Matthew Rampley, Ph.D. kontakt: [email protected]; pozice: vědecký pracovník, Oddělení teorie a historiografie umění

zaměstnání: od 2019 – Ústav dějin umění AV ČR, v. v. i. od 2019 – Seminář dějin umění, Filozofická fakulta, Masarykova univerzita, Brno

2010–2019 – University of Birmingham, Department of

2006–2010 – Teesside University, School of Arts and Media

2000–2006 – Edinburgh College of Art, Centre for Visual and Cultural Studies

1994–2000 – Surrey Institute of Art & Design (now: UCA – University of the creative arts)

studium:

1989–1992 – Teorie a dějiny umění, Filozofická fakulta, University of St. Andrews (Ph.D.)

1984–1988 – Classics and Modern Languages, Oxford University (BA)

pedagogická činnost: od 2019 – Seminář dějin umění, Filozofická fakulta, Masarykova univerzita, Brno

2010–2019 – University of Birmingham, Department of Art History

2006–2010 – Teesside University, School of Arts and Media

2000–2006 – Edinburgh College of Art, Centre for Visual and Cultural Studies

1994–2000 – Surrey Institute of Art & Design (now: UCA – University of the creative arts)

účast v grantových projektech:

2018–2023 – Continuity / Rupture: Art and Architecture in Central Europe 1918–1939 (ERC) – vedoucí výzkumný pracovník

2018–2020 – Idea, Ideal, Idyll: Garden Cities in Central Europe 1890s–1930s (Marie Skłodowska-Curie Individual Fellowship) – vedoucí výzkumný pracovník

2015–2017 – Promoting National and Imperial Identities: Museums in Austria-Hungary 1864–1918’ (Leverhulme Trust) – vedoucí výzkumný pracovník

2006–2008 – The School Beyond Vienna: Art History in Central Europe (British Academy) – vedoucí výzkumný pracovník

2006–2008 – Exhibiting Design in Vienna (British Academy) – vedoucí výzkumný pracovník

2004 – 2006 – Discourses of the Visible (European Science Foundation) – vedoucí výzkumný pracovník

2003 – Framing Art History (European Science Foundation) – vedoucí výzkumný pracovník 2001 – Craft in the 21st Century: Change and Continuity – vedoucí výzkumný pracovník

účast na konferencích – Keynote speaker:

2019 – Toxic Art Histories, Humboldt University, Berlin

2019 – Questions of Periodisation in the Art Historiographies of Central and Eastern Europe, New Europe College Institute of Advanced Studies, Bucharest

2019 – Late Habsburg Vienna, Bath Royal Literary and Scientific Institution

2019 – The End of Empires: Austria-Hungary and its Legacies in the Visual Arts, Association of Greek Art Historians, Benaki Museum

2018 – Architecture and the Creation of New States, 1918–1939, Vytautas Magnus University, Kaunas

2017 – Eitelberger Bicentenary Conference, University of

2017 – Kaunas Biennial of Contemporary Art, Kaunas – Lecture

2016 – Art and Politics in Europe in the Modern Period, University of Zagreb

2019 – Annual Lecture on Central European Art, Courtauld Institute

2015 – The Picturesque Eye: Framing Regionalist Art Forms in Late Empires 1900–1950, Museum of Ethnography and Austrian Academy of Sciences, Vienna

2015 – Congress of Czech Society of Art Historians, University of Olomouc

2015 – University of Alberta Central European Art History Annual Lecture, University of Alberta

2014 – Busch-Reisinger Museum Annual Lecture, University of Harvard

2013 – Transkulturelle Verhandlungsräume von Kunst, Freie Universität, Berlin

2012 – NORDIK X, The Nordic Committee for Art History, University of Stockholm

2010 – New Voices. Association of Art Historians Student Conference, University of Birmingham

2008 – Global Eyes. New Perspectives on Contemporary Art, Smith College

2007 – Swiss National Science Foundation Summer School ‘Nationaler Forschungsschwerpunkt (NFS) Bildkritik. Macht und Bedeutung der Bilder Kunstgeschichte als Bild-Bändigung?’, Basel

2007– Culturas Visuales / Diseños Globales, Centro de Arte Santa Monica, Barcelona

ocenění:

Cena R. John Rath za rok 2012

členství v odborných radách a komisích:

člen redakční rady Journal of Art Historiography

Bibliografie:

1) monografie

Matthew Rampley – Markian Prokopovych – Nóra Veszprémi, Liberalism and Design Reform in the Habsburg Empire: Museums of Design, Industry and the Applied Arts, 1864–1918, New York 2020

Matthew Rampley – Markian Prokopovych – Nóra Veszprémi, An Empire Exhibited: The Art Galleries and Museums of Austria-Hungary, University Park, Pennsylvania 2020

Matthew Rampley, The Seductions of Darwin: Art, Evolution and Neuroscience, University Park, Pennsylvania 2017, 200 s.

Matthew Rampley, The Vienna School of Art History: Empire and the Politics of Scholarship, 1847–1918, University Park, Pennsylvania 2013, 336 s.

Matthew Rampley, Nietzsche, Aesthetics and Modernity, Cambridge 2000, reprinted 2007, 298 s.

Matthew Rampley, The Remembrance of Things Past. Aby M. Warburg and Walter Benjamin, Wiesbaden 2000, 138 s., translated into Spanish as: En busca del tiempo perdido: sobre Aby Warburg y Walter Benjamin, Viña del mar 2017

2) editorial knihy (sborníku, katalogu…)

Art History in Central Europe: the Vienna School and Beyond – Special issue of The Journal of Art Historiography 8, 2013, June

Matthew Rampley – Charlotte Schoell-Glass – Andrea Pinotti – Kitty Zijlmans – Hubert Locher – Thierry Lenain (edd.), Art History and Visual Studies in Europe. Transnational Discourses and National Frameworks, Leiden 2012, s. xv + 567; single authored chapters include: Introduction (s. 1–16); Bildwissenschaft (s. 119–134); The Construction of National Art Histories and the “New” Europe (s. 231–249); co-authored chapter: Art History in the Nordic Countries (s. 421–438)

Museology in Central Europe – Special Issue of Centropa. A Journal of Central European Architecture and Related Arts 12, 2012, 2 May

Matthew Rampley (ed.), Heritage, Ideology and Identity in Central and Eastern Europe. Contested Pasts, Contested Presents, London 2012; authored chapter: Contested Histories: Heritage and / as the Construction of the Past (s. 1–20) s. ix + 206

Matthew Rampley – Marta Filipová (edd.), Možnosti vizuálních studií (‘Visual Studies and its Futures’), Brno 2007, 254 s.

Matthew Rampley (ed.), Exploring Visual Culture, Edinburgh 2005, 245 s.; authored chapters: What is Culture? What is Visual Culture? (s. 5–17); Visual Rhetoric (s. 133–148); The Rise and Fall and Rise of the Author (s. 149–162); Visual Practices in the Age of Industry (s. 179–198)

3) články v odborném periodiku

Matthew Rampley, A Moment of Crisis: Julius Schlosser, the History of Art as Style and the History of Art as Language, Wiener Jahrbuch für Kunstgeschichte 66, 2020 (forthcoming)

Matthew Rampley, “German Industriousness, German Spirit, German Energy and German Persistence:” the Moravian Design Museum and Cultural Politics in the Habsburg Empire, West 86th 24, 2017, 2, s. 201–29

Matthew Rampley, From Potemkin City to the Estrangement of Vision: Baroque Modernity in Austria, before and after 1918, Austrian History Yearbook 47, 2016, s. 167–187

Matthew Rampley, Fish, Volcanoes and the Art of Brains, Journal of Art Historiography 15, 2016, s.p.

Matthew Rampley, The Strzygowski School of Cluj. An Episode in the Interwar Cultural Politics of Romania, Journal of Art Historiography 8, 2013, s. 1–21

Matthew Rampley, L’histoire de l’art et la crise des sciences humaines: Josef Strzygowski et Hans Sedlmayr, Austriaca 72, 2011, s. 189–212 Matthew Rampley, Archiva Pamiȩci: Pasaże Waltera Benjamina I Atlas Mnemosyne Aby’ego Warburga,’ Konteksty 65, 2011, s. 174–183. Translation of ‘Archives of Memory. Walter Benjamin’s Arcades Project and Aby Warburg’s Mnemosyne Atlas,’ in de-, dis-, ex-, 3, 1999, Spring, s. 94–117

Matthew Rampley, Peasants in Vienna. Ethnographic Display and the 1873 World’s Fair, Austrian History Yearbook 42, 2011, s. 110–132 (awarded P John Rath Prize for Best Article of 2011 volume)

Matthew Rampley, The Idea of a Scientific Discipline: Rudolf von Eitelberger and the Emergence of Art History in Vienna, 1847–1885, Art History 34, 2011, 1, s. 54–79

Matthew Rampley, Warburg, Judaism and the Politics of Identity, Oxford Art Journal 33, 2011, 3, s. 317–35

Matthew Rampley, Design Reform in the Habsburg Empire. Technology, Aesthetics, Ideology, Journal of Design History 23, 2010, 3, s. 247–63

Matthew Rampley, Art History and the Politics of Empire. Rethinking the Vienna School, Art Bulletin 91, 2009, 4, s. 447–463

Matthew Rampley, For the Love of the Fatherland. Patriotic Art History and the Kronprinzenwerk in Austria-Hungary, Centropa 9, 2009, 3, s. 160–175

Matthew Rampley, Art as a Social System. The Sociological Aesthetics of Niklas Luhmann, Telos 148, 2009, s. 1–30 (this article was subsequently the subject of a study in Telos, Carlos Kong, Towards a Sociological Aesthetics of the Contemporary Art System, Telosscope, www.telospress.com, 16 December 2014)

Matthew Rampley, The Absorption of the Expressive Values of the Past (Translation and Introduction to Aby Warburg, Mnemosyne Bilderatlas), Art in Translation 2, 2009, 1, s. 273–283

Matthew Rampley, The Poetics of the Image: Art History and the Rhetoric of Interpretation, Marburger Jahrbuch der Kunstgeschichte 35, 2008, s. 7–31

Matthew Rampley, Dalmatia is Italian! The Politics of Art History in Austria-Hungary and South-Eastern Europe, 1862–1930, Etudes Balkaniques 44, 2008, 4, s. 130–147

Matthew Rampley, La Caduta e la Rinascita dell’Estetica dagli Anni Ottanta al Presente, Nuova Secondaria 24, 2007, 5, s. 36–41

Matthew Rampley, Visual Culture: A Postcolonial Concept, Leitmotiv 5, 2005, s. 39–50

Matthew Rampley, La Cultura Visual en la era postcolonial: el desafio de la antropologie, Estudios Visuales 3, 2005, s. 185–212

Matthew Rampley, De l’art considéré comme système social: observations sur la sociologie de l’art de Niklas Luhmann, in LITTÉRATURE, ARTS, SCIENCES OPuS 6 (Revue Sociologie de l'Art) 2005, s. 159–185

Matthew Rampley, Art History and Cultural Difference: Alfred Gell’s Anthropology of Art, Art History 28, 2005, 4 Autumn, s. 524–551

Matthew Rampley, Visual Studies: the End of Art History?, Ars 38, 2005, 1, s. 53–66

Matthew Rampley, The Ethnographic Sublime, Res 47, 2005, s. 251–263

Matthew Rampley, Zwischen Nomologischer und Hermeneutischer Kunstwissenschaft: und das Kunstwollen als Problem, Kritische Berichte 31, 2003, 4 December, s. 5–19

Matthew Rampley, Max Dvořák: Art History and the Crisis of Modernity, Art History 26, 2003, 3, s. 220–243

Matthew Rampley, Iconology of the Interval. Aby Warburg’s Legacy,’ Word and Image 17, 2001, 4, s. 303–324

Matthew Rampley, Anthropology and the Origins of Art History, de-, dis-, ex-, 4, 2000, Spring, s. 138–163

Matthew Rampley, In Search of Cultural History. Anselm Kiefer and the Ambivalence of Modernism, Oxford Art Journal 23, 2000, 1, s. 73–96

Matthew Rampley, Archives of Memory. Walter Benjamin’s Arcades Project and Aby Warburg’s Mnemosyne Atlas, de-, dis-, ex-, 3, 1999, Spring, s. 94–117

Matthew Rampley, Creativity, British Journal of Aesthetics 38, 1998, 2, s. 125–135

Matthew Rampley, From Symbol to Allegory. Aby Warburg’s Theory of Art, Art Bulletin 79, 1997, 1, s. 41–55 Matthew Rampley, Identity and Difference. Jackson Pollock and the Ideology of the Drip, Oxford Art Journal 19, 1996, 2, s. 83–94

Matthew Rampley, Spectatorship and the Historicity of Art. Re-reading Riegl’s “Historical Grammar of the Fine Arts”, Word and Image 12, 1996, 2, s. 209–217

Matthew Rampley, Meaning and Language in Early Heidegger: From Duns Scotus to Being and Time, Journal of the British Society for Phenomenology 25, 1994, 3, s. 209–228

Matthew Rampley, Physiology as Art: Nietzsche on Form, British Journal of Aesthetics 33, 1993, 3, s. 271–282

4) kapitoly v knize

Matthew Rampley, The Organization of the High Arts, in: Pieter Judson and Mark Cornwall (edd.), The Cambridge History of the Habsburg Monarchy: 1780–1918, Cambridge 2020

Matthew Rampley, The Misadventures of Interdisciplinarity: Brain Science, Aesthetics and Art, in: Juliana Dresvina (ed.), Cognitive Sciences and Medieval Studies, Edinburgh 2020

Matthew Rampley, Across the Leitha: Rudolf Eitelberger and the Liberal View of Culture in Austria-Hungary, in: Eva Kernbauer, Kathrin Pokorny-Nagel, Raphael Rosenberg, Julia Rüdiger, Patrick Werkner and Tanja Jenni (edd.), Rudolf Eitelberger. Netzwerker der Kunstgeschichte, Vienna 2019, s. 363–392

Matthew Rampley, Evolution, Aesthetics the New Darwinism in World Art Studies, in: Pauline Bachmann, Melanie Klein, Tomoko Mamine and Georg Vasold (edd.), Questioning Narratives, Negotiating Frameworks: Art/Histories in Transcultural Dynamics, Paderborn 2017, s. 93–117

Matthew Rampley, Social Theory and the Autonomy of Art: the Case of Niklas Luhmann, in: Owen Hulatt (ed.), Aesthetic and Artistic Autonomy, New York 2013, s. 217–240

Matthew Rampley, Art History, Racism and Nationalism. Coriolan Petranu and Art in Transylvania, in: Jerzy Malinowski (ed.), History of Art History in Central, Eastern and South-Eastern Europe, Torun 2012, s. 57–62

Matthew Rampley, Zur Vischer-Rezeption bei Warburg, in: B. Potthast, A. Reck (eds.), Friedrich Theodor Vischer. Leben – Werk – Wirkung, Heidelberg 2011, s. 299–320

Matthew Rampley, ‘Alois Riegl’ and ‘Ananda Coomaraswamy’ in: Ulrich Pfisterer (ed.), Klassiker der Kunstgeschichte, München 2007, s. 151–161, 226–235

Matthew Rampley, From Big Art Challenge to A Spiritual Vision: What “Global Art History” Might Really Mean, in: James Elkins (ed.), Is Art History Global?, New York – London 2006, s. 188–202

Matthew Rampley, “We Have Suddenly Become Severe.” Ernst Bloch as a Critic of Modern Architecture, in: José Eduardo Reis and Jorge Bastos da Silva (edd.), Nowhere Somewhere: Writing, Space and the Construction of Utopia, Porto 2006, s. 171–180

Matthew Rampley, Art History without Aesthetics. Overcoming the Legacy of Kant, in: James Elkins (ed.), Art History versus Aesthetics, New York – London 2005, s. 161–166

Matthew Rampley, La amenaza fantasma: ¿la Cultura visual como fin de la Historia del arte? in: José Luis Brea (ed.), Estudios visuales La epistemología de la visualidad en la era de la globalización, Madrid 2005, s. 39–58

Matthew Rampley, Allegory and Mimesis. On Aby Warburg and Walter Benjamin, in: Richard Woodfield (ed.), Art History as Cultural History. Warburg’s Project, Amsterdam 2000, s. 121–149

Matthew Rampley, Subjectivity and Modernism. Riegl and the Rediscovery of the Baroque, in: Richard Woodfield (ed.), Framing Formalism. Riegl’s Work, Amsterdam 2000, s. 265–290

Matthew Rampley, ‘Introduction’ to Edgar Wind, Experiment and Metaphysics, trans. C. Edwards, Oxford 2000, s. xiii–xxviii