DOCSLIB.ORG

Beyonce: All Hail the Queen!

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Beyonce: All Hail the Queen! Beyonce: All Hail the Queen! By Rachael Finney and see what all the hype is about, with the Queen BEY! Her pure soul this album is beautiful from begin- and humility shines through every Beyonce Knowles managed ning to end. song, video and performance she to delight us all with her 14- track, 17- If I had to change anything has done to support this album. music video, 2013 self-titled album about it I wish that it would never Her music speaks a lot that dropped Dec. 13, 2013. It’s Fri- end. about her personality as well. Be- day the thirteenth and guess who’s Beyonce makes music that yonce makes great songs and man- playing Freddy? Not Mrs. ages to expand her fan Carter! She surprised the base at the release of world with her beautiful every new project and work of art. “This album makes you want to album she drops. I Beyonce has have seen big cocky been known for over 15 football players break years for breaking change the world, get up and down and sing the high boundaries in the music pitch vocals of “Drunk industry, but this time dance, get drunk, have sex and In Love,” and every girl she was going out to in the world wants to be capture hearts and wake up and do it all over “Flawless” now. minds with her angelic I had the voice. pleasure of seeing her Columbia Re- again!” twice this summer. cords says 823,773 cop- Once at her Baltimore stop of the is understandable and relatable to ies of “ Beyonce” were sold world- “ On the Run” tour, and as a sur- people of all walks of life. This CD wide in just three days. And in the prise appearance at “ The Global isn’t just words put to a melody, United States, Beyonce Knowles- Citizen’s Festival” in New York City. meant to be sung in front of an audi- Carter broke the United States She walks onto stage and you are ence. It is a production, a 5 PLUS iTunes sales record by selling able to experience world peace for star masterpiece. 617,000 downloads from the time of those few moments. She collaborates with eve- the unannounced midnight album You can tell through her ryone from Kanye West, Drake, release on Friday December 13 until music she wants to be free of socie- Frank Ocean, and her immediate the close of business on Dec. 15. tal norms. She has the power and a family Jay-Z and Blue Ivy Carter. The launch of this album voice to change lives. This album makes you want was the second-largest digital sales Beyonce embraces the idea to change the world, start a family, week EVER! Second behind Lady of being a feminist and for all to get up and dance, fall in love, get Gaga, but who cares! stand up for what they believe, and drunk, have sex, make a baby, As if all these stats aren’t that is a little encouragement we all wake up, and do it all over again! enough to make you want to run could use. There are no boundaries PAGE 10 FLOW SPRING 2015 .
Load more

Recommended publications
  • Alicia Keys Gangsta Lovin Mp3, Flac, Wma
    Alicia Keys Gangsta Lovin mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop / Funk / Soul Album: Gangsta Lovin Country: Russia Released: 2002 Style: RnB/Swing, Neo Soul MP3 version RAR size: 1357 mb FLAC version RAR size: 1294 mb WMA version RAR size: 1711 mb Rating: 4.9 Votes: 845 Other Formats: AIFF MMF MP4 DMF TTA AUD MP2 Tracklist Hide Credits Gangsta Lovin A1 Featuring – Eve A2 Girlfriend A3 Rear View Mirror A4 How Come You Don't Call Me A5 Never Felt This Way (Interlude) A6 Butterflyz A7 Rock Wit U A8 Jane Doe A9 Goodbye B1 A Woman's Worth B2 Fallin' B3 The Life Mr. Man B4 Featuring – Jimmy Cozier B5 Why Do I Feel So Sad B6 Troubles B7 A Woman's Worth (Remix) Companies, etc. Phonographic Copyright (p) – Global Music Phonographic Copyright (p) – Fox Music Copyright (c) – Global Music Copyright (c) – Fox Music Notes New 2002 Renamed album "Songs In A Minor" with additional new track "Gangsta Lovin" Barcode and Other Identifiers Barcode (Text): 4 601777 637565 Barcode (String): 4601777637565 Other (Cassette ID): B0808GI Other versions Category Artist Title (Format) Label Category Country Year Songs In A Minor (CD, 80813-20002-2 Alicia Keys J Records 80813-20002-2 US 2001 Album) Songs In A Minor (Cass, J Records, 80813-20002-4 Alicia Keys 80813-20002-4 Ukraine 2002 Album) BMG Russia Songs In A Minor (CD, 80813-20002-2 Alicia Keys J Records 80813-20002-2 Australia 2001 Album) Songs In A Minor 80813 20002-4 Alicia Keys (2xCass, Album, J Records 80813 20002-4 Indonesia 2002 S/Edition) Songs In A Minor (Cass, 80813-20002-4 Alicia Keys J Records 80813-20002-4 US 2001 Album) Related Music albums to Gangsta Lovin by Alicia Keys Alicia Keys - An Interview With Alicia Keys, Featuring 3 Live Acoustic Tracks Alicia Keys - Songs In A Minor (CD Sampler) 6 Tre Gangsta - Alicia Keys - A Woman's Worth DRS - Gangsta Lean Eve Featuring Alicia Keys - Gangsta Lovin' Alicia Keys - Songs In A Minor Alicia Keys - 22th Sep 2008 - Vancouver Alicia Keys - Radio City Hall Nyc Goldie Loc - Gangsta Life.
    [Show full text]
  • In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
    In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998).
    [Show full text]
  • Michael Jackson the Man and the Message
    Michael Jackson The Man and the Message Getting to know his greatest concerns through his own words “I really do wish people could understand me some day.” Michael Jackson The following text consists of quotes that are taken from radio and TV interviews, speeches and public statements, poems and reflections, song lyrics, handwritten notes and letters. The earliest quote is from 1972, the latest from 2009. Since the media rather concentrated on questions in terms of gossip and scandal, this compilation should provide an opportunity to get a more complete impression of Michael Jackson's message and his most important concerns... L O V E There are two kinds of music. One comes from the strings of a guitar, the other from the strings of the heart. One sound comes from a chamber orchestra, the other from the beating of the heart's chamber. One comes from an instrument of graphite and wood, the other from an organ of flesh and blood. This loftier music [...] is more pleasing than the notes of the most gifted composers, more moving than a marching band, more harmonious than a thousand voices joined in hymn and more powerful than all the world's percussion instruments combined. That is the sweet sound of love. Human knowledge consists not only of libraries of parchment and ink – it is also comprised of the volumes of knowledge that are written on the human heart, chiseled on the human soul, and engraved on the human psyche. Food is something we all need physically, but so is love, the deeper nourishment, that turns us into who we are.
    [Show full text]
  • Nielsen Music Year-End Report Canada 2016
    NIELSEN MUSIC YEAR-END REPORT CANADA 2016 NIELSEN MUSIC YEAR-END REPORT CANADA 2016 Copyright © 2017 The Nielsen Company 1 Welcome to the annual Nielsen Music Year End Report for Canada, providing the definitive 2016 figures and charts for the music industry. And what a year it was! The year had barely begun when we were already saying goodbye to musical heroes gone far too soon. David Bowie, Leonard Cohen, Glenn Frey, Leon Russell, Maurice White, Prince, George Michael ... the list goes on. And yet, despite the sadness of these losses, there is much for the industry to celebrate. Music consumption is at an all-time high. Overall consumption of album sales, song sales and audio on-demand streaming volume is up 5% over 2015, fueled by an incredible 203% increase in on-demand audio streams, enough to offset declines in sales and return a positive year for the business. 2016 also marked the highest vinyl sales total to date. It was an incredible year for Canadian artists, at home and abroad. Eight different Canadian artists had #1 albums in 2016, led by Drake whose album Views was the biggest album of the year in Canada as well as the U.S. The Tragically Hip had two albums reach the top of the chart as well, their latest release and their 2005 best of album, and their emotional farewell concert in August was something we’ll remember for a long time. Justin Bieber, Billy Talent, Céline Dion, Shawn Mendes, Leonard Cohen and The Weeknd also spent time at #1. Break out artist Alessia Cara as well as accomplished superstar Michael Buble also enjoyed successes this year.
    [Show full text]
  • A$Ap Rocky Injured Generation Tour 18-City
    A$AP ROCKY INJURED GENERATION TOUR 18-CITY NORTH AMERICAN TOUR KICKS OFF TUESDAY, JANUARY 8 TICKETS ON SALE FRIDAY, NOVEMBER 2 October 29, 2018 – New York – A$AP Rocky will be hitting the road this winter with his Injured Generation Tour. The 18-city North American tour kicks off on Tuesday, January 8th in Minneapolis at The Armory, and will make stops in Los Angeles, Chicago, Philadelphia, Atlanta and more, before wrapping on Wednesday, February 6th in Kent, WA at accesso ShoWare Center. The tour is produced by AEG Presents. Tickets for A$AP Rocky’s Injured Generation Tour go on sale Friday, November 2nd at 12 noon local time. A$AP Rocky Fan Presale will begin Tuesday October 30th at 10am local time through Thursday, November 1st at 10pm local time. American Express® Card Members can purchase tickets before the general public beginning Tuesday, October 30th at 12 noon local time, through Thursday, November 1st at 10pm local time. For more information and to purchase tickets please visit: https://tstng.co/shows.html The tour comes on the heels of the release of A$AP Rocky’s highly-anticipated third studio album, TESTING, which has garnered over 1 billion streams worldwide, landing at #1 on the iTunes charts in 16 countries upon release. TESTING launches a new era for Rocky, exploring new sounds and ideas in an unparalleled musical landscape where he continues to break the mainstream mindset with sonics rarely heard in hip-hop. This album picks up where Rocky last left off, weaving mind-melting aural psychedelics into hip-hop that is, at times dark and confessional, and in other moments uplifting and celebratory.
    [Show full text]
  • Black Women, Natural Hair, and New Media (Re)Negotiations of Beauty
    “IT’S THE FEELINGS I WEAR”: BLACK WOMEN, NATURAL HAIR, AND NEW MEDIA (RE)NEGOTIATIONS OF BEAUTY By Kristin Denise Rowe A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of African American and African Studies—Doctor of Philosophy 2019 ABSTRACT “IT’S THE FEELINGS I WEAR”: BLACK WOMEN, NATURAL HAIR, AND NEW MEDIA (RE)NEGOTIATIONS OF BEAUTY By Kristin Denise Rowe At the intersection of social media, a trend in organic products, and an interest in do-it-yourself culture, the late 2000s opened a space for many Black American women to stop chemically straightening their hair via “relaxers” and begin to wear their hair natural—resulting in an Internet-based cultural phenomenon known as the “natural hair movement.” Within this context, conversations around beauty standards, hair politics, and Black women’s embodiment have flourished within the public sphere, largely through YouTube, social media, and websites. My project maps these conversations, by exploring contemporary expressions of Black women’s natural hair within cultural production. Using textual and content analysis, I investigate various sites of inquiry: natural hair product advertisements and internet representations, as well as the ways hair texture is evoked in recent song lyrics, filmic scenes, and non- fiction prose by Black women. Each of these “hair moments” offers a complex articulation of the ways Black women experience, share, and negotiate the socio-historically fraught terrain that is racialized body politics
    [Show full text]
  • An Analysis of Figures of Speech in the Selected Song by Michael Jackson San San Win*, Yi Yi Khin**
    An Analysis of Figures of Speech in the Selected Song by Michael Jackson San San Win , Yi Yi Khin Abstract Figures of speech can easily be found in almost all songs like in short stories, Novels and so on. The present research is entitled An Analysis of Figures of Speech in the Selected Song by Michael Jackson. The aim of the research is to analyze how figures of speech are used in the selected song Heal The World by Michael Jackson. The objectives of the research are to explore the figures of speech used in the selected song and to find out which figures of speech are most used and which are least used. In this research, the figures of speech found in the song by Michael Jackson are classified into twenty kinds: alliteration, anaphora, antithesis, apostrophe, assonance, chiasmus, euphemism, hyperbole, irony, litotes, metaphor, metonymy, onomatopoeia, oxymoron, paradox, personification, pun, simile, synecdoche and understatement. It was based on the theory of Nordquist (2019). The study shows that figures of speech found are Alliteration, Anaphora, Antithesis, Hyperbole, Metaphor, Metonymy and Paradox. The method of this research is combined quantitative and qualitative methods. The most dominant use of figures of speech in the song is alliteration. The least used figures of speech in the song are Antithesis and Metonymy. It is suggested that more studies can be done on figures of speech of other types of songs. Key words: Figures of speech, Alliteration, Anaphora, Antithesis, Hyperbole, Metaphor, Metonymy, Paradox Introduction Literature (from the Latin Littera meaning 'letters’ and referring to an acquaintance with the written word) is the written work of a specific culture, sub-culture, religion, philosophy or the study of such written work which may appear in poetry or in prose.
    [Show full text]
  • Memories of Nick Drake (1969-70)
    Counterculture Studies Volume 2 Issue 1 Article 18 2019 Memories of Nick Drake (1969-70) Ross Grainger [email protected] Follow this and additional works at: https://ro.uow.edu.au/ccs Recommended Citation Grainger, Ross, Memories of Nick Drake (1969-70), Counterculture Studies, 2(1), 2019, 137-150. doi:10.14453/ccs.v2.i1.17 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Memories of Nick Drake (1969-70) Abstract An account of Australian Ross Grainger's meetings with the British singer songwriter guitarist Nick Drake (1948-74) during the period 1969-70, including discussions at London folk clubs. Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License. This journal article is available in Counterculture Studies: https://ro.uow.edu.au/ccs/vol2/iss1/18 Memories of Nick Drake (1969-70) Ross Grainger Nick Drake, 29 April 1969. Photograph: Keith Morris. I first met Nick Drake when I arrived in London after attending the Isle of Wight Pop Festival in 1969, which featured as its curtain-closer a very different Bob Dylan to the one I had seen in Sydney in March 1966. However, on thinking about it, Dylan’s more scaled down eclectic country music approach - which he revealed for the first time - kind of prepared me for what I was about to experience in London. The day after I arrived at my temporary London lodgings with friends living in Warwick Avenue, I went to Les Cousins in Greek Street.
    [Show full text]
  • 2016 Nielsen Music U.S. Mid-Year Report
    2016 NIELSEN MUSIC U.S. MID-YEAR REPORT 2016 NIELSEN MUSIC MID-YEAR U.S. REPORT Copyright © 2016 The Nielsen Company 1 2016 MID-YEAR HIGHLIGHTS AND ANALYSIS Nielsen, the music industry’s leading data information provider presents the 2016 U.S. Music mid-year report for the 6-month period of January 1, 2016 through June 30, 2016. • Audio has surpassed Video as the leading Streaming format in 2016. Audio share of streaming is 54% in 2016, growing from 44% through the first six months of 2015. • There are 3 albums that have sold over 1 Million units so far this year (Adele/25, Drake/Views and Beyonce/Lemonade), while there was only 1 at this time last year (Taylor Swift/1989). • Creative release strategies, driven mostly by digital formats, continue to be a major story. Drake’s “Views”, Beyonce’s “Lemonade” and Kanye Wests “The Life of Pablo” have all been successful this year and are led by digital formats. Also, 2016 saw the first album to chart based solely on streaming activity, when Chance the Rapper debuted at #8 in its first week with 57M audio streams. • Digital purchasing has seen the largest decline of all formats with Digital tracks down 24% and digital albums down 18%. Total digital purchasing (Albums + Track Equivalents) is down 21% vs. the first half of 2015. However, factoring in the gains in streaming and total digital consumption is up 15%. • Vinyl continues to become a bigger piece of the physical music business. Vinyl LPs now comprise nearly 12% of the physical business in the first half of 2016, which far surpasses last year’s record pace of 9%.
    [Show full text]
  • Michael Jackson the Perform a N C
    MICHAEL JACKSON 101 THE PERFORMANCES MICHAEL JACKSON 101 THE PERFORMANCES &E Andy Healy MICHAEL JACKSON 101 THE PERFORMANCES . Andy Healy 2016 Michael gave the world a wealth of music. Songs that would become a part of our collective sound track. Under the Creative Commons licence you are free to share, copy, distribute and transmit this work with the proviso that the work not be altered in any way, shape or form and that all And for that the 101 series is dedicated to Michael written works are credited to Andy Healy as author. This Creative Commons licence does not and all the musicians and producers who brought the music to life. extend to the copyrights held by the photographers and their respective works. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. This special Performances supplement is also dedicated to the choreographers, dancers, directors and musicians who helped realise Michael’s vision. I do not claim any ownership of the photographs featured and all rights reside with the original copyright holders. Images are used under the Fair Use Act and do not intend to infringe on the copyright holders. By a fan for the fans. &E 101 hat makes a great performance? Is it one that delivers a wow factor? W One that stays with an audience long after the houselights have come on? One that stands the test of time? Is it one that signifies a time and place? A turning point in a career? Or simply one that never fails to give you goose bumps and leave you in awe? Michael Jackson was, without doubt, the consummate performer.
    [Show full text]
  • Reality Is Broken a Why Games Make Us Better and How They Can Change the World E JANE Mcgonigal
    Reality Is Broken a Why Games Make Us Better and How They Can Change the World E JANE McGONIGAL THE PENGUIN PRESS New York 2011 ADVANCE PRAISE FOR Reality Is Broken “Forget everything you know, or think you know, about online gaming. Like a blast of fresh air, Reality Is Broken blows away the tired stereotypes and reminds us that the human instinct to play can be harnessed for the greater good. With a stirring blend of energy, wisdom, and idealism, Jane McGonigal shows us how to start saving the world one game at a time.” —Carl Honoré, author of In Praise of Slowness and Under Pressure “Reality Is Broken is the most eye-opening book I read this year. With awe-inspiring ex­ pertise, clarity of thought, and engrossing writing style, Jane McGonigal cleanly exploded every misconception I’ve ever had about games and gaming. If you thought that games are for kids, that games are squandered time, or that games are dangerously isolating, addictive, unproductive, and escapist, you are in for a giant surprise!” —Sonja Lyubomirsky, Ph.D., professor of psychology at the University of California, Riverside, and author of The How of Happiness: A Scientific Approach to Getting the Life You Want “Reality Is Broken will both stimulate your brain and stir your soul. Once you read this remarkable book, you’ll never look at games—or yourself—quite the same way.” —Daniel H. Pink, author of Drive and A Whole New Mind “The path to becoming happier, improving your business, and saving the world might be one and the same: understanding how the world’s best games work.
    [Show full text]
  • Listen up LISTEN up Album of the Week, Notables 6D
    USA TODAY 8D LIFE TUESDAY, MARCH 18, 2014 More Listen Up LISTEN UP Album of the week, notables 6D SONG OF THE WEEK THE PLAYLIST USA TODAY music critic Brian Mansfield highlights 10 intriguing tracks discovered during the week’s listening. ‘Fallinlove2nite,’ Lanterns Australia’s biggest hit of Catch When this Katy Perry- Prince, Deschanel Birds of Tokyo 2013 is starting to shine Allie X endorsed L.A.-Toronto pop through here, with a songstress sings, “Wait Prince performed this chiming keyboard hook until I catch my breath,” song with Zooey Descha- and an anthem’s chorus. she may take yours. nel on New Girl after Gimme Thrash metal collides with Say You’ll Just call her Icy Spice. the Super Bowl, and Chocolate!! J-pop super-cuteness, Be There Danish singer MØ reworks Babymetal resulting in this girl trio’s MØ the Spice Girls’ follow-up the full version is even mind-blowingly catchy to Wannabe with a chilly better. With its dynamite musical hybrid. electro-pop groove. horn chart, synthesizer Mystery Man A burst of feedback Kiss Me Dashboard Confessional’s solo and Prince’s flirtiest The Strypes heralds a frenetic, Darling Chris Carrabba brings falsetto all over a house- Yardbirds-style rave-up Twin Forks a brighter acoustic tone disco beat, this should from this Irish teen quar- to this band but still wears tet’s Snapshot, out today. his heart on his sleeve. make fans of His Purple Highness’ commercial I Wanna With chopped-up keys, The Secret Nail’s stoically sung love Get Better pop-up vocal choirs and David Nail triangle ends with one of heyday fall hard.
    [Show full text]