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BOOK VS FILM Ben Terrall to begin pursuing it again.” We signed over the for Moses and the Ten Commandments, rights and each received checks for $2.50, soon which made it possible for me to answer the n 2009, a representative of the firm forgetting about the project. Then this year, question “What has your father written?” of Bloom Hergott Diemer Rosenthal when The Nice Guys, Shane Black’s latest film with “The Ten Commandments”), but none LaViolette Feldman Schenkman & as writer (co-scripted by Anthony Bagarozzi) of his fifty or so original novels were ever Goodman, LLP contacted me and my and director was finally made, we each received made into films. He got his hopes up when three siblings about a film project. The $2,500, a somewhat more memorable occasion a book of his was optioned by some mover Iclient of this wonderfully named law office was than the first payment. and shaker—but those hopes were dashed Shane Black, who had previously made millions It was slightly bittersweet to eventually when Dad opened the paper and saw the from his screenplays for Lethal Weapon and see ACKNOWLEDGMENT TO BLUE obituary of that same moneyman. Iron Man 3 and was now considering making a MURDER AND THE WORKS OF BRETT My father was a professional writer his movie partly inspired by our recently deceased HALLIDAY, SPECIAL THANKS TO ROB- entire working life. He held one salaried job father’s 1973 novel Blue Murder. Could Robert ERT TERRALL roll by onscreen (the $2,500, after graduating from Harvard (where he edited Terrall, my dad, finally be getting a shot at the of course, had been entirely sweet). I have no The Harvard Lampoon): writing for Time big time after a long career toiling as a little- doubt Dad would have loved to see his name Magazine. Time’s editor, Henry Luce, hired known genre writer? on the silver screen. Dad to write humorous pieces, but, apparently, Fast-forward five years. A new message Robert Terrall was a moviegoer from an the work was not to Luce’s liking and Dad from Mr. Black’s law firm arrived in our early age and was always ready to write for was fired. There’s no one alive who can say inboxes, informing us that “The project had Hollywood, but that never happened. He whether or not the notoriously right-wing Luce become inactive, but now our client would like wrote several movie tie-ins (including one ever found out that Dad stayed up late editing filmnoirfoundation.org I FALL 2016 I NOIR CITY 79 the clandestine left-wing newsletter which was Shayne series. Dad was hired in the early don’t happen to be a grasshead, do you?” Else- distributed among radical Time employees. 1960s to assume the writing chores from where in the book, an ex-con refers to being Dad’s first novel,They Deal in Death, about Davis Dresser, Shayne’s creator. Dresser had busted for possession of a “marijuana ciga- Nazi diamond smuggling, came out in 1943. developed severe writer’s block, which gifted rette,” not exactly hardened hippy vernacular. His second, A Killer is Loose Among Us my father with steady work, cranking out Otherwise, the writing holds up. The reference (1948), is the most “noir” of any of his books, two Shayne mysteries a year. (There were book 1001 Midnights: The Aficionado’s Guide a germ warfare story that reads like a fever a few other writers who wrote one or two to Mystery and Detective Fiction has this to say dream from the Jim Thompson end of the Shayne books in the late ’50s and early ’60s.) about my father’s contribution to the Shayne bookshelf. The Steps of the Quarry (1951), franchise: “Terrall is a fine writer, a more subtle based on my father’s WWII experiences help- and accomplished stylist than Dresser, and his ing to liberate a concentration camp, was his Shayne novels deserve attention. He injected first attempt at “serious” fiction, which is new life into a rather played-out series, and came what he aspired to write. Unfortunately, that “Terrall injected new up with fresh story material.” ambition was thwarted when The Steps of the Classic cover paintings by such dime-store Quarry was mostly ignored by critics and the life into a rather favorites as Robert McGinnis graced the early public. So, he went back to writing mysteries to ’60s Shaynes, but, by the middle of the decade, support his family (my eldest sister and mother). photographs of scantily clad vixens helped sell Dad wrote some short stories for The played-out series, and the books. The photo on the cover of Blue Saturday Evening Post and other publica- Murder is a personal favorite of mine: Shayne, tions, but by the early 1950s that market was came up with fresh portrayed by a rugged-looking guy with his drying up. The paperback original, however, shirt partly unbuttoned, is staring at a strip of was beginning to take off, and my father hit 35mm film; the model has just enough gray in his stride writing crime fiction for paperback story material.” his modest sideburns to suggest the accumu- publishers. In the ’50s, he wrote stand-alone lated years of being a hardass. Reels of film are crime novels and a detective series about a stacked in front of him, and a striking brunette cigar-smoking private investigator named Ben Michael Shayne was a tough, red-headed displaying unclothed curves is draped over Gates (using the pseudonym Robert Kyle). In Irishman who operated out of Miami, a licensed his shoulder. The blurb on the back cover is the early ’60s, he wrote (under the pen name private investigator who would bend the rules if to die for: MIKE SHAYNE, THE PRIVATE John Gonzales) another series featuring a he had to and could take care of himself when EYE WHO PLAYS IT AS IT LAYS, TAKES A more comedic gumshoe named Harry Horne. push came to shove and punch. He came into STARRING ROLE IN AN X-RATED CASE My father was most fond of the Harry my dad’s working life in time for the cultural OF WARM SEX AND COLD BLOODED Horne books, which gave him a chance to upheavals of the 1960s and the burnout of the MURDER. And: “Before Mike got down to inject humor into more interesting stories, ’70s, which makes many of the Terrall-authored bare facts, he was up to his libido in blackmail, but neither line was lucrative enough to keep Shayne novels interesting, if sometimes dated, violence, skin flicks and bad, bad trouble.” them in print. I had already been added to period pieces. The dialogue in Blue Murder Though tame by today’s raunchier standards, the Terrall household expenses when the doesn’t always have the ring of historical authen- there tends to be enough sex in the ’70s Shaynes offer came for him to take over the Mike ticity, as when one character asks another, “You to make me cringe in familial awkwardness, as 80 NOIR CITY I FALL 2016 I filmnoirfoundation.org the other hand, mostly sticks to a traditional late 20th-century private eye formula: Shayne is a sharp operator who keeps things as cool as possible, and the book’s action is far from the surreal, blood-soaked giddiness of The Nice Guys’ second half. Perhaps earlier iterations of Black and Baga- rozzi’s script included more specific plot details taken from Blue Murder, but the finished film only recalls the woman-who-goes-missing-in- the-porno-world angle, along with a missing film reel that the principals are searching for. There is also a malevolent politician in both stories, but the parallels do not exactly recall Led Zeppelin lifting Willie Dixon’s lyrics. As far as I’m concerned, Shane Black is a mensch for contacting my family for for- mal permission to go forward with The Nice Shane Black directs “The Nice Guys” Ryan Gosling and Russell Crowe Guys. I doubt if the similarities to Blue Mur- few of the attractive females the P.I. encounters dialogue, characters, and plot.” der, such as they are, would have been noticed are able to resist his hunky appeal. Well, the plot was a little slipshod, but that by the most hardcore fan of my father’s work. My father spent about a quarter of his time shortcoming was more than compensated To add a further amusing wrinkle to this on the Shayne books working out the plots. for by the great late ’70s costumes and set encounter with Hollywood, Charles Ardai The narratives could get complicated, so much design, not to mention the comedic chemis- has written a novelization of The Nice Guys. so that he had the word “Simplify” taped try between Gosling and Crowe. High body Ardai is the brains and editor behind the stel- above his writing desk. Typical of his sense of count notwithstanding, the most excruciating lar Hard Case Crime imprint, which brings humor, the letters had been elaborately drawn violence occurs early in the movie, when one long-out-of-print crime novels back into cir- by an amateur calligrapher. of the stranger “meet cute” scenes I’ve ever culation and also publishes some new titles, Blue Murder’s machinations were not influ- watched concludes with an arm being bro- including this new movie tie-in. Like Ardai’s enced by the word above my father’s desk. ken. From there on, it’s mostly an affectionate other three novels for Hard Case Crime, the Shayne is hired by an anti-porn crusading con- parody of traditional private eye tropes, with novelization of The Nice Guys is entertain- gressman to find his wayward wife, who has Gosling as a sodden boozehound detective ing and very well written.

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