Issues in the Philosophical Foundations of Lexical Semantics
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The Anaphoric Theory of Tense
The Anaphoric Theory of Tense James Higginbotham University of Southern California In this article I extend the discussion of Sequence of Tense phenomena in English that I have presented in earlier work (particularly Higginbotham 2002a and 1995) so as to include some properties of the English Perfect, and so as to clarify some pieces of the construction that I left open or unarticulated there. I also call attention to some features of what I call here indexical mismatch as between adverbials and tenses, a phenomenon that may well extend in a number of directions, both within individual languages and cross-linguistically. In large part, however, my purpose here is critical: I aim to show, despite arguments to the contrary, that anaphoric theories of tense do exactly what needs to be done to explain the dependencies of c-commanded tenses upon c-commanding ones, and that alternatives, notably those of the sort proposed in Ogihara (1995), von Stechow (1995) and Abusch (1994) and (1997), must build back into their respective accounts the anaphoric properties of Sequence of Tense if those accounts are to be part of an empirically adequate system. The semantics that I deploy here will require abandonment, or at least radical modification, of any framework that takes sentential complements in a “notation-free” manner, as in possible-worlds semantics; but that framework wants modification anyway, or so (for familiar reasons) I will assume. 1. Introduction Anaphoric theories of tense may be elaborated in several ways. As I am using the term, an anaphoric theory will account for the familiar properties of a sentence such as English (1.1) by establishing some basis for coreference between the Tense-bearing element of the main clause (in this case futurate will), and that of the complement clause (here the Present, or –Past, inflection on the copula): (1.1) John will say that Mary is happy. -
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Frege and the Logic of Sense and Reference
FREGE AND THE LOGIC OF SENSE AND REFERENCE Kevin C. Klement Routledge New York & London Published in 2002 by Routledge 29 West 35th Street New York, NY 10001 Published in Great Britain by Routledge 11 New Fetter Lane London EC4P 4EE Routledge is an imprint of the Taylor & Francis Group Printed in the United States of America on acid-free paper. Copyright © 2002 by Kevin C. Klement All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any infomration storage or retrieval system, without permission in writing from the publisher. 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Klement, Kevin C., 1974– Frege and the logic of sense and reference / by Kevin Klement. p. cm — (Studies in philosophy) Includes bibliographical references and index ISBN 0-415-93790-6 1. Frege, Gottlob, 1848–1925. 2. Sense (Philosophy) 3. Reference (Philosophy) I. Title II. Studies in philosophy (New York, N. Y.) B3245.F24 K54 2001 12'.68'092—dc21 2001048169 Contents Page Preface ix Abbreviations xiii 1. The Need for a Logical Calculus for the Theory of Sinn and Bedeutung 3 Introduction 3 Frege’s Project: Logicism and the Notion of Begriffsschrift 4 The Theory of Sinn and Bedeutung 8 The Limitations of the Begriffsschrift 14 Filling the Gap 21 2. The Logic of the Grundgesetze 25 Logical Language and the Content of Logic 25 Functionality and Predication 28 Quantifiers and Gothic Letters 32 Roman Letters: An Alternative Notation for Generality 38 Value-Ranges and Extensions of Concepts 42 The Syntactic Rules of the Begriffsschrift 44 The Axiomatization of Frege’s System 49 Responses to the Paradox 56 v vi Contents 3. -
The Mini Big Band Song List
The Mini Big Band Song List Classic Swing A Nightingale Sang In Berkley Square - Bobby Darin Ain’t That A Kick In The Head – Dean Martin Aint That Love - Ray Charles All The Way Sinatra Americano Baby Its Cold Outside Beyond The Sea – Bobby Darin Birth Of The Blues – Sammy Davis Jnr Blue Skies - Bobby Darin Blues In The Night Bring Me Sunshine – Morcombe and Wise Bueno Sera Call Me Irresponsible - Michael Buble Can’t Take My Eyes Off You Cheek to Cheek - Sinatra Come Fly With Me – Frank Sinatra Crazy Little Thing Called Love – Michael Buble Cry Me A River - Buble Did You Eva – Robbie Williams Do Nothing Till You Hear From Me – Robbie Williams Everybody Loves Somebody – Dean Martin Feeling Good – Michael Buble Fly Me To The Moon – Frank Sinatra For Once In My Life – Michael Buble Great Balls of Fire - Jerry Lee Lewis Guaglione Have You Met Miss Jones – Robbie Williams I Can’t Believe That Your In Love - Sinatra I Feel Good - James Brown I Get A Kick Out Of You – Frank Sinatra I Left My Heart In San Francisco – Tony Bennett I Wanna Be Like You I Wont Dance - Sinatra I’ve Got A Lot of Livin’ To Do – Sammy Davis Jnr I’ve Got You Under My Skin – Frank Sinatra In The Mood It Don't Mean A thing It Had To Be Youm – Frank Sinatra King Of The Road – Dean Martin L.O.V.E – Nat King Cole La Vie en Rose - Louis Armstrong Let The Good Times Roll Let There Be Love – Nat King Cole Lets Face The Music And Dance - Nat King Cole Luck Be A Lady Mac The Knife - Bobby Darin Mambo Italiano – Dean Martin Me and Mrs Jones – Michael Buble Me and My Shadow Minnie The Moocher – Cab Colloway Moondance – Michael Buble Mr Bojangles – Sammy Davis Jnr My Baby Just Cares – Nina Simone Male My Blue Heaven - Frank Sinatra My Kind Of Girl - Matt Monro My Kind Of Town – Frank Sinatra My Shining Hour – Sammy Davis Jr. -
Page 1 of 4 Jazz -Memories Are Made of This -Standin' on the Corner
Steve’s Categorical Song List (3-1-20) Jazz - Dean Martin Jazz - Ballads Contemporary -Memories Are Made of This -As Time Goes By -Back In The High Life Again -Standin’ On The Corner -Blue Moon -Barbie Girl -Everybody Loves Somebody -Come Rain Or Come Shin -Blank Space Jazz - Frank Sinatra -Everything Happens To M -Blurred Lines -All Or Nothing At All -Gee Baby Ain’t I Good To -Can’t Feel My Face -Call Me Irresponsible -Georgia -Castle On The Hill -Come Fly With Me -I Can’t Get Started… -Closer -Fly Me To The Moon -I Left My Heart In S. F. -Crazy (CeeLo) -I Could Have Danced All -I Only Have Eyes For You -Feel It Still -It Was A Very Good Yr. -Imagination -Grenade -I’ve Got You Under My Skin -Misty -Happy -My Way -Moonlight In Vermont -Hey Soul Sister -New York New York -Moon River -Ice Ice Baby -Nice Work If You Can Get It -Stardust -I’m Your’s -Night & Day -Tenderly -Irreplaceable -Strangers In The Night -That’s All -Just Breathe -Summer Wind -What A Difference A Day -Just the Way U R (Bruno Mars) -That’s Life -What A Wonderful World -Lazy Song -You & the Nite & the Music Pop- Ballads -Never There Jazz – Swing Standards -Always On My Mind -No Digitty -All of Me -Can’t Take My Eyes Off.. -Old Town Road -Beyond The Sea -Crazy Love -Psycho Killer -Bye Bye Blackbird -Don’t Let Me Be Lonely -Road Trippin -Close Your Eyes -Fields of Gold -Sexy & I Know It -Comes Love -Fire & Rain -Seven Nation Army -Do Nothin Till You Hear… -Home -This Is How We Do It -Don’t Get Around Much.. -
Phil Turk Song List C/O Cleveland Music Group
Phil Turk Song List c/o Cleveland Music Group This is by no means an exhaustive list. Also, Phil has a tremendous memory and ear. If there is a song you must have for your event, he is almost certain to be able to perform it. Just one of those things I won’t dance Somethings got to give Anything Goes If I had you South of the border Beyond the sea I’m gonna live til I die Strangers in the night That’s All I’m gonna sit right down and write Summer wind After the Lovin’ myself a letter Suspicious minds After you’ve gone I’m so lonesome I could cry Sway Aint no sunshine Imagination Sweet Caroline Aint that a kick in the head In the wee small hours of the morning Swingin’ on a star All my tomorrows Innamorata Teddy Bear All of me It was a very good year That’s amore’ All or nothing at all It’s now or never That’s life All shook up I’ve got the world on a string The Christmas song All the way I’ve got you under my skin The tender trap Almost like being in love Jingle Bells The way you look tonight Are you lonesome tonight Just the way you are They can’t take that away from me Bad, Bad Leroy Brown King of the road This is my song Bang Bang Kissing a fool Time Beautiful Strangers Lady is a tramp Touch me Bein’ green Learnin’ the blues Travelin’ man Bewitched, bothered, and bewildered Let me try again Unforgettable Big Bad John Love and Marriage Volare Blue Christmas Love me tender Wandering Blue Moon Love’s been good to me Welcome to my world By the time I get to Phoenix Luck be a lady What a wonderful world Call me Irresponsible Mack the knife -
MCA Label, Part 3
MCA 300 Series by Dvaid Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA 300 Main Series: MCA 300 - Entertainer of the Year - Loretta Lynn [1973]. (3-73 #1CW) Rated “X”/’Til The Pain Outwears The Shame/Ruby, Madge And Mable/Legend In My Mind/Ain't It Funny/Yesterday Will Come Again Tonight//Hanky Panky Woman/I'm All He's Got (But He’s Got All Of Me)/I'm Paying For My Raising/Possessions/I Need Someone To Hold Me (When I Cry) MCA 301 - Do You Know What It’s LikeTo Be Lonesome - Jerry Wallace [1973] (2-73 #179 #6CW) Do You Know What It's Like To Be Lonesome?/Sound Of Goodbye/The Love Song Of The Year/Until You/A Standing Ovation//Hot Line/The Song That Nobody Sings/Even The Bad Times Are Good/Where Did He Come From?/The Greatest Feeling MCA 302 - Old Hat - Uncle Dog [1973] River Road/Movie Time/Old Hat/Boogie With Me/We’ve Got Time//Smoke/I’ll Be Your Baby Tonight/Mystery Train/Lose Me MCA 303 - She Needs Someone - Conway Twitty [1973] (3-73 #3CW) She Needs Someone to Hold Her (When She Cries)/Sweet Memories/I’ve Just Destroyed The World/Even The Bad Times Are Good/It’s Not Love (But It’s Not Bad)/Dim Lonely Places//Darlin’/I Don’t Believe I’ll Fall in Love Today/Each Season Changes You/Why Not Tonight/Don’t Cry Daddy MCA 304 - Hi Ho Silver - Kajanus Pickett [1973] Changes/Cold Harbour Morning/Hometown Girl/Tomorrow/Chosen Wings//Parachute/Nature Man/Flying Machine/Movin' On/Passing Time MCA 305 - Brenda - Brenda Lee [1973] (4-73 #206 #7CW) Nobody Wins/I Can See Clearly Now/Sweet Memories/Everybody’s Reaching Out for Someone/Here I Am Again/Run to Me//Something’s Wrong with Me/I’m a Memory/My Sweet Baby/We Had a Good Thing Going/Always on My Mind MCA 306 - Silverhead - Silverhead [1973] Reissue of Signpost SP 8407. -
Most Requested Songs of 2020
Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence music request system at weddings & parties in 2020 RANK ARTIST SONG 1 Whitney Houston I Wanna Dance With Somebody (Who Loves Me) 2 Mark Ronson Feat. Bruno Mars Uptown Funk 3 Cupid Cupid Shuffle 4 Journey Don't Stop Believin' 5 Neil Diamond Sweet Caroline (Good Times Never Seemed So Good) 6 Usher Feat. Ludacris & Lil' Jon Yeah 7 Walk The Moon Shut Up And Dance 8 V.I.C. Wobble 9 Earth, Wind & Fire September 10 Justin Timberlake Can't Stop The Feeling! 11 Garth Brooks Friends In Low Places 12 DJ Casper Cha Cha Slide 13 ABBA Dancing Queen 14 Bruno Mars 24k Magic 15 Outkast Hey Ya! 16 Black Eyed Peas I Gotta Feeling 17 Kenny Loggins Footloose 18 Bon Jovi Livin' On A Prayer 19 AC/DC You Shook Me All Night Long 20 Spice Girls Wannabe 21 Chris Stapleton Tennessee Whiskey 22 Backstreet Boys Everybody (Backstreet's Back) 23 Bruno Mars Marry You 24 Miley Cyrus Party In The U.S.A. 25 Van Morrison Brown Eyed Girl 26 B-52's Love Shack 27 Killers Mr. Brightside 28 Def Leppard Pour Some Sugar On Me 29 Dan + Shay Speechless 30 Flo Rida Feat. T-Pain Low 31 Sir Mix-A-Lot Baby Got Back 32 Montell Jordan This Is How We Do It 33 Isley Brothers Shout 34 Ed Sheeran Thinking Out Loud 35 Luke Combs Beautiful Crazy 36 Ed Sheeran Perfect 37 Nelly Hot In Herre 38 Marvin Gaye & Tammi Terrell Ain't No Mountain High Enough 39 Taylor Swift Shake It Off 40 'N Sync Bye Bye Bye 41 Lil Nas X Feat. -
Curriculum Vitae
CURRICULUM VITAE Robert C. May Department of Philosophy (530) 554-9554 (office) University of California [email protected] Davis, CA 95616 Degrees Swarthmore College; B.A. with High Honors, 1973. • Massachusetts Institute of Technology, Department of Linguistics and Philosophy; Ph.D., 1977. • Faculty Positions Assistant Professor of Linguistics. Barnard College and The Graduate School of Arts and Sciences, • Columbia University. 1981 - 1986. Associate Professor of Linguistics and Cognitive Sciences. University of California, Irvine. 1986 - 1989. • Professor of Linguistics. University of California, Irvine. 1989 - 1997 • Professor of Linguistics and Philosophy, University of California, Irvine. 1997 - 2001. • Professor of Logic and Philosophy of Science, Linguistics and Philosophy, University of California, • Irvine, 2001 - 2006. Professor of Philosophy and Linguistics, University of California, Davis, 2006 - 2012 • Distinguished Professor of Philosophy and Linguistics, University of California, Davis. 2012 - present. • Other Academic Positions Post-doctoral research fellow. Laboratory of Experimental Psychology. The Rockefeller University.1977 • -1979. Research Stipendiate. Max-Planck-Institut für Psycholinguistik. Nijmegen, The Netherlands. 1979, • 1980. Post-doctoral research fellow. Center for Cognitive Science, Massachusetts Institute of Technology, • 1980 -1981. Visiting Lecturer. Graduate School of Languages and Linguistics. Sophia University, Tokyo, Japan. • 1983. Visiting Research Scholar. The Graduate Center, City University of New York. 1985 - 1986. • Fulbright Distinguished Professor. University of Venice. 1994. • Visiting Scholar. Department of Philosophy. Columbia University. 2013, 2014 - 15. • Visiting Professor, Ecole Normale Superieure and Ecole des Hautes Etudes en Sciences Sociales. 2014. • 1 Professional Positions and Activities Director. Syntax and Semantics Workshop: Logical Form and Its Semantic Interpretation. 1985 - • 1987. Editor. The Linguistic Review Dissertation Abstracts. 1984 - 1988. • Associate Editorial Board. -
The Semantics and Pragmatics of Polysemy: a Relevance-Theoretic Account
The Semantics and Pragmatics of Polysemy: A Relevance-Theoretic Account Ingrid Lossius Falkum Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy University College London January 2011 I, Ingrid Lossius Falkum, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. _____________________ Sign. 2 Abstract This thesis investigates the phenomenon of polysemy: a single lexical form with two or multiple related senses (e.g. catch the rabbit/order the rabbit; lose a wallet/lose a relative; a handsome man/a handsome gift). I develop a pragmatic account of polysemy within the framework of Sperber and Wilson’s relevance theory, where new senses for a word are constructed during on-line comprehension by means of a single process of ad hoc concept construction, which adjusts the meanings of individual words in different directions. While polysemy is largely unproblematic from the perspective of communication, it poses a range of theoretical and descriptive problems. This is sometimes termed the polysemy paradox. A widely held view in lexical semantics is that word meanings must consist of complex representations in order to capture the sense relations involved in polysemy. Contrary to this view, I argue that a conceptual atomist approach, which treats word meanings as unstructured atoms and thereby avoids the range of problems associated with decompositional theories of word meaning, may be at least as able to account for polysemy when paired with an adequate pragmatic theory. My proposed solution to the polysemy paradox is to treat polysemy as a fundamentally communicative phenomenon, which arises as a result of encoded lexical concepts being massively underdetermining of speaker-intended concepts, and is grounded in our pragmatic inferential ability. -
Structuralism, Indispensability, and the Access Problem Russell Marcus
Structuralism, Indispensability, and the Access Problem Russell Marcus, Ph.D. Chauncey Truax Post-Doctoral Fellow Department of Philosophy, Hamilton College 198 College Hill Road Clinton NY 13323 [email protected] (315) 859-4056 (office) (315) 381-3125 (home) (917) 903-7483 (mobile) January 2008 2783 words Abstract: The central problem in the philosophy of mathematics concerns access. The access problem arises from the common supposition that the referents of mathematical terms inhabit a realm separate from us. Quine’s approach in the philosophy of mathematics, his indispensability argument, dissolves the access problem, though his solution sometimes goes unrecognized, even by those who are sympathetic to his work. According to the indispensability argument, we are justified in believing in a limited mathematical ontology, even if we lack any special faculty for acquiring mathematical knowledge. This paper highlights both Quine’s position and its neglect. As an example, I defend Michael Resnik’s structuralism from recent criticism. Resnik has no access problem for the so-called mathematical objects he posits, since he relies on a Quinean indispensability argument. Still, the indispensabilist does not provide an account of our access to the objects of a traditional mathematical ontology, and this may be seen as a real access problem. Structuralism, Indispensability, and the Access Problem, page 1 §1: Structuralism and the Problem of Mathematics The central epistemological problem for mathematics is sometimes called the access problem. The access problem arises from a two-realm view, the supposition that the referents of mathematical singular terms inhabit a realm which is separate from us. The history of philosophy is littered with attempts to solve the access problem, which is just the old question of how concrete humans can have knowledge of abstract mathematical objects. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is Included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI' Bell & Howell Information and Learning 300 North Zeeb Road, Ann Art)or, Ml 48106-1346 USA 800-521-0600 THE METAPHYSICS OF CLASSICAL LOGIC: SEMANTIC ANTI-REALISM, QUASI-REALISM AND LOGICAL REVISIONISM DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Joseph Roy Salerno, B.A., M.A.