DOCSLIB.ORG

DURAN DURAN MISS the CUT on NEW B-SIDE ALBUM Submitted By: Liquid Public Relations Wednesday, 16 July 2014

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
DURAN DURAN MISS the CUT on NEW B-SIDE ALBUM Submitted By: Liquid Public Relations Wednesday, 16 July 2014 DURAN DURAN MISS THE CUT ON NEW B-SIDE ALBUM Submitted by: Liquid Public Relations Wednesday, 16 July 2014 Today we reveal the 21 tracks which our panel of experts, including Laura Mvula, Horace Panter from The Specials and Phil Etheridge from The Twang, have chosen for a unique virtual album of the best music to come from the West Midlands over the last six decades. There are, as you can see, a few surprise omissions, but some favourites in there too... *******STRICTLY EMBARGOED******* *******UNTIL 4PM, WEDNESDAY JULY 16th******* ULTIMATE WEST MIDLANDS ALBUM FEATURES BLACK SABBATH AND ELO; DURAN DURAN AND LED ZEPPELIN FAIL TO MAKE THE CUT #BsideBrum A diverse range of artists from Black Sabbath to Broadcast and from The Streets to Steel Pulse feature on a new 21-track virtual album showcasing the very best music from the West Midlands. Duran Duran, Led Zeppelin and The Move are three notable absentees from the playlist, which spans six decades and myriad genres including heavy metal, reggae, electronica, jazz, R&B, ska and pop. The album is the creation of B-side, a nationwide campaign by Visit Birmingham, the city’s official leisure tourism programme, to celebrate the musical creativity of the city region. It is available to hear at visitbirmingham.com/bside A long list of tracks was drawn up through public nominations, celebrity ‘selfies’ and suggestions on Twitter, which was then discussed and distilled into the final ‘album’ by a panel of industry experts, all of whom have a connection with the region. Laura Mvula, Horace Panter of The Specials and Pete Paphides were amongst the panel of singers, musicians and industry experts who met at Town Hall Birmingham on July 9th, to create the virtual album. BBC 6Music presenter Matt Everitt, who chaired the panel, said: “Birmingham’s musical output is often looked at in simplistic terms, but what we’ve tried to do (in my mind successfully) is capture some of the inventiveness, diversity, humour, passion and flair that the area has produced. “The remit wasn’t just to pay lip service to the obvious names, nor champion the unsung or promote the next generation – but to create a playlist of amazing music regardless of age or genre. A collection of songs that you’d love to listen to regardless of its geographical birthplace.” Laura Mvula said: “As a product of the city myself, I was delighted to be involved; I’ve learned so much – it’s been the ultimate music lesson – every school should have one of these!” Page 1 Visit Birmingham assembled the panel of musicians, writers, promoters and presenters, which also included Vix Vox (ViX and her MsChiefs and ex Fuzzbox) and Phil Etheridge from The Twang. Emma Gray, Director of Marketing Services at Visit Birmingham, said: “We feel the final B-side album perfectly reflects the region’s rich and diverse musical heritage, and shows that with artists including Lady Leshurr, Soweto Kinch and Laura Mvula, it is a hotbed of exciting new talent. “Music tourism is big business; in 2012 it was worth £119 million to the West Midlands economy and an incredible 50% of concert audiences came from outside the region – far higher than the national average of 41%.” B-SIDE: THE ALBUM Apache Indian – Arranged Marriage (1992) Hailing from Handsworth, Birmingham, one of the earliest UK artists of Asian origin to make an impact on the singles charts. Joan Armatrading – Love & Affection (1976) Only UK Top 10 hit for award-winning singer songwriter, who settled in Birmingham as a small child. Black Sabbath – War Pigs (1970) Opening track from the band’s second album, Paranoid. Broadcast – The Book Lovers (1996) Title track of EP from Birmingham indie electronic band, a favourite of the late John Peel. The Spencer Davis Group – Gimme Some Lovin’ (1966) Number two hit written by Steve Winwood, Spencer Davis and Muff Winwood and since covered by the likes of The Blues Brothers and Olivia Newton-John. The Devils – Barbarellas (2002) Electronic pop band formed by two of Duran Duran’s original line-up, Nick Rhodes and Stephen Duffy, the track tells the story of the Birmingham club where they played many early gigs. Dexys Midnight Runners – This Is What She’s Like (1985) Twelve-minute track from the ‘comeback’ album Don’t Stand Me Down. ELO – Mr Blue Sky (1977) Number 6 hit taken from the album Out of the Blue and a favourite of Birmingham City fans. Felt – Primitive Painters (1985) Cocteau Twins singer Elizabeth Fraser guests on this mid 80s indie favourite. Fine Young Cannibals – I’m Not The Man I Used To Be (1988) Page 2 Top 20 single by trio formed by singer Roland Gift and two ex members of The Beat, Andy Cox and David Steele. Soweto Kinch – Jazz Planet (2004) Live favourite by Birmingham-based jazz sax player and rapper. Laura Mvula •– She (2013) One of the standout tracks from Birmingham-born MOBO winner’s debut album, Sing To The Moon. Musical Youth – Pass The Dutchie (1982) Multi-million-selling number one hit which is a cover of two songs, Gimme the Music by U Brown, and Pass the Kouchie by The Mighty Diamonds Ocean Colour Scene – The Day We Caught The Train (1996) Number four hit from the band’s second album, Moseley Shoals. Jocelyn Pook – Red Song (2001) Haunting track from Solihull-born composer best known for her score for Stanley Kubrick’s Eyes Wide Shut. The Specials – Gangsters (1979) Debut single by ska revival favourites from Coventry and first release by the newly created 2 Tone Records. Steel Pulse – Handsworth Revolution (1978) Title track from their debut album, which reached number 9 in the UK charts. The Streets – Turn The Page (2002) Opening track of Birmingham-born Mike Skinner's debut album, Original Pirate Material. Torqux feat. Lady Leshurr – Blazin’ (2013) Rapper/singer from Solihull who collaborated with duo Torqux on this track from their debut EP. UB40 – One In Ten (1981) Top ten single from band’s second album Present Arms; the title is a reference to percentage of the workforce claiming unemployment benefit in the West Midlands in the summer of 1981. The Wonder Stuff – Caught In My Shadow (1991) Top 20 hit from Stourbridge band’s third album, Never Loved Elvis. ENDS For more information or images, please contact Jon Perks or Laura Turner at Liquid – [email protected] or [email protected]; 07584 197048 or 07876 701937. Page 3 Editors’ notes: Last year’s Wish You Were Here report by UK Music and Visit Britain revealed the ‘music tourism’ industry was worth an impressive £119 million to the West Midlands economy in 2012. The report also showed that an incredible 50% of concert audiences in the West Midlands are music tourists – far higher than the national average of 41%. Visit Birmingham Visit Birmingham is the city’s official leisure tourism programme for Birmingham, part of Marketing Birmingham’s destination marketing strategy. As one of the top visitor cities in the UK, attracting over 33.8 million visitors a year, Birmingham is a must-visit leisure destination for all. It is supported by the European Regional Development Fund, through the Investing in the City Region project. B-SIDE: FAQs How were the tracks chosen? The public were invited to submit suggestions via Twitter and VisitBirmingham.com/Bside to create a long list of over 150 tracks, which were then considered by the panel of experts at a special session on stage at Town Hall Birmingham on July 9th. From the long list, they chose 21 tracks which form the final ‘album’. What were the criteria? Tracks had to be by West Midlands artists and, in the opinion of the nominee, epitomise the diverse music of the region, past or present. I thought there were going to be 20 songs, not 21…? After several hours of deliberation and debate, the panel could not decide on the last two tracks from a choice of three, so opted to include all of them. In the tradition of all great albums, there is also a 22nd ‘secret track’. Who was on the panel? All panellists have both a connection to the West Midlands and the music industry – Birmingham-born Matt Everitt (ex Menswear and now BBC 6Music presenter) chaired the panel, which included singer Laura Mvula; Phil Etheridge (The Twang); Horace Panter (The Specials); music writer Pete Paphides; Vix Vox (ViX and her MsChiefs and ex Fuzzbox), Abigail Kelly (opera singer); Markus Sargeant (The Glee Club Birmingham); Craig Hamilton, (School of Media, Birmingham City University); Jez Collins (Birmingham Centre for Media and Cultural Research, Birmingham City University). How many songs made the long list? Over 150 songs were suggested, with more than 80 different artists represented. No Duran Duran? No Led Zeppelin? Matt Everitt commented: “Hacking our long list down to just 21 songs was incredibly hard and we are expecting some quizzical looks when people realise Duran Duran and Led Zep aren’t present (our response Page 4 would be, the former’s roots are represented by a track from their original frontman about the band’s formation, and the latter were eschewed as they were as much the product of London as they were the Midlands) but we were collating something that would surprise people with songs that people didn’t even realise came from Birmingham. But there’s soul, reggae, pop, jazz, hip hop, indie, two-tone, britpop, metal and yes, Mr Blue Sky. What else could you possibly want?” How can people hear the album? Go to visitbirmingham.com/bside – due to licensing issues a handful of tracks are unavailable.
Load more

Recommended publications
  • Current, February 24, 1983 University of Missouri-St
    University of Missouri, St. Louis IRL @ UMSL Current (1980s) Student Newspapers 2-24-1983 Current, February 24, 1983 University of Missouri-St. Louis Follow this and additional works at: http://irl.umsl.edu/current1980s Recommended Citation University of Missouri-St. Louis, "Current, February 24, 1983" (1983). Current (1980s). 87. http://irl.umsl.edu/current1980s/87 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1980s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. Feb. 24 , 1983 UNIVERSITY OF MISSOURI-SAINT LOUIS Issue 445 Minorities assessed cent. The 'faculty representation Kevin A. Curtin bers and we are in a very com­ CO'news editor is substantially below that. petitive world as far as attracting " If the students believe that we black faculty members to our The. conditions of black stu­ ought to have black faculty com­ campus," VanderWaerdt said. dents on the UMSL campus and mensurate with representation She added that between 1979 an endorsement of state House of black students," she said, " I and 1982, UMSL had 3,686 ap­ Bill 834 highlighted the monthly think that is unrealistic. I don't plicants for faculty positions - University Senate meeting held think that I'll see it in my 184 of these were black. During Feti. 22 in Room 126 of the J.C. lifetime." those three years 160 faculty Penney Building. VanderWaerdt also said that members were hired,and eight The Senate heard several the availability of black faculty offers were made to blacks.
    [Show full text]
  • THE REVIEW: the Beat Were Formed in Birmingham in 1978. Soon After, They Had to Change Their Name to the ENGLISH Beat to Avoid Confusion with Another Band
    THE REVIEW: The Beat were formed in Birmingham in 1978. Soon after, they had to change their name to The ENGLISH Beat to avoid confusion with another band. They are known as one of the leaders of the Ska revivalist movement along with fellow Brits The Specials, Madness, The Selecter and The Body Snatchers. The British ska groups were of course multiracial and were formed by kids who lived in the same areas. Much like the poor kids of Jamaica, they didnt have much money so they formed bands to perform when they couldnt get into clubs.The English Beat was co-lead by Guitar/Vocalist Dave Wakeling a punk rock toaster, along with Ranking Roger another brilliant reggae/ska toaster. The other members were made up of Andy Cox (Guitar), Dave Steel (Bass), Everett Morton (Drums) and the one and only Saxa (Saxophone). Saxa was originally in a well known band called Prince Buster and Desmond Dekker, and this helped bring The Beat even more attention at the time. Saxa was also much older than the other chaps (around 50 years old at the time), but he contributed an extra special soulful touch that made the band sound even better than before. The Beat went on to open for The Selecter and they then were signed to the 2 Tone label (specialists in ska) and they followed this with the release of their first single "Tears of A Clown", a skanked up version of the Motown Smokey Robinson classic hit. In 1980, The Beat decided to start their own indie label and they called it Go-Feet (an Arista sub-label).
    [Show full text]
  • The Golden Triangle 0
    TheUCS n Diego / Volume 48, Number 4 / Thursday, January 13, 1983 The ~I fi" It :::> i " c Golden ~ 1\ ;z g; fi D : 0 Il Triangle II 11 II 11 ~ II \1 ~ il 11 Ie 11 U P il 1\ ~, ~ H" il ~ ~ ]1 ii ]l' \\ h 11 Ii 11 b 11 il 11 "\\ ~ U 11 if 11 ~~ P 11 Ii 11 11 II n "~ J/ it 1\ \\ Local developers send a message to UCSD By EILEEN MO RRIS and STEVE STOY ANOW Staff Writers "There's nothing on a UCSD. are not in the best and High way 52 on the south. - Lake at La Jolla Village. question the traffic \'olume railroad track here," Jim Hare interest of the university. He Developers have" named the 120 acres of residential units intenSl\-e de\"elopment would told six new members of the stresses that the realiza tion of area "the Golden Triangle," surrounding a 9 acre lake at bring (for example, La Jolla U n ivers it y Communit y these developments w ill because of its money-making Nobel and TO\\ ne Center Village Dr. currentl} handles Planning Group Tuesday constitute a betrayal by the potential, a potential. they Drive around 32,000 cars per day night. Hare, a community city of San Diego of an claim, that commercial and - Plaza at La Jolla Village. a With dewlopmem. the \"Illume planner for the city of an agreement entered into with industrial development would commercial residential pro­ would Increase to around Diego , was referring to the the university in 1959, to the serve better than exclusivelv ject at the northeast corner of 65.000 per day).
    [Show full text]
  • Smash Hits Volume 30
    FORTNIGHTLY 30p January 24-February 6 1980 r Words to the TOP SINGLES >«« ' including Someone's Looking Mama'^Biv Spirits Having Flown 'm$ m iniM By Styx on A&M Records Babe, I'm leaving I must be on my way The time is drawing near My train is going I see it in your eyes The love, the need, your tears But I'll be lonely without you And I'll need your love to see me through So please believe me My heart is in your hand I'll be missing you ('Cause) You know it's you, babe Whenever I get weary And I've had enough Feel like giving up You know it's you, babe Giving me the courage And the strength I need Please believe that it's true Babe, I love you Repeat last verse Babe, I'm leaving I'll say it once again And somehow try to smile I know the feeling we're trying to forget If only for a while 'Cause I'll be lonely without you And I'll need your love to see me through So please believe me My heart is in your hands 'Cause I'll be missing you Babe I love you Babe, I love you, ooh, babe Words artd music by D. De Young. Reproduced by permission Stygian Songs. Young blood, where you going now? Young blood, where you going now? I didn't mind it when you left me, honey But I miss you, ain't it the truth? phone I haven't given up hanging on the But all I hear is the proof Chorus Oh another night and I'm thinking what's going wrong? You say you love me but does love take this long? Rebel, all these dreams are broken Rebel, let me solve them Stop your running away Young blood, ooh tell me, where you going now? Young blood, ooh tell me, where you going now? It's never-never, we're fools forever Turning gold in our hands There's no magic.
    [Show full text]
  • Dave Wakeling - Musician
    Dave Wakeling - Musician Dave Wakeling recently toured the UK with his band The English Beat. Back in the late 70’s and 80’s The Beat had several big records in the charts including the smash hit single “Mirror In The Bathroom”. As a multi- racial band much of their repertoire reflected the tension of the times, singing about unity, unemployment and politics. One single in particular, “Stand Down Margaret”, became a focus for dissent against the Thatcher government. Although the six-piece joined the likes of The Specials and Madness in the early 80s Two Tone movement, differing decisions on how to move forward saw them eventually split. Dave established a new band in the USA with fellow singer Ranking Roger while guitarist Andy Cox and bass player David Steele remained in the UK, forming Fine Young Cannibals. Dave told the Birmingham Post: “I just like to walk around the city when I come home. I remember growing up in Harbury Road and we were right at the back of the cricket ground. We used to sneak into games and managed to see three international games for free. I dream of that street a lot. It is now a really happy place for me. I was never very keen on the weather… but there is something about Birmingham. I like that gallows sense of humour, and a lot of my song-writing came out of that lovely raised eyebrow of Birmingham irony.” Talking to Uncut magazine Dave recalled the night that led to the first recording of “Mirror In The Bathroom”.
    [Show full text]
  • 1 a Cultural Study of Two-Tone in the Socio
    A CULTURAL STUDY OF TWO-TONE IN THE SOCIO-POLITICAL AND ECONOMIC CONTEXT OF THE 1970s by Susan Conduit A thesis submitted in partial fulfilment for the requirements for the degree of MA (by Research) at the University of Central Lancashire August 2017 1 STUDENT DECLARATION FORM Concurrent registration for two or more academic awards Either *I declare that while registered as a candidate for the research degree, I have not been a registered candidate or enrolled student for another award of the University or other academic or professional institution or *I declare that while registered for the research degree, I was with the University’s specific permission, a *registered candidate/*enrolled student for the following award: ______________________________________________________________ Material submitted for another award Either *I declare that no material contained in the thesis has been used in any other submission for an academic award and is solely my own work or *I declare that the following material contained in the thesis formed part of a submission for the award of _______________________________________________________________ (state award and awarding body and list the material below): * delete as appropriate Collaboration Where a candidate’s research programme is part of a collaborative project, the thesis must indicate in addition clearly the candidate’s individual contribution and the extent of the collaboration. Please state below: Signature of Candidate _____________________________________________________ Type of Award ______________________________________________________ School _______________________________________________________ 2 ABSTRACT A CULTURAL STUDY OF TWO-TONE IN THE SOCIO-POLITICAL AND ECONOMIC CONTEXT OF THE 1970s My thesis concerns Two-tone music which emerged in the late 1970s and achieved the peak of its popularity around 1980.
    [Show full text]
  • Smash Hits Volume 45
    30p August 21-September 3 1980 i**i^ / ^ * ™ :'/ :'! WCA A. cm rpp» #J|™ Wordstothe R0XY MUSIC ^ WOW WW- in colour H' PIRANHAS THE 2 SMASH HITS — X » ^^= N-5» l_ START! August 21-September 3 1980 Vol. 2 No. 17 The Jam 4 BEST FRIEND Right then — it's extra rations this issue, as we're carrying both The Beat 5 sides of The Beat's new single STAND DOWN MARGARET without anything else dropping out. As well as getting an extra The Beat 5 song for your money, there's all TOM HARK your usual news, reviews and features plus the usual sprinkling The Piranhas 12 of extra goodies — the video FUNKIN' FOR JAMAICA game prize on the crossword and the Breaking Glass competition Tom Browne 14 (that's on page 28). Now if you'll A WALK IN THE PARK kindly excuse us, we've got Nick Straker Band another issue to prepare while 14 you're enjoying this one (mutter THE WHISPER Editor mutter, grumble grumble, not fair The Selecter 17 etc.) See y'all in two weeksiimej, Ian Cranna Features Editor AWAY David Hepwo rah The Swinging Cats 17 |gn Editdr FEELS LIKE I'M IN LOVE Ve Bush Kelly Marie 19 Production Editor KasperdeGraaf YOU'VE GOT TO BE A HUSTLER Editorial Assistants Sue Wilkinson 24 Bev Hillier GIVE Linda fluff ME BACK MY MAN Contributors The B52's 24 Robitmatz SISTER EUROPE Redjftarr Fredplellar Psychedelic Furs 31 Mik/St ANOTHER DAY, ANOTHER GIRL KeTly Iprtsr— , The Lambrettas 32 I Pfirmanovsky MarkCasto FREE ME Steve Taylor Roger Daltrey 32 Advertisement Manager Rod Sopp* KINGS OF THE WILD FRONTIER (Tel: 01-439 8801) Adam & The Ants 39 Assistant I DIE, YOU
    [Show full text]
  • Where Shining Shoes Make the Man J
    r ' .. ,~. ,~ --. .- } j J Student Grievance Committee: " I A- plac'e to turn to for help by Lisu Ciulik student/faculty disputes; , a lot of students don't realize they Current Grievances Grievance Hearing have the right to remain silent or get a One current problem the S.G.S. is Almost every student has had a If a student files a grievance and lawyer." ' handling is the WEST test procedures. complaint about the university ora gets as far as a hearing, this is what There are two different punishments "We are protesting the procedures teacher, but few do anything about it. , happens. , for arrest: the criminal process or the they used to put the test into ef­ Even fewer are aware that something The S.G.S. first tries to exhaust all university process. Many students fect, "says ehalich. can be done. There is An organization informal methods. If the student filed don't know the alternatives; they The S.G.S. feels there are too many on campus that will help. This is the against a teacher, the S.G.S. would don't know which punishment would unanswered questions about the Student Grievance Service (S.G.S.), a first try to talk with the teacher, be more severe. "We want students to WEST test. According to Jim Garza. a program under the direction of the department head and dean' of the know their choices so they can make ,S.G.S. intern, there was no fee waiver, Community L~gal Information Center college. If that doesn't resolve the an informed decision, not one made out not enough notification and students (CLIC)., problem, then a formal grievance of fear," says ehalich.
    [Show full text]
  • DURAN DURAN MISS the CUT on NEW B-SIDE ALBUM Submitted By: Liquid Public Relations Wednesday, 16 July 2014
    DURAN DURAN MISS THE CUT ON NEW B-SIDE ALBUM Submitted by: Liquid Public Relations Wednesday, 16 July 2014 Today we reveal the 21 tracks which our panel of experts, including Laura Mvula, Horace Panter from The Specials and Phil Etheridge from The Twang, have chosen for a unique virtual album of the best music to come from the West Midlands over the last six decades. There are, as you can see, a few surprise omissions, but some favourites in there too... *******STRICTLY EMBARGOED******* *******UNTIL 4PM, WEDNESDAY JULY 16th******* ULTIMATE WEST MIDLANDS ALBUM FEATURES BLACK SABBATH AND ELO; DURAN DURAN AND LED ZEPPELIN FAIL TO MAKE THE CUT #BsideBrum A diverse range of artists from Black Sabbath to Broadcast and from The Streets to Steel Pulse feature on a new 21-track virtual album showcasing the very best music from the West Midlands. Duran Duran, Led Zeppelin and The Move are three notable absentees from the playlist, which spans six decades and myriad genres including heavy metal, reggae, electronica, jazz, R&B, ska and pop. The album is the creation of B-side, a nationwide campaign by Visit Birmingham, the city’s official leisure tourism programme, to celebrate the musical creativity of the city region. It is available to hear at visitbirmingham.com/bside A long list of tracks was drawn up through public nominations, celebrity ‘selfies’ and suggestions on Twitter, which was then discussed and distilled into the final ‘album’ by a panel of industry experts, all of whom have a connection with the region. Laura Mvula, Horace Panter of The Specials and Pete Paphides were amongst the panel of singers, musicians and industry experts who met at Town Hall Birmingham on July 9th, to create the virtual album.
    [Show full text]
  • The Chronicle 78Th Year, No
    The Chronicle 78th Year, No. 122 Duke University, Durham, North Carolina Friday, March 25, 1983 Spring brings snow to Duke UFCAS acts on teaching quality By Martine DeVos • Appoint a committee to In keeping with its recent study criteria for determining report citing "an alarming quality of teaching and merit. trend away from teaching and • That the University seek toward research," in judging funds to establish chairs to be the quality of Duke faculty, an called, "The Distinguished UFCAS committee Thursday Teaching Professorships." endorsed six recommendations • Establish 10 annual awards to re-emphasize teaching of $1,000 each to be given to ability. members of the faculty for The meeting of the Under­ excellence in undergraduate graduate Faculty Council of instruction. Arts and Sciences, chaired by «That the council appoint a Dean Ernestine Friedl, distinguished professor as a addressed issues raised by the teaching consultant to orient Ad Hoc Committee on the new members ofthe faculty and Quality of Teaching. Appointed advise at the departmental level in 1981 by Friedl "to focus when consulted, faculty attention on teaching •That the University re­ and . recommend establish a special fund to aid program for faculty develop­ faculty through small grants to ment in teaching," the enhance the teaching and committee yesterday passed six planning "innovative courses." recommendations toward that end: Informal discussion panels • That the Academic Council and assemblies comprising study the criteria for tenure and both students and faculty promotion in the University, members were proposed to gain with special and serious a better understanding of these attention to the role that issues.
    [Show full text]
  • The Beat Wha'ppen? Mp3, Flac, Wma
    The Beat Wha'ppen? mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Wha'ppen? Country: Netherlands Released: 1981 Style: Ska MP3 version RAR size: 1529 mb FLAC version RAR size: 1611 mb WMA version RAR size: 1632 mb Rating: 4.5 Votes: 578 Other Formats: MPC AAC AA VQF DMF AC3 MP4 Tracklist A1 Doors Of Your Heart A2 All Out To Get You A3 Monkey Murders A4 I Am Your Flag A5 French Toast (Soleil Trop Chaud) A6 Drowning B1 Dream Home In NZ B2 Walk Away B3 Over And Over B4 Cheated B5 Get-A-Job B6 The Limits We Set Companies, etc. Copyright (c) – Arista Records Ltd. Phonographic Copyright (p) – Arista Records Ltd. Distributed By – CBS Records Published By – Beat Brothers Ltd. Published By – Zomba Music Publishers Ltd. Published By – Copyright Control Credits Design [Sleeve] – Hunt Emerson, The Beat Engineer – Mark Dearnley Engineer [Assistant] – Nick Rogers Engineer [Cutting] – Ian Cooper Keyboards – Blockhead* Marimba – "Have A Go Bobby" Sargeant* Performer – Andy Cox, David Wakeling*, David Steele, Everett Morton, Ranking Roger, Saxa Producer – Bob Sargeant Steel Drums – Dick Trumpet – Saltin Vocals [Extra] – Cedric Myton (tracks: A1) Written-By – C. Osbourne* (tracks: A1), J. Jefferson* (tracks: A5), The Beat (tracks: A1 to A4, A6 to B5) Notes The catalog# is printed as "BEAT 3" on spine and labels but "beat 3" on the sleeve and inlay sleeve. On the backside of the cover "PROMOTION COPY CBS NOT FOR SALE" is stamped with a golden stamp. See image. Barcode and Other Identifiers Rights Society: n©b Matrix / Runout (A Side): 16-00003-1A-1
    [Show full text]
  • Sales Sheets 25.06.12 Sales Sheet
    DEMON EDSEL CAT NO: EDSG 8016 FORMAT: 2 CD + DVD in digipak RELEASE DATE: 25th June 2012 CATEGORY: Pop/Rock Please note that territorial restrictions may apply to this product 7 40155 80163 2 THE BEAT I JUST CAN’T STOP IT [DELUXE 2 CD + DVD EDITION] • The Beat was formed in Birmingham in 1978, with members Dave Wakeling (vocals, guitar), Ranking Roger (vocals, toasting), Andy Cox (guitar), Everett Morton (drums), veteran Jamaican saxophonist Saxa, and David Steele on bass. The band was part of the West Midlands ska revival scene that also produced The Specials and The Selecter, whilst London saw the formation of Madness and The Bodysnatchers. The Beat’s first single was an arresting version of Smokey Robinson’s “Tears Of A Clown”, given a completely new feel, and was backed with their own composition “Ranking Full Stop”. Released in a one-off deal on Jerry Dammers’ Chrysalis-backed 2-Tone label, the single stormed into the Top 10 in December NEW RELEASE 1979, and saw the band appear twice on Top Of The Pops. Backed by Arista, the band formed their own label Go-Feet Records. The first release in February 1980 was another Top 10 hit, “Hands Off... She’s Mine”, and was the first of twelve chart singles for the band on Go-Feet. • Edsel Records is proud to announce its reissue programme of all three of the band’s albums, each in Deluxe 2 CD + DVD digipaks, featuring the original albums along with all the non-album A- and B-sides, the many 12” mixes and live tracks, as well as the best of their BBC radio sessions from John Peel, Mike Read and David Jensen’s shows.
    [Show full text]