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DRUIDOSOFIA Libro VIII De Druidosofía Espiritualidad Y Teología Druídica Conceptos Sobre La Divinidad Iolair Faol
DRUIDOSOFIA Libro VIII De Druidosofía Espiritualidad Y Teología Druídica Conceptos sobre La Divinidad Iolair Faol Nota sobre las imágenes: Las imágenes de este libro han sido están tomadas de Internet. En ninguna de ellas constaba autor o copyright. No obstante, si el autor de alguna de ellas, piensa que sus derechos son vulnerados, y desea que no aparezcan en este libro, le ruego, se ponga contacto con [email protected] Gracias. Todas las imágenes pertenecen a sus legítimos autores. Nota sobre el texto: En cualquier punto del presente libro se pueden usar indistintamente, tanto términos masculinos como femeninos para designar al género humano e incluso el uso del vocablo “druidas” “bardos”, “vates”, etc., para designar tanto a los hombres como a las mujeres que practican esta espiritualidad, especialidades o funciones. El autor desea recalcar que su uso no obedece a una discriminación sexista, sino que su empleo es para facilitar la fluidez en la lectura, englobando en los términos a ambos sexos por igual. Iolair Faol Está permitida la reproducción parcial de este libro, por cualquier medio o procedimiento, siempre que se cite la fuente de donde se extrajo y al autor del presente libro. Para la reproducción total de este libro, póngase en contacto con el autor o con la persona que posea los derechos del Copyright. El autor desea hacer constar que existen por Internet, muchas webs y blogs, que han usado total o parcialmente, capítulos enteros de éste u otros libros y escritos varios del autor, sin respetar la propiedad intelectual, sin citar autorías, ni reconocer los esfuerzos de ningún autor. -
The Thirteenth Mt Haemus Lecture
THE ORDER OF BARDS OVATES & DRUIDS MOUNT HAEMUS LECTURE FOR THE YEAR 2012 The Thirteenth Mt Haemus Lecture Magical Transformation in the Book of Taliesin and the Spoils of Annwn by Kristoffer Hughes Abstract The central theme within the OBOD Bardic grade expresses the transformation mystery present in the tale of Gwion Bach, who by degrees of elemental initiations and assimilation becomes he with the radiant brow – Taliesin. A further body of work exists in the form of Peniarth Manuscript Number 2, designated as ‘The Book of Taliesin’, inter-textual references within this material connects it to a vast body of work including the ‘Hanes Taliesin’ (the story of the birth of Taliesin) and the Four Branches of the Mabinogi which gives credence to the premise that magical transformation permeates the British/Welsh mythological sagas. This paper will focus on elements of magical transformation in the Book of Taliesin’s most famed mystical poem, ‘The Preideu Annwfyn (The Spoils of Annwn), and its pertinence to modern Druidic practise, to bridge the gulf between academia and the visionary, and to demonstrate the storehouse of wisdom accessible within the Taliesin material. Introduction It is the intention of this paper to examine the magical transformation properties present in the Book of Taliesin and the Preideu Annwfn. By the term ‘Magical Transformation’ I refer to the preternatural accounts of change initiated by magical means that are present within the Taliesin material and pertinent to modern practise and the assumption of various states of being. The transformative qualities of the Hanes Taliesin material is familiar to students of the OBOD, but I suggest that further material can be utilised to enhance the spiritual connection of the student to the source material of the OBOD and other Druidic systems. -
Herefore the Hereditary Lineage Ceased
Countryside access and walking VALEWAYS Cerdded yng nghefn gwlad Newsletter Summer 2019 W elcome to the Valeways Summer Newsletter and what better way to find out ‘What’s occurring’ this summer than with pictures by the artist Haf Weighton. Having lived and worked in London for many years, exhibiting widely in galleries including Alexandra Palace and The Saatchi Gallery, Haf (literally translated as Summer) recently returned to South Wales and has settled in Penarth. It is no wonder that her recent exhibition at the Penarth Pier Gallery was entitled ‘Adref – Home’. A dref / Home included the featured artworks entitled ‘Shore Penarth’ and ’Beach Cliff, Penarth’ and are two in a series of four based on Haf’s involvement with a campaign group set up to fight proposals by the Vale of Glamorgan Council to replace all Penarth’s characteristic Victorian lamp posts with modern ones. Although the plans do not include The Esplanade, 21 streets listed, including Railway Terrace, Archer Place and Dingle Road will be affected and Haf has included their names in her work – something to look out for on the next walk around Penarth. We are indebted to Haf for allowing us to reproduce these examples of her work. For more information about Haf and her work please visit hafanhaf.com What’s in a name? Romilly, Egerton Grey, Llwyneliddon,(St Lythans) Llandochau Fach, Ystradowen, Whitmore and Jackson, Waitrose… and many more are not only names reflecting the Vale’s varied past but also continue to provide rich fodder for our modern day explorations – well, maybe not Waitrose. -
A Welsh Classical Dictionary
A WELSH CLASSICAL DICTIONARY DACHUN, saint of Bodmin. See s.n. Credan. He has been wrongly identified with an Irish saint Dagan in LBS II.281, 285. G.H.Doble seems to have been misled in the same way (The Saints of Cornwall, IV. 156). DAGAN or DANOG, abbot of Llancarfan. He appears as Danoc in one of the ‘Llancarfan Charters’ appended to the Life of St.Cadog (§62 in VSB p.130). Here he is a clerical witness with Sulien (presumably abbot) and king Morgan [ab Athrwys]. He appears as abbot of Llancarfan in five charters in the Book of Llandaf, where he is called Danoc abbas Carbani Uallis (BLD 179c), and Dagan(us) abbas Carbani Uallis (BLD 158, 175, 186b, 195). In these five charters he is contemporary with bishop Berthwyn and Ithel ap Morgan, king of Glywysing. He succeeded Sulien as abbot and was succeeded by Paul. See Trans.Cym., 1948 pp.291-2, (but ignore the dates), and compare Wendy Davies, LlCh p.55 where Danog and Dagan are distinguished. Wendy Davies dates the BLD charters c.A.D.722 to 740 (ibid., pp.102 - 114). DALLDAF ail CUNIN COF. (Legendary). He is included in the tale of ‘Culhwch and Olwen’ as one of the warriors of Arthur's Court: Dalldaf eil Kimin Cof (WM 460, RM 106). In a triad (TYP no.73) he is called Dalldaf eil Cunyn Cof, one of the ‘Three Peers’ of Arthur's Court. In another triad (TYP no.41) we are told that Fferlas (Grey Fetlock), the horse of Dalldaf eil Cunin Cof, was one of the ‘Three Lovers' Horses’ (or perhaps ‘Beloved Horses’). -
3 Celtic Crosses and Coast Walk Online Leaflet English
VALE OF GLAMORGAN Approximate walk time: 2 hours COAST • COUNTRYSIDE • CULTURE WALKING IN THE VALE ARFORDIR • CEFN GWLAD • DIWYLLIANT BRO MORGANNWG Walking in the Vale of Glamorgan combines a fascinating 60 km stretch of the Wales Coast Path with THE COUNTRYSIDE CODE the picturesque, historic beauty of inland Vale. Along its VALE OF GLAMORGAN VALE OF GLAMORGAN VALE OF GLAMORGAN VALE OF GLAMORGAN VALE OF GLAMORGAN • Be safe – plan ahead and follow any signs. COAST • COUNTRYSIDE • CULTURE COAST • COUNTRYSIDE • CULTURE COAST • COUNTRYSIDE • CULTURErugged coastlineCOAST • COUNTRYSIDE walkers • CULTURE can discoverCOAST the • COUNTRYSIDE last manned • CULTURE lighthouse in Wales (automated as recently as 1998), • Leave gates and property as you find them. Celtic Crosses a college unlike any other at St. Donats and 16th Century • Protect plants and animals, and take your litter home. walled gardens at Dunraven Bay, plus the seaside bustle • Keep dogs under close control. ARFORDIR • CEFN GWLAD • DIWYLLIANT ARFORDIR • CEFN GWLAD • DIWYLLIANT ARFORDIR • CEFN GWLAD • DIWYLLIANofT Barry ARFORDIRand Penarth. • CEFN GWLAD • DIWYLLIANWhicheverT directionARFORDIR • CEFN you GWLA Dare • DIWYLLIAN T • Consider other people. BRO MORGANNWG BRO MORGANNWG BRO MORGANNWG BRO MORGANNWG BRO MORGANNWG and Coast Walk walking look for at regular points along the way. Inland, walkers will find the historic market towns of Cowbridge and Llantwit Major, as well as idyllic villages Llantwit Major and Surrounding Area Walk such as St. Nicholas and St. Brides Major, where the Footpaths / Llwybrau Bridleway / Llwybr ceffyl (3 miles / 5 km) plus 2 mile / 3.2 km optional walk story of the Vale is told through monuments such as Restricted Byway / Cilffordd gyfyngedig Byway / Cilffordd Tinkinswood burial chamber and local characters like Iolo Morganwg, one of the architects of the Welsh nation. -
Llyfrgell Genedlaethol Cymru = the National Library of Wales Cymorth
Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - John Maldwyn Rees Family Papers, (GB 0210 JOHEES) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 06, 2017 Printed: May 06, 2017 Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH Description follows ANW guidelines based on ISAD(G) 2nd ed.;AACR2; and LCSH https://archifau.llyfrgell.cymru/index.php/john-maldwyn-rees-family-papers-2 archives.library .wales/index.php/john-maldwyn-rees-family-papers-2 Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk John Maldwyn Rees Family Papers, Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Hanes gweinyddol / Braslun bywgraffyddol | Administrative history | Biographical sketch ......................... 3 Natur a chynnwys | Scope and content .......................................................................................................... 4 Trefniant | Arrangement .................................................................................................................................. 4 Nodiadau | Notes ............................................................................................................................................ -
Trilithon E Journal of Scholarship and the Arts of the Ancient Order of Druids in America
Trilithon e Journal of Scholarship and the Arts of the Ancient Order of Druids in America Volume VI Winter Solstice, 2019 Copyright 2019 by the Ancient Order of Druids in America, Indiana, Pennsylvania. (www.aoda.org) All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. ISBN-13: 978-1-7343456-0-5 Colophon Cover art by Dana O’Driscoll Designed by Robert Pacitti using Adobe® InDesign.® Contents Editor’s Introduction....................................................................................................I Letter from the New Grand Archdruid: Into the Future of AODA............................1 Dana O’Driscoll Urban Druidry: e Cauldron of the City..................................................................6 Erin Rose Conner Interconnected and Interdependent: e Transformative Power of Books on the Druid Path...........................................................................................................14 Kathleen Opon A Just City.................................................................................................................24 Gordon S. Cooper e City and the Druid.............................................................................................28 Moine -
Eisteddfod Handout Prepared for Ninth Welsh Weekend for Everyone by Marilyn Schrader
Eisteddfod handout prepared for Ninth Welsh Weekend for Everyone by Marilyn Schrader An eisteddfod is a Welsh festival of literature, music and performance. The tradition of such a meeting of Welsh artists dates back to at least the 12th century, when a festival of poetry and music was held by Rhys ap Gruffydd of Deheubarth at his court in Cardigan in 1176 but, with the decline of the bardic tradition, it fell into abeyance. The present-day format owes much to an eighteenth-century revival arising out of a number of informal eisteddfodau. The date of the first eisteddfod is a matter of much debate among scholars, but boards for the judging of poetry definitely existed in Wales from at least as early as the twelfth century, and it is likely that the ancient Celtic bards had formalized ways of judging poetry as well. The first eisteddfod can be traced back to 1176, under the auspices of Lord Rhys, at his castle in Cardigan. There he held a grand gathering to which were invited poets and musicians from all over the country. A chair at the Lord's table was awarded to the best poet and musician, a tradition that prevails in the modern day National Eisteddfod. The earliest large-scale eisteddfod that can be proven beyond all doubt to have taken place, however, was the Carmarthen Eisteddfod, which took place in 1451. The next recorded large-scale eisteddfod was held in Caerwys in 1568. The prizes awarded were a miniature silver chair to the successful poet, a little silver crwth to the winning fiddler, a silver tongue to the best singer, and a tiny silver harp to the best harpist. -
Jane Williams (Ysgafell) (1806-85) and Nineteenth-Century Welsh Identity
Gwyneth Tyson Roberts Department of English and Creative Writing Thesis title: Jane Williams (Ysgafell) (1806-85) and nineteenth-century Welsh identity SUMMARY This thesis examines the life and work of Jane Williams (Ysgafell) and her relation to nineteenth-century Welsh identity and Welsh culture. Williams's writing career spanned more than fifty years and she worked in a wide range of genres (poetry, history, biography, literary criticism, a critique of an official report on education in Wales, a memoir of childhood, and religious tracts). She lived in Wales for much of her life and drew on Welsh, and Welsh- language, sources for much of her published writing. Her body of work has hitherto received no detailed critical attention, however, and this thesis considers the ways in which her gender and the variety of genres in which she wrote (several of which were genres in which women rarely operated at that period) have contributed to the omission of her work from the field of Welsh Writing in English. The thesis argues that this critical neglect demonstrates the current limitations of this academic field. The thesis considers Williams's body of work by analysing the ways in which she positioned herself in relation to Wales, and therefore reconstructs her biography (current accounts of much of her life are inaccurate or misleading) in order to trace not only the general trajectory of this affective relation, but also to examine the variations and nuances of this relation in each of her published works. The study argues that the liminality of Jane Williams's position, in both her life and work, corresponds closely to many of the important features of the established canon of Welsh Writing in English. -
John Cowper Powys's Porius: a Reader's Companion
John Cowper Powys: Porius A Reader’s Companion Updated and Expanded Edition W. J. Keith April 2009 “Reader’s Companions” by Prof. W.J. Keith to other Powys works are available at: https://www.powys-society.org/Articles.html Preface The aim of this “Companion” is to provide background information that will enrich a reading of Powys’s novel/romance. It glosses Welsh, classical, biblical, and other allusions, identifies quotations, explains geographical and historical references, and offers any commentary that may throw light on the more complex aspects of the text. (When a quotation is involved, the passage is listed under the first word even if it is “a” or “the.”) It was first made available on the Internet and in booklet form in 2004, and has subsequently been updated and revised from time to time. The present version has been thoroughly reset and expanded. Numerous errors discovered in the intervening years have been corrected. All page-references are to Judith Bond and Morine Krissdóttir’s edition published by Overlook Duckworth in 2007, with those to Wilbur T. Albrecht’s 1994 edition from Colgate University Press following in square brackets. Since the latter contained many errors and inconsistencies, the words listed often appear there in somewhat different form. Moreover, because the editions are based on different copy-texts, some references appear only in one of the editions; when those occurring in only one version require separate annotation, they have been identified and glossed. References to other JCP books published during his lifetime will be either to the first editions or to reprints that reproduce the original pagination, with the following exceptions: Wolf Solent (London: Macdonald, 1961), Weymouth Sands (London: Macdonald, 1963), Maiden Castle (ed. -
Robert Graves the White Goddess
ROBERT GRAVES THE WHITE GODDESS IN DEDICATION All saints revile her, and all sober men Ruled by the God Apollo's golden mean— In scorn of which I sailed to find her In distant regions likeliest to hold her Whom I desired above all things to know, Sister of the mirage and echo. It was a virtue not to stay, To go my headstrong and heroic way Seeking her out at the volcano's head, Among pack ice, or where the track had faded Beyond the cavern of the seven sleepers: Whose broad high brow was white as any leper's, Whose eyes were blue, with rowan-berry lips, With hair curled honey-coloured to white hips. Green sap of Spring in the young wood a-stir Will celebrate the Mountain Mother, And every song-bird shout awhile for her; But I am gifted, even in November Rawest of seasons, with so huge a sense Of her nakedly worn magnificence I forget cruelty and past betrayal, Careless of where the next bright bolt may fall. FOREWORD am grateful to Philip and Sally Graves, Christopher Hawkes, John Knittel, Valentin Iremonger, Max Mallowan, E. M. Parr, Joshua IPodro, Lynette Roberts, Martin Seymour-Smith, John Heath-Stubbs and numerous correspondents, who have supplied me with source- material for this book: and to Kenneth Gay who has helped me to arrange it. Yet since the first edition appeared in 1946, no expert in ancient Irish or Welsh has offered me the least help in refining my argument, or pointed out any of the errors which are bound to have crept into the text, or even acknowledged my letters. -
Brought to You by Druidic Dawn ( Aontacht
AontachtVolume - ISSN 3, Issue2044-1339 2 Aontacht creating unity in community Volume 3 Issue 2 Aontacht • 1 Brought to you by Druidic Dawn (www.druidicdawn.org) aontachtcreating unity in community Volume 3, Issue 2 Z Autumn - Spring Equinox 2010 3 Alexei Kondratiev 3 Isaac Bonewits 40 Living With Honour Maya St. Clair (Cuardai) 41 Deep Ancestors 10 Sydney Lancaster (Sidhe) Maya St. Clair (Cuardai) Featured interview 44 A Passion for Justice Druidic Dawn community Maya St. Clair (Cuardai) 16 On the Nature of Sovereignty 4 Aontacht Contributors Earrach ADF From the community 26 Sovereignty at Avalon 7 From the Desk ... Morgaine ADO letter from the Aontacht Production Team 35 Sovereignty of the Land 8 Keeping Up With the Shaun Hayes OBOD Management Team latest news & updates at Druidic Dawn 46 Community Events Calendar 22 A Wildcrafted Spirituality find gatherings and rituals near you part two: in the bush of ghosts 50 Coming Next Dr. Kenneth Proefrock a peek at the succeeding issue & our submission guidelines 38 The Cooking Cauldron recipes from the community 29 The Motif of Sovereignty in Irish Poetry C.S. MacCath-Moran Cover photo: © Druidic Dawn CIC O Aontacht • 2 Volume 3, Issue 2 In Memoriam Phillip Emmons Isaac Bonewits Alexei Kondratiev 1949 - 2010 1949 - 2010 Reverend Isaac Bonewits passed over on August 12, Alexei Kondratiev passed over in May, 2010 of an ap- 2010 after a brief, but hard fought battle with Colon parent heart attack. Cancer. A noted scholar and linguist, Mr. Kondratiev taught Rev. Bonewits has authored many books on Paganism, Celtic languages at the Irish Arts Center in New York bringing about a better understanding of the practices from 1985 until his untimely death in May of 2010.