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Profil -Prof. Matthew Rampley Matthew Rampley, Ph.D. kontakt: [email protected]; pozice: vědecký pracovník, Oddělení teorie a historiografie umění zaměstnání: od 2019 – Ústav dějin umění AV ČR, v. v. i. od 2019 – Seminář dějin umění, Filozofická fakulta, Masarykova univerzita, Brno 2010–2019 – University of Birmingham, Department of Art History 2006–2010 – Teesside University, School of Arts and Media 2000–2006 – Edinburgh College of Art, Centre for Visual and Cultural Studies 1994–2000 – Surrey Institute of Art & Design (now: UCA – University of the creative arts) studium: 1989–1992 – Teorie a dějiny umění, Filozofická fakulta, University of St. Andrews (Ph.D.) 1984–1988 – Classics and Modern Languages, Oxford University (BA) pedagogická činnost: od 2019 – Seminář dějin umění, Filozofická fakulta, Masarykova univerzita, Brno 2010–2019 – University of Birmingham, Department of Art History 2006–2010 – Teesside University, School of Arts and Media 2000–2006 – Edinburgh College of Art, Centre for Visual and Cultural Studies 1994–2000 – Surrey Institute of Art & Design (now: UCA – University of the creative arts) účast v grantových projektech: 2018–2023 – Continuity / Rupture: Art and Architecture in Central Europe 1918–1939 (ERC) – vedoucí výzkumný pracovník 2018–2020 – Idea, Ideal, Idyll: Garden Cities in Central Europe 1890s–1930s (Marie Skłodowska-Curie Individual Fellowship) – vedoucí výzkumný pracovník 2015–2017 – Promoting National and Imperial Identities: Museums in Austria-Hungary 1864–1918’ (Leverhulme Trust) – vedoucí výzkumný pracovník 2006–2008 – The Vienna School Beyond Vienna: Art History in Central Europe (British Academy) – vedoucí výzkumný pracovník 2006–2008 – Exhibiting Design in Vienna (British Academy) – vedoucí výzkumný pracovník 2004 – 2006 – Discourses of the Visible (European Science Foundation) – vedoucí výzkumný pracovník 2003 – Framing Art History (European Science Foundation) – vedoucí výzkumný pracovník 2001 – Craft in the 21st Century: Change and Continuity – vedoucí výzkumný pracovník účast na konferencích – Keynote speaker: 2019 – Toxic Art Histories, Humboldt University, Berlin 2019 – Questions of Periodisation in the Art Historiographies of Central and Eastern Europe, New Europe College Institute of Advanced Studies, Bucharest 2019 – Late Habsburg Vienna, Bath Royal Literary and Scientific Institution 2019 – The End of Empires: Austria-Hungary and its Legacies in the Visual Arts, Association of Greek Art Historians, Benaki Museum 2018 – Architecture and the Creation of New States, 1918–1939, Vytautas Magnus University, Kaunas 2017 – Eitelberger Bicentenary Conference, University of Olomouc 2017 – Kaunas Biennial of Contemporary Art, Kaunas – Lecture 2016 – Art and Politics in Europe in the Modern Period, University of Zagreb 2019 – Annual Lecture on Central European Art, Courtauld Institute 2015 – The Picturesque Eye: Framing Regionalist Art Forms in Late Empires 1900–1950, Museum of Ethnography and Austrian Academy of Sciences, Vienna 2015 – Congress of Czech Society of Art Historians, University of Olomouc 2015 – University of Alberta Central European Art History Annual Lecture, University of Alberta 2014 – Busch-Reisinger Museum Annual Lecture, University of Harvard 2013 – Transkulturelle Verhandlungsräume von Kunst, Freie Universität, Berlin 2012 – NORDIK X, The Nordic Committee for Art History, University of Stockholm 2010 – New Voices. Association of Art Historians Student Conference, University of Birmingham 2008 – Global Eyes. New Perspectives on Contemporary Art, Smith College 2007 – Swiss National Science Foundation Summer School ‘Nationaler Forschungsschwerpunkt (NFS) Bildkritik. Macht und Bedeutung der Bilder Kunstgeschichte als Bild-Bändigung?’, Basel 2007– Culturas Visuales / Diseños Globales, Centro de Arte Santa Monica, Barcelona ocenění: Cena R. John Rath za rok 2012 členství v odborných radách a komisích: člen redakční rady Journal of Art Historiography Bibliografie: 1) monografie Matthew Rampley – Markian Prokopovych – Nóra Veszprémi, Liberalism and Design Reform in the Habsburg Empire: Museums of Design, Industry and the Applied Arts, 1864–1918, New York 2020 Matthew Rampley – Markian Prokopovych – Nóra Veszprémi, An Empire Exhibited: The Art Galleries and Museums of Austria-Hungary, University Park, Pennsylvania 2020 Matthew Rampley, The Seductions of Darwin: Art, Evolution and Neuroscience, University Park, Pennsylvania 2017, 200 s. Matthew Rampley, The Vienna School of Art History: Empire and the Politics of Scholarship, 1847–1918, University Park, Pennsylvania 2013, 336 s. Matthew Rampley, Nietzsche, Aesthetics and Modernity, Cambridge 2000, reprinted 2007, 298 s. Matthew Rampley, The Remembrance of Things Past. Aby M. Warburg and Walter Benjamin, Wiesbaden 2000, 138 s., translated into Spanish as: En busca del tiempo perdido: sobre Aby Warburg y Walter Benjamin, Viña del mar 2017 2) editorial knihy (sborníku, katalogu…) Art History in Central Europe: the Vienna School and Beyond – Special issue of The Journal of Art Historiography 8, 2013, June Matthew Rampley – Charlotte Schoell-Glass – Andrea Pinotti – Kitty Zijlmans – Hubert Locher – Thierry Lenain (edd.), Art History and Visual Studies in Europe. Transnational Discourses and National Frameworks, Leiden 2012, s. xv + 567; single authored chapters include: Introduction (s. 1–16); Bildwissenschaft (s. 119–134); The Construction of National Art Histories and the “New” Europe (s. 231–249); co-authored chapter: Art History in the Nordic Countries (s. 421–438) Museology in Central Europe – Special Issue of Centropa. A Journal of Central European Architecture and Related Arts 12, 2012, 2 May Matthew Rampley (ed.), Heritage, Ideology and Identity in Central and Eastern Europe. Contested Pasts, Contested Presents, London 2012; authored chapter: Contested Histories: Heritage and / as the Construction of the Past (s. 1–20) s. ix + 206 Matthew Rampley – Marta Filipová (edd.), Možnosti vizuálních studií (‘Visual Studies and its Futures’), Brno 2007, 254 s. Matthew Rampley (ed.), Exploring Visual Culture, Edinburgh 2005, 245 s.; authored chapters: What is Culture? What is Visual Culture? (s. 5–17); Visual Rhetoric (s. 133–148); The Rise and Fall and Rise of the Author (s. 149–162); Visual Practices in the Age of Industry (s. 179–198) 3) články v odborném periodiku Matthew Rampley, A Moment of Crisis: Julius Schlosser, the History of Art as Style and the History of Art as Language, Wiener Jahrbuch für Kunstgeschichte 66, 2020 (forthcoming) Matthew Rampley, “German Industriousness, German Spirit, German Energy and German Persistence:” the Moravian Design Museum and Cultural Politics in the Habsburg Empire, West 86th 24, 2017, 2, s. 201–29 Matthew Rampley, From Potemkin City to the Estrangement of Vision: Baroque Modernity in Austria, before and after 1918, Austrian History Yearbook 47, 2016, s. 167–187 Matthew Rampley, Fish, Volcanoes and the Art of Brains, Journal of Art Historiography 15, 2016, s.p. Matthew Rampley, The Strzygowski School of Cluj. An Episode in the Interwar Cultural Politics of Romania, Journal of Art Historiography 8, 2013, s. 1–21 Matthew Rampley, L’histoire de l’art et la crise des sciences humaines: Josef Strzygowski et Hans Sedlmayr, Austriaca 72, 2011, s. 189–212 Matthew Rampley, Archiva Pamiȩci: Pasaże Waltera Benjamina I Atlas Mnemosyne Aby’ego Warburga,’ Konteksty 65, 2011, s. 174–183. Translation of ‘Archives of Memory. Walter Benjamin’s Arcades Project and Aby Warburg’s Mnemosyne Atlas,’ in de-, dis-, ex-, 3, 1999, Spring, s. 94–117 Matthew Rampley, Peasants in Vienna. Ethnographic Display and the 1873 World’s Fair, Austrian History Yearbook 42, 2011, s. 110–132 (awarded P John Rath Prize for Best Article of 2011 volume) Matthew Rampley, The Idea of a Scientific Discipline: Rudolf von Eitelberger and the Emergence of Art History in Vienna, 1847–1885, Art History 34, 2011, 1, s. 54–79 Matthew Rampley, Warburg, Judaism and the Politics of Identity, Oxford Art Journal 33, 2011, 3, s. 317–35 Matthew Rampley, Design Reform in the Habsburg Empire. Technology, Aesthetics, Ideology, Journal of Design History 23, 2010, 3, s. 247–63 Matthew Rampley, Art History and the Politics of Empire. Rethinking the Vienna School, Art Bulletin 91, 2009, 4, s. 447–463 Matthew Rampley, For the Love of the Fatherland. Patriotic Art History and the Kronprinzenwerk in Austria-Hungary, Centropa 9, 2009, 3, s. 160–175 Matthew Rampley, Art as a Social System. The Sociological Aesthetics of Niklas Luhmann, Telos 148, 2009, s. 1–30 (this article was subsequently the subject of a study in Telos, Carlos Kong, Towards a Sociological Aesthetics of the Contemporary Art System, Telosscope, www.telospress.com, 16 December 2014) Matthew Rampley, The Absorption of the Expressive Values of the Past (Translation and Introduction to Aby Warburg, Mnemosyne Bilderatlas), Art in Translation 2, 2009, 1, s. 273–283 Matthew Rampley, The Poetics of the Image: Art History and the Rhetoric of Interpretation, Marburger Jahrbuch der Kunstgeschichte 35, 2008, s. 7–31 Matthew Rampley, Dalmatia is Italian! The Politics of Art History in Austria-Hungary and South-Eastern Europe, 1862–1930, Etudes Balkaniques 44, 2008, 4, s. 130–147 Matthew Rampley, La Caduta e la Rinascita dell’Estetica dagli Anni Ottanta al Presente, Nuova Secondaria 24, 2007, 5, s. 36–41 Matthew Rampley, Visual Culture: A Postcolonial Concept, Leitmotiv 5, 2005, s. 39–50 Matthew Rampley, La Cultura Visual en la era postcolonial: el desafio de la antropologie, Estudios Visuales 3, 2005, s. 185–212 Matthew Rampley,
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