richards Follow this and additional works at: https://repository.uchastings.edu/ hastings_constitutional_law_quaterly Part of the Constitutional Law Commons Recommended Citation Thomas Boggs Richards, The Value of the Copyright Clause in Construction of Copyright Law, 2 Hastings Const. L.Q. 221 (1975). Available at: https://repository.uchastings.edu/hastings_constitutional_law_quaterly/vol2/iss1/9 This Note is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Constitutional Law Quarterly by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. THE VALUE OF THE COPYRIGHT CLAUSE IN CONSTRUCTION OF COPYRIGHT LAW* By THoMAs BOGGS RICHARDS** The present law in the United States governing copyright is essen- tialy that enacted when Congress consolidated all federal copyright 2 statutes in 1909.1 Largely because of unanticipated developments, * This note was originally written as a paper for the 1974 Nathan Burkan Mem- orial Competition sponsored by the American Society of Composers, Authors, and Pub- lishers. ** Member, Third-Year Class, School of Law, University of California at Davis. 1. The 1909 Act provides: "Any person entitled thereto, upon complying with the provisions of this title, shall have the exclusive -
Economics of the Radio Industry
ØSICL?)' a, IMAsO 9 _ á_ "v7,,,^.L- .a -r-_- - ` /h41 I o,1 E - ECONOMICS OF THE RADIO INDUSTRY BY HIRAM L. JOME, PH.D. PROFESSOR OP ECONOMICS. DENISON UNIVERSITY CHICAGO NEW YORK A. W. SHAW COMPANY LONDON, A. W. SHAW AND COMPANY. LIMITED 1925 COPYRIGHT 1925, BY A. W. SHAW COMPANY PRINTED IN THE UNITED STATES OP AMERICA -.- HISTORY OF BROADCASTING: Radio to Television ADVISORY EDITOR Dr. Christopher Sterling, Temple University EDITORIAL BOARD Dr. Marvin R. Bensman, Memphis State University Dr. Joseph Berman, University of Kentucky Dr. John M. Kittross, Temple University Economics of the Radio Industry HIRAM L. JOME PIT ARNO PRESS and THE NEW YORK TIMES New York 1971 Reprint Edition 1971 by Amo Press Inc. Reprinted from a copy in The Newark Public Library LC# 75-161149 ISBN 0-405-03568-3 HISTORY OF BROADCASTING: RADIO TO TELEVISION ISBN for complete set: 0-405-03555-1 See last pages of this volume for titles. Manufactured in the United States of America TO RICHARD T. ELY Adviser, teacher, and friend, who, making a suc- cess of his own life, has always shown a willing- ness and eagerness to help the younger generation make a success of theirs. - PREFACE THE art and the science of wireless were more than 25 years old before the general public began to take much thought of the legal and economic problems which this de- velopment caused. This is characteristic of a constantly changing society. The time comes, however, when tech- nical developments give rise to social problems of such magnitude that it would be folly to ignore them.