Strategic Plan

Total Page:16

File Type:pdf, Size:1020Kb

Strategic Plan S TRATEGIC P LAN Created By February 6-8, 2020 Kiva 1 Conference Room Hotel Santa Fe Santa Fe, New Mexico Strategic Plan Facilitated and documented for Honor The Earth by Contents This report contains the results of the 2020 Strategic Planning session of Honor the Earth. There are five sections to this report. 3 – 11 Organizational History & Current Environment This section of the report holds the results of five conversations designed to begin the strategic planning work planted in the history of Honor the Earth as well as its current reality. These include responses to questions on basic data, trends, accomplishments and advantages. 12 - 15 Practical Vision This section of the report holds the group’s Vision for Honor the Earth in 2030. If the work is done well at Honor the Earth over the next 10 years, what do we see in place in 2030? The group’s consensus and motivating image of the future is stated, along with where the Vision moves the organization. 16 – 18 Underlying Contradictions Workshop This section of the report represents the group’s analysis of issues and obstacles blocking progress toward the Vision. This insightful look at contradictions assists the group in assuring its development strategies are grounded in reality. 19 – 20 Strategic Directions Workshop This section documents the five-year strategies targeted by Honor The Earth. The actions are woven into strategic directions that provide the group with clear statements of the priorities driving decision-making. 21 – 36 Implementation Calendar, Task Teams, Participants This section documents the accomplishments targeted for completion in Years One and Two, along with the calendared effort and individual implementation sheets completed by the small teams who self-selected to work on task arenas. Honor the Earth Strategic Plan facilitated and documented by Indigenous Collaboration, Inc. 2 History & Current Environment Scan In setting the stage to embark on planning, it is significant to create a “snapshot” of the history of Honor the Earth. In this session participants shared information on the 27 year history of Honor the Earth. The group generated data and information to discuss this history as it lives in the memories and stories of participants. Then, the group conducted a scan of the current reality, drawing out facts, trends, advantages and recent accomplishments that frame the environment of considerations that impact Honor the Earth’s work. These discussions help set the stage for the creation of a practical vision that is grounded in the reality of Honor the Earth. The shared history was developed by everyone in the group and began by asking participants to consider the following focus question: What Are The Experiences, Events, Programs, Projects & Efforts That Make Up The Shared History Of Honor The Earth? Honor the Earth Strategic Plan facilitated and documented by Indigenous Collaboration, Inc. 3 History Grounding Honor The Earth’s Vision Awakening to Power of Music, Art & Media Founding Organizations – Created “Cool” & Invited to Illuminate, Amplify & Mobilize Others To Join Via Positive Attraction 1990 & Before 1991 - 1994 • Winona & Jim part of Youth • Winona and Jim doing advocacy – • Founded by Winona, Emily & Amy movement (‘80s) Building presence & bringing spotlight • Sense of humor in all the work “we be funny” • Mt Taylor (’79) to issue • 7 Gen – IEN, IWN, formed Honor The Earth • Young women emergent leaders (‘80s) • Walleye Wars; Ojibwe Treaties; State • Tour – West N. America: Native Action, Sweet Grass Hills; • Birthing of many Native organizations Government Hopi Foundation; California Basket Weavers; EYAK; • Amy & Emily meet Winona – Earth • Money flowing in had strings attached. Cordova Day, Boston (’90?) Not true altruism • Benefit show w/I.G in Shiprock (‘94/’95) • Realize mainstream white orgs doing • Growing & enthusiasm over impacts • Office in MN – 4 people on staff of Honor. Meant to be lean environmental work not taking Native • Huge assault on Native resources • Show focus: White Earth Land Recovery Project (WELRP); staff into account • Idea of philanthropy – helping funders Midwest Treaty Network; Anishinaabe Niijii Mining in • Ban The Dam Jam – no nukes give Wisconsin; Test run of concert series (’93) • 7th Generation Fund Formed (’77) • Power dynamics in philanthropy • Honor raise $ to fund what wasn’t getting funded… • Indigenous Enviro Network – IEN revealed – No bottom line… add supporting campaigns… didn’t create them (’90) business (‘90s) • 1st fundraising concert tour, ’93: 4 shows: Point Hope, • Earth Day – Mark Tilson… How to • Carter energy plan turned attention to Madison, Minneapolis, Denver, Midwest, Ulali Build, Strengthen & Augment Power Indian Country (late 70s) • Action Cards – Postcards to someone (company / politician) • Churchrock spill – Three Mile Island • Indigenous Women Network – IWN to do something specific (’78) • Karen Silkwood; Leroy Jackson; David • Honor The Earth advocacy – putting the spotlight on things & • Survival Gathering (multiple), Black SoHappy (‘80s) bring to attention of things & philanthropy Hills (’79 – ’80) • Anti-nuclear / Anti-dam movement • Approach was to focus on national issue overarching & tie it • Realized if musicians help - people • Lack of Native voices in environmental to local & regional issues people didn’t know of come movement • Emergence of modern Native-led environmental movements & pay attention • Big 10 letter • Renaissance of Native Ag work – farming cooperatives organized (‘90s) Honor the Earth Strategic Plan facilitated and documented by Indigenous Collaboration, Inc. 4 History Grounding Honor The Earth’s Vision (continued) Success of Honor & other Native Entities Grows & Increases Became Aware of Ambitious Workload & Need To Look at Resources & Tensions in Work Capacity, Structure & Admin 1995 - 1999 2000 - 2004 • Social movement stop bad shit • Winona running Honor in MN & also White Earth Land Recovery • Raised $200K w/21-stop tour Project (WELRP) • Nuclear Battle – Xcel, Goshute (’97-on) • GOTV Buffalo • Elections – 1996 – 2000 • Organization gender conflicts & tension pronounced • Generated hundreds of news stories & national TV news coverage • Goshute Solar campaign • To Tides (’98) • Still small staff – 4-6 people • White Plume Hemp grant (’98) • Lots of cool @ table. Broad efforts – increase in conflict in Board • Navigate transition between programming & grant makers (’00 & onward) • Moved from being a campaign to being an organization / group with Tides • Winona had a baby Foundation to hold our money. Got web site, newsletter (’98) • Winona on Presidential / Vice Presidential ticket. Paul was • Granted $200K campaign manager & baby sitter • Everything on Honor’s plate becoming unmanageable • Dann Sisters Solar (’03) • Collected over $20K action cards on strategic issues and created a viable • Raise visibility “Native People can run & make an impact”, whether political force for change they win or not • Concerts – 28 go into communities & focus on their issues • Founding orgs all doing good work • Release record. Called Honor to benefit CD to raise funds – national release • Great Lakes environmental victories (’96) • Started trying to attract others with capacity to raise more $ than we • No nukes: East coast tour; D.C. Lobbying; Cherokee; Mohawk; Penobscot; could Seminole (’97) • Credentialed Natives young & want to go home… but working • Campaigns to focus attention & resources on communities & efforts doing elsewhere important stuff in subject area • Strong movement made shift to solutions focus • Capacity for ourselves and the people we work with need attention • Newspapers start decline. Rise of internet impact • Start working on solutions that are broad-based – like solar & wind Honor the Earth Strategic Plan facilitated and documented by Indigenous Collaboration, Inc. 5 History Grounding Honor The Earth’s Vision (continued) Challenges Prompt Focus on Sustainability w/o Agreement on Succession Rebuilt Honor with Seat at White Earth & Leadership Founding Mothers Exercise Authority to Control & Rebuild & Had To Rebuild Capacity to Continue Efforts (2010 – 2015) 2005 - 2009 2010 - 2014 • Nikki (’08 – ’09); Aurora (’09 – ’10); Katie • Winona’s Birthday fundraisers (ongoing) (’11); Luke (’10); Nellis (’08 – ’12); Leslie • Ongoing grant-making (’11); Faye (’12); Tom (’12) • 501(c)(3) received in 2013 • Tried new E.D. – short moment (’05, 6-12 • Women donors tour (’12) months) • Board battle – removed all the board except 3 (’11) • Honor SW concert tour (’07) • Board selection for diversity • KILI Wind • Big stone 2 • Craziness - Recession reduces $ coming in. • San Juan Generation Station House fire refocuses attention on family. (’08) • People’s Climate March • Desert Rock • Enbridge – Leech Lake Vote • Yankton Solar • Dine’ College Solar • Ongoing four corners power plant • Honor Wind • White Earth Solar • Mt Taylor Protection Status • Why can’t we do philanthropy ourselves & do • Indigenous-led resistance to Tar Sands it right? • Sandpiper Campaign • Honor – Trip to Chiapas (’05) • $250K - $300K granting • Regionally-focused CO Plateau Foundation fully operational & Goals • Regionally building leadership management capacity. Succession planning etc. among regional non-profits – “We Live Where We Serve” • Obama’s stimulus plan • Defeat of GTAC mine (WI). Repeal of environmental protections (’14) • Annual Pow Wows • Militarization of Indian Country Honor the Earth Strategic Plan facilitated and documented by Indigenous Collaboration,
Recommended publications
  • Indigo Girls the Indigo Girls Amy Ray (Left) and Emily Saliers Performing at by Carla Williams Park West, Chicago, in 2005
    Indigo Girls The Indigo Girls Amy Ray (left) and Emily Saliers performing at by Carla Williams Park West, Chicago, in 2005. Encyclopedia Copyright © 2015, glbtq, Inc. Image appears under the Creative Commons Entry Copyright © 2002, glbtq, Inc. Attribution ShareAlike Reprinted from http://www.glbtq.com License. Photograph by Lesbians Amy Ray and Emily Saliers are Indigo Girls, one of the most successful folk/ Wikimedia Commons pop duos in recording history. Ray and Saliers have carved out an enduring career that contributor Andreac. is due largely to the fierce loyalty of their fans, many of them lesbians. Ray, a native Atlantan, and Saliers, a transplant from Connecticut, met in grade school in Atlanta and became friends. They shared a talent for writing and music and began playing together in Ray's parents' basement. During college at Emory University, they played club dates in and around Atlanta as the "B Band" and later "Saliers and Ray," developing their following and reputation as a particularly strong band in live performance. Beginning in 1981 they released several independent records on tape and in 1985 released a vinyl single, "Crazy Game." That same year Ray selected the name Indigo Girls on "sort of a whim," she explained in an interview years later. "I found it in the dictionary . it's a deep blue, a root--real earthy." The duo signed with Epic Records in 1988. Their first record for Epic, the multi-platinum Indigo Girls, included their best-known song, "Closer to Fine." That year they were nominated for two Grammy awards-- Best New Artist (they narrowly lost to Milli Vanilli) and Best Contemporary Folk Album, which they won.
    [Show full text]
  • Amy Ray Career
    A lot of artists defy categorization. Some do so because they are tirelessly searching for the place they fit, while others are constantly chasing trends. Some, though, are genuinely exploring and expressing their myriad influences. Amy Ray belongs in the latter group. Pulling from every direction — Patty Griffin to Patti Smith, Big Star to Bon Iver — Ray's music might best be described as folk-rock, though even that would be a tough sell, depending on the song. Ray's musical beginnings trace back to her high school days in Atlanta, Georgia, when she and Emily Saliers formed the duo that would become the Indigo Girls. Their story started in 1981 with a basement tape called “Tuesday's Children” and went on to include a deal with Epic Records in 1988, a Grammy in 1990, and nearly 20 albums over more than 30 years. Rooted in shared passions for harmony and justice, the Indigo Girls have forged a career that combines artistry and activism to push against every boundary and box anyone tries to put them in. As activists, they have supported as many great causes as they can, from LGBTQ+ rights to voter registration, going so far as to co-found an environmental justice organization, Honor the Earth, with Winona LaDuke in 1993. As artists, they have dipped their toes into a similar multitude of waters — folk, rock, country, pop, and more — but the resulting releases are always pure Indigo. Ray's six solo sets — and three live albums — have charted even wider seas, from the political punk of 2001's Stag to the feminist Americana of 2018's Holler.
    [Show full text]
  • Duke Wins Overtime Thriller Over State, 85-82 University Applies for Permits
    THE CHRONICLE THURSDAY, JANUARY 25, 1990 DUKE UNIVERSITY DURHAM, NORTH CAROLINA CIRCULATION: 15,000 VOL. 85, NO. 85 Duke wins overtime thriller over State, 85-82 House votes By ANDY LAYTON been a big win for us." against veto Bobby Hurley's free throw with Phil Henderson led all scorers 11 seconds remaining in over­ with 25 points, while Christian time proved to be the difference Laettner added 18 points. Rod­ of China bill ney Monroe led State with 19 as Duke knocked off North By JIM DRINKARD Carolina State, 85-82, in the first points, but was a woeful 6-26 from the field. Associated Press overtime game at Cameron In­ WASHINGTON — The door Stadium since 1984-85. "It was a great team victory," Henderson said. "ESPN has got House voted overwhelming The victory improved the Blue to love Duke because we give Wednesday to override Presi­ Devils' record to 15-3 overall, 5-1 them great games every time." dent Bush's veto of legislation in the Atlantic Coast Conference, Hurley had a season-high 12 protecting Chinese students while the Wolfpack dropped to from deportation, while Bush 13-5, 2-3. assists. His previous high was 11 in Duke 96-91 victory over Geor­ appealed to Republican sena­ N.C. State had a chance to tie gia Tech. Laettner, in the mean­ tors to resist and help him the game at the end of overtime time, led all rebounders with 16 keep open ties to the world's following Alaa Abdelnaby's miss boards. most populous nation.
    [Show full text]
  • How the Performances, Song Lyrics, and Activism of the Indigo Girls Demonstrate the Mutable Composition of Southern Identity
    Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 8-11-2015 How the Performances, Song Lyrics, and Activism of the Indigo Girls Demonstrate the Mutable Composition of Southern Identity Alison Law Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Recommended Citation Law, Alison, "How the Performances, Song Lyrics, and Activism of the Indigo Girls Demonstrate the Mutable Composition of Southern Identity." Thesis, Georgia State University, 2015. https://scholarworks.gsu.edu/english_theses/191 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. HOW THE PERFORMANCES, SONG LYRICS, AND ACTIVISM OF THE INDIGO GIRLS DEMONSTRATE THE MUTABLE COMPOSITION OF SOUTHERN IDENTITY by ALISON LAW Under the Direction of Gina Caison, Ph.D. ABSTRACT A common misconception about the southern region of the United States is that any one part of the region can stand alone as an accurate representation of the territory as a whole. To refute any notion of a homogeneous South and demonstrate the dynamic nature of an individual or community identity, I examine the history, song lyrics, performances, and activism of the folk-rock duo the Indigo Girls and their hometown of Atlanta, Georgia. This project applies the theories of locational feminism found in Susan Stanford Friedman’s Mappings and New Southern Studies in Tara McPherson’s text Reconstructing Dixie . Analyzing the biographies, song lyrics, performances, and activism of the Indigo Girls as an archive of southern literature allows us to understand the fluid, multiplex nature of regional identity and view Atlanta as one “borderland” in a heterogeneous U.S.
    [Show full text]
  • Women in the Environment
    Women in the Environment Educational materials and resources that focus on the contribution women have made to the study and protection of our environment from the past to the present. The Department of Energy and Environmental Protection’s, DEEP, mission is conserving, protecting, and improving the natural resources and environment of our state. DEEP is responsible for monitoring and regulating water, air, and land pollution in order to protect the health, safety, and welfare of the people of Connecticut and to preserve and enhance the quality of life for future generations. By looking at the past we can plan for the future. This activity packet provides you with the tools and information to research advances women have made in environmental sciences and the roles they have played as leaders. The early stigma of women not being able to master sciences has lasted well into the 20th century. However, there were early pioneers researching, recording and physically advancing the natural sciences and the role of conservation and environmental health. Today, women are found in all areas of study from the field to the laboratory. They are involved in policy making, education and enforcement throughout the world. This packet is a starting point for all students to investigate the past, present and future roles women play in the protection and understanding of our natural resources and serve as role models for future generations. Thank you for your interest in our programs. If you have any questions or wish for more information about educational workshops, events, or programs please contact us at DEEP’s Kellogg Environmental Center http://www.ct.gov/dep/kellogg P.O.
    [Show full text]
  • Shannon Mcmahon
    Meeting Virginia: Feminist Analysis and Implications of Late- and Post-1990s Pop/Rock Music A Senior Honors Thesis Presented in Partial Fulfillment of the Requirements for graduation with research distinction in English in the undergraduate colleges of The Ohio State University By Shannon McMahon The Ohio State University June 2010 Project Advisor: Dr. Sara Crosby, Department of English McMahon 2 Introduction Music and feminism grew together throughout the 1990s as two forces of popular culture that helped to define and clarify the roles and representations of bold, bad, and individualistic women of the third wave. Feminism was undergoing a generational wave change, and the new third wave’s close interaction with popular culture led to accusations of disorder from second wave feminists and those outside the movement, as well. Third wavers began to use popular culture products, including music, as means to self-understanding, and they overturned dated notions of power in order to assert their own interpretations and use pop music in constructive ways. The ‘90s was also a locus of change for music and, in particular, third wavers’ roles in the industry. The Riot Grrrls of the early 1990s expressed their anger through the punk alternative, and the female singer/songwriters of the later Lilith Fair made feminist music more mainstream and individualized. Although feminist music had made many strides, mass media outlets and feminists alike pinpointed the era after Lilith Fair ended in 1999 as a new low point for feminist music: over-commercialized, over-exposed teen pop stars of the era had become popular, and their lyrics did not initiate constructive feminist discussions.
    [Show full text]
  • Closer to Fine, Luck and Fiddling Fishermen
    Closer to Fine, Luck and Fiddling Fishermen Inkjot Comics Last week I was fortunate enough to be part of the sold out Fiddlers and Fishermen show at Common Fence Point in Portsmouth. I love this show! It’s so much fun to be a part an event like this and to hear all of the other artists as well. Some of the highlights of the show were the a cappella group, Sync or Swim, who did a great rendition of ABBA’s “SOS” and fiddler Tiffany Rozenas’ family band. If you missed it, you can catch highlights of the three-hour show on the local cable interconnect. The one-and- a-half hour program will be aired many times on Channel 18 in Newport County. Dates and times are as follows: Thursday at 6:30pm, Friday at 10:30am, Saturday at 2pm and Sunday at 10:30am. Make sure to check out all of the awesome entertainment at CFP this season. commonfencemusic.org. Here’s some big news for you singer-songwriter and folky types. This goes for fans as well. The Rhode Island Songwriters Association (RISA) has scored big! They have just secured the 2013 Northeast Regional Folk Alliance (NERFA) Conference for June 1 at URI. While many of you may think that I am still the President of RISA and that I had something to do with it, I didn’t. I actually stepped down from RISA last summer. I am still an active member and supporter of the organization, though. The credit goes to Chuck Williams, Jan Luby, Joanne Lurgio, Barbara Lema, Rick Demers, Daniel James Durand, Wyatt Lema, Billy Mitchell, Paul Pasch, Mary Ann Rossoni and Rick Wahlberg.
    [Show full text]
  • At a Time When Hope and Forgiveness Seem in Short Supply, Roots Singer
    At a time when hope and forgiveness seem in short supply, roots singer-songwriter Amy Ray gives us all a shot in the arm with her ninth solo album, Holler, due this fall from Daemon Records. Still thriving as one half of GRAMMY-winning folk duo Indigo Girls, Ray has also produced a vital body of solo work over five studio albums and three live records (beginning with 2001’s Stag) that explores more deeply her roots in punk and classic country music. Last time, on 2014’s Goodnight Tender, she gathered a band of mostly Southern players and immersed into the rich sonic tradition of old-style country music-making that had long-captured her imagination, but never fully made it into work. The result was equal-parts Appalachian gospel and late-night honky tonk. That song cycle navigated themes of darkness and heartbreak, calling to mind the words of Southern greats like Hank Williams and Eudora Welty. From songs like “Let the Spirit” and “More Pills” emerged Ray’s own bucolic vision of mortality, true love, and the afterlife. American Songwriter called it “beautifully well-done” and PopMatters called it “wise” and “vulnerable.” But, while many of those reviews rightly focused on Ray’s ability to embody her songwriting, few focused on the impressive work of her backing musicians. Finding their spark on Goodnight Tender, Ray’s firecracker band has evolved into a tight unit over four years of on and off touring. Critics are unlikely to miss them on Holler. Led by shape-shifting multi-instrumentalist Jeff Fielder on guitars, dobro, bass, and mandolin; Ray’s band—Matt Smith on pedal steel, dobro, and guitar; Adrian Carter on fiddle and guitar; Kerry Brooks on upright bass and mandolin; Jim Brock on drums and percussion; Alison Brown on banjo, and Kofi Burbridge of Tedeschi Trucks Band on keys—has long since fused into a level of cohesion more typical of a family band.
    [Show full text]
  • Augsome Karaoke Song List Page 1
    AUGSome Karaoke Song List 44 - When Your Heart Stops Beating 112 - Come See Me 112 - Cupid 112 - Dance With Me 112 - It's Over Now 112 - Only You 112 - Peaches And Cream 112 - U Already Know 311 - All Mixed Up 311 - Amber 311 - Beyond The Gray Sky 311 - Creatures (For A While) 311 - Don't Tread On Me 311 - Down 311 - First Straw 311 - Hey You 311 - I'll Be Here Awhile 311 - Love Song 311 - You Wouldn't Believe 411 - Dumb 411 - On My Knees 411 - Teardrops 702 - Get It Together 702 - I Still Love You 702 - Steelo 702 - Where My Girls At 911 - All I Want Is You 911 - How Do You Want Me To Love You 911 - Little Bit More, A 911 - More Than A Woman 911 - Party People (Friday Night) 911 - Private Number 1927 - That's When I Think Of You 1975 - Chocolate 1975 - City 1975 - Love Me 1975 - Robbers 1975 - Sex 1975 - Sound 1975 - Ugh 1 Giant Leap And Jazz Maxi - My Culture 10 Years - Beautiful 10 Years - Through The Iris 10 Years - Wasteland 10,000 Maniacs - Because The Night 10,000 Maniacs - Candy Everybody Wants 10,000 Maniacs - Like The Weather 10,000 Maniacs - More Than This 10,000 Maniacs - These Are The Days 10,000 Maniacs - Trouble Me 100 Proof Aged In Soul - Somebody's Been Sleeping Page 1 AUGSome Karaoke Song List 101 Dalmations - Cruella de Vil 10Cc - Donna 10Cc - Dreadlock Holiday 10Cc - I'm Mandy 10Cc - I'm Not In Love 10Cc - Rubber Bullets 10Cc - Things We Do For Love, The 10Cc - Wall Street Shuffle 112 And Ludacris - Hot And Wet 12 Gauge - Dunkie Butt 12 Stones - Crash 12 Stones - We Are One 1910 Fruitgum Co.
    [Show full text]
  • Press Release: Indigo Girls to Receive 2019 Pell Award for Lifetime
    Curt Columbus, The Arthur P. Solomon and Sally E. Lapides Artistic Director, Tom Parrish, Executive Director 201 Washington Street Providence ⬣ Rhode Island 02903 ⬣ www.trinityrep.com FOR IMMEDIATE RELEASE: April 25, 2019 CONTACT: Caitlin Howle, Digital Marketing Coordinator; (401) 453-9226; [email protected] INDIGO GIRLS TO RECEIVE 2019 PELL AWARD FOR LIFETIME ACHIEVEMENT IN THE ARTS Pell Awards Gala to be held June 3, 2019 PROVIDENCE, RI – Trinity Repertory Company announced today that the Indigo Girls will be honored with the 2019 Pell Award for Lifetime Achievement in the Arts in recognition of their artistic achievements and advocacy at the theater’s 23rd annual Pell Awards Gala on Monday, June 3, 2019 at the WaterFire Arts Center in Providence, RI. Tickets and more information can be found at TrinityRep.com/pell. Amy Ray and Emily Saliers (better known collectively as Indigo Girls) met in elementary school in Atlanta, Georgia and began singing together professionally while in high school in 1980. They began recording in 1985 and toured and recorded independently until they were signed by Epic Records in 1988. In 1989 they were nominated for a Grammy for Best New Artist, and took home the Grammy for Best Contemporary Folk Recording. Indigo Girls would go on to receive multiple Grammy nominations, sell 15+ million albums worldwide and record 15 studio releases along with many live releases and compilations. Ray and Saliers are committed activists who have worked on issues such as immigration (working with such groups as El Refugio), supporting the Zapatistas in Mexico, working to abolish the death penalty, supporting sensible gun laws, LGBTQ rights, voter education, women’s health, Imagination Library, and Indigenous Environmental Justice.
    [Show full text]
  • Tuesday, June 18, 2002 OLOS Celebrates Diversity, Fair Hailed a Success by Glynis Wray Grau Librarians
    ala Issue IV CognotesAtlanta Tuesday—June 18, 2002 A Morning With Michael Moore By Michael Byrnes published and that the only copies in ex- with his book: New Jersey Institute of Technology istence were about to be recycled and Moore was on his Michael Moore attributes the publi- probably would come back as Rush own. cation of his latest best selling book Stu- Limbaugh or Bill O’Reilly books. On the first day pid White Men: And Other Excuses for Moore read the first of chapters of his of its release, all the State of the Nation, to the efforts of a book to the group. “You’re probably the 50,000 copies were lone librarian. only people in America who will ever sold. The next day On September 10th, Harper Collins hear these words,” he said. He asked the it was the number printed the first 50,000 copies ready to people in the room that day not to go to one seller on be shipped. By the end of the following the press and make a fuss over it. It was amazon.com. By evening the publishing house decided it his battle and he was determined to fight the fifth day, the would be disastrous to distribute a book alone, away from the public eye. Some- book was in its containing an open later to President Bush where in the audience that day was Ann ninth printing. As asking him if he was ever a drunk, felon Sparanese, a librarian from Englewood, of today, it is in its or illiterate.
    [Show full text]
  • The Sounds of Queer Justice
    The Queer Sounds of Justice: Contemporary Queer Musicking and Transformative Justice in The United States S.M. Gray Submitted in Partial Fulfillment of the Prerequisite for Honors in Peace and Justice Studies Program April 2012 © 2012, S.M. Gray Table of Contents Acknowledgements _____________________________________ i Introduction: Terminology, Process, and Construction of Narrative ___________________________________________ 1 1. Girlyman’s “Young James Dean”: A Tribute to the Pioneers of the Women’s Music movement__________________ 24 2. Positionality and Activism within Musicking: The Women’s Music movement of 1988__________________________35 3. From Ani DiFranco to Coyote Grace: A Queer and Feminist Blender of Politics, Gender, Genre, Sex, and Desire_______49 4. The Muses of Mustached ElectroLovers: Homos and Queer Punks, Angry Grrrl Feminists, and Lesbionic Dykes____________65 5. Contemporary Queer and Trans(Feminist) Musicking: Technology, Embodiment, Temporality, and Intersectionality__________91 Conclusion: Queer Musicking and A Broader Transformative Justice Framework______________________________117 Bibliography__________________________________________137 Acknowledgements I am so excited to finally be sharing my year-long endeavors with colleagues, friends, and family. It has been a long journey, and I am so grateful to all of you who have helped me along the way. Thank you so much to all of the musicians who have been so supportive through this process: the members of Girlyman, Coyote Grace, Katastrophe, Athens Boys Choir, Grygiel, The Shondes, Lovers, Des Ark, MC Micah, Kera Washington and Zili Musik, and Schmekel. I have been so inspired and supported by all of you through my research, and have learned so much from all of you. Thank you for sharing your sounds and stories with the world. I want to extend a huge thank you to Larry Rosenwald for his calming demeanor, quiet support, outgoing intellectualism, and laidback deadlines.
    [Show full text]