PDF Download Staging Scenes from the Operas of Mozart : a Guide for Teachers and Singers Kindle

Total Page:16

File Type:pdf, Size:1020Kb

PDF Download Staging Scenes from the Operas of Mozart : a Guide for Teachers and Singers Kindle STAGING SCENES FROM THE OPERAS OF MOZART : A GUIDE FOR TEACHERS AND SINGERS PDF, EPUB, EBOOK William Ferrara | 300 pages | 08 May 2014 | ROWMAN & LITTLEFIELD | 9780810888449 | English | Lanham, MD, United States Staging Scenes from the Operas of Mozart : A Guide for Teachers and Singers PDF Book It is performed with elaborate sets and costumes. Operettas are often satirical and witty, and tend to be much shorter and less complex than traditional operas. Music Music moves the action of a story, expresses emotions and moods, and deepens our understanding of the characters. Musical themes: Musical themes are complete ideas that are crafted to be memorable to the listener. There is a piano dress rehearsal, when the singers rehearse in full costume for the first time so they can get used to wearing them. Monteverdi draws on his rich compositional palette to superb effect: instruments group around bright strings to depict pastoral Thrace, while sombre brass, particularly trombones, colour the Underworld. The Broadway musical has greatly influenced American and world culture. It is similar to a trumpet in range, tone, color, and acoustical ring. Verdi reserves his greatest melodies and richest harmonies for this tale of love and duty. You have deactivated JavaScript in your browser settings. Featuring over one hundred illustrations, including costume designs by Martha Ferrara, the author breaks new ground for student performers and directors alike, as he walks readers through the process of staging scenes from Mozart''s operas. Read our reviews of the latest Berg recordings here. Topics include study and research, rehearsal planning, blocking, characterization, and costuming for four of Mozart''s most popular operas. While much has appeared on the history and musical performance practice of the operas of Mozart, no guide to the directing and acting of his operas--with simple, concise staging instructions and practical information concerning casting, props, and costumes--has yet seen publication. You can read reviews of the latest opera recordings here. Some of the orchestra members travel to Atlanta from other parts of the country specifically to play in the orchestra for our productions. Around the same time a mutual friend, Karl Wilhelm Jerusalem, shot himself over the love of a married woman with pistols belonging to Kestner. Grand opera involves royalty, heroism, an elaborate ballet scene, and is often long. Finally, all of the pieces are put together for two full dress rehearsals leading up to opening night. Search all monologues from plays. The size of the orchestra will vary with each production, depending on what the composer has written for. View All Popular Operas. Most opera singers fall into a certain voice types which helps them to be cast in roles. By Of Characters. How is Opera Different Around the World? His slowing breathing is the last thing audiences hear after he receives the lethal injection; the question of his redemption hanging thick in the air. They include the following:. The Italians have always been famous for their love of singing, and so in Italian opera there has always been great emphasis placed on the singer and the beautiful sounds of the human voice. Staging Scenes from the Operas of Mozart : A Guide for Teachers and Singers Writer Robert Carsen. Find out how we stage an opera here at ENO with this video…. The introduction to each scene includes a brief discussion of the story and characters, suggestions for costuming, and minimal set and props. The heart of this guide is the text and translation of each scene, embedded with line-by-line acting notes, and blocking directions and diagrams. Search all scenes from plays. In this evocative, bleak work, Britten ratchets up the tension within a small coastal village. You may also like. Shipping costs:zzgl. Related Links. Ultimately, she proves her goodness by sacrificing her own happiness for that of a woman she does not know. The first part of the guide, which focuses on study and preparation, comprisess five chapters: ideas for organizing the opera class, a description of the job of the director, a step-by-step review of the rehearsal process, a set of five exercises for researching and analyzing the scenes, and a vocabulary for actors and directors. Monologues from Plays. Staging scenes from the operas of Mozart : a guide for teachers and singers by William Ferrara. We are always happy to assist. Thanks to his operas, and contributions to classical music, Mozart is possibly the best known composer of all time. Author: William Ferrara. But dramatization aside, this leaves serious questions for modern historically aware performers and listeners — questions which are not present when considering most other works. In the s, an extensive cleaning revealed the initials of Wolfgang Mozart scratched inside long ago. Most Popular Operas. Operas are often based on pre-existing work. William Ferrara. A group of friends are living a bohemian life in Paris and trying to make their livings creating Price development Most opera singers fall into a certain voice types which helps them to be cast in roles. Bass — comes from the Italian word basso, which means low. Topics include study and research, rehearsal planning, blocking, characterization, and costuming for four of Mozart's most popular operas. Around Wagner , reaching a creative block with the Ring, decided meanwhile to compose a popular, easily performable opera on the Tristan legend. See similar material that would be shelved with this item, across all Hopkins libraries. In Performing Opera: A Practical Guide for Singers and Directors Michael Ewans provides a detailed and practical workbook to performing many of the most commonly produced operas. There are storms in opera and there are storms. Coming in at No. It is possible that Mozart played this piano in Salzburg. Ilia Idomeneo. Significant portions were not completed at all. Researching the Opera; 2. Provider details. Musical Theatre. The next four sections of the book consist of detailed staging guides for a selection of scenes from Mozart's most frequently performed operas: Le Nozze di Figaro, Don Giovanni, Cosi fan tutte, and Die Zauberflote. Wolfgang never grew to be a strong man, and researchers believe his many illnesses as a child left him small, pale, and delicate. Then, with the first Sea Interlude, we are outdoors and we hear the bright, keening sound of high strings, with the swell of low brass suggesting the power of the sea itself. The death of Desdemona would make stones — and us — weep. Duke Ellington- The Nutcracker Suite. Staging Scenes from the Operas of Mozart : A Guide for Teachers and Singers Reviews Comprimarios : The secondary roles of an opera. The more you know about something, the more you can enjoy it. Paul Agnew Caen, Visit the Australia site Continue on UK site. They include the following: Soprano: most often the heroine of the opera Mezzo-Soprano: mothers, older women, villains, servants, women playing men Contralto: old women, witches, comic roles Tenor: most often the hero of the opera Baritone: helpful companions, villains, sometimes heroes Bass: kings, villains, priests Operas usually feature primary and secondary characters who figure in the dramatic flow of the story: Principals : The primary roles of an opera. Catalani — La Wally The Italian composer Alfredo Catalani is something of a one-hit wonder, known today almost exclusively for the soaring soprano aria Ebben? Bizet — Carmen In her famous habanera aria, Carmen describes love as un oiseau rebelle a rebellious bird but she may as well have been singing about herself. If the drama is taut then the score is as expansive as anything Puccini composed. The principal singers, director, and conductor, come from all over the world. Find out how we stage an opera here at ENO with this video…. Ladda ned. Makes Desperate Housewives seem rather dull, really. Another dark anti-hero with a singular obsession meets his fate head-on; this time justice is dispensed by an angry mob. Gioachino Rossini composed in this style. Virtual Shelf Browse. Many of the orchestra members live in the metro Atlanta area and have other jobs playing or teaching, or something non-music related at all. A style of opera that is created by a single artist who writes both the text and the music to advance the drama. The first great composer of opera was Claudio Monteverdi About to take on Wagner's cursed sailor for Melbourne Opera, the bass-baritone discusses the joys of a short rehearsal period, training like an athlete, and the humanity of the Dutchman. The range is two octaves from F below middle C to the top line of the treble clef. Low voices usually suggest age and wisdom in serious opera. The StageAgent Guide to Operas The ultimate resource for opera including study guides for operas, popular composers, famous arias and quizzes. The jokesters in these operas are usually the working class, such as maids, peasants, or servants, who keep busy getting the best of their employers. Librettist, Composer. The director is in charge of the staging for the production, and directs the acting of the singers. The heart of this guide is the text and translation of each scene, embedded with line-by-line acting notes, and blocking directions and diagrams. There are no costumes during the sitzprobe, this is mainly to hear the voices with the orchestra. Its beginning can be traced to the ancient Greeks. Programs for Professionals The Atlanta Opera Studio Young opera singers spend one year in residence at The Atlanta Opera, building their experience and training further. It is performed with elaborate sets and costumes. Register Forgot your password? All products and recordings are chosen independently by our editorial team. Each production is led by a director, and a conductor.
Recommended publications
  • Auckland at 7.00Pm
    Wagner Society of New Zealand Patron: Sir Donald McIntyre NEWSLETTER Vol. 13 No. 4 April 2017 President’s Report for 2016 AGM - 21 May 2017 Formal Notice The Wagner Society of New Zealand AGM is to be held on Sunday 21 May 2017 in St Heliers Community Centre, 100 St Heliers Bay Road, Auckland at 7.00pm. So far, Committee and Office-Bearer nominations have been received as follows: President ................. Chris Brodrick Vice President ............ Ken Tomkins Secretary ....................... Peter Rowe Treasurer ................. Jeanette Miller PR/Liaison ..................Gloria Streat Bob O’Hara Committee . John Davidson, Lesley Kendall, Juliet Rowe Bob O’Hara as Uberto (La Serva Padrona.) Michael Sinclair If you wish to make a nomination: In this, the 22nd President’s report to opera trips including both Adelaide Phone: Peter at 09-520 4690 or the Wagner Society of New Zealand, I Rings, the 2013 Melbourne Ring and he Email: [email protected]. would like, among all the thank yous, to has plans to attend the San Francisco to be sent a form. Nominations can focus some attention on two members. Ring next year. also be made from the floor at the One has been with us from 1995 and Bob and other WSNZ members’ ability meeting. after many years of service has recently to attend these overseas productions stepped down from the committee. The is enabled by the wonderful work of Membership renewals other, who may not have been with us Michael Sinclair, as the organising force Included with this newsletter is a from the start, has nonetheless made a behind our overseas trips.
    [Show full text]
  • 'Wagner on a Shoestring' by Suzanne Chaundy, 25 March 2018
    'Wagner on a Shoestring' by Suzanne Chaundy, 25 March 2018 12.30pm: DVD: 'Das Liebesverbot', Act 2 2.00pm: Presentation by Suzanne Chaundy DVD: Das Liebesverbot Act 2 Wagner's rarely performed early comic opera (1836), based on Shakespeare's Measure for Measure, enjoys its Spanish debut in a new production by director Kaspar Holten. The lively score boasts clear Italian, French and Weberian influences that predate the composer's mature voice, yet the music continually delights with the unmistakable emergence of Wagner's precocious genius. His adaptation of the Bard's play reflects the rebellious mood of a revolutionary Germany, vindicating sensual love and attacking the fanatical repression of sexuality by a puritanical and hypocritical authority. Ivor Bolton conducts a vibrant cast with the chorus and orchestra from the Theatro Real, Madrid (2016). 'Wagner on a Shoestring' by Suzanne Chaundy Suzanne Chaundy is a highly regarded director of opera, drama, outdoor spectacle and special events, and will speak about her Wagner productions for Melbourne Opera. Miki Oikowa and Suzanne Chaundy She began directing as an undergraduate at the University of Melbourne and was subsequently fast-tracked into the NIDA Directing Course. Best known as an opera director, she began on this path as a trainee director with the Victorian State Opera. Her 2012 production of Cosi Fan Tutte for Melbourne Opera at Melbourne’s Athenaeum Theatre (nominated for Best Director – Green Room Awards) resulted in her becoming something of a regular for the company directing new productions of Der Freischütz and Maria Stuarda in 2015,The Abduction from the Seraglio, Tannhäuser and Anna Bolena in 2016, Lohengrin in 2017 and Tristan und Isolde in 2018.
    [Show full text]
  • Musica Lirica
    Musica Lirica Collezione n.1 Principale, in ordine alfabetico. 891. L.v.Beethoven, “Fidelio” ( Domingo- Meier; Barenboim) 892. L.v:Beethoven, “Fidelio” ( Altmeyer- Jerusalem- Nimsgern- Adam..; Kurt Masur) 893. Vincenzo Bellini, “I Capuleti e i Montecchi” (Pavarotti- Rinaldi- Aragall- Zaccaria; Abbado) 894. V.Bellini, “I Capuleti e i Montecchi” (Pavarotti- Rinaldi- Monachesi.; Abbado) 895. V.Bellini, “Norma” (Caballé- Domingo- Cossotto- Raimondi) 896. V.Bellini, “I Puritani” (Freni- Pavarotti- Bruscantini- Giaiotti; Riccardo Muti) 897. V.Bellini, “Norma” Sutherland- Bergonzi- Horne- Siepi; R:Bonynge) 898. V.Bellini, “La sonnanbula” (Sutherland- Pavarotti- Ghiaurov; R.Bonynge) 899. H.Berlioz, “La Damnation de Faust”, Parte I e II ( Rubio- Verreau- Roux; Igor Markevitch) 900. H.Berlioz, “La Damnation de Faust”, Parte III e IV 901. Alban Berg, “Wozzeck” ( Grundheber- Meier- Baker- Clark- Wottrich; Daniel Barenboim) 902. Georges Bizet, “Carmen” ( Verret- Lance- Garcisanz- Massard; Georges Pretre) 903. G.Bizet, “Carmen” (Price- Corelli- Freni; Herbert von Karajan) 904. G.Bizet, “Les Pecheurs de perles” (“I pescatori di perle”) e brani da “Ivan IV”. (Micheau- Gedda- Blanc; Pierre Dervaux) 905. Alfredo Catalani, “La Wally” (Tebaldi- Maionica- Gardino-Perotti- Prandelli; Arturo Basile) 906. Francesco Cilea, “L'Arlesiana” (Tassinari- Tagliavini- Galli- Silveri; Arturo Basile) 907. P.I.Ciaikovskij, “La Dama di Picche” (Freni- Atlantov-etc.) 908. P.I.Cajkovskij, “Evgenij Onegin” (Cernych- Mazurok-Sinjavskaja—Fedin; V. Fedoseev) 909. P.I.Tchaikovsky, “Eugene Onegin” (Alexander Orlov) 910. Luigi Cherubini, “Medea” (Callas- Vickers- Cossotto- Zaccaria; Nicola Rescigno) 911. Luigi Dallapiccola, “Il Prigioniero” ( Bryn-Julson- Hynninen- Haskin; Esa-Pekka Salonen) 912. Claude Debussy, “Pelléas et Mélisande” ( Dormoy- Command- Bacquier; Serge Baudo). 913. Gaetano Doninzetti, “La Favorita” (Bruson- Nave- Pavarotti, etc.) 914.
    [Show full text]
  • La Sonnambula 3 Content
    Florida Grand Opera gratefully recognizes the following donors who have provided support of its education programs. Study Guide 2012 / 2013 Batchelor MIAMI BEACH Foundation Inc. Dear Friends, Welcome to our exciting 2012-2013 season! Florida Grand Opera is pleased to present the magical world of opera to the diverse audience of © FLORIDA GRAND OPERA © FLORIDA South Florida. We begin our season with a classic Italian production of Giacomo Puccini’s La bohème. We continue with a supernatural singspiel, Mozart’s The Magic Flute and Vincenzo Bellini’s famous opera La sonnam- bula, with music from the bel canto tradition. The main stage season is completed with a timeless opera with Giuseppe Verdi’s La traviata. As our RHWIEWSRÁREPI[ILEZIEHHIHERI\XVESTIVEXSSYVWGLIHYPIMRSYV continuing efforts to be able to reach out to a newer and broader range of people in the community; a tango opera María de Buenoa Aires by Ástor Piazzolla. As a part of Florida Grand Opera’s Education Program and Stu- dent Dress Rehearsals, these informative and comprehensive study guides can help students better understand the opera through context and plot. )EGLSJXLIWIWXYH]KYMHIWEVIÁPPIH[MXLLMWXSVMGEPFEGOKVSYRHWWXSV]PMRI structures, a synopsis of the opera as well as a general history of Florida Grand Opera. Through this information, students can assess the plotline of each opera as well as gain an understanding of the why the librettos were written in their fashion. Florida Grand Opera believes that education for the arts is a vital enrich- QIRXXLEXQEOIWWXYHIRXW[IPPVSYRHIHERHLIPTWQEOIXLIMVPMZIWQSVI GYPXYVEPP]JYPÁPPMRK3RFILEPJSJXLI*PSVMHE+VERH3TIVE[ILSTIXLEX A message from these study guides will help students delve further into the opera.
    [Show full text]
  • Cavalleria Rusticana Pagliacci
    Pietro Mascagni - Ruggero Leoncavallo Cavalleria rusticana PIETRO MASCAGNI Òpera en un acte Llibret de Giovanni Targioni -Tozzetti i Guido Menasci Pagliacci RUGGERO LEONCAVALLO Òpera en dos actes Llibret i música de Ruggero Leoncavallo 5 - 22 de desembre Temporada 2019-2020 Temporada 1 Patronat de la Fundació del Gran Teatre del Liceu Comissió Executiva de la Fundació del Gran Teatre del Liceu President d’honor President Joaquim Torra Pla Salvador Alemany Mas President del patronat Vocals representants de la Generalitat de Catalunya Salvador Alemany Mas Mariàngela Vilallonga Vives, Francesc Vilaró Casalinas Vicepresidenta primera Vocals representants del Ministerio de Cultura y Deporte Mariàngela Vilallonga Vives Amaya de Miguel Toral, Antonio Garde Herce Vicepresident segon Vocals representants de l'Ajuntament de Barcelona Javier García Fernández Joan Subirats Humet, Marta Clarí Padrós Vicepresident tercer Vocal representant de la Diputació de Barcelona Joan Subirats Humet Joan Carles Garcia Cañizares Vicepresidenta quarta Vocals representants de la Societat del Gran Teatre del Liceu Núria Marín Martínez Javier Coll Olalla, Manuel Busquet Arrufat Vocals representants de la Generalitat de Catalunya Vocals representants del Consell de Mecenatge Francesc Vilaró Casalinas, Àngels Barbarà Fondevila, Àngels Jaume Giró Ribas, Luis Herrero Borque Ponsa Roca, Pilar Fernández Bozal Secretari Vocals representants del Ministerio de Cultura y Deporte Joaquim Badia Armengol Santiago Fisas Ayxelà, Amaya de Miguel Toral, Santiago de Director general
    [Show full text]
  • 28Apr2004p2.Pdf
    144 NAXOS CATALOGUE 2004 | ALPHORN – BAROQUE ○○○○ ■ COLLECTIONS INVITATION TO THE DANCE Adam: Giselle (Acts I & II) • Delibes: Lakmé (Airs de ✦ ✦ danse) • Gounod: Faust • Ponchielli: La Gioconda ALPHORN (Dance of the Hours) • Weber: Invitation to the Dance ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Slovak RSO / Ondrej Lenárd . 8.550081 ■ ALPHORN CONCERTOS Daetwyler: Concerto for Alphorn and Orchestra • ■ RUSSIAN BALLET FAVOURITES Dialogue avec la nature for Alphorn, Piccolo and Glazunov: Raymonda (Grande valse–Pizzicato–Reprise Orchestra • Farkas: Concertino Rustico • L. Mozart: de la valse / Prélude et La Romanesca / Scène mimique / Sinfonia Pastorella Grand adagio / Grand pas espagnol) • Glière: The Red Jozsef Molnar, Alphorn / Capella Istropolitana / Slovak PO / Poppy (Coolies’ Dance / Phoenix–Adagio / Dance of the Urs Schneider . 8.555978 Chinese Women / Russian Sailors’ Dance) Khachaturian: Gayne (Sabre Dance) • Masquerade ✦ AMERICAN CLASSICS ✦ (Waltz) • Spartacus (Adagio of Spartacus and Phrygia) Prokofiev: Romeo and Juliet (Morning Dance / Masks / # DREAMER Dance of the Knights / Gavotte / Balcony Scene / A Portrait of Langston Hughes Romeo’s Variation / Love Dance / Act II Finale) Berger: Four Songs of Langston Hughes: Carolina Cabin Shostakovich: Age of Gold (Polka) •␣ Bonds: The Negro Speaks of Rivers • Three Dream Various artists . 8.554063 Portraits: Minstrel Man •␣ Burleigh: Lovely, Dark and Lonely One •␣ Davison: Fields of Wonder: In Time of ✦ ✦ Silver Rain •␣ Gordon: Genius Child: My People • BAROQUE Hughes: Evil • Madam and the Census Taker • My ■ BAROQUE FAVOURITES People • Negro • Sunday Morning Prophecy • Still Here J.S. Bach: ‘In dulci jubilo’, BWV 729 • ‘Nun komm, der •␣ Sylvester's Dying Bed • The Weary Blues •␣ Musto: Heiden Heiland’, BWV 659 • ‘O Haupt voll Blut und Shadow of the Blues: Island & Litany •␣ Owens: Heart on Wunden’ • Pastorale, BWV 590 • ‘Wachet auf’ (Cantata, the Wall: Heart •␣ Price: Song to the Dark Virgin BWV 140, No.
    [Show full text]
  • Programme ALL SAINTS SESSIONS
    Programme ALL SAINTS SESSIONS Hosted by Cheryl Moskowitz and Alastair Gavin All Saints’ Church, Edmonton Thursday 6th Dec 2018 7.30pm email: [email protected] PROGRAMME Four arias after Vincenzo Bellini Richard Scott Ah! non credea mirarti Aria from “La Sonnambula” by Vincenzo Bellini Elinor Popham - Soprano Alastair Gavin - Electric Piano Reading Richard Ebben? Ne andrò lontana Aria from “La Wally” by Alfredo Catalani Elinor/Alastair 23 Words Cheryl Moskowitz Music by Alastair -------- INTERVAL -------- No One’s Rose A poem sequence by Richard and Cheryl 1) That Word All Over Again after Walt Whitman’s ‘Reconciliation’ - Cheryl 2) le jardin secret (from ‘Soho’) - Richard 3) Lines from ‘Psalm’ by Paul Celan – Cheryl 4) botany4boys - Richard 5) Making Our Own Garden (a Golden Shovel* after Paul Celan’s Psalms) - Cheryl 6) Oh My Soho! (section I) - Richard 7) Creation Story ‘Before there was anything there was…’ - Cheryl 8) Oh My Soho! (section IX) - Richard Music by Elinor & Alastair, concluding with Ma rendi pur content from “Composizioni da Camera” by Vincenzo Bellini * The Golden Shovel is a poetic form devised and given its name by American poet Terrance Hayes (who, with Richard, is also on this year’s TS Eliot prize shortlist). Part cento and part erasure, the form takes a line or a section from a poem by another poet and uses the words from that line or section as the end words in the new poem. The result is an honouring, a response to, and a reinvention of the original. Special thanks to Revd. Stuart Owen for his support and enthusiasm for this venture, Anthony Fisher for his generous donation of sound equipment, and of course to our very special guests Richard Scott and Elinor Popham.
    [Show full text]
  • Is She Dead Yet? Rehearsing La Bohéme at Opera Australia
    Is she dead yet? Rehearsing La Bohéme at Opera Australia Avi Michael Casebook submitted in partial fulfilment of the requirements of the degree of Bachelor of Arts (Honours). Department of Performance Studies University of Sydney 2009 Many thanks to my supervisors, Dr. Ian Maxwell and Dr. Amanda Card. 2 | Is she dead yet? Table of Contents Introduction ...................................................................................................................................... 4 Introduction ................................................................................................................................................. 4 Causality: My Method of Operating ...................................................................................................... 7 Context .............................................................................................................................................. 12 The Project ................................................................................................................................................. 12 My Musical Inertia ................................................................................................................................... 14 A Rehearsal Space in Surry Hills ......................................................................................................... 15 Personnel ...................................................................................................................................................
    [Show full text]
  • Melbourne Symphony Orchestra Chorus 50Th Anniversary
    Melbourne Symphony Orchestra Chorus 50th Anniversary Concert Wednesday 7 October at 8pm Elisabeth Murdoch Hall, Melbourne Recital Centre WHAT’S ON OCTOBER – DECEMBER 2015 AN AMERICAN IN PARIS TCHAIKOVSKY AND GRIEG SIBELIUS’ FINLANDIA Friday 30 October Friday 13 November Thursday 19 November Saturday 14 November Friday 20 November Gershwin’s An American in Paris evokes a journey through the Asher Fisch conducts three Yan Pascal Tortelier celebrates the bustling streets of the French masterworks that defined the 150th anniversary of two Nordic capital, punctuated by taxi horns Romantic era. Tchaikovsky’s masters. Sibelius’ majestic Finlandia and a bluesy trumpet solo. Also stirring Romeo and Juliet is followed is balanced against Nielsen’s spirited featured in this program is by Grieg’s poignant Piano Concerto Violin Concerto. Also featured in this Ravel’s Piano Concerto in G and and the high-voltage intensity program is Sibelius’ Symphony No.5 Saint-Saëns’ Symphony No.3 Organ. of Tchaikovsky’s Fourth Symphony. and tone poem The Swan of Tuonela. BRAHMS AND TCHAIKOVSKY MESSIAH CHRISTMAS CAROLS Thursday 26 November Saturday 5 December Saturday 12 December Friday 27 November Sunday 6 December Sunday 13 December Saturday 28 November Join conductor Bramwell Tovey, Bramwell Tovey joins the MSO Divertimento, Bartók’s dark take the MSO Chorus and renowned as conductor, pianist and host on the Baroque, kick-starts this international soloists for one of in this celebration of the great night of European festivities. the MSO’s most beloved Christmas musical traditions of Christmas, Brahms’ Violin Concerto delivers traditions, Handel’s Messiah. from famous orchestral works and a fiery, gypsy-inspired rondo and favourite Christmas songs to the Tchaikovsky’s Serenade for Strings most beloved of Yuletide carols.
    [Show full text]
  • Regent Theatre Ulumbarra Theatre, Bendigo
    melbourne opera Part One of e Ring of the Nibelung WAGNER’S Regent Theatre Ulumbarra Theatre, Bendigo Principal Sponsor: Henkell Brothers Investment Managers Sponsors: Richard Wagner Society (VIC) • Wagner Society (nsw) Dr Alastair Jackson AM • Lady Potter AC CMRI • Angior Family Foundation Robert Salzer Foundation • Dr Douglas & Mrs Monica Mitchell • Roy Morgan Restart Investment to Sustain and Expand (RISE) Fund melbourneopera.com Classic bistro wine – ethereal, aromatic, textural, sophisticated and so easy to pair with food. They’re wines with poise and charm. Enjoy with friends over a few plates of tapas. debortoli.com.au /DeBortoliWines melbourne opera WAGNER’S COMPOSER & LIBRETTIST RICHARD WAGNER First performed at Munich National Theatre, Munich, Germany on 22nd September 1869. Wotan BASS Eddie Muliaumaseali’i Alberich BARITONE Simon Meadows Loge TENOR James Egglestone Fricka MEZZO-SOPRANO Sarah Sweeting Freia SOPRANO Lee Abrahmsen Froh TENOR Jason Wasley Donner BASS-BARITONE Darcy Carroll Erda MEZZO-SOPRANO Roxane Hislop Mime TENOR Michael Lapina Fasolt BASS Adrian Tamburini Fafner BASS Steven Gallop Woglinde SOPRANO Rebecca Rashleigh Wellgunde SOPRANO Louise Keast Flosshilde MEZZO-SOPRANO Karen Van Spall Conductors Anthony Negus, David Kram FEB 5, 21 Director Suzanne Chaundy Head of Music Raymond Lawrence Set Design Andrew Bailey Video Designer Tobias Edwards Lighting Designer Rob Sowinski Costume Designer Harriet Oxley Set Build & Construction Manager Greg Carroll German Language Diction Coach Carmen Jakobi Company Manager Robbie McPhee Producer Greg Hocking AM MELBOURNE OPERA ORCHESTRA The performance lasts approximately 2 hours 25 minutes with no interval. Principal Sponsor: Henkell Brothers Investment Managers Sponsors: Dr Alastair Jackson AM • Lady Potter AC CMRI • Angior Family Foundation Robert Salzer Foundation • Dr Douglas & Mrs Monica Mitchell • Roy Morgan Restart Investment to Sustain and The role of Loge, performed by James Egglestone, is proudly supported by Expland (RISE) Fund – an Australian the Richard Wagner Society of Victoria.
    [Show full text]
  • SUMMER of the SEVENTEENTH DOLL 14-20 NOVEMBER | HER MAJESTY’S THEATRE Welcome
    MILLS/GOLDSWORTHY SUMMER OF THE SEVENTEENTH DOLL 14-20 NOVEMBER | HER MAJESTY’S THEATRE Welcome Good evening dear friends You will hopefully have already heard about some of the brilliant works we are presenting next year (hurry before I never thought I would say this, but you miss out on Carousel!), and there is what a joy to have to write a program more to come so please do watch this note welcome message! We have finally space. Our desire to create, produce come to the end of a year we could only and present great shows in Adelaide have imagined taking place in a science has not been diminished at all by the fiction movie, and I for one am going to events of this year, but rather the positively drink in every sweet sound from challenges have inspired us to consider this production in an attempt to satisfy alternate and interesting ways to exceed my ever-growing hunger for live opera. your expectations and ensure that you continue to enjoy our magnificent art The choice to present Summer of the form. Thank you to the State Opera Seventeenth Doll to not only conclude Board of Directors for steering the ship 2020 but to jump-start 2021 was so carefully, and thank you to all of our very deliberate. The prioritisation of donors, corporate partners and Opera Australian opera and on this occasion, Club members for staying the course. to bring it to the mainstage, sets our And to you, our beloved audience, we Company apart for our steadfast belief are ever grateful for your warmth and in the quality and value of our Australian support.
    [Show full text]
  • In Concert the Hologram Tour Callas in Concert the Hologram Tour 80.26
    CALLAS IN CONCERT THE HOLOGRAM TOUR CALLAS IN CONCERT THE HOLOGRAM TOUR 80.26 Gioachino Rossini (1792-1868) 1 La gazza ladra, Overture (excerpt) 2.55 Philharmonia Orchestra · Carlo Maria Giulini Charles Gounod (1818-1893) 2 Roméo et Juliette, Act 1: Juliet’s Waltz. “Ah! Je veux vivre dans ce rêve” (Juliette) 3.40 Maria Callas Orchestre National de la Radiodiffusion Française · Georges Prêtre Giuseppe Verdi (1813-1901) 3 Macbeth, Act 1: Letter Scene. “Nel dì della vittoria ... Vieni! t’affretta” (Lady Macbeth, Chorus) 7.48 Maria Callas Philharmonia Chorus & Orchestra · Nicola Rescigno Georges Bizet (1838-1875) Carmen 4 Overture 2.17 5 Act 1: Habanera. “L’amour est un oiseau rebelle” (Carmen, Chorus) 4.22 6 Act 3: Card Aria. “Mêlons! Coupons!” (Frasquita, Mercédès, Carmen) 6.56 Carmen Maria Callas Frasquita Nadine Sautereau · Mercédès Jane Berbié Orchestre de l’Opéra National de Paris · Georges Prêtre Giuseppe Verdi Macbeth 7 Act 3: Ballabile (Valzer) 3.11 New Philharmonia Orchestra · Riccardo Muti 8 Act 4: Sleepwalking Scene. “Una macchia è qui tuttora!” (Lady Macbeth) 11.17 Maria Callas Philharmonia Orchestra · Nicola Rescigno Alfredo Catalani (1854-1893) 9 La Wally, Act 1: “Ebben?... Ne andrò lontana”* (Wally) 4.51 Maria Callas Philharmonia Orchestra · Tullio Serafin 2 Ambroise Thomas (1811-1896) 10 Hamlet, Act 4: Mad Scene. “À vos jeux, mes amis … Partagez-vous mes fleurs” (Ophélie) 10.24 Maria Callas Philharmonia Orchestra · Nicola Rescigno Amilcare Ponchielli (1834-1886) La Gioconda, Act 4: 11 Prelude 5.04 12 “Suicidio!” (Gioconda)
    [Show full text]