A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E

Total Page:16

File Type:pdf, Size:1020Kb

A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E MOVIES A TO Z AUGUST 2021 –––––––––––––––––––––– A ––––––––––––––––––––––– R The Barbarian (1933) 8/12 y Cat Ballou (1965) 8/2 a ADVENTURE a Abandon Ship (1957) 8/22 R The Barretts of Wimpole Street (1934) 8/31 c The Chapman Report (1962) 8/13 c Abbott and Costello in Hollywood (1945) 8/7 m Bathing Beauty (1944) 8/8 D The Chase (1966) 8/18 c COMEDY c Abbott and Costello Meet Captain Kid (1952) 8/7 w Battle Cry (1955) 8/20 D A Child Is Waiting (1962) 8/15 c Abbott and Costello Meet Dr. Jekyll and Mr. Hyde c Bell, Book And Candle (1958) 8/3 D Chilly Scenes of Winter (1979) 8/17 z CRIME (1953) 8/7 sD Ben-Hur (1925) 8/12 c Chimes at Midnight (1967) 8/5 c Abbott and Costello Meet Frankenstein (1948) 8/7 u Berlin Express (1948) 8/27 D The China Syndrome (1979) 8/13 o DOCUMENTARY c Abbott and Costello Meet The Invisible D The Best Years of Our Lives (1946) 8/31 R Christopher Strong (1933) 8/21 Man (1951) 8/7 y The Big Country (1958) 8/14 R The Clock (1945) 8/15 D DRAMA c Abbott and Costello Meet the Mummy (1955) 8/7 z The Big Heat (1953) 8/17 D The Cobweb (1955) 8/17 sa Across to Singapore (1928) 8/12 c The Big Parade of Comedy (1964) 8/7 D The Comedians (1967) 8/2 e EPIC u Act of Violence (1949) 8/20 u The Big Steal (1949) 8/6 c Comrade X (1940) 8/23 D D Act One (1963) 8/10 D The Black Rose (1950) 8/22 Confession (1937) 8/9 HORROR/SCIENCE-FICTION c Adam’s Rib (1949) 8/21 c Blithe Spirit (1945) 8/5 D The Corn Is Green (1945) 8/1 a The Adventures of Huckleberry Finn (1960) 8/26 c Blonde Fever (1944) 8/17 c Count Your Blessings (1959) 8/24 m MUSICAL D The Adventures of Mark Twain (1944) 8/31 D Blood and Sand (1941) 8/22 y The Cowboy and the Lady (1938) 8/27 c Africa Screams (1949) 8/7 y Blood on the Moon (1948) 8/6 u Crime by Night (1944) 8/25 R ROMANCE D c u Crossfire (1947) 8/17 Agnes of God (1985) 8/13 Blume in Love (1973) 8/10 H c Alice Adams (1935) 8/21 c Boys’ Night Out (1962) 8/26 SHORTS R R –––––––––––––––––––––– D ––––––––––––––––––––––– All This, and Heaven Too (1940) 8/1 Break of Hearts (1935) 8/21 s D Allotment Wives (1945) 8/9 c The Bride Came C.O.D. (1941) 8/1 m Dangerous When Wet (1953) 8/8 SILENT R u The Alphabet Murders (1965) 8/26 w The Bridge at Remogen (1969) 8/10 The Dark Angel (1935) 8/27 u SUSPENSE/MYSTERY D Anastasia (1956) 8/29 w A Bridge Too Far (1977) 8/18 R Daybreak (1931) 8/12 D Anatomy of a Murder (1959) 8/23 c Bringing Up Baby (1938) 8/21 c Demi-Paradise (1943) 8/5 w WAR m Anchors Aweigh (1945) 8/11 c Brother Rat (1938) 8/25 m The Desert Song (1953) 8/11 c Andy Hardy Meets Debutante (1940) 8/15 c Buck Privates (1941) 8/7 c Design For Living (1933) 8/31 y WESTERN z Angel Face (1953) 8/6 y Butch Cassidy and the Sundance Kid (1969) 8/18 c Desk Set (1957) 8/21 R Anna Karenina (1935) 8/31 c Bye Bye Braverman (1968) 8/10 m Devil May Care (1929) 8/12 NOT AVAILABLE IN CANADA D Anne of the Thousand Days (1969) 8/2 w The Dirty Dozen (1967) 8/28 R Another Dawn (1937) 8/9 –––––––––––––––––––––– C ––––––––––––––––––––––– c The Divorce of Lady X (1938) 8/27 AVAILABLE AT TCM SHOP c Any Wednesday (1966) 8/13 m Cabin in the Sky (1943) 8/4 c The Doughgirls (1944) 8/23 SHOP.TCM.COM or 1-888-9-TCMSHOP D Arch of Triumph (1948) 8/29 m Cairo (1942) 8/16 h Dr. Jekyll and Mr. Hyde (1932) 8/31 c At the Circus (1939) 8/23 c California Split (1974) 8/10 h Dr. Jekyll and Mr. Hyde (1941) 8/29 w Attack (1956) 8/28 m Call of the Flesh (1930) 8/12 m Duchess of Idaho (1950) 8/8 D Autumn Sonata (1978) 8/29 c Calm Yourself (1935) 8/16 D Avalanche Express (1979) 8/28 m Can-Can (1960) 8/24 –––––––––––––––––––––– E ––––––––––––––––––––––– D The Candidate (1972) 8/18 D Early Summer (1951) 8/19 –––––––––––––––––––––– B ––––––––––––––––––––––– h The Canterville Ghost (1944) 8/16 D East Side, West Side (1949) 8/20 For more information on any movie D a m Easy to Love (1953) The Bad and the Beautiful (1952) 8/17 Captain Horatio Hornblower (1951) 8/14 8/8 playing this month, please search R y Bad Men of Missouri (1941) 8/25 R Casablanca (1942) 8/29 The Enchanted Cottage (1945) 8/16 the TCM Database at tcm.com. h Barbarella (1968) 8/13 m The Cat and the Fiddle (1934) 8/12 D The End of Summer (1961) 8/19 MOVIES A TO Z APRILAUGUST 2019 2021 –––––––––––––––––––––– ––––––––––––––––––––––– R English Without Tears (1944) 8/5 c I Married a Witch (1942) 8/31 L c Merton of the Movies (1947) 8/17 D Equus (1977) 8/2 D The Idiot (1951) 8/19 c The Lady Takes a Sailor (1949) 8/23 o MGM’s Big Parade of Comedy (1964) 8/7 c The Importance of Being Earnest (1952) 8/5 c Larceny, Inc. (1942) 8/25 D Middle of the Night (1959) 8/3 –––––––––––––––––––––– F ––––––––––––––––––––––– D In a Lonely Place (1950) 8/17 D The Last Castle (2001) 8/18 c A Midsummer Night’s Dream (1935) 8/30 R Fanny (1961) 8/24 R In the Cool of the Day (1963) 8/13 D Late Autumn (1960) 8/19 D Mildred Pierce (1945) 8/23 u Farewell, My Lovely (1975) 8/6 m In the Good Old Summertime (1949) 8/15 D Late Spring (1949) 8/19 m Million Dollar Mermaid (1952) 8/8 D The Five Pennies (1959) 8/4 D Inside Daisy Clover (1965) 8/18 D The Legend of Lylah Clare (1968) 8/3 R Miracle in the Rain (1956) 8/25 D Fluffy (1965) 8/26 R Intermezzo (1936) 8/29 w The Lion Has Wings (1939) 8/27 e Moby Dick (1956) 8/14 m Footlight Parade (1933) 8/30 c The Iron Petticoat (1956) 8/21 D The Lion in Winter (1968) 8/21 c The Mouse on the Moon (1963) 8/5 c Fun with Dick and Jane (1977) 8/10 c Island of Love (1963) 8/26 R Listen, Darling (1938) 8/15 u Murder Ahoy (1964) 8/5 m It Happened in Brooklyn (1947) 8/11 D The Long Gray Line (1955) 8/22 u Murder at the Gallop (1963) 8/5 –––––––––––––––––––––– G ––––––––––––––––––––––– R It’s Love Again (1936) 8/16 D Look Back in Anger (1959) 8/2 u Murder Most Foul (1964) 8/5 u Gaslight (1944) 8/29 c Lost in a Harem (1944) 8/7 u Murder, She Said (1961) 8/5 m Gigi (1958) 8/24 –––––––––––––––––––––– J ––––––––––––––––––––––– c Love Finds Andy Hardy (1938) 8/15 D My Bill (1938) 8/9 m Girl Crazy (1943) 8/15 c Jack and the Beanstalk (1952) 8/7 R Love in the Afternoon (1957) 8/24 –––––––––––––––––––––– ––––––––––––––––––––––– R Give Me Your Heart (1936) 8/9 o James Cagney: Top of the World (1992) 8/30 m Love Me or Leave Me (1955) 8/30 N D Glory Alley (1952) 8/4 D Jazz on a Summer’s Day (1959) 8/4 m Love Me Tonight (1932) 8/24 D The Natural (1984) 8/18 m Going Places (1938) 8/4 c Jessica (1961) 8/24 m The Love Parade (1929) 8/24 c Navy Blue and Gold (1937) 8/16 a The Golden Mask (1954) 8/20 D Jewel Robbery (1932) 8/9 m Lovely to Look At (1952) 8/11 m Neptune’s Daughter (1949) 8/8 z The Good Die Young (1954) 8/17 D Jezebel (1938) 8/1 c Lover Come Back (1961) 8/26 m New Orleans (1947) 8/4 D Goodbye Again (1961) 8/29 D Johnny Belinda (1948) 8/25 D The Lusty Men (1952) 8/6 D The Night of the Iguana (1964) 8/2 c The Goose and the Gander (1935) 8/9 c Johnny Doesn’t Live Here Anymore (1944) 8/6 R Lydia (1941) 8/27 D Night Song (1947) 8/27 D Gorky Park (1983) 8/28 z Johnny Eager (1942) 8/20 D Nightmare Alley (1947) 8/22 –––––––––––––––––––––– ––––––––––––––––––––––– u Grand Central Murder (1942) 8/20 D Journey for Margaret (1942) 8/16 M D No Regrets for Youth (1946) 8/19 c The Great Bank Robbery (1969) 8/3 D Journey to Italy (1954) 8/29 a Macao (1952) 8/6 y Northwest Passage (1940) 8/16 e Green Dolphin Street (1947) 8/20 m Jupiter’s Darling (1955) 8/8 D A Man Called Adam (1966) 8/4 c Nothing Sacred (1937) 8/31 u Guilty Hands (1931) 8/9 c Just My Luck (1957) 8/5 D The Man in the Gray Flannel Suit (1956) 8/14 c The Notorious Landlady (1962) 8/3 y Gunman’s Walk (1958) 8/20 D The Man with the Golden Arm (1956) 8/3 –––––––––––––––––––––– K ––––––––––––––––––––––– R Man Wanted (1932) 8/9 –––––––––––––––––––––– O ––––––––––––––––––––––– –––––––––––––––––––––– H ––––––––––––––––––––––– o Katharine Hepburn: All About Me (1993) 8/21 u Mandalay (1934) 8/9 c Obliging Young Lady (1941) 8/23 D H.M.
Recommended publications
  • Who's Who at Metro-Goldwyn-Mayer (1939)
    W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H.
    [Show full text]
  • Hold That Ghost in Late 1941 Milton Berle Was Said to Have Quipped, "Things Are Slow in Hollywood
    Those Slap-Happy Screamsters Go A’haunting! Saturday, October 23 at 2 & 8 pm only Abbott and Costello’s Hold That Ghost In late 1941 Milton Berle was said to have quipped, "Things are slow in Hollywood. Abbott and Costello haven't made a picture all day." And he was right. fter the smash success of their first starring feature,Buck Privates, (1941) burlesque and Aradio comics Bud Abbott and Lou Costello were the number one box office attraction in the country--and literally saved Universal Studios from bankruptcy. In fact, the only movie that outgrossed Buck Privates at the time was Gone with the Wind. Anxious to keep the team working, Universal Studios had already completed production on their next film, a non-music spoof of two popular film genres of the era--the Haunted House movie and Gangster melodrama--then titled Oh Charlie! (a reference to a running gag in the film where a dead gangster's body keeps turning up). But when the huge box office returns fromBuck Privates began rolling in, Universal temporarily shelved Oh Charlie! to put the team in an- other service themed follow-up, In the Navy. When they returned to Oh Charlie! , Universal discovered test audiences for the film wondered why the Andrews Sisters, who had been in the two previous hits, were absent in this one. So additional re-shoots were required to include the trio, now making it a horror/ comedy, with a couple of songs thrown in. The title was eventually changed to Hold That Ghost and became the third smash hit for Abbott and Costello that year, continuing a string of successes that would keep them among the top box office attractions for the next ten years and would also serve as the inspiration for another classic, 1948's Abbott and Costello Meet Frankenstein.
    [Show full text]
  • Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
    Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved.
    [Show full text]
  • Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
    http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music.
    [Show full text]
  • February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
    February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Lloyd Bacon WRITING Rian James and James Seymour wrote the screenplay with contributions from Whitney Bolton, based on a novel by Bradford Ropes. PRODUCER Darryl F. Zanuck CINEMATOGRAPHY Sol Polito EDITING Thomas Pratt and Frank Ware DANCE ENSEMBLE DESIGN Busby Berkeley The film was nominated for Best Picture and Best Sound at the 1934 Academy Awards. In 1998, the National Film Preservation Board entered the film into the National Film Registry. CAST Warner Baxter...Julian Marsh Bebe Daniels...Dorothy Brock George Brent...Pat Denning Knuckles (1927), She Couldn't Say No (1930), A Notorious Ruby Keeler...Peggy Sawyer Affair (1930), Moby Dick (1930), Gold Dust Gertie (1931), Guy Kibbee...Abner Dillon Manhattan Parade (1931), Fireman, Save My Child Una Merkel...Lorraine Fleming (1932), 42nd Street (1933), Mary Stevens, M.D. (1933), Ginger Rogers...Ann Lowell Footlight Parade (1933), Devil Dogs of the Air (1935), Ned Sparks...Thomas Barry Gold Diggers of 1937 (1936), San Quentin (1937), Dick Powell...Billy Lawler Espionage Agent (1939), Knute Rockne All American Allen Jenkins...Mac Elroy (1940), Action, the North Atlantic (1943), The Sullivans Edward J. Nugent...Terry (1944), You Were Meant for Me (1948), Give My Regards Robert McWade...Jones to Broadway (1948), It Happens Every Spring (1949), The George E.
    [Show full text]
  • Jazz and the Cultural Transformation of America in the 1920S
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive.
    [Show full text]
  • 2Friday 1Thursday 3Saturday 4Sunday 5Monday 6Tuesday 7Wednesday 8Thursday 9Friday 10Saturday
    JULY 2021 1THURSDAY 2FRIDAY DAYTIME THEME: DAYTIME THEME: TCM BIRTHDAY TRIBUTE: WILLIAM WYLER KEEPING THE KIDS BUSY PRIMETIME THEME: PRIMETIME THEME: SELVIS FRIDAY NIGHT NEO-NOIR Seeing Double 8:00 PM Harper (‘66) 8:00 PM Kissin’ Cousins (‘64) 10:15 PM Point Blank (‘67) 10:00 PM Double Trouble (‘67) 12:00 AM Warning Shot (‘67) 12:00 AM Clambake (‘67) 2:00 AM Live A Little, Love a Little (‘68) 3SATURDAY 4SUNDAY DAYTIME THEME: DAYTIME THEME: SATURDAY MATINEE HAPPY INDEPENDENCE DAY PRIMETIME THEME: PRIMETIME THEME: GABLE GOES WEST HAPPY INDEPENDENCE DAY 8:00 PM The Misfits (‘61) 8:00 PM Yankee Doodle Dandy (‘42) 10:15 PM The Tall Men (‘55) 10:15 PM 1776 (‘72) JULY JailhouseThes Stranger’s Rock(‘57) Return (‘33) S STAR OF THE MONTH: Elvis 5MONDAY 6TUESDAY 7WEDNESDAY P TCM SPOTLIGHT: Star Signs DAYTIME THEME: DAYTIME AND PRIMETIME THEME(S): DAYTIME THEME: MEET CUTES DAYTIME THEME: TY HARDIN TCM PREMIERE PRIMETIME THEME: SOMETHING ON THE SIDE PRIMETIME THEME: DIRECTED BY BRIAN DE PALMA PRIMETIME THEME: THE GREAT AMERICAN MIDDLE TWITTER EVENTS 8:00 PM The Bonfire of the Vanities (‘90) PSTAR SIGNS Small Town Dramas NOT AVAILABLE IN CANADA 10:15 PM Obsession (‘76) Fire Signs 8:00 PM Peyton Place (‘57) 12:00 AM Sisters (‘72) 8:00 PM The Cincinnati Kid (‘65) 10:45 PM Picnic (‘55) 1:45 AM Blow Out (‘81) (Steeve McQueen – Aries) 12:45 AM East of Eden (‘55) 4:00 AM Body Double (‘84) 10:00 PM The Long Long Trailer (‘59) 3:00 AM Kings Row (‘42) (Lucille Ball – Leo) 5:15 AM Our Town (‘40) 12:00 AM The Bad and the Beautiful (‘52) (Kirk Douglas–Sagittarius)
    [Show full text]
  • Nosferatu. Revista De Cine (Donostia Kultura)
    Nosferatu. Revista de cine (Donostia Kultura) Título: Índices Autor/es: Nosferatu Citar como: Nosferatu (1999). Índices. Donostia Kultura. Documento descargado de: http://hdl.handle.net/10251/41162 Copyright: Reserva de todos los derechos (NO CC) La digitalización de este artículo se enmarca dentro del proyecto "Estudio y análisis para el desarrollo de una red de conocimiento sobre estudios fílmicos a través de plataformas web 2.0", financiado por el Plan Nacional de I+D+i del Ministerio de Economía y Competitividad del Gobierno de España (código HAR2010-18648), con el apoyo de Biblioteca y Documentación Científica y del Área de Sistemas de Información y Comunicaciones (ASIC) del Vicerrectorado de las Tecnologías de la Información y de las Comunicaciones de la Universitat Politècnica de València. Entidades colaboradoras: • • lndice onomástico Adorée, Renée: 8, 80 Davies, Marion: 21, 22 Agee, James: 41 Davis, Bette: 32 Alessandrini, Goffredo: 50 Davis, Carl: 86 Andreiev: 94 De Laurentiis, Dino: 34, 79, 88 Arto, Florence: 15, 16, 17 DeMille, Cecil B.: 6, 15 Asquith, Anthony: 28 De Robertis: 8 De Santis, Giuseppe: 38 Baldelli, Pío: 13 De Sica, Vittorio: 8, 9 Barahona, Fernando: 45, 50 Del Río, Dolores: 25 Bardem, Juan Antonio: 45 Delahaye, Michael: 13, 36 Barrymore, Lionel: 26, 74 Delgado, Manuel: 53, 58 Barthes, Roland: 61 Dickinson, Emily: 41 Bazin, André: 9, 13 Dieterle, Wil!iam: 30, 73 Beauchamp, D.D.: 74 Donat, Robert: 28 , 65 Beery, Wallace: 11, 12, 25, 36,91 Donen, Stanley: 22 Berge, Catherine: 12 Donskoi, Mark: 38 Bergman, Andrew:
    [Show full text]
  • GSN Edition 01-01-13
    Happy New Year The MIDWEEK Tuesday, Jan. 1, 2013 Goodland1205 Main Avenue, Goodland, Star-News KS 67735 • Phone (785) 899-2338 $1 Volume 81, Number 01 8 Pages Goodland, Kansas 67735 weather report 21° 9 a.m. Saturday Today • Sunset, 4:34 p.m. Wednesday • Sunrise, 7:07 a.m. The dry conditions in 2012 contributed to numerous County Roads 20 and 54. The fire was one of several often hampered firefighting efforts. • Sunset, 4:35 p.m. fires, such as this one in a stubble field in June near believed to have been started by lightning. High winds Midday Conditions • Soil temperature 29 degrees • Humidity 54 percent • Sky sunny • Winds west 10 mph Drought, bricks are top stories • Barometer 30.23 inches and rising Was 2012 a year of great change? cember added to the total precipita- • Record High today 70° (1997) Or a year of the same-old same- tion. As of Dec. 28, Goodland had • Record Low today -15° (1928) old? A little bit of both as it turned seen 9.52 inches of precipitation out. The Goodland Star-News staff during 2012, making it not the dri- Last 24 Hours* has voted on the top 10 local news est year on record. The Blizzard on High Friday 27° stories of 2012. Stories 10 through Dec. 19 pushed Goodland over the Low Friday 1° six appeared in the Friday, Dec. 28, edge. 1956, which saw 9.19 inches, Precipitation none paper. The top five stories of the year remains the driest year. This month 0.50 appear below.
    [Show full text]
  • 1944-06-30, [P ]
    Friday, .Tune 3*), JQ44 THE TOLEDO UNION JOURNAL Page 5 ‘Dear Marfin Heard on a Hollywood Movie Set HOLLY WOOD — John News and Gossip of Stage and Serei n Conte and Marilyn Maxwell are enacting one of the j. - ■- <fr.:-;-UUZ;.,> . .ll . , ..■■j , f -r .. Lr „ — . .. romantic interludes in the Abbott and Costello starrer, Star I*refers Pie “Lost in a Harem," on &tage Stars Use Own Names 26 at M-G-M. «► As the scene begins, Ar Birthday ‘Cake’ , S mF k v i Conte takes Marilyn's hand HOLLYWOOD — Judy Gar­ In New Screen Vogue and says; {, .* diettjo, land defied tradition on her HOLLYWOOD (Special)—If a present trend continues in “I love you.” Hofljwood wri’ers may soon stop worrying about what names to “I’m — I’m speechless,” twenty-second birthday. ' ' I ’ says Marilyn. “As we say in At a family dinner tendered give their screen characters. Actors will simply use their own America, 'this is so sud­ the young star by her mother, names—as more and more of them are now doing. den'.” By TED TAYLOR Mrs. Ethel Gilmore, the familiar Take the instance of Jose Iturbi. He made his screen debat AmAmL W. birthday cake was conspicuous playing himself in "Thousads Cheer.” “After I have regained my throne, will you marry by its absence. Judy’s favorite In 20th Century Fox s Four Jills and a Jeep,” they prac- HOLLYWOOD (FP)—This fs probably the first ease on record dessert is chocolate pie. After tically dropped the traditional me?” Conte asks her. M-G-M Stars Two New “Yes,” repli“s Maralyn, as of a man nominating himself for a movie plot.
    [Show full text]
  • Published Sheet Music from the Rudy Vallee Collection
    Published Sheet Music from the Rudy Vallee Collection The Rudy Vallee collection contains almost 30.000 pieces of sheet music (about two thirds published and the rest manuscripts); about half of the titles are accessible through a database and we are presenting here the first ca. 2000 with full information. Song: 21 Guns for Susie (Boom! Boom! Boom!) Year: 1934 Composer: Myers, Richard Lyricist: Silverman, Al; Leslie, Bob; Leslie, Ken Arranger: Mason, Jack Song: 33rd Division March Year: 1928 Composer: Mader, Carl Song: About a Quarter to Nine From: Go into Your Dance (movie) Year: 1935 Composer: Warren, Harry Lyricist: Dubin, Al Arranger: Weirick, Paul Song: Ace of Clubs, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Diamonds, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Spades, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred K. Song: Actions (speak louder than words) Year: 1931 Composer: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Lyricist: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Arranger: Prince, Graham Song: Adios Year: 1931 Composer: Madriguera, Enric Lyricist: Woods, Eddie; Madriguera, Enric(Spanish translation) Arranger: Raph, Teddy Song: Adorable From: Adorable (movie) Year: 1933 Composer: Whiting, Richard A. Lyricist: Marion, George, Jr. Arranger: Mason, Jack; Rochette, J. (vocal trio) Song: African Lament (Lamento Africano) Year: 1931 Composer: Lecuona, Ernesto Lyricist: Gilbert, L. Wolfe Arranger: Katzman, Louis Song: African Lament (Lamento Africano)
    [Show full text]
  • Silhouettes of Stars, Players, and Directors of Warner Bros. Pictures
    library! THE MUSEUM 0F MODERN ART j Received: Scanned from the collection of The Museum of Modern Art Library Coordinated by the Media History Digital Library www.mediahistoryproject.org Funded by a donation from John McElwee Digitized by the Internet Archive in 2014 https://archive.org/details/silhouettesofstaOOunse I : SILHOUETTES Of Stars, Players, and Directors Of WARNER BROS. PICTURES, INC. LIBRARY THS MUSEUM OF MODERN ART Received: From in ?2 WARNER BROS. PICTURES, INC. jT* 321 West 44th Street New York City PRINTED IN U.S.A. FL >l 5-3 FOREWORD This unpretentious volume contains a wealth of material in bio- graphical form covering all important stars, players, and directors of Warner Bros. Pictures, Inc. It should be invaluable to the motion picture editor, or to anyone doing editorial work pertaining to motion pictures. This volume went to press in October, 1937. All data, therefore, is up-to-date, and most of it is accurate for several months to come. You will note that the end of each biography contains the list of pictures the player has been featured in. It is suggested that you — the editor — may keep each biography up to the minute as to performances by adding each new picture a star is cast in, as you receive a new announcement. TABLE OF CONTENTS How It All Began 1 Nagel, Anne 125 STARS AND PLAYERS O'Brien, Pat 127 O'Connell, Hugh 130 Acuff, Eddie 8 Oliver, Gordon 132 Aherne, Brian 9 O'Neill, Henry 134 Baker, Kenny 12 Perry, Linda 136 Blondell, Joan 16 Powell, Dick 138 Blondell, Gloria 20 Purcell, Dick 141 Bogart, Humphrey
    [Show full text]